Last Breath (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $21,051,180 | Details |
| International Box Office | $2,441,551 | Details |
| Worldwide Box Office | $23,492,731 | |
| OpusData ID: 633940100 More info... | ||
| Further financial details... | ||
Synopsis
A film that follows seasoned deep-sea divers as they battle the raging elements to rescue their crewmate trapped hundreds of feet below the ocean’s surface.
Metrics
| Opening Weekend: | $7,851,190 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 89.6% (domestic box office/worldwide) |
| Production Budget: | $23,800,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 3,018 opening theaters/3,090 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,051,180 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by Focus Features |
| International Releases: | February 27th, 2025 (Limited) (Netherlands)
February 27th, 2025 (Limited), released as Resgate em Alto Mar (Portugal) February 27th, 2025 (Limited) (Croatia) February 28th, 2025 (Wide) (Turkey) March 10th, 2025 (Wide) (Denmark) ... Show all releases |
| Video Release: | March 18th, 2025 by Universal Home Entertainment |
| MPA Rating: | PG-13 for brief strong language. (Rating bulletin 2868 (cert #55014), 1/15/2025) |
| Running Time: | 96 minutes |
| Cast, crew, or production detail: | Remake |
| Filming location (country): | Malta |
| Plot point: | On a Boat, Rescue, Underwater |
| Subgenre: | Survival Drama |
| Source: | Based on Movie |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Focus Features, Dark Castle Entertainment, Longshot Features, Metfilm, FilmNation Entertainment, Aperture Media Partners, Thing 44, Floating Harbour |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 2 | $7,851,190 | 3,018 | $2,601 | $7,851,190 | 1 | |
| Mar 7, 2025 | 3 | $4,096,455 | -48% | 3,090 | $1,326 | $14,553,340 | 2 |
| Mar 14, 2025 | 10 | $2,296,580 | -44% | 2,661 | $863 | $18,559,400 | 3 |
| Mar 21, 2025 | 13 | $887,530 | -61% | 1,519 | $584 | $20,403,700 | 4 |
| Mar 28, 2025 | - | $175,465 | -80% | 437 | $402 | $20,932,835 | 5 |
| Apr 4, 2025 | - | $30,415 | -83% | 107 | $284 | $21,037,365 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2025 | P | $1,000,000 | 2,475 | $404 | $1,000,000 | |||
| Feb 28, 2025 | 2 | $3,055,080 | 3,018 | $1,012 | $3,055,080 | 1 | ||
| Mar 1, 2025 | 2 | $2,949,455 | -3% | 3,018 | $977 | $6,004,535 | 2 | |
| Mar 2, 2025 | 2 | $1,846,655 | -37% | 3,018 | $612 | $7,851,190 | 3 | |
| Mar 3, 2025 | 3 | $549,640 | -70% | 3,018 | $182 | $8,400,830 | 4 | |
| Mar 4, 2025 | 2 | $987,415 | +80% | 3,018 | $327 | $9,388,245 | 5 | |
| Mar 5, 2025 | - | $555,655 | -44% | 3,018 | $184 | $9,943,900 | 6 | |
| Mar 6, 2025 | 3 | $512,985 | -8% | 3,018 | $170 | $10,456,885 | 7 | |
| Mar 7, 2025 | 3 | $1,158,355 | +126% | -62% | 3,090 | $375 | $11,615,240 | 8 |
