The Last of the Mohicans (1992)
| Theatrical Performance | ||
| Domestic Box Office | $75,505,856 | Details |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $5,257,682 | |
| Total | $5,257,682 | |
| OpusData ID: 6680100 More info... | ||
| Further financial details... | ||
Synopsis
In the midst of a bloody battle between British, the French and Native American allies, Cora Munro, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers, including Hawkeye, a rugged frontiersman and the adopted son of the Mohicans comes to their rescue. A passionate romance soon blossoms between Cora and Hawkeye, but many forces test their love as they continue to journey through the Frontier.
Metrics
| Opening Weekend: | $10,976,661 (14.5% of total gross) |
| Legs: | 6.88 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 1,491 opening theaters/1,856 max. theaters, 10.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $205,782,430 |
Movie Details
| Domestic Releases: | September 25th, 1992 (Wide) by 20th Century Fox |
| Video Release: | November 23rd, 1999 by Fox Home Entertainment |
| MPA Rating: | R for violence. |
| Running Time: | 112 minutes |
| Plot point: | Cross-Class Romance, Revenge, Romance, War |
| Subgenre: | Historical Drama |
| Time period setting: | 1700s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1992 | 1 | $10,976,661 | 1,491 | $7,362 | $10,976,661 | 1 | |
| Oct 2, 1992 | 1 | $9,653,376 | -12% | 1,800 | $5,363 | $24,349,209 | 2 |
| Oct 9, 1992 | 2 | $8,011,865 | -17% | 1,800 | $4,451 | $35,509,151 | 3 |
| Oct 16, 1992 | 2 | $5,828,251 | -27% | 1,852 | $3,147 | $43,734,536 | 4 |
| Oct 23, 1992 | 2 | $4,450,251 | -24% | 1,845 | $2,412 | $49,808,895 | 5 |
| Oct 30, 1992 | 4 | $3,285,806 | -26% | 1,856 | $1,770 | $54,560,098 | 6 |
| Nov 6, 1992 | 6 | $3,451,025 | +5% | 1,832 | $1,884 | $59,282,089 | 7 |
| Nov 13, 1992 | 6 | $2,611,777 | -24% | 1,777 | $1,470 | $63,117,283 | 8 |
| Nov 20, 1992 | 8 | $1,866,289 | -29% | 1,472 | $1,268 | $65,687,150 | 9 |
| Nov 27, 1992 | 9 | $1,520,997 | -19% | 1,195 | $1,273 | $68,022,855 | 10 |
| Dec 4, 1992 | 10 | $804,132 | -47% | 1,077 | $747 | $69,169,313 | 11 |
| Jan 1, 1993 | 23 | $253,568 | 658 | $385 | $70,811,219 | 15 | |
| Jan 22, 1993 | 25 | $300,125 | 364 | $825 | $71,759,298 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1992 | 1 | $14,695,833 | 1,491 | $9,856 | $14,695,833 | 1 | |
| Oct 2, 1992 | 1 | $12,801,453 | -13% | 1,800 | $7,112 | $27,497,286 | 2 |
| Oct 9, 1992 | 2 | $10,408,999 | -19% | 1,800 | $5,783 | $37,906,285 | 3 |
| Oct 16, 1992 | 2 | $7,452,359 | -28% | 1,852 | $4,024 | $45,358,644 | 4 |
| Oct 23, 1992 | 2 | $5,915,648 | -21% | 1,845 | $3,206 | $51,274,292 | 5 |
| Oct 30, 1992 | 3 | $4,556,772 | -23% | 1,856 | $2,455 | $55,831,064 | 6 |
| Nov 6, 1992 | 6 | $4,674,442 | +3% | 1,832 | $2,552 | $60,505,506 | 7 |
| Nov 13, 1992 | 7 | $3,315,355 | -29% | 1,777 | $1,866 | $63,820,861 | 8 |
| Nov 20, 1992 | 8 | $2,680,997 | -19% | 1,472 | $1,821 | $66,501,858 | 9 |
| Nov 27, 1992 | 9 | $1,863,323 | -30% | 1,195 | $1,559 | $68,365,181 | 10 |
| Madeleine Stowe | Cora Munro | |
| Russell Means | Chingachgook | |
| Pete Postlethwaite | Captain Beams |
Leading
| Daniel Day-Lewis | Hawkeye |
| Colm Meaney | Maj. Ambrose | |
| Dylan Baker | Capt. De Bougainville | |
| Jared Harris | British Lieutenant | |
| Wes Studi | Magua | |
| David Schofield | Sergeant Major |
Production and Technical Credits
| Michael Mann | Director | |
| Dan Hegeman | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
In the midst of a bloody battle between British, the French and Native American allies, Cora Munro, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers, including Hawkeye, a rugged frontiersman and the adopted son of the Mohicans comes to their rescue. A passionate romance soon blossoms between Cora and Hawkeye, but many forces test their love as they continue to journey through the Frontier.
