Last Night in Soho (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $10,127,625 | Details |
| International Box Office | $12,439,982 | Details |
| Worldwide Box Office | $22,567,607 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $245,389 | |
| Blu-ray Sales (estimated) | $1,119,217 | |
| Total | $1,364,606 | |
| OpusData ID: 422380100 More info... | ||
| Further financial details... | ||
Synopsis
A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…
Metrics
| Opening Weekend: | $4,178,460 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 44.9% (domestic box office/worldwide) |
| Production Budget: | $43,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 3,016 opening theaters/3,016 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,910,163 |
Movie Details
| Domestic Releases: | October 29th, 2021 (Wide) by Focus Features |
| International Releases: | October 27th, 2021 (Wide) (France)
October 28th, 2021 (Wide) (Saudi Arabia) October 28th, 2021 (Wide), released as El Misterio De Soho (Mexico) October 28th, 2021 (Wide), released as 苏豪的最后一夜 (Hong Kong) October 28th, 2021 (Wide), released as A Noite Passada em Soho (Portugal) ... Show all releases |
| Video Release: | January 4th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for bloody violence, sexual content, language, brief drug material and brief graphic nudity. (Rating bulletin 2700 (cert #52238), 9/29/2021) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Geographical setting: | London |
| Plot point: | Body Swap, Time Travel |
| Subgenre: | Psychological Thriller |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Film4, Working Title Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 29, 2021 | 7 | $4,178,460 | 3,016 | $1,385 | $4,178,460 | 1 | |
| Nov 5, 2021 | 10 | $1,801,875 | -57% | 3,016 | $597 | $7,640,510 | 2 |
| Nov 12, 2021 | - | $839,355 | -53% | 1,341 | $626 | $9,366,235 | 3 |
| Nov 19, 2021 | - | $234,110 | -72% | 389 | $602 | $9,968,465 | 4 |
| Nov 26, 2021 | - | $53,255 | -77% | 110 | $484 | $10,107,485 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 29, 2021 | 5 | $1,907,305 | 3,016 | $632 | $1,907,305 | 1 | ||
| Oct 30, 2021 | 9 | $1,310,185 | -31% | 3,016 | $434 | $3,217,490 | 2 | |
| Oct 31, 2021 | 7 | $960,970 | -27% | 3,016 | $319 | $4,178,460 | 3 | |
| Nov 1, 2021 | - | $422,295 | -56% | 3,016 | $140 | $4,600,755 | 4 | |
| Nov 2, 2021 | 4 | $532,490 | +26% | 3,016 | $177 | $5,133,245 | 5 | |
| Nov 3, 2021 | 5 | $403,605 | -24% | 3,016 | $134 | $5,536,850 | 6 | |
| Nov 4, 2021 | - | $301,785 | -25% | 3,016 | $100 | $5,838,635 | 7 | |
| Nov 5, 2021 | 10 | $580,315 | +92% | -70% | 3,016 | $192 | $6,418,950 | 8 |
| Nov 6, 2021 | 10 | $749,060 | +29% | -43% | 3,016 | $248 | $7,168,010 | 9 |
| Nov 7, 2021 | 10 | $472,500 | -37% | -51% | 3,016 | $157 | $7,640,510 | 10 |
| Nov 8, 2021 | 8 | $183,570 | -61% | -57% | 3,016 | $61 | $7,824,080 | 11 |
| Nov 9, 2021 | 7 | $228,280 | +24% | -57% | 3,016 | $76 | $8,052,360 | 12 |
| Nov 10, 2021 | 9 | $207,040 | -9% | -49% | 3,016 | $69 | $8,259,400 | 13 |
| Nov 11, 2021 | 9 | $267,480 | +29% | -11% | 3,016 | $89 | $8,526,880 | 14 |
| Nov 12, 2021 | - | $274,320 | +3% | -53% | 1,341 | $205 | $8,801,200 | 15 |
