The Last Bus (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $2,770,263 | Details |
| Worldwide Box Office | $2,770,263 | |
| OpusData ID: 508230100 More info... | ||
| Further financial details... | ||
Synopsis
Life is a journey and The Last Bus takes our old soldier, 90-year-old Tom Harper on an epic trip from his home of fifty years — a remote village in the most northerly point of Scotland — back to the place he was born – close to England’s most southerly point. Battling against time, age and fate, desperate to keep a promise to his beloved wife Mary, our intrepid hero Tom embarks on an odyssey, revisiting his past, connecting with the modern world and a diverse, multi-cultural Britain he has never experienced. The Last Bus is a road movie; a film about love, loss and the human spirit. A film that reminds us we are not alone - and that we're all on this ride together…
Metrics
Movie Details
| Domestic Releases: | February 18th, 2022 (Limited) by Samuel Goldwyn Films October 1st, 2022 (Limited) by MK2 Mile End (Canada) |
| International Releases: | June 18th, 2021 (Wide), released as El ingles que cogio la maleta y se fue al fin del mundo (Spain)
August 27th, 2021 (Limited) (United Kingdom) November 4th, 2021 (Limited) (Australia) December 2nd, 2021 (Wide) (Switzerland) April 8th, 2022 (Wide) (South Africa) ... Show all releases |
| Video Release: | February 18th, 2022 by Samuel Goldwyn |
| Running Time: | 88 minutes |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Head Gear Films, Metrol Technology, Kreo Films, Quickfire Films, Creative Scotland, Lipsync Productions, Celsius Entertainment, Magnetic Productions, Hurricane Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/4/2021 | $0 | 0 | 89 | 232 | $183,276 | 10/18/2022 | |||
| Austria | 8/12/2022 | $7,253 | 15 | 18 | 68 | $49,525 | 4/4/2026 | |||
| Belgium | 7/6/2022 | $8,844 | 21 | 36 | 203 | $44,934 | 4/4/2026 | |||
| Brazil | 6/1/2023 | $10,226 | 21 | 21 | 98 | $39,717 | 4/4/2026 | |||
| Canada | 10/1/2022 | $635 | 1 | 5 | 24 | $30,130 | 12/7/2023 | |||
| Denmark | 8/4/2022 | $13,458 | 29 | 29 | 62 | $43,039 | 9/4/2022 | |||
| Finland | 9/29/2023 | $17,433 | 42 | 42 | 194 | $117,886 | 11/27/2023 | |||
| France | 8/21/2024 | $12,009 | 44 | 75 | 349 | $62,654 | 12/27/2024 | |||
| Germany | 8/11/2022 | $30,512 | 87 | 87 | 642 | $273,991 | 1/26/2023 | |||
| Italy | 1/25/2024 | $12,681 | 11 | 28 | 163 | $121,997 | 8/7/2024 | |||
| Japan | 6/3/2022 | $11,514 | 7 | 11 | 98 | $140,217 | 10/24/2022 | |||
| Netherlands | 7/21/2022 | $27,705 | 26 | 32 | 254 | $210,637 | 9/28/2022 | |||
| New Zealand | 4/14/2022 | $24,577 | 46 | 48 | 271 | $124,507 | 7/5/2022 | |||
| Norway | 6/17/2022 | $0 | 69 | 69 | 69 | $12,712 | 9/4/2022 | |||
| Portugal | 7/7/2022 | $2,857 | 13 | 13 | 23 | $8,358 | 8/3/2022 | |||
| South Africa | 4/8/2022 | $3,426 | 14 | 14 | 32 | $11,032 | 5/6/2022 | |||
| South Korea | 2/9/2023 | $3,188 | 22 | 22 | 53 | $164,797 | 5/8/2023 | |||
| Spain | 6/18/2021 | $29,409 | 47 | 47 | 114 | $72,867 | 4/4/2026 | |||
| Sweden | 6/10/2022 | $7,429 | 42 | 22 | 78 | $42,837 | 4/10/2024 | |||
| Switzerland | 12/2/2021 | $16,754 | 11 | 11 | 41 | $200,136 | 3/4/2022 | |||
| Switzerland (French Speaking) | 5/11/2022 | $0 | 12 | 16 | 57 | $20,223 | 9/6/2022 | |||
| United Kingdom | 8/27/2021 | $72,661 | 111 | 126 | 588 | $633,005 | 4/4/2026 | |||
| Rest of World | $161,786 | |||||||||
| International Total | $2,770,263 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Timothy Spall | Tom Harper |
Supporting
| Phyllis Logan | Mary | |
| Celyn Jones | Doctor Martin | |
| Brian Pettifer | Billy | |
| Grace Calder | Fran | |
| Iain Robertson | Andrey | |
| Colin McCredie | Graham | |
| Kevin Mains | Neil | |
| Garry Sweeney | Mo | |
| Matt Costello | Stuart |
Production and Technical Credits
| Gillies MacKinnon | Director | |
| Joe Ainsworth | Screenwriter | |
| Roy Boulter | Producer | |
| Solon Papadopoulos | Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| James Atherton | Executive Producer | |
| Jan Pace | Executive Producer | |
| Thierry Wase Bailey | Executive Producer | |
| Henriette Wollmann | Executive Producer | |
| Jennifer Armitage | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Timothy Spall | Executive Producer | |
| George Geddes | Director of Photography | |
| Andy Harris | Production Designer | |
| Anne Sopel | Editor | |
| Phil Croal | Sound Recordist | |
| Nick Lloyd Webber | Composer | |
| Gill Horn | Costume Designer | |
