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The Last Five Years (2015)

The Last Five Years poster
Theatrical Performance
Domestic Box Office $147,299Details
Home Market Performance
Est. Domestic DVD Sales $390,917 Details
Est. Domestic Blu-ray Sales $170,120 Details
Total Est. Domestic Video Sales $561,037
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A musical chronicling a love affair and marriage taking place over a five year period. Jordan is a young, talented up and coming novelist who falls in love with Cathy Hiatt, a struggling actress. Their story is told almost entirely through song. All of Cathy’s songs begin at the end of their marriage and move backwards in time to the beginning of their love affair, while Jamie’s songs start at the beginning of their affair and move forward to the end of their marriage. They meet in the center when Jamie proposes.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,601-10,700) 10,621 $147,299
All Time Worldwide Box Office (Rank 14,601-14,700) 14,683 $147,299
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,501-3,600) 3,600 $147,299

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$2,000,000
Domestic Releases: February 13th, 2015 (Limited) by RADiUS-TWC
Video Release: May 5th, 2015 by Anchor Bay Home Entertainment
MPAA Rating: PG-13 for sexual material, brief strong language and a drug image.
(Rating bulletin 2356, 1/14/2015)
Running Time: 94 minutes
Comparisons: vs. La La Land
Create your own comparison chart…
Keywords: Early / Simultaneous Video on Demand release, Jewish, Writing and Writers, Aspiring Actress / Actor, Interfaith Romance, Non-Chronological
Source:Based on Musical or Opera
Genre:Musical
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Radius TWC, Sh-K-Boom Entertainment, Lucky Monkey, The Exchange
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2015 Theater Average 69 $17,158 Feb 13, 2015 3

Leading Cast

   Cathy Hiatt
   Jamie Wellerstein

Supporting Cast

Sam Gilroy    Tattooed Actor
Marceline Hugot    Ms. Whitfield
Natalie Knepp    Alise Michaels
Nic Novicki    Karl the Gay Midget
Rafael Sardina    Richard
Sherie Rene Scott    Auditioner #1
Kurt Deutsch    Auditioner #2
Alan Simpson    Casting Assistant

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Richard LaGravenese    Screenwriter
Lauren Versel    Producer
Kurt Deutsch    Producer
Janet Brenner    Producer
Richard LaGravenese    Producer
Jason Robert Brown    Music and Lyrics By
Steve Norman    Co-Producer
Joel Blanco    Co-Producer
Laura Ivey    Executive Producer
Alan Simpson    Executive Producer
Brian O’Shea    Executive Producer
Donald Simpson    Executive Producer
Robert Immerman    Executive Producer
Paul Silver    Executive Producer
Sherie Rene Scott    Executive Producer
Ruth Mutch    Executive Producer
Craig Balsam    Executive Producer
Jen Namoff    Executive Producer
Geoffrey Soffer    Executive Producer
Steven Meizler    Director of Photography
Michael Fitzgerald    Production Designer
Sabine Hoffman    Editor
Ciera Wells    Costume Designer
Lawrence Manchester    Supervising Music Producer
Bernie Telsey    Casting Director
Tiffany Little Canfield    Casting Director

Per Theater Chart: Shadow Steals Spotlight in Its Debut

February 18th, 2015

What We Do in the Shadows poster

What We Do in the Shadows dominated the per theater chart earning an average of $41,778 in two theaters. This is high enough to suggest the film will be able to expand significantly. Additionally, its reviews are stunning, so its chances at box office success are even better. However, the comedy stylings of Jemaine Clement and Taika Waititi are not really mainstream and that might hurt its chances. The second place film on the per theater chart was the overall number one film, Fifty Shades of Grey, which earned an average of $23,360. The Last 5 Years was next with an average of $17,158 in three theaters. Gett: The Trial of Viviane Amsalem opened with an average of $12,105 in two theaters. Meanwhile, the second wide release of the week, Kingsman: The Secret Service, was the final film in the $10,000 club with an average of $11,300. More...

Limited Releases: Out of the Shadows

February 13th, 2015

What We Do in the Shadows poster

After two weeks of doing highlights for limited release, I'm thinking of sticking with the format. If the film can't get at least five reviews on Rotten Tomatoes, it likely won't find an audience in theaters. I was thinking of only talking about films with overwhelmingly positive reviews, but some weeks that would be none. This week, there are only two. What We Do in the Shadows (Reviews) and Gett: The Trial of Viviane Amsalem (Reviews). The latter has better reviews, but the former has more popular appeal. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/02/13 44 $51,475   3 $17,158   $51,475 1
2015/02/20 51 $38,677 -25% 36 $1,074   $99,028 2
2015/02/27 65 $20,211 -48% 25 $808   $147,299 3

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2015/02/13 - $12,900   6 $2,150   $12,900 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/02/13 51 $60,351   3 $20,117   $60,351 1
2015/02/20 53 $57,383 -5% 36 $1,594   $117,734 2
2015/02/27 70 $27,693 -52% 25 $1,108   $145,427 3

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
5/10/2015198,037 8,037$78,279$78,2791

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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