| Nov 13, 2021 | - | $352,185 | +28% | -53% | 1,341 | $263 | $9,153,385 | 16 |
| Nov 14, 2021 | - | $212,850 | -40% | -55% | 1,341 | $159 | $9,366,235 | 17 |
| Nov 15, 2021 | - | $86,610 | -59% | -53% | 1,341 | $65 | $9,452,845 | 18 |
| Nov 16, 2021 | - | $113,385 | +31% | -50% | 1,341 | $85 | $9,566,230 | 19 |
| Nov 17, 2021 | 10 | $100,425 | -11% | -51% | 1,341 | $75 | $9,666,655 | 20 |
| Nov 18, 2021 | - | $67,700 | -33% | -75% | 1,341 | $50 | $9,734,355 | 21 |
| Nov 19, 2021 | - | $73,500 | +9% | -73% | 389 | $189 | $9,807,855 | 22 |
| Nov 20, 2021 | - | $95,620 | +30% | -73% | 389 | $246 | $9,903,475 | 23 |
| Nov 21, 2021 | - | $64,990 | -32% | -69% | 389 | $167 | $9,968,465 | 24 |
| Nov 22, 2021 | - | $36,610 | -44% | -58% | 389 | $94 | $10,005,075 | 25 |
| Nov 23, 2021 | - | $26,690 | -27% | -76% | 389 | $69 | $10,031,765 | 26 |
| Nov 24, 2021 | - | $12,460 | -53% | -88% | 110 | $113 | $10,044,225 | 27 |
| Nov 25, 2021 | - | $10,005 | -20% | -85% | 110 | $91 | $10,054,230 | 28 |
| Nov 26, 2021 | - | $18,860 | +89% | -74% | 110 | $171 | $10,073,090 | 29 |
| Nov 27, 2021 | - | $22,355 | +19% | -77% | 110 | $203 | $10,095,445 | 30 |
| Nov 28, 2021 | - | $12,040 | -46% | -81% | 110 | $109 | $10,107,485 | 31 |
| Nov 29, 2021 | - | $5,485 | -54% | -85% | 110 | $50 | $10,112,970 | 32 |
| Nov 30, 2021 | - | $8,680 | +58% | -67% | 110 | $79 | $10,121,650 | 33 |
| Dec 1, 2021 | - | $5,975 | -31% | -52% | 110 | $54 | $10,127,625 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 29, 2021 | 6 | $5,838,635 | 3,016 | $1,936 | $5,838,635 | 1 | |
| Nov 5, 2021 | - | $2,688,245 | -54% | 3,016 | $891 | $8,526,880 | 2 |
| Nov 12, 2021 | - | $1,207,475 | -55% | 1,341 | $900 | $9,734,355 | 3 |
| Nov 19, 2021 | - | $319,875 | -74% | 110 | $2,908 | $10,054,230 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/18/2021 | $40,000 | 80 | 80 | 80 | $40,000 | ||||
| Australia | 11/18/2021 | $309,665 | 249 | 249 | 668 | $844,980 | ||||
| Brazil | 11/18/2021 | $78,000 | 258 | 258 | 258 | $78,000 | ||||
| Croatia | 11/4/2021 | $0 | 0 | 1 | 2 | $21,315 | ||||
| Czech Republic | 11/12/2021 | $28,955 | 108 | 108 | 200 | $68,649 | ||||
| Denmark | 11/25/2021 | $21,000 | 49 | 49 | 49 | $21,000 | ||||
| Finland | 11/12/2021 | $29,336 | 54 | 54 | 128 | $81,468 | ||||
| France | 10/27/2021 | $309,000 | 189 | 189 | 390 | $614,000 | ||||
| Germany | 11/11/2021 | $376,000 | 273 | 273 | 545 | $628,000 | ||||
| Hong Kong | 10/28/2021 | $109,000 | 45 | 45 | 45 | $109,000 | ||||
| Indonesia | 11/5/2021 | $128,000 | 346 | 346 | 346 | $128,000 | ||||
| Italy | 11/4/2021 | $218,217 | 0 | 1 | 2 | $392,427 | ||||
| Japan | 12/10/2021 | $530,000 | 204 | 204 | 204 | $530,000 | ||||
| Mexico | 10/28/2021 | $248,163 | 0 | 140 | 140 | $793,870 | ||||
| Netherlands | 11/4/2021 | $88,700 | 74 | 74 | 289 | $338,704 | ||||
| New Zealand | 11/11/2021 | $37,086 | 59 | 59 | 219 | $118,285 | ||||
| Portugal | 10/28/2021 | $28,556 | 34 | 34 | 63 | $49,749 | ||||
| Romania | 10/29/2021 | $16,064 | 75 | 75 | 231 | $59,514 | ||||
| Russia (CIS) | 11/25/2021 | $269,231 | 919 | 919 | 1,758 | $581,201 | ||||
| Saudi Arabia | 10/28/2021 | $176,000 | 43 | 43 | 108 | $453,000 | ||||
