Lee Cronin’s The Mummy (2026)
| Theatrical Performance | ||
| Domestic Box Office | $29,152,113 | Details |
| International Box Office | $61,400,000 | Details |
| Worldwide Box Office | $90,552,113 | |
| OpusData ID: 724150100 More info... | ||
| Further financial details... | ||
Synopsis
The young daughter of a journalist disappears into the desert without a trace—eight years later, the broken family is shocked when she is returned to them, as what should be a joyful reunion turns into a living nightmare.
Metrics
| Opening Weekend: | $13,517,172 (46.4% of total gross) |
| Legs: | 2.16 (domestic box office/biggest weekend) |
| Domestic Share: | 32.2% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 4.1 times production budget) |
| Theater counts: | 3,304 opening theaters/3,304 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,152,113 |
Movie Details
| Domestic Releases: | April 17th, 2026 (Wide) by Warner Bros. |
| International Releases: | April 15th, 2026 (Wide) (Thailand)
April 15th, 2026 (Wide) (Taiwan) April 15th, 2026 (Wide), released as Le Reveil de la Momie (France) April 15th, 2026 (Wide) (Belgium) April 15th, 2026 (Wide), released as Lee Cronin’s The Mummy (ザ・マミー 棺の中の少女) (Japan) ... Show all releases |
| Video Release: | May 19th, 2026 by Warner Home Video |
| MPA Rating: | R for strong disturbing violent content, gore, language and brief drug use. (Rating bulletin 2929 (cert #55863), 3/25/2026) |
| Running Time: | 136 minutes |
| Geographical setting: | Cairo, Egypt, Egypt, New Mexico |
| Plot point: | Adult Child Dealing with the Death of a Parent, Death of Other Extended Family, Demons, Desert, Human Sacrifice, Kidnap, Missing Child, Possessed |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | New Line Cinema, Blumhouse, Atomic Monster, Wicked/Good |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 3 | $13,517,172 | 3,304 | $4,091 | $13,517,172 | 1 | |
| Apr 24, 2026 | 4 | $5,501,140 | -59% | 3,304 | $1,665 | $23,322,828 | 2 |
| May 1, 2026 | 7 | $2,201,007 | -60% | 2,083 | $1,057 | $27,418,461 | 3 |
| May 8, 2026 | 11 | $556,167 | -75% | 612 | $909 | $28,717,189 | 4 |
| May 15, 2026 | - | $161,012 | -71% | 178 | $905 | $29,070,667 | 5 |
| May 22, 2026 | - | $29,479 | -82% | 82 | $360 | $29,137,560 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 16, 2026 | P | $1,500,000 | 3,000 | $500 | $1,500,000 | |||
| Apr 17, 2026 | 2 | $5,240,987 | 3,304 | $1,586 | $5,240,987 | 1 | ||
| Apr 18, 2026 | 3 | $4,935,612 | -6% | 3,304 | $1,494 | $10,176,599 | 2 | |
| Apr 19, 2026 | 3 | $3,340,573 | -32% | 3,304 | $1,011 | $13,517,172 | 3 | |
| Apr 20, 2026 | 3 | $1,084,952 | -68% | 3,304 | $328 | $14,602,124 | 4 | |
| Apr 21, 2026 | 3 | $1,586,146 | +46% | 3,304 | $480 | $16,188,270 | 5 | |
| Apr 22, 2026 | 3 | $901,031 | -43% | 3,304 | $273 | $17,089,301 | 6 | |
| Apr 23, 2026 | 3 | $732,387 | -19% | 3,304 | $222 | $17,821,688 | 7 | |
| Apr 24, 2026 | 4 | $1,550,379 | +112% | -70% | 3,304 | $469 | $19,372,067 | 8 |
| Apr 25, 2026 | 4 | $2,425,183 | +56% | -51% | 3,304 | $734 | $21,797,250 | 9 |
| Apr 26, 2026 | 4 | $1,525,578 | -37% | -54% | 3,304 | $462 | $23,322,828 | 10 |
| Apr 27, 2026 | 4 | $465,114 | -70% | -57% | 3,304 | $141 | $23,787,942 | 11 |
| Apr 28, 2026 | 4 | $646,124 | +39% | -59% | 3,304 | $196 | $24,434,066 | 12 |
| Apr 29, 2026 | 4 | $455,957 | -29% | -49% | 3,304 | $138 | $24,890,023 | 13 |
| Apr 30, 2026 | 4 | $327,431 | -28% | -55% | 3,304 | $99 | $25,217,454 | 14 |
| May 1, 2026 | 8 | $615,350 | +88% | -60% | 2,083 | $295 | $25,832,804 | 15 |
| May 2, 2026 | 7 | $960,216 | +56% | -60% | 2,083 | $461 | $26,793,020 | 16 |