| Mar 8, 2025 | 3 | $1,858,860 | +60% | -37% | 3,090 | $602 | $13,474,100 | 9 |
| Mar 9, 2025 | 4 | $1,079,240 | -42% | -42% | 3,090 | $349 | $14,553,340 | 10 |
| Mar 10, 2025 | 4 | $367,030 | -66% | -33% | 3,090 | $119 | $14,920,370 | 11 |
| Mar 11, 2025 | 3 | $619,025 | +69% | -37% | 3,090 | $200 | $15,539,395 | 12 |
| Mar 12, 2025 | 6 | $386,120 | -38% | -31% | 3,090 | $125 | $15,925,515 | 13 |
| Mar 13, 2025 | 6 | $337,305 | -13% | -34% | 3,090 | $109 | $16,262,820 | 14 |
| Mar 14, 2025 | 10 | $644,385 | +91% | -44% | 2,661 | $242 | $16,907,205 | 15 |
| Mar 15, 2025 | 9 | $1,035,890 | +61% | -44% | 2,661 | $389 | $17,943,095 | 16 |
| Mar 16, 2025 | 10 | $616,305 | -41% | -43% | 2,661 | $232 | $18,559,400 | 17 |
| Mar 17, 2025 | 10 | $222,025 | -64% | -40% | 2,661 | $83 | $18,781,425 | 18 |
| Mar 18, 2025 | - | $352,815 | +59% | -43% | 2,661 | $133 | $19,134,240 | 19 |
| Mar 19, 2025 | 10 | $229,070 | -35% | -41% | 2,661 | $86 | $19,363,310 | 20 |
| Mar 20, 2025 | - | $152,860 | -33% | -55% | 2,661 | $57 | $19,516,170 | 21 |
| Mar 21, 2025 | - | $274,705 | +80% | -57% | 1,519 | $181 | $19,790,875 | 22 |
| Mar 22, 2025 | - | $394,035 | +43% | -62% | 1,519 | $259 | $20,184,910 | 23 |
| Mar 23, 2025 | - | $218,790 | -44% | -64% | 1,519 | $144 | $20,403,700 | 24 |
| Mar 24, 2025 | - | $87,745 | -60% | -60% | 1,519 | $58 | $20,491,445 | 25 |
| Mar 25, 2025 | - | $136,325 | +55% | -61% | 1,519 | $90 | $20,627,770 | 26 |
| Mar 26, 2025 | - | $83,285 | -39% | -64% | 1,519 | $55 | $20,711,055 | 27 |
| Mar 27, 2025 | - | $46,315 | -44% | -70% | 1,519 | $30 | $20,757,370 | 28 |
| Mar 28, 2025 | - | $55,835 | +21% | -80% | 437 | $128 | $20,813,205 | 29 |
| Mar 29, 2025 | - | $78,415 | +40% | -80% | 437 | $179 | $20,891,620 | 30 |
| Mar 30, 2025 | - | $41,215 | -47% | -81% | 437 | $94 | $20,932,835 | 31 |
| Mar 31, 2025 | - | $16,310 | -60% | -81% | 437 | $37 | $20,949,145 | 32 |
| Apr 1, 2025 | - | $28,080 | +72% | -79% | 437 | $64 | $20,977,225 | 33 |
| Apr 2, 2025 | - | $16,405 | -42% | -80% | 437 | $38 | $20,993,630 | 34 |
| Apr 3, 2025 | - | $13,320 | -19% | -71% | 437 | $30 | $21,006,950 | 35 |
| Apr 4, 2025 | - | $10,615 | -20% | -81% | 107 | $99 | $21,017,565 | 36 |
| Apr 5, 2025 | - | $13,280 | +25% | -83% | 107 | $124 | $21,030,845 | 37 |
| Apr 6, 2025 | - | $6,520 | -51% | -84% | 107 | $61 | $21,037,365 | 38 |
| Apr 7, 2025 | - | $3,085 | -53% | -81% | 107 | $29 | $21,040,450 | 39 |
| Apr 8, 2025 | - | $5,640 | +83% | -80% | 107 | $53 | $21,046,090 | 40 |
| Apr 9, 2025 | - | $2,745 | -51% | -83% | 107 | $26 | $21,048,835 | 41 |
| Apr 10, 2025 | - | $2,345 | -15% | -82% | 107 | $22 | $21,051,180 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 2 | $10,456,885 | 3,018 | $3,465 | $10,456,885 | 1 | |
| Mar 7, 2025 | 3 | $5,805,935 | -44% | 3,090 | $1,879 | $16,262,820 | 2 |
| Mar 14, 2025 | 10 | $3,253,350 | -44% | 2,661 | $1,223 | $19,516,170 | 3 |
