The Last Shot (2004)
| Theatrical Performance | ||
| Domestic Box Office | $463,730 | Details |
| OpusData ID: 67840100 More info... | ||
| Further financial details... | ||
Synopsis
When Agent Joe Devine is given a key role in an elaborate scheme to take down the infamous mob boss John Gotti, he gladly accepts the assignment and goes undercover as a Hollywood producer. Before long, he has assembled an unwitting cast, including aspiring director Steven Schatz, who agrees to direct for Devine without realizing the entire production is merely a front for the investigation. As Agent Devine and several of his cohorts from the bureau begin enjoying their lives as self-appointed industry players, however, justice takes a backseat as the would-be law-enforcement operatives put all of the passion into turning what began as a sham movie project into a true Hollywood contender.
Metrics
| Opening Weekend: | $164,801 (35.5% of total gross) |
| Legs: | 2.81 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 35 opening theaters/40 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $893,113 |
Movie Details
| Domestic Releases: | September 24th, 2004 (Limited) by Walt Disney |
| Video Release: | May 10th, 2005 by Buena Vista Home Entertainment |
| MPA Rating: | R for language and some sexual content |
| Running Time: | 93 minutes |
| Plot point: | Mafia |
| Social setting: | Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 24, 2004 | 33 | $164,801 | 35 | $4,709 | $164,801 | 1 | |
| Oct 1, 2004 | 36 | $96,440 | -41% | 35 | $2,755 | $312,044 | 2 |
| Oct 8, 2004 | 46 | $37,646 | -61% | 23 | $1,637 | $376,790 | 3 |
| Oct 15, 2004 | 61 | $26,317 | -30% | 40 | $658 | $418,385 | 4 |
| Oct 22, 2004 | 74 | $11,776 | -55% | 17 | $693 | $442,182 | 5 |
| Oct 29, 2004 | 71 | $6,762 | -43% | 23 | $294 | $454,224 | 6 |
| Nov 5, 2004 | 96 | $3,336 | -51% | 10 | $334 | $461,879 | 7 |
| Nov 12, 2004 | 108 | $1,297 | -61% | 4 | $324 | $463,730 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 24, 2004 | 34 | $215,604 | 35 | $6,160 | $215,604 | 1 | |
| Oct 1, 2004 | 36 | $123,540 | -43% | 35 | $3,530 | $339,144 | 2 |
| Oct 8, 2004 | 45 | $52,924 | -57% | 23 | $2,301 | $392,068 | 3 |
| Oct 15, 2004 | 57 | $38,338 | -28% | 40 | $958 | $430,406 | 4 |
| Oct 22, 2004 | 68 | $17,056 | -56% | 17 | $1,003 | $447,462 | 5 |
| Oct 29, 2004 | 67 | $11,081 | -35% | 23 | $482 | $458,543 | 6 |
| Nov 5, 2004 | 97 | $3,890 | -65% | 10 | $389 | $462,433 | 7 |
| Nov 12, 2004 | 108 | $1,297 | -67% | 4 | $324 | $463,730 | 8 |
Lead Ensemble Member
| Matthew Broderick | Steven Shats | |
| Alec Baldwin | Joe Divine | |
| Toni Collette | Emily French | |
| Calista Flockhart | Valerie Weston | |
| Ray Liotta | Jack Devine | |
| Tim Blake Nelson | Marshal Paris | |
| James Rebhorn | Abe White | |
| Tony Shalhoub | Tommy The Black |
Supporting
| Jon Polito | Wally Kamin |
Cameo
| Pat Morita | Himself |
Supporting
| Sean Whalen | P.A. |
Cameo
| Joan Cusack | Fanny Nash | |
| Eric Roberts | Eric Roberts |
Supporting
| W. Earl Brown | Willie Gratzo | |
| Michael Papajohn | Ed Rossi, Jr. |
Production and Technical Credits
| Jeff Nathanson | Director | |
| Jeff Nathanson | Screenwriter | |
| Rolfe Kent | Composer | |
| Dan Hegeman | Sound Effects Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Agent Joe Devine is given a key role in an elaborate scheme to take down the infamous mob boss John Gotti, he gladly accepts the assignment and goes undercover as a Hollywood producer. Before long, he has assembled an unwitting cast, including aspiring director Steven Schatz, who agrees to direct for Devine without realizing the entire production is merely a front for the investigation. As Agent Devine and several of his cohorts from the bureau begin enjoying their lives as self-appointed industry players, however, justice takes a backseat as the would-be law-enforcement operatives put all of the passion into turning what began as a sham movie project into a true Hollywood contender.
