Last Ounce of Courage (2012)
| Theatrical Performance | ||
| Domestic Box Office | $3,310,439 | Details |
| OpusData ID: 180050100 More info... | ||
| Further financial details... | ||
Synopsis
Bob Revere is a small town Mayor and combat decorated veteran. He faces a root of bitterness from his past filled with heartbreaking loss. His grandson comes back into his life after many years to ask the most important question, "What are we doing with our life to make a difference?" Bob had grown apathetic along with an entire town. Now with the help of children, a group of people all band together to inspire hope, take back the freedoms that are being lost and take a stand for truth.
Metrics
| Opening Weekend: | $1,585,994 (47.9% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,407 opening theaters/1,407 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,973,973 |
Movie Details
| Domestic Releases: | September 14th, 2012 (Wide) by Rocky Mountain Pictures |
| Video Release: | December 4th, 2012 by Momo |
| MPA Rating: | PG for thematic elements, some war images and brief smoking. (Rating bulletin 2235, 8/8/2012) |
| Running Time: | 101 minutes |
| Cast, crew, or production detail: | Agitprop, Famously Bad |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Political, Young Child Dealing with the Death of a Parent |
| Release detail: | Christmas in November |
| Social setting: | Christmas, Life in a Small Town |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rocky Mountain Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2012 | 15 | $1,585,994 | 1,407 | $1,127 | $1,585,994 | 1 | |
| Sep 21, 2012 | 21 | $562,536 | -65% | 1,064 | $529 | $2,763,722 | 2 |
| Sep 28, 2012 | 32 | $158,494 | -72% | 297 | $534 | $3,202,581 | 3 |
| Oct 5, 2012 | 48 | $39,061 | -75% | 93 | $420 | $3,310,439 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 27, 2012 | 19 | $74,663 | 1,064 | $70 | $3,044,901 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2012 | 15 | $2,201,186 | 1,407 | $1,564 | $2,201,186 | 1 | |
| Sep 21, 2012 | 52 | $74,663 | -97% | 1,064 | $70 | $3,044,901 | 2 |
| Sep 28, 2012 | 31 | $227,291 | +204% | 297 | $765 | $3,271,378 | 3 |
| Oct 5, 2012 | 54 | $39,061 | -83% | 93 | $420 | $3,310,439 | 4 |
Leading
| Marshall R. Teague | Bob Revere |
Supporting
| Jennifer O'Neil | Dottie Revere | |
| Hunter Gomez | Christian Revere | |
| Jenna Boyd | Maddie Rogers | |
| Nikki Novak | Karri Revere | |
| Rusty Joiner | Greg Rogers | |
| Fred Williamson | Warren Hammerschmidt |
Production and Technical Credits
| Darrel Campbell | Director | |
| Kevin McAfee | Director | |
| Kevin McAfee | Producer | |
| Steven Marx | Co-Producer | |
| Michael Waunch | Co-Producer | |
| Darrel Campbell | Screenwriter | |
| Richard Headrick | Story Creator | |
| Gina Headrick | Story Creator | |
| Richard Headrick | Executive Producer | |
| Gina Headrick | Executive Producer | |
| Gen Fukunaga | Executive Producer | |
| Cindy Fukunaga | Executive Producer | |
| Doug Pethoud | Executive Producer | |
| Norm Miles | Executive Producer | |
| Rodney Stone | Executive Producer | |
| Ronald Owen | Composer | |
| Armed Forces Symphony and Choir | Composer | |
| Barry Landis | Music Supervisor | |
| John Chalfant | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Bob Revere is a small town Mayor and combat decorated veteran. He faces a root of bitterness from his past filled with heartbreaking loss. His grandson comes back into his life after many years to ask the most important question, "What are we doing with our life to make a difference?" Bob had grown apathetic along with an entire town. Now with the help of children, a group of people all band together to inspire hope, take back the freedoms that are being lost and take a stand for truth.
Metrics
| Opening Weekend: | $1,585,994 (47.9% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,407 opening theaters/1,407 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,973,973 |
Movie Details
| Domestic Releases: | September 14th, 2012 (Wide) by Rocky Mountain Pictures |
| Video Release: | December 4th, 2012 by Momo |
| MPA Rating: | PG for thematic elements, some war images and brief smoking. (Rating bulletin 2235, 8/8/2012) |
| Running Time: | 101 minutes |
| Cast, crew, or production detail: | Agitprop, Famously Bad |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Political, Young Child Dealing with the Death of a Parent |
| Release detail: | Christmas in November |
| Social setting: | Christmas, Life in a Small Town |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rocky Mountain Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2012 | 15 | $1,585,994 | 1,407 | $1,127 | $1,585,994 | 1 | |
| Sep 21, 2012 | 21 | $562,536 | -65% | 1,064 | $529 | $2,763,722 | 2 |
| Sep 28, 2012 | 32 | $158,494 | -72% | 297 | $534 | $3,202,581 | 3 |
| Oct 5, 2012 | 48 | $39,061 | -75% | 93 | $420 | $3,310,439 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 27, 2012 | 19 | $74,663 | 1,064 | $70 | $3,044,901 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2012 | 15 | $2,201,186 | 1,407 | $1,564 | $2,201,186 | 1 | |
| Sep 21, 2012 | 52 | $74,663 | -97% | 1,064 | $70 | $3,044,901 | 2 |
| Sep 28, 2012 | 31 | $227,291 | +204% | 297 | $765 | $3,271,378 | 3 |
| Oct 5, 2012 | 54 | $39,061 | -83% | 93 | $420 | $3,310,439 | 4 |
Leading
| Marshall R. Teague | Bob Revere |
Supporting
| Jennifer O'Neil | Dottie Revere | |
| Hunter Gomez | Christian Revere | |
| Jenna Boyd | Maddie Rogers | |
| Nikki Novak | Karri Revere | |
| Rusty Joiner | Greg Rogers | |
| Fred Williamson | Warren Hammerschmidt |
Production and Technical Credits
| Darrel Campbell | Director | |
| Kevin McAfee | Director | |
| Kevin McAfee | Producer | |
| Steven Marx | Co-Producer | |
| Michael Waunch | Co-Producer | |
| Darrel Campbell | Screenwriter | |
| Richard Headrick | Story Creator | |
| Gina Headrick | Story Creator | |
| Richard Headrick | Executive Producer | |
| Gina Headrick | Executive Producer | |
| Gen Fukunaga | Executive Producer | |
| Cindy Fukunaga | Executive Producer | |
| Doug Pethoud | Executive Producer | |
| Norm Miles | Executive Producer | |
| Rodney Stone | Executive Producer | |
| Ronald Owen | Composer | |
| Armed Forces Symphony and Choir | Composer | |
| Barry Landis | Music Supervisor | |
| John Chalfant | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.