| Mar 21, 2025 | 13 | $1,241,200 | -62% | 1,519 | $817 | $20,757,370 | 4 |
| Mar 28, 2025 | 21 | $249,580 | -80% | 437 | $571 | $21,006,950 | 5 |
| Apr 4, 2025 | 32 | $44,230 | -82% | 107 | $413 | $21,051,180 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 2/27/2025 | $23,054 | 38 | 38 | 117 | $74,444 | 4/4/2026 | |||
| Czech Republic | 3/20/2025 | $17,563 | 91 | 91 | 160 | $33,240 | 4/4/2026 | |||
| Italy | 9/4/2025 | $34,608 | 0 | 0 | 0 | $34,608 | 4/4/2026 | |||
| Netherlands | 2/27/2025 | $104,024 | 55 | 56 | 282 | $402,096 | 4/4/2026 | |||
| Portugal | 2/27/2025 | $43,004 | 46 | 46 | 103 | $125,165 | 4/4/2026 | |||
| Russia (CIS) | 4/10/2025 | $248,411 | 1,018 | 1,018 | 1,986 | $386,329 | 4/4/2026 | |||
| Slovakia | 3/20/2025 | $12,763 | 69 | 69 | 96 | $20,522 | 4/4/2026 | |||
| Spain | 8/29/2025 | $136,934 | 205 | 215 | 387 | $271,476 | 4/4/2026 | |||
| Turkey | 2/28/2025 | $22,617 | 133 | 133 | 158 | $37,328 | 4/6/2026 | |||
| United Kingdom | 3/14/2025 | $424,052 | 489 | 489 | 1,133 | $1,056,343 | 4/4/2026 | |||
| International Total | $2,441,551 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Woody Harrelson | Duncan Allcock | |
| Simu Liu | David Yuasa | |
| Finn Cole | Chris Lemons |
Supporting
| Cliff Curtis | Andre Jenson | |
| Mark Bonner | Craig, Dive Supervisor | |
| MyAnna Buring | Hanna, 1st Officer | |
| Connor Reed | John, ROV Pilot | |
| Bobby Rainsbury | Morag | |
| Josef Altin | Michel, Dynamic P. Officer | |
| Nick Biadon | Stuart (B team) | |
| Riz Khan | Kirk (B Team) | |
| Aldo Silvio | Brad (B Team) | |
| Kevin Naudi | Alex (C Team) | |
| Claudiu Baciu | Paul (C Team) | |
| Brett Murray | Nick (C Team) | |
| Muhammad Arnini Bin Ariffin | Jun | |
| Yaroslav Musii | Sat Tank Technician #1 | |
| Ramon Camilleri | Sat Tank Technician #2 |
Production and Technical Credits
| Alex Parkinson | Director | |
| Mitchell LaFortune | Screenwriter | |
| Alex Parkinson | Screenwriter | |
| David Brooks | Screenwriter | |
| Stewart Le Marechal | Producer | |
| Al Morrow | Producer | |
| Anna Mohr-Pietsch | Producer | |
| David Brooks | Producer | |
| Paul Brooks | Producer | |
| Jeremy Plager | Producer | |
| Hal Sadoff | Producer | |
| Paul Parker | Producer | |
| Norm Golightly | Producer | |
| Alastair Burlingham | Executive Producer | |
| Gary Raskin | Executive Producer | |
| Mitchell LaFortune | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Danny Mandel | Executive Producer | |
| Alex Parkinson | Executive Producer | |
| Jonny Persey | Executive Producer | |
| Dan Clifton | Executive Producer | |
| Richard da Costa | Executive Producer | |
| Daryl Katz | Executive Producer | |
| Chloe Katz | Executive Producer | |
| Nick Remy Matthews | Director of Photography | |
| Paul Marcaccio | Executive Producer | |
| Kelly Gallagher | Co-Producer | |
| Angus Lamont | Associate Producer | |
| Ian Seabrook | Underwater Director of Photography | |