| Singapore | 11/25/2021 | $34,000 | 30 | 30 | 30 | $34,000 | ||||
| Slovakia | 11/11/2021 | $11,927 | 47 | 47 | 85 | $25,408 | ||||
| South Africa | 11/25/2021 | $7,000 | 35 | 35 | 35 | $7,000 | ||||
| South Korea | 12/1/2021 | $145,383 | 498 | 498 | 711 | $382,248 | ||||
| Spain | 11/19/2021 | $232,851 | 295 | 300 | 688 | $487,601 | ||||
| Sweden | 11/12/2021 | $49,000 | 121 | 121 | 121 | $49,000 | ||||
| Taiwan | 11/12/2021 | $75,000 | 86 | 86 | 86 | $75,000 | ||||
| Thailand | 12/9/2021 | $36,000 | 57 | 57 | 57 | $36,000 | ||||
| Trinidad | 11/19/2021 | $2,000 | 9 | 9 | 9 | $2,000 | ||||
| Turkey | 11/12/2021 | $19,108 | 76 | 94 | 289 | $47,168 | ||||
| United Kingdom | 10/29/2021 | $1,001,711 | 513 | 513 | 1,822 | $3,135,261 | ||||
| Rest of World | $2,208,134 | |||||||||
| International Total | $12,439,982 | |||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Thomasin McKenzie | Eloise Turner | |
| Anya Taylor-Joy | Sandie | |
| Matt Smith | Jack | |
| Michael Ajao | John |
Supporting
| Dame Diana Rigg* | Miss Collins | |
| Terence Stamp | Silver Haired Gentleman | |
| Rita Tushingham | Peggy Turner | |
| Synnøve Karlsen | Jocasta | |
| Jessie Mei Li | Lara | |
| Kassius Nelson | Cami | |
| Rebecca Harrod | Ashley | |
| Margaret Nolan | Sage Barmaid | |
| Lisa McGrillis | Female Detective | |
| James Phelps | Charles | |
| Oliver Phelps | Ben | |
| Amieé Cassettari | Eloise’s Mother | |
| Colin Mace | Taxi Driver #1 | |
| Alan Mahon | Toucan Bartender | |
| Connor Calland | Drunk Student | |
| Pauline McLynn | Carol | |
| Josh Zaré | Student at Party | |
| Jacqui-Lee Pryce | College Administrator | |
| Elizabeth Berrington | Ms Tobin | |
| Beth Singh | Cilla Black | |
| Paul Brightwell | Cubby | |
| Will Rogers | Café de Paris Bartender | |
| Terence Frisch | Rialto Club Owner | |
| Celeste Dring | Shop Assistant | |
| Jeanie Wishes | Marionetta | |
| Andrew Bicknell | Mr Pointer | |
| Adam Sopp | Toucan Drunk | |
| Richard Corgan | Toucan Drunk’s Mate | |
| Michael Mears | Punter #1 | |
| Tom Hartwell | Punter #2 | |
| Paul Hamilton | Punter #3 | |
| Wayne Cater | Punter #4 | |
| Sam Parks | Punter #6 | |
| Alan Ruscoe | Punter #7 | |
| Christopher Carrico | Additional Punters | |
| Ian Harrod | Additional Punters | |
| Ian Hartley | Additional Punters | |
| Luke Hope | Additional Punters | |
| Kent Goldfinch | Additional Punters | |
| Maggott Richard* | Additional Punters | |
| O'Sullivan* | Additional Punters | |
| Michael Jibson | Male Detective | |
| Al Roberts | Librarian | |
| Derek Lea | Taxi Driver #2 | |
| Jennifer White | Choreographer | |
| Melissa Fox | Rialto Dancers | |
| Jodie Hassell | Rialto Dancers | |
| Stephanie Lamey | Rialto Dancers | |
| Amy Andrea Murray | Rialto Dancers | |
| Alison Parsons | Rialto Dancers | |
| Ashley Shaw | Rialto Dancers |
Production and Technical Credits
| Edgar Wright | Director | |
| Edgar Wright | Story by | |
| Edgar Wright | Screenwriter | |
| Krysty Wilson-Cairns | Screenwriter | |
| Nira Park | Producer | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Edgar Wright | Producer | |
| James Biddle | Executive Producer | |
| Rachael Prior | Executive Producer | |