| Michelle Smith | Casting Director | |
| Patricia Rybarcyk | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Life is a journey and The Last Bus takes our old soldier, 90-year-old Tom Harper on an epic trip from his home of fifty years — a remote village in the most northerly point of Scotland — back to the place he was born – close to England’s most southerly point. Battling against time, age and fate, desperate to keep a promise to his beloved wife Mary, our intrepid hero Tom embarks on an odyssey, revisiting his past, connecting with the modern world and a diverse, multi-cultural Britain he has never experienced. The Last Bus is a road movie; a film about love, loss and the human spirit. A film that reminds us we are not alone - and that we're all on this ride together…
Metrics
Movie Details
| Domestic Releases: | February 18th, 2022 (Limited) by Samuel Goldwyn Films October 1st, 2022 (Limited) by MK2 Mile End (Canada) |
| International Releases: | June 18th, 2021 (Wide), released as El ingles que cogio la maleta y se fue al fin del mundo (Spain)
August 27th, 2021 (Limited) (United Kingdom) November 4th, 2021 (Limited) (Australia) December 2nd, 2021 (Wide) (Switzerland) April 8th, 2022 (Wide) (South Africa) ... Show all releases |
| Video Release: | February 18th, 2022 by Samuel Goldwyn |
| Running Time: | 88 minutes |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Head Gear Films, Metrol Technology, Kreo Films, Quickfire Films, Creative Scotland, Lipsync Productions, Celsius Entertainment, Magnetic Productions, Hurricane Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/4/2021 | $0 | 0 | 89 | 232 | $183,276 | 10/18/2022 | |||
| Austria | 8/12/2022 | $7,253 | 15 | 18 | 68 | $49,525 | 4/4/2026 | |||
| Belgium | 7/6/2022 | $8,844 | 21 | 36 | 203 | $44,934 | 4/4/2026 | |||
| Brazil | 6/1/2023 | $10,226 | 21 | 21 | 98 | $39,717 | 4/4/2026 | |||
| Canada | 10/1/2022 | $635 | 1 | 5 | 24 | $30,130 | 12/7/2023 | |||
| Denmark | 8/4/2022 | $13,458 | 29 | 29 | 62 | $43,039 | 9/4/2022 | |||
| Finland | 9/29/2023 | $17,433 | 42 | 42 | 194 | $117,886 | 11/27/2023 | |||
| France | 8/21/2024 | $12,009 | 44 | 75 | 349 | $62,654 | 12/27/2024 | |||
| Germany | 8/11/2022 | $30,512 | 87 | 87 | 642 | $273,991 | 1/26/2023 | |||
| Italy | 1/25/2024 | $12,681 | 11 | 28 | 163 | $121,997 | 8/7/2024 | |||
| Japan | 6/3/2022 | $11,514 | 7 | 11 | 98 | $140,217 | 10/24/2022 | |||
| Netherlands | 7/21/2022 | $27,705 | 26 | 32 | 254 | $210,637 | 9/28/2022 | |||
| New Zealand | 4/14/2022 | $24,577 | 46 | 48 | 271 | $124,507 | 7/5/2022 | |||
| Norway | 6/17/2022 | $0 | 69 | 69 | 69 | $12,712 | 9/4/2022 | |||
| Portugal | 7/7/2022 | $2,857 | 13 | 13 | 23 | $8,358 | 8/3/2022 | |||
| South Africa | 4/8/2022 | $3,426 | 14 | 14 | 32 | $11,032 | 5/6/2022 | |||
| South Korea | 2/9/2023 | $3,188 | 22 | 22 | 53 | $164,797 | 5/8/2023 | |||
| Spain | 6/18/2021 | $29,409 | 47 | 47 | 114 | $72,867 | 4/4/2026 | |||
| Sweden | 6/10/2022 | $7,429 | 42 | 22 | 78 | $42,837 | 4/10/2024 | |||
| Switzerland | 12/2/2021 | $16,754 | 11 | 11 | 41 | $200,136 | 3/4/2022 | |||
| Switzerland (French Speaking) | 5/11/2022 | $0 | 12 | 16 | 57 | $20,223 | 9/6/2022 | |||
| United Kingdom | 8/27/2021 | $72,661 | 111 | 126 | 588 | $633,005 | 4/4/2026 | |||
| Rest of World | $161,786 | |||||||||
| International Total | $2,770,263 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Timothy Spall | Tom Harper |
Supporting
| Phyllis Logan | Mary | |
| Celyn Jones | Doctor Martin | |
| Brian Pettifer | Billy | |
| Grace Calder | Fran | |
| Iain Robertson | Andrey | |
| Colin McCredie | Graham | |
| Kevin Mains | Neil | |
| Garry Sweeney | Mo | |
| Matt Costello | Stuart |
Production and Technical Credits
| Gillies MacKinnon | Director | |
| Joe Ainsworth | Screenwriter | |
| Roy Boulter | Producer | |
| Solon Papadopoulos | Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| James Atherton | Executive Producer | |
| Jan Pace | Executive Producer | |
| Thierry Wase Bailey | Executive Producer | |
| Henriette Wollmann | Executive Producer | |
| Jennifer Armitage | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Timothy Spall | Executive Producer | |
| George Geddes | Director of Photography | |
| Andy Harris | Production Designer | |
| Anne Sopel | Editor | |
| Phil Croal | Sound Recordist | |
| Nick Lloyd Webber | Composer | |
| Gill Horn | Costume Designer | |
| Michelle Smith | Casting Director | |
| Patricia Rybarcyk | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.