| Ian Seabrook | Second Unit Director | |
| Grant Montgomery | Production Designer | |
| Tania Goding | Editor | |
| Glenn Holdbrook | Visual Effects Supervisor | |
| Vanessa Loh | Costume Designer | |
| Paul Leonard-Morgan | Composer | |
| Dan Hubbard | Casting Director | |
| Rory Okey | Casting Director | |
| Jules Chapman | Make-up and Hair Designer | |
| Nadiya Luthra | Post-Production Supervisor | |
| Dan Clifton | Line Producer | |
| Jude Campbell | First Assistant Director | |
| Kathleen De Brincat | Line Producer | |
| Tara Brownrigg | Production Supervisor | |
| Alan Muscat | Location Manager | |
| Sanda McKellar | Script Supervisor | |
| Rupert Hollier | Music Supervisor | |
| Danny Hargreaves | Special Effects Supervisor | |
| Aleksandar Bundalo | Sound Mixer | |
| Ben Baird | Sound Designer | |
| Ella Holmes | Additional Casting | |
| Paul Ward | Supervising Art Director | |
| Santiago Garcia | Set Designer | |
| Louis Vass | Set Designer | |
| Margot Cullen | Set Decorator | |
| Neil Maguire | Storyboard Artist | |
| Fleur Sciortino | Storyboard Artist | |
| Matt Stroud | Storyboard Artist | |
| Gina Bonello | Costume Supervisor | |
| Sam Blakeney-Edwards | First Assistant Editor | |
| Patryk Czekalski | First Assistant Editor | |
| Jack Wensley | Supervising Sound Editor | |
| Naomi Graham | Dialogue Editor | |
| Archie Lamont | Sound Editor | |
| Francesco Cimino | Sound Editor | |
| Sophie Hardman | Foley Mixer | |
| Ben Baird | Re-recording Mixer | |
| Morgan Chetcuti | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A film that follows seasoned deep-sea divers as they battle the raging elements to rescue their crewmate trapped hundreds of feet below the ocean’s surface.
Metrics
| Opening Weekend: | $7,851,190 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 89.6% (domestic box office/worldwide) |
| Production Budget: | $23,800,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 3,018 opening theaters/3,090 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,051,180 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by Focus Features |
| International Releases: | February 27th, 2025 (Limited) (Netherlands)
February 27th, 2025 (Limited), released as Resgate em Alto Mar (Portugal) February 27th, 2025 (Limited) (Croatia) February 28th, 2025 (Wide) (Turkey) March 10th, 2025 (Wide) (Denmark) ... Show all releases |
| Video Release: | March 18th, 2025 by Universal Home Entertainment |
| MPA Rating: | PG-13 for brief strong language. (Rating bulletin 2868 (cert #55014), 1/15/2025) |
| Running Time: | 96 minutes |
| Cast, crew, or production detail: | Remake |
| Filming location (country): | Malta |
| Plot point: | On a Boat, Rescue, Underwater |
| Subgenre: | Survival Drama |