| Daniel Battsek | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Chung Chung-hoon | Director of Photography | |
| Marcus Rowland | Production Designer | |
| Paul Machliss | Editor | |
| Odile Dicks-Mireaux | Costume Designer | |
| Lizzie Yianni Georgiou | Make-up and Hair Designer | |
| Steven Price | Music | |
| Tom Proctor | Visual Effects Supervisor | |
| Nina Gold | Casting | |
| Martin Ware | Casting | |
| Jeremy Burnage | Unit Production Manager | |
| Richard Graysmark | First Assistant Director | |
| David Forman | Stunt Coordinator | |
| Leo Thompson | Associate Producer | |
| Miranda Jones | Post-Production Supervisor | |
| Jeremy Lovering | Second Unit Director | |
| Oliver Curtis | Second Unit Director of Phot | |
| Camilla Stephenson | Supervising Location Manager | |
| Jude Farr | Set Decorator | |
| Jerry Ramsbottom | First Assistant Editor | |
| Paula Casarin | Script Supervisor | |
| Laura Richardson | Associate Producer | |
| Colin Nicolson | Production Sound Mixer | |
| Julian Slater | Supervising Sound Editor | |
| Dan Morgan | Supervising Sound Editor | |
| Kirsten Lane | Music Supervisor | |
| Stephen Hutchinson | Special Effects Supervisor | |
| Tim Blake | Supervising Art Director | |
| Victoria Allwood | Art Director | |
| Katie Money | Art Director | |
| Emily Norris | Art Director | |
| Alex Watherston | Costume Supervisor | |
| Barrie Gower | Prosthetics Designer | |
| Bradley Farmer | Music Editor | |
| Lisa Curry | Production Supervisor | |
| Jeremy Price | Sound Designer | |
| Ben Meechan | Sound Designer | |
| Samir Foco | Sound Effects Editor | |
| Arthur Graley | Sound Effects Editor | |
| Paul Pirola | Foley Supervisor | |
| Brendan Croxon | Foley Editor | |
| Duncan Campbell | Foley Recordist | |
| Danny Huerta | VFX Producer | |
| Kate Warburton | VFX Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…
Metrics
| Opening Weekend: | $4,178,460 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 44.9% (domestic box office/worldwide) |
| Production Budget: | $43,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 3,016 opening theaters/3,016 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,910,163 |
Movie Details
| Domestic Releases: | October 29th, 2021 (Wide) by Focus Features |
| International Releases: | October 27th, 2021 (Wide) (France)
October 28th, 2021 (Wide) (Saudi Arabia) October 28th, 2021 (Wide), released as El Misterio De Soho (Mexico) October 28th, 2021 (Wide), released as 苏豪的最后一夜 (Hong Kong) October 28th, 2021 (Wide), released as A Noite Passada em Soho (Portugal) ... Show all releases |
| Video Release: | January 4th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for bloody violence, sexual content, language, brief drug material and brief graphic nudity. (Rating bulletin 2700 (cert #52238), 9/29/2021) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Geographical setting: | London |
| Plot point: | Body Swap, Time Travel |
| Subgenre: | Psychological Thriller |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Film4, Working Title Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 29, 2021 | 7 | $4,178,460 | 3,016 | $1,385 | $4,178,460 | 1 | |
| Nov 5, 2021 | 10 | $1,801,875 | -57% | 3,016 | $597 | $7,640,510 | 2 |