Metrics
| Opening Weekend: | $10,976,661 (14.5% of total gross) |
| Legs: | 6.88 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 1,491 opening theaters/1,856 max. theaters, 10.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $205,782,430 |
Movie Details
| Domestic Releases: | September 25th, 1992 (Wide) by 20th Century Fox |
| Video Release: | November 23rd, 1999 by Fox Home Entertainment |
| MPA Rating: | R for violence. |
| Running Time: | 112 minutes |
| Plot point: | Cross-Class Romance, Revenge, Romance, War |
| Subgenre: | Historical Drama |
| Time period setting: | 1700s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1992 | 1 | $10,976,661 | 1,491 | $7,362 | $10,976,661 | 1 | |
| Oct 2, 1992 | 1 | $9,653,376 | -12% | 1,800 | $5,363 | $24,349,209 | 2 |
| Oct 9, 1992 | 2 | $8,011,865 | -17% | 1,800 | $4,451 | $35,509,151 | 3 |
| Oct 16, 1992 | 2 | $5,828,251 | -27% | 1,852 | $3,147 | $43,734,536 | 4 |
| Oct 23, 1992 | 2 | $4,450,251 | -24% | 1,845 | $2,412 | $49,808,895 | 5 |
| Oct 30, 1992 | 4 | $3,285,806 | -26% | 1,856 | $1,770 | $54,560,098 | 6 |
| Nov 6, 1992 | 6 | $3,451,025 | +5% | 1,832 | $1,884 | $59,282,089 | 7 |
| Nov 13, 1992 | 6 | $2,611,777 | -24% | 1,777 | $1,470 | $63,117,283 | 8 |
| Nov 20, 1992 | 8 | $1,866,289 | -29% | 1,472 | $1,268 | $65,687,150 | 9 |
| Nov 27, 1992 | 9 | $1,520,997 | -19% | 1,195 | $1,273 | $68,022,855 | 10 |
| Dec 4, 1992 | 10 | $804,132 | -47% | 1,077 | $747 | $69,169,313 | 11 |
| Jan 1, 1993 | 23 | $253,568 | 658 | $385 | $70,811,219 | 15 | |
| Jan 22, 1993 | 25 | $300,125 | 364 | $825 | $71,759,298 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1992 | 1 | $14,695,833 | 1,491 | $9,856 | $14,695,833 | 1 | |
| Oct 2, 1992 | 1 | $12,801,453 | -13% | 1,800 | $7,112 | $27,497,286 | 2 |
| Oct 9, 1992 | 2 | $10,408,999 | -19% | 1,800 | $5,783 | $37,906,285 | 3 |
| Oct 16, 1992 | 2 | $7,452,359 | -28% | 1,852 | $4,024 | $45,358,644 | 4 |
| Oct 23, 1992 | 2 | $5,915,648 | -21% | 1,845 | $3,206 | $51,274,292 | 5 |
| Oct 30, 1992 | 3 | $4,556,772 | -23% | 1,856 | $2,455 | $55,831,064 | 6 |
| Nov 6, 1992 | 6 | $4,674,442 | +3% | 1,832 | $2,552 | $60,505,506 | 7 |
| Nov 13, 1992 | 7 | $3,315,355 | -29% | 1,777 | $1,866 | $63,820,861 | 8 |
| Nov 20, 1992 | 8 | $2,680,997 | -19% | 1,472 | $1,821 | $66,501,858 | 9 |
| Nov 27, 1992 | 9 | $1,863,323 | -30% | 1,195 | $1,559 | $68,365,181 | 10 |
| Madeleine Stowe | Cora Munro | |
| Russell Means | Chingachgook | |
| Pete Postlethwaite | Captain Beams |
Leading
| Daniel Day-Lewis | Hawkeye |
| Colm Meaney | Maj. Ambrose | |
| Dylan Baker | Capt. De Bougainville | |
| Jared Harris | British Lieutenant | |
| Wes Studi | Magua | |
| David Schofield | Sergeant Major |
Production and Technical Credits
| Michael Mann | Director | |
| Dan Hegeman | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.