| Source: | Based on Movie |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Focus Features, Dark Castle Entertainment, Longshot Features, Metfilm, FilmNation Entertainment, Aperture Media Partners, Thing 44, Floating Harbour |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 2 | $7,851,190 | 3,018 | $2,601 | $7,851,190 | 1 | |
| Mar 7, 2025 | 3 | $4,096,455 | -48% | 3,090 | $1,326 | $14,553,340 | 2 |
| Mar 14, 2025 | 10 | $2,296,580 | -44% | 2,661 | $863 | $18,559,400 | 3 |
| Mar 21, 2025 | 13 | $887,530 | -61% | 1,519 | $584 | $20,403,700 | 4 |
| Mar 28, 2025 | - | $175,465 | -80% | 437 | $402 | $20,932,835 | 5 |
| Apr 4, 2025 | - | $30,415 | -83% | 107 | $284 | $21,037,365 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2025 | P | $1,000,000 | 2,475 | $404 | $1,000,000 | |||
| Feb 28, 2025 | 2 | $3,055,080 | 3,018 | $1,012 | $3,055,080 | 1 | ||
| Mar 1, 2025 | 2 | $2,949,455 | -3% | 3,018 | $977 | $6,004,535 | 2 | |
| Mar 2, 2025 | 2 | $1,846,655 | -37% | 3,018 | $612 | $7,851,190 | 3 | |
| Mar 3, 2025 | 3 | $549,640 | -70% | 3,018 | $182 | $8,400,830 | 4 | |
| Mar 4, 2025 | 2 | $987,415 | +80% | 3,018 | $327 | $9,388,245 | 5 | |
| Mar 5, 2025 | - | $555,655 | -44% | 3,018 | $184 | $9,943,900 | 6 | |
| Mar 6, 2025 | 3 | $512,985 | -8% | 3,018 | $170 | $10,456,885 | 7 | |
| Mar 7, 2025 | 3 | $1,158,355 | +126% | -62% | 3,090 | $375 | $11,615,240 | 8 |
| Mar 8, 2025 | 3 | $1,858,860 | +60% | -37% | 3,090 | $602 | $13,474,100 | 9 |
| Mar 9, 2025 | 4 | $1,079,240 | -42% | -42% | 3,090 | $349 | $14,553,340 | 10 |
| Mar 10, 2025 | 4 | $367,030 | -66% | -33% | 3,090 | $119 | $14,920,370 | 11 |
| Mar 11, 2025 | 3 | $619,025 | +69% | -37% | 3,090 | $200 | $15,539,395 | 12 |
| Mar 12, 2025 | 6 | $386,120 | -38% | -31% | 3,090 | $125 | $15,925,515 | 13 |
| Mar 13, 2025 | 6 | $337,305 | -13% | -34% | 3,090 | $109 | $16,262,820 | 14 |
| Mar 14, 2025 | 10 | $644,385 | +91% | -44% | 2,661 | $242 | $16,907,205 | 15 |
| Mar 15, 2025 | 9 | $1,035,890 | +61% | -44% | 2,661 | $389 | $17,943,095 | 16 |
| Mar 16, 2025 | 10 | $616,305 | -41% | -43% | 2,661 | $232 | $18,559,400 | 17 |
| Mar 17, 2025 | 10 | $222,025 | -64% | -40% | 2,661 | $83 | $18,781,425 | 18 |
| Mar 18, 2025 | - | $352,815 | +59% | -43% | 2,661 | $133 | $19,134,240 | 19 |
| Mar 19, 2025 | 10 | $229,070 | -35% | -41% | 2,661 | $86 | $19,363,310 | 20 |
| Mar 20, 2025 | - | $152,860 | -33% | -55% | 2,661 | $57 | $19,516,170 | 21 |
| Mar 21, 2025 | - | $274,705 | +80% | -57% | 1,519 | $181 | $19,790,875 | 22 |
| Mar 22, 2025 | - | $394,035 | +43% | -62% | 1,519 | $259 | $20,184,910 | 23 |
| Mar 23, 2025 | - | $218,790 | -44% | -64% | 1,519 | $144 | $20,403,700 | 24 |
| Mar 24, 2025 | - | $87,745 | -60% | -60% | 1,519 | $58 | $20,491,445 | 25 |
| Mar 25, 2025 | - | $136,325 | +55% | -61% | 1,519 | $90 | $20,627,770 | 26 |
| Mar 26, 2025 | - | $83,285 | -39% | -64% | 1,519 | $55 | $20,711,055 | 27 |
| Mar 27, 2025 | - | $46,315 | -44% | -70% | 1,519 | $30 | $20,757,370 | 28 |