| Nov 12, 2021 | - | $839,355 | -53% | 1,341 | $626 | $9,366,235 | 3 |
| Nov 19, 2021 | - | $234,110 | -72% | 389 | $602 | $9,968,465 | 4 |
| Nov 26, 2021 | - | $53,255 | -77% | 110 | $484 | $10,107,485 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 29, 2021 | 5 | $1,907,305 | 3,016 | $632 | $1,907,305 | 1 | ||
| Oct 30, 2021 | 9 | $1,310,185 | -31% | 3,016 | $434 | $3,217,490 | 2 | |
| Oct 31, 2021 | 7 | $960,970 | -27% | 3,016 | $319 | $4,178,460 | 3 | |
| Nov 1, 2021 | - | $422,295 | -56% | 3,016 | $140 | $4,600,755 | 4 | |
| Nov 2, 2021 | 4 | $532,490 | +26% | 3,016 | $177 | $5,133,245 | 5 | |
| Nov 3, 2021 | 5 | $403,605 | -24% | 3,016 | $134 | $5,536,850 | 6 | |
| Nov 4, 2021 | - | $301,785 | -25% | 3,016 | $100 | $5,838,635 | 7 | |
| Nov 5, 2021 | 10 | $580,315 | +92% | -70% | 3,016 | $192 | $6,418,950 | 8 |
| Nov 6, 2021 | 10 | $749,060 | +29% | -43% | 3,016 | $248 | $7,168,010 | 9 |
| Nov 7, 2021 | 10 | $472,500 | -37% | -51% | 3,016 | $157 | $7,640,510 | 10 |
| Nov 8, 2021 | 8 | $183,570 | -61% | -57% | 3,016 | $61 | $7,824,080 | 11 |
| Nov 9, 2021 | 7 | $228,280 | +24% | -57% | 3,016 | $76 | $8,052,360 | 12 |
| Nov 10, 2021 | 9 | $207,040 | -9% | -49% | 3,016 | $69 | $8,259,400 | 13 |
| Nov 11, 2021 | 9 | $267,480 | +29% | -11% | 3,016 | $89 | $8,526,880 | 14 |
| Nov 12, 2021 | - | $274,320 | +3% | -53% | 1,341 | $205 | $8,801,200 | 15 |
| Nov 13, 2021 | - | $352,185 | +28% | -53% | 1,341 | $263 | $9,153,385 | 16 |
| Nov 14, 2021 | - | $212,850 | -40% | -55% | 1,341 | $159 | $9,366,235 | 17 |
| Nov 15, 2021 | - | $86,610 | -59% | -53% | 1,341 | $65 | $9,452,845 | 18 |
| Nov 16, 2021 | - | $113,385 | +31% | -50% | 1,341 | $85 | $9,566,230 | 19 |
| Nov 17, 2021 | 10 | $100,425 | -11% | -51% | 1,341 | $75 | $9,666,655 | 20 |
| Nov 18, 2021 | - | $67,700 | -33% | -75% | 1,341 | $50 | $9,734,355 | 21 |
| Nov 19, 2021 | - | $73,500 | +9% | -73% | 389 | $189 | $9,807,855 | 22 |
| Nov 20, 2021 | - | $95,620 | +30% | -73% | 389 | $246 | $9,903,475 | 23 |
| Nov 21, 2021 | - | $64,990 | -32% | -69% | 389 | $167 | $9,968,465 | 24 |
| Nov 22, 2021 | - | $36,610 | -44% | -58% | 389 | $94 | $10,005,075 | 25 |
| Nov 23, 2021 | - | $26,690 | -27% | -76% | 389 | $69 | $10,031,765 | 26 |
| Nov 24, 2021 | - | $12,460 | -53% | -88% | 110 | $113 | $10,044,225 | 27 |
| Nov 25, 2021 | - | $10,005 | -20% | -85% | 110 | $91 | $10,054,230 | 28 |
| Nov 26, 2021 | - | $18,860 | +89% | -74% | 110 | $171 | $10,073,090 | 29 |
| Nov 27, 2021 | - | $22,355 | +19% | -77% | 110 | $203 | $10,095,445 | 30 |
| Nov 28, 2021 | - | $12,040 | -46% | -81% | 110 | $109 | $10,107,485 | 31 |
| Nov 29, 2021 | - | $5,485 | -54% | -85% | 110 | $50 | $10,112,970 | 32 |
| Nov 30, 2021 | - | $8,680 | +58% | -67% | 110 | $79 | $10,121,650 | 33 |
| Dec 1, 2021 | - | $5,975 | -31% | -52% | 110 | $54 | $10,127,625 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 29, 2021 | 6 | $5,838,635 | 3,016 | $1,936 | $5,838,635 | 1 | |
| Nov 5, 2021 | - | $2,688,245 | -54% | 3,016 | $891 | $8,526,880 | 2 |
| Nov 12, 2021 | - | $1,207,475 | -55% | 1,341 | $900 | $9,734,355 | 3 |
| Nov 19, 2021 | - | $319,875 | -74% | 110 | $2,908 | $10,054,230 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/18/2021 | $40,000 | 80 | 80 | 80 | $40,000 | ||||
