Last Looks (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $498,069 | Details |
| Worldwide Box Office | $498,069 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $291,594 | |
| Blu-ray Sales (estimated) | $137,860 | |
| Total | $429,454 | |
| OpusData ID: 374940100 More info... | ||
| Further financial details... | ||
Synopsis
Charlie Waldo is an ex-LAPD superstar who left the force and now lives a life of simplicity and solitude deep in the woods. Alistair Pinch is an eccentric actor who spends his days drunk on the set of his TV show. When Pinch’s wife is found dead, he is the prime suspect and Waldo is convinced to come out of retirement to investigate what happened. The case finds Waldo contending with gangsters, Hollywood executives and pre-school teachers, all in pursuit of clearing Pinch’s name … or confirming his guilt.
Metrics
Movie Details
| Domestic Releases: | February 4th, 2022 (Limited) by RLJ Entertainment |
| International Releases: | January 27th, 2022 (Wide), released as Вальдо (Russia (CIS))
May 12th, 2022 (Wide), released as Crime em Hollywood (Portugal) |
| Video Release: | February 4th, 2022 by RLJ |
| MPA Rating: | R for pervasive language. (Rating bulletin 2661 (cert #52940), 12/23/2020) |
| Running Time: | 111 minutes |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Off the Grid, Private Investigator, TV Actor |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | LAPD, Retirement |
| Subgenre: | Action Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Romulus Entertainment, Tango Films, Head Gear Films, Metrol Technology |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 5/12/2022 | $13,699 | 41 | 41 | 72 | $21,386 | 5/24/2022 | |||
| Russia (CIS) | 1/27/2022 | $255,740 | 1,237 | 1,237 | 1,896 | $395,620 | 4/4/2026 | |||
| Rest of World | $81,063 | |||||||||
| International Total | $498,069 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlie Hunnam | Charlie Waldo | |
| Morena Baccarin | Lorena Nascimento | |
| Mel Gibson | Alistair Pinch |
Supporting
| Lucy Fry | Jayne White | |
| Method Man | Swag Dogg | |
| Jacob Scipio | Don Q | |
| Clancy Brown | Big Jim Cuddy | |
| Dominic Monaghan | Warren Gomes | |
| Robin Givens | Fontella Davis | |
| David Pasquesi | Darius Jamshidi | |
| Paul Ben-Victor | Lt. Pete Conady | |
| Rupert Friend | WIlson Sikorsky |
Production and Technical Credits
| Tim Kirkby | Director | |
| Howard Michael Gould* | Screenwriter | |
| Howard Michael Gould* | Story based on the books by | |
| Andrew Lazar | Producer | |
| Christina Weiss Lurie | Producer | |
| Steven Shainberg | Producer | |
| Brad Feinstein | Producer | |
| Joseph Ingrassia | Executive Producer | |
| Brian Pitt | Executive Producer | |
| David Gendron | Executive Producer | |
| Ali Jazaveri | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Charlie Hunnam | Executive Producer | |
| Lyle Vincent | Director of Photography | |
| Jeremy Reed | Production Designer | |
| Joe Landauer | Editor | |
| Lynn Falconer | Costume Designer | |
| Peter Nashel | Composer | |
| Linda Cohen | Music Supervisor | |
| Nicole Abellera Hallman* | Casting Director | |
| Joulles Wright | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Charlie Waldo is an ex-LAPD superstar who left the force and now lives a life of simplicity and solitude deep in the woods. Alistair Pinch is an eccentric actor who spends his days drunk on the set of his TV show. When Pinch’s wife is found dead, he is the prime suspect and Waldo is convinced to come out of retirement to investigate what happened. The case finds Waldo contending with gangsters, Hollywood executives and pre-school teachers, all in pursuit of clearing Pinch’s name … or confirming his guilt.
Metrics
Movie Details
| Domestic Releases: | February 4th, 2022 (Limited) by RLJ Entertainment |
| International Releases: | January 27th, 2022 (Wide), released as Вальдо (Russia (CIS))
May 12th, 2022 (Wide), released as Crime em Hollywood (Portugal) |
| Video Release: | February 4th, 2022 by RLJ |
| MPA Rating: | R for pervasive language. (Rating bulletin 2661 (cert #52940), 12/23/2020) |
| Running Time: | 111 minutes |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Off the Grid, Private Investigator, TV Actor |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | LAPD, Retirement |
| Subgenre: | Action Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Romulus Entertainment, Tango Films, Head Gear Films, Metrol Technology |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 5/12/2022 | $13,699 | 41 | 41 | 72 | $21,386 | 5/24/2022 | |||
| Russia (CIS) | 1/27/2022 | $255,740 | 1,237 | 1,237 | 1,896 | $395,620 | 4/4/2026 | |||
| Rest of World | $81,063 | |||||||||
| International Total | $498,069 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlie Hunnam | Charlie Waldo | |
| Morena Baccarin | Lorena Nascimento | |
| Mel Gibson | Alistair Pinch |
Supporting
| Lucy Fry | Jayne White | |
| Method Man | Swag Dogg | |
| Jacob Scipio | Don Q | |
| Clancy Brown | Big Jim Cuddy | |
| Dominic Monaghan | Warren Gomes | |
| Robin Givens | Fontella Davis | |
| David Pasquesi | Darius Jamshidi | |
| Paul Ben-Victor | Lt. Pete Conady | |
| Rupert Friend | WIlson Sikorsky |
Production and Technical Credits
| Tim Kirkby | Director | |
| Howard Michael Gould* | Screenwriter | |
| Howard Michael Gould* | Story based on the books by | |
| Andrew Lazar | Producer | |
| Christina Weiss Lurie | Producer | |
| Steven Shainberg | Producer | |
| Brad Feinstein | Producer | |
| Joseph Ingrassia | Executive Producer | |
| Brian Pitt | Executive Producer | |
| David Gendron | Executive Producer | |
| Ali Jazaveri | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Charlie Hunnam | Executive Producer | |
| Lyle Vincent | Director of Photography | |
| Jeremy Reed | Production Designer | |
| Joe Landauer | Editor | |
| Lynn Falconer | Costume Designer | |
| Peter Nashel | Composer | |
| Linda Cohen | Music Supervisor | |
| Nicole Abellera Hallman* | Casting Director | |
| Joulles Wright | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.