| Mar 28, 2025 | - | $55,835 | +21% | -80% | 437 | $128 | $20,813,205 | 29 |
| Mar 29, 2025 | - | $78,415 | +40% | -80% | 437 | $179 | $20,891,620 | 30 |
| Mar 30, 2025 | - | $41,215 | -47% | -81% | 437 | $94 | $20,932,835 | 31 |
| Mar 31, 2025 | - | $16,310 | -60% | -81% | 437 | $37 | $20,949,145 | 32 |
| Apr 1, 2025 | - | $28,080 | +72% | -79% | 437 | $64 | $20,977,225 | 33 |
| Apr 2, 2025 | - | $16,405 | -42% | -80% | 437 | $38 | $20,993,630 | 34 |
| Apr 3, 2025 | - | $13,320 | -19% | -71% | 437 | $30 | $21,006,950 | 35 |
| Apr 4, 2025 | - | $10,615 | -20% | -81% | 107 | $99 | $21,017,565 | 36 |
| Apr 5, 2025 | - | $13,280 | +25% | -83% | 107 | $124 | $21,030,845 | 37 |
| Apr 6, 2025 | - | $6,520 | -51% | -84% | 107 | $61 | $21,037,365 | 38 |
| Apr 7, 2025 | - | $3,085 | -53% | -81% | 107 | $29 | $21,040,450 | 39 |
| Apr 8, 2025 | - | $5,640 | +83% | -80% | 107 | $53 | $21,046,090 | 40 |
| Apr 9, 2025 | - | $2,745 | -51% | -83% | 107 | $26 | $21,048,835 | 41 |
| Apr 10, 2025 | - | $2,345 | -15% | -82% | 107 | $22 | $21,051,180 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 2 | $10,456,885 | 3,018 | $3,465 | $10,456,885 | 1 | |
| Mar 7, 2025 | 3 | $5,805,935 | -44% | 3,090 | $1,879 | $16,262,820 | 2 |
| Mar 14, 2025 | 10 | $3,253,350 | -44% | 2,661 | $1,223 | $19,516,170 | 3 |
| Mar 21, 2025 | 13 | $1,241,200 | -62% | 1,519 | $817 | $20,757,370 | 4 |
| Mar 28, 2025 | 21 | $249,580 | -80% | 437 | $571 | $21,006,950 | 5 |
| Apr 4, 2025 | 32 | $44,230 | -82% | 107 | $413 | $21,051,180 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 2/27/2025 | $23,054 | 38 | 38 | 117 | $74,444 | 4/4/2026 | |||
| Czech Republic | 3/20/2025 | $17,563 | 91 | 91 | 160 | $33,240 | 4/4/2026 | |||
| Italy | 9/4/2025 | $34,608 | 0 | 0 | 0 | $34,608 | 4/4/2026 | |||
| Netherlands | 2/27/2025 | $104,024 | 55 | 56 | 282 | $402,096 | 4/4/2026 | |||
| Portugal | 2/27/2025 | $43,004 | 46 | 46 | 103 | $125,165 | 4/4/2026 | |||
| Russia (CIS) | 4/10/2025 | $248,411 | 1,018 | 1,018 | 1,986 | $386,329 | 4/4/2026 | |||
| Slovakia | 3/20/2025 | $12,763 | 69 | 69 | 96 | $20,522 | 4/4/2026 | |||
| Spain | 8/29/2025 | $136,934 | 205 | 215 | 387 | $271,476 | 4/4/2026 | |||
| Turkey | 2/28/2025 | $22,617 | 133 | 133 | 158 | $37,328 | 4/6/2026 | |||
| United Kingdom | 3/14/2025 | $424,052 | 489 | 489 | 1,133 | $1,056,343 | 4/4/2026 | |||
| International Total | $2,441,551 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Woody Harrelson | Duncan Allcock | |
| Simu Liu | David Yuasa | |
| Finn Cole | Chris Lemons |
Supporting
| Cliff Curtis | Andre Jenson | |
| Mark Bonner | Craig, Dive Supervisor | |
| MyAnna Buring | Hanna, 1st Officer | |
| Connor Reed | John, ROV Pilot | |
| Bobby Rainsbury | Morag | |
| Josef Altin | Michel, Dynamic P. Officer | |
| Nick Biadon | Stuart (B team) | |
| Riz Khan | Kirk (B Team) | |
| Aldo Silvio | Brad (B Team) | |
| Kevin Naudi | Alex (C Team) | |