| Australia | 11/18/2021 | $309,665 | 249 | 249 | 668 | $844,980 | ||||
| Brazil | 11/18/2021 | $78,000 | 258 | 258 | 258 | $78,000 | ||||
| Croatia | 11/4/2021 | $0 | 0 | 1 | 2 | $21,315 | ||||
| Czech Republic | 11/12/2021 | $28,955 | 108 | 108 | 200 | $68,649 | ||||
| Denmark | 11/25/2021 | $21,000 | 49 | 49 | 49 | $21,000 | ||||
| Finland | 11/12/2021 | $29,336 | 54 | 54 | 128 | $81,468 | ||||
| France | 10/27/2021 | $309,000 | 189 | 189 | 390 | $614,000 | ||||
| Germany | 11/11/2021 | $376,000 | 273 | 273 | 545 | $628,000 | ||||
| Hong Kong | 10/28/2021 | $109,000 | 45 | 45 | 45 | $109,000 | ||||
| Indonesia | 11/5/2021 | $128,000 | 346 | 346 | 346 | $128,000 | ||||
| Italy | 11/4/2021 | $218,217 | 0 | 1 | 2 | $392,427 | ||||
| Japan | 12/10/2021 | $530,000 | 204 | 204 | 204 | $530,000 | ||||
| Mexico | 10/28/2021 | $248,163 | 0 | 140 | 140 | $793,870 | ||||
| Netherlands | 11/4/2021 | $88,700 | 74 | 74 | 289 | $338,704 | ||||
| New Zealand | 11/11/2021 | $37,086 | 59 | 59 | 219 | $118,285 | ||||
| Portugal | 10/28/2021 | $28,556 | 34 | 34 | 63 | $49,749 | ||||
| Romania | 10/29/2021 | $16,064 | 75 | 75 | 231 | $59,514 | ||||
| Russia (CIS) | 11/25/2021 | $269,231 | 919 | 919 | 1,758 | $581,201 | ||||
| Saudi Arabia | 10/28/2021 | $176,000 | 43 | 43 | 108 | $453,000 | ||||
| Singapore | 11/25/2021 | $34,000 | 30 | 30 | 30 | $34,000 | ||||
| Slovakia | 11/11/2021 | $11,927 | 47 | 47 | 85 | $25,408 | ||||
| South Africa | 11/25/2021 | $7,000 | 35 | 35 | 35 | $7,000 | ||||
| South Korea | 12/1/2021 | $145,383 | 498 | 498 | 711 | $382,248 | ||||
| Spain | 11/19/2021 | $232,851 | 295 | 300 | 688 | $487,601 | ||||
| Sweden | 11/12/2021 | $49,000 | 121 | 121 | 121 | $49,000 | ||||
| Taiwan | 11/12/2021 | $75,000 | 86 | 86 | 86 | $75,000 | ||||
| Thailand | 12/9/2021 | $36,000 | 57 | 57 | 57 | $36,000 | ||||
| Trinidad | 11/19/2021 | $2,000 | 9 | 9 | 9 | $2,000 | ||||
| Turkey | 11/12/2021 | $19,108 | 76 | 94 | 289 | $47,168 | ||||
| United Kingdom | 10/29/2021 | $1,001,711 | 513 | 513 | 1,822 | $3,135,261 | ||||
| Rest of World | $2,208,134 | |||||||||
| International Total | $12,439,982 | |||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Thomasin McKenzie | Eloise Turner | |
| Anya Taylor-Joy | Sandie | |
| Matt Smith | Jack | |
| Michael Ajao | John |
Supporting
| Dame Diana Rigg* | Miss Collins | |
| Terence Stamp | Silver Haired Gentleman | |
| Rita Tushingham | Peggy Turner | |
| Synnøve Karlsen | Jocasta | |
| Jessie Mei Li | Lara | |
| Kassius Nelson | Cami | |
| Rebecca Harrod | Ashley | |
| Margaret Nolan | Sage Barmaid | |
| Lisa McGrillis | Female Detective | |
| James Phelps | Charles | |
| Oliver Phelps | Ben | |
| Amieé Cassettari | Eloise’s Mother | |
| Colin Mace | Taxi Driver #1 | |
| Alan Mahon | Toucan Bartender | |
| Connor Calland | Drunk Student | |
| Pauline McLynn | Carol | |
| Josh Zaré | Student at Party | |
| Jacqui-Lee Pryce | College Administrator | |
| Elizabeth Berrington | Ms Tobin | |
| Beth Singh | Cilla Black | |
| Paul Brightwell | Cubby | |
| Will Rogers | Café de Paris Bartender | |
| Terence Frisch | Rialto Club Owner | |
| Celeste Dring | Shop Assistant | |