Metrics
| Opening Weekend: | $164,801 (35.5% of total gross) |
| Legs: | 2.81 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 35 opening theaters/40 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $893,113 |
Movie Details
| Domestic Releases: | September 24th, 2004 (Limited) by Walt Disney |
| Video Release: | May 10th, 2005 by Buena Vista Home Entertainment |
| MPA Rating: | R for language and some sexual content |
| Running Time: | 93 minutes |
| Plot point: | Mafia |
| Social setting: | Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 24, 2004 | 33 | $164,801 | 35 | $4,709 | $164,801 | 1 | |
| Oct 1, 2004 | 36 | $96,440 | -41% | 35 | $2,755 | $312,044 | 2 |
| Oct 8, 2004 | 46 | $37,646 | -61% | 23 | $1,637 | $376,790 | 3 |
| Oct 15, 2004 | 61 | $26,317 | -30% | 40 | $658 | $418,385 | 4 |
| Oct 22, 2004 | 74 | $11,776 | -55% | 17 | $693 | $442,182 | 5 |
| Oct 29, 2004 | 71 | $6,762 | -43% | 23 | $294 | $454,224 | 6 |
| Nov 5, 2004 | 96 | $3,336 | -51% | 10 | $334 | $461,879 | 7 |
| Nov 12, 2004 | 108 | $1,297 | -61% | 4 | $324 | $463,730 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 24, 2004 | 34 | $215,604 | 35 | $6,160 | $215,604 | 1 | |
| Oct 1, 2004 | 36 | $123,540 | -43% | 35 | $3,530 | $339,144 | 2 |
| Oct 8, 2004 | 45 | $52,924 | -57% | 23 | $2,301 | $392,068 | 3 |
| Oct 15, 2004 | 57 | $38,338 | -28% | 40 | $958 | $430,406 | 4 |
| Oct 22, 2004 | 68 | $17,056 | -56% | 17 | $1,003 | $447,462 | 5 |
| Oct 29, 2004 | 67 | $11,081 | -35% | 23 | $482 | $458,543 | 6 |
| Nov 5, 2004 | 97 | $3,890 | -65% | 10 | $389 | $462,433 | 7 |
| Nov 12, 2004 | 108 | $1,297 | -67% | 4 | $324 | $463,730 | 8 |
Lead Ensemble Member
| Matthew Broderick | Steven Shats | |
| Alec Baldwin | Joe Divine | |
| Toni Collette | Emily French | |
| Calista Flockhart | Valerie Weston | |
| Ray Liotta | Jack Devine | |
| Tim Blake Nelson | Marshal Paris | |
| James Rebhorn | Abe White | |
| Tony Shalhoub | Tommy The Black |
Supporting
| Jon Polito | Wally Kamin |
Cameo
| Pat Morita | Himself |
Supporting
| Sean Whalen | P.A. |
Cameo
| Joan Cusack | Fanny Nash | |
| Eric Roberts | Eric Roberts |
Supporting
| W. Earl Brown | Willie Gratzo | |
| Michael Papajohn | Ed Rossi, Jr. |
Production and Technical Credits
| Jeff Nathanson | Director | |
| Jeff Nathanson | Screenwriter | |
| Rolfe Kent | Composer | |
| Dan Hegeman | Sound Effects Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.