| Claudiu Baciu | Paul (C Team) | |
| Brett Murray | Nick (C Team) | |
| Muhammad Arnini Bin Ariffin | Jun | |
| Yaroslav Musii | Sat Tank Technician #1 | |
| Ramon Camilleri | Sat Tank Technician #2 |
Production and Technical Credits
| Alex Parkinson | Director | |
| Mitchell LaFortune | Screenwriter | |
| Alex Parkinson | Screenwriter | |
| David Brooks | Screenwriter | |
| Stewart Le Marechal | Producer | |
| Al Morrow | Producer | |
| Anna Mohr-Pietsch | Producer | |
| David Brooks | Producer | |
| Paul Brooks | Producer | |
| Jeremy Plager | Producer | |
| Hal Sadoff | Producer | |
| Paul Parker | Producer | |
| Norm Golightly | Producer | |
| Alastair Burlingham | Executive Producer | |
| Gary Raskin | Executive Producer | |
| Mitchell LaFortune | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Danny Mandel | Executive Producer | |
| Alex Parkinson | Executive Producer | |
| Jonny Persey | Executive Producer | |
| Dan Clifton | Executive Producer | |
| Richard da Costa | Executive Producer | |
| Daryl Katz | Executive Producer | |
| Chloe Katz | Executive Producer | |
| Nick Remy Matthews | Director of Photography | |
| Paul Marcaccio | Executive Producer | |
| Kelly Gallagher | Co-Producer | |
| Angus Lamont | Associate Producer | |
| Ian Seabrook | Underwater Director of Photography | |
| Ian Seabrook | Second Unit Director | |
| Grant Montgomery | Production Designer | |
| Tania Goding | Editor | |
| Glenn Holdbrook | Visual Effects Supervisor | |
| Vanessa Loh | Costume Designer | |
| Paul Leonard-Morgan | Composer | |
| Dan Hubbard | Casting Director | |
| Rory Okey | Casting Director | |
| Jules Chapman | Make-up and Hair Designer | |
| Nadiya Luthra | Post-Production Supervisor | |
| Dan Clifton | Line Producer | |
| Jude Campbell | First Assistant Director | |
| Kathleen De Brincat | Line Producer | |
| Tara Brownrigg | Production Supervisor | |
| Alan Muscat | Location Manager | |
| Sanda McKellar | Script Supervisor | |
| Rupert Hollier | Music Supervisor | |
| Danny Hargreaves | Special Effects Supervisor | |
| Aleksandar Bundalo | Sound Mixer | |
| Ben Baird | Sound Designer | |
| Ella Holmes | Additional Casting | |
| Paul Ward | Supervising Art Director | |
| Santiago Garcia | Set Designer | |
| Louis Vass | Set Designer | |
| Margot Cullen | Set Decorator | |
| Neil Maguire | Storyboard Artist | |
| Fleur Sciortino | Storyboard Artist | |
| Matt Stroud | Storyboard Artist | |
| Gina Bonello | Costume Supervisor | |
| Sam Blakeney-Edwards | First Assistant Editor | |
| Patryk Czekalski | First Assistant Editor | |
| Jack Wensley | Supervising Sound Editor | |
| Naomi Graham | Dialogue Editor | |
| Archie Lamont | Sound Editor | |
| Francesco Cimino | Sound Editor | |
| Sophie Hardman | Foley Mixer | |
| Ben Baird | Re-recording Mixer | |
| Morgan Chetcuti | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.