| Jeanie Wishes | Marionetta | |
| Andrew Bicknell | Mr Pointer | |
| Adam Sopp | Toucan Drunk | |
| Richard Corgan | Toucan Drunk’s Mate | |
| Michael Mears | Punter #1 | |
| Tom Hartwell | Punter #2 | |
| Paul Hamilton | Punter #3 | |
| Wayne Cater | Punter #4 | |
| Sam Parks | Punter #6 | |
| Alan Ruscoe | Punter #7 | |
| Christopher Carrico | Additional Punters | |
| Ian Harrod | Additional Punters | |
| Ian Hartley | Additional Punters | |
| Luke Hope | Additional Punters | |
| Kent Goldfinch | Additional Punters | |
| Maggott Richard* | Additional Punters | |
| O'Sullivan* | Additional Punters | |
| Michael Jibson | Male Detective | |
| Al Roberts | Librarian | |
| Derek Lea | Taxi Driver #2 | |
| Jennifer White | Choreographer | |
| Melissa Fox | Rialto Dancers | |
| Jodie Hassell | Rialto Dancers | |
| Stephanie Lamey | Rialto Dancers | |
| Amy Andrea Murray | Rialto Dancers | |
| Alison Parsons | Rialto Dancers | |
| Ashley Shaw | Rialto Dancers |
Production and Technical Credits
| Edgar Wright | Director | |
| Edgar Wright | Story by | |
| Edgar Wright | Screenwriter | |
| Krysty Wilson-Cairns | Screenwriter | |
| Nira Park | Producer | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Edgar Wright | Producer | |
| James Biddle | Executive Producer | |
| Rachael Prior | Executive Producer | |
| Daniel Battsek | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Chung Chung-hoon | Director of Photography | |
| Marcus Rowland | Production Designer | |
| Paul Machliss | Editor | |
| Odile Dicks-Mireaux | Costume Designer | |
| Lizzie Yianni Georgiou | Make-up and Hair Designer | |
| Steven Price | Music | |
| Tom Proctor | Visual Effects Supervisor | |
| Nina Gold | Casting | |
| Martin Ware | Casting | |
| Jeremy Burnage | Unit Production Manager | |
| Richard Graysmark | First Assistant Director | |
| David Forman | Stunt Coordinator | |
| Leo Thompson | Associate Producer | |
| Miranda Jones | Post-Production Supervisor | |
| Jeremy Lovering | Second Unit Director | |
| Oliver Curtis | Second Unit Director of Phot | |
| Camilla Stephenson | Supervising Location Manager | |
| Jude Farr | Set Decorator | |
| Jerry Ramsbottom | First Assistant Editor | |
| Paula Casarin | Script Supervisor | |
| Laura Richardson | Associate Producer | |
| Colin Nicolson | Production Sound Mixer | |
| Julian Slater | Supervising Sound Editor | |
| Dan Morgan | Supervising Sound Editor | |
| Kirsten Lane | Music Supervisor | |
| Stephen Hutchinson | Special Effects Supervisor | |
| Tim Blake | Supervising Art Director | |
| Victoria Allwood | Art Director | |
| Katie Money | Art Director | |
| Emily Norris | Art Director | |
| Alex Watherston | Costume Supervisor | |
| Barrie Gower | Prosthetics Designer | |
| Bradley Farmer | Music Editor | |
| Lisa Curry | Production Supervisor | |
| Jeremy Price | Sound Designer | |
| Ben Meechan | Sound Designer | |
| Samir Foco | Sound Effects Editor | |
| Arthur Graley | Sound Effects Editor | |
| Paul Pirola | Foley Supervisor | |
| Brendan Croxon | Foley Editor | |
| Duncan Campbell | Foley Recordist | |
| Danny Huerta | VFX Producer | |
| Kate Warburton | VFX Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.