| May 3, 2026 | 7 | $625,441 | -35% | -59% | 2,083 | $300 | $27,418,461 | 17 |
| May 4, 2026 | 7 | $191,065 | -69% | -59% | 2,083 | $92 | $27,609,526 | 18 |
| May 5, 2026 | 8 | $245,501 | +28% | -62% | 2,083 | $118 | $27,855,027 | 19 |
| May 6, 2026 | 7 | $201,124 | -18% | -56% | 2,083 | $97 | $28,056,151 | 20 |
| May 7, 2026 | - | $104,871 | -48% | -68% | 2,083 | $50 | $28,161,022 | 21 |
| May 8, 2026 | 11 | $160,429 | +53% | -74% | 612 | $262 | $28,321,451 | 22 |
| May 9, 2026 | 11 | $235,105 | +47% | -76% | 612 | $384 | $28,556,556 | 23 |
| May 10, 2026 | 11 | $160,633 | -32% | -74% | 612 | $262 | $28,717,189 | 24 |
| May 11, 2026 | 11 | $57,502 | -64% | -70% | 612 | $94 | $28,774,691 | 25 |
| May 12, 2026 | 11 | $67,516 | +17% | -72% | 612 | $110 | $28,842,207 | 26 |
| May 13, 2026 | - | $44,097 | -35% | -78% | 612 | $72 | $28,886,304 | 27 |
| May 14, 2026 | - | $23,351 | -47% | -78% | 612 | $38 | $28,909,655 | 28 |
| May 15, 2026 | - | $50,485 | +116% | -69% | 178 | $284 | $28,960,140 | 29 |
| May 16, 2026 | - | $65,501 | +30% | -72% | 178 | $368 | $29,025,641 | 30 |
| May 17, 2026 | - | $45,026 | -31% | -72% | 178 | $253 | $29,070,667 | 31 |
| May 18, 2026 | - | $10,426 | -77% | -82% | 178 | $59 | $29,081,093 | 32 |
| May 19, 2026 | - | $10,785 | +3% | -84% | 178 | $61 | $29,091,878 | 33 |
| May 20, 2026 | - | $10,084 | -6% | -77% | 178 | $57 | $29,101,962 | 34 |
| May 21, 2026 | - | $6,119 | -39% | -74% | 178 | $34 | $29,108,081 | 35 |
| May 22, 2026 | - | $8,292 | +36% | -84% | 82 | $101 | $29,116,373 | 36 |
| May 23, 2026 | - | $12,156 | +47% | -81% | 82 | $148 | $29,128,529 | 37 |
| May 24, 2026 | - | $9,031 | -26% | -80% | 82 | $110 | $29,137,560 | 38 |
| May 25, 2026 | - | $5,271 | -42% | -49% | 82 | $64 | $29,142,831 | 39 |
| May 26, 2026 | - | $4,287 | -19% | -60% | 82 | $52 | $29,147,118 | 40 |
| May 27, 2026 | - | $3,208 | -25% | -68% | 82 | $39 | $29,150,326 | 41 |
| May 28, 2026 | - | $1,787 | -44% | -71% | 82 | $22 | $29,152,113 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 3 | $17,821,688 | 3,304 | $5,394 | $17,821,688 | 1 | |
| Apr 24, 2026 | 4 | $7,395,766 | -59% | 3,304 | $2,238 | $25,217,454 | 2 |
| May 1, 2026 | 7 | $2,943,568 | -60% | 2,083 | $1,413 | $28,161,022 | 3 |
| May 8, 2026 | 12 | $748,633 | -75% | 612 | $1,223 | $28,909,655 | 4 |
| May 15, 2026 | 18 | $198,426 | -73% | 178 | $1,115 | $29,108,081 | 5 |
| May 22, 2026 | 29 | $44,032 | -78% | 82 | $537 | $29,152,113 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/16/2026 | $704,517 | 266 | 266 | 0 | $1,689,494 | 6/23/2026 | |||
| Brazil | 4/16/2026 | $872,000 | 0 | 0 | 0 | $2,148,581 | 7/17/2026 | |||
| Bulgaria | 4/17/2026 | $0 | 0 | 62 | 0 | $104,497 | 6/5/2026 | |||
| Colombia | 4/16/2026 | $661,000 | 0 | 0 | 0 | $1,600,000 | 5/19/2026 | |||
| Croatia | 4/16/2026 | $43,415 | 51 | 51 | 133 | $107,763 | 5/26/2026 | |||
| Czech Republic | 4/16/2026 | $73,447 | 110 | 110 | 269 | $234,330 | 5/26/2026 | |||
| Egypt | 4/16/2026 | $0 | 0 | 0 | 0 | $197,843 | 6/24/2026 | |||
| Finland | 4/17/2026 | $58,896 | 81 | 81 | 308 | $190,878 | 5/18/2026 | |||
| France | 4/15/2026 | $1,100,000 | 0 | 0 | 0 | $3,600,000 | 5/19/2026 | |||
| Germany | 4/16/2026 | $967,000 | 0 | 0 | 0 | $3,000,000 | 5/18/2026 | |||
| Hong Kong | 4/16/2026 | $0 | 0 | 0 | 0 | $339,415 | 5/8/2026 | |||
| Hungary | 4/16/2026 | $158,661 | 60 | 69 | 0 | $531,964 | 7/8/2026 | |||
| India | 4/16/2026 | $969,000 | 0 | 0 | 0 | $3,161,053 | 6/5/2026 | |||
| Indonesia | 4/16/2026 | $1,000,000 | 0 | 0 | 0 | $2,400,000 | 5/18/2026 | |||
| Italy | 4/16/2026 | $839,243 | 0 | 0 | 0 | $2,100,000 | 5/19/2026 | |||
| Lithuania | 4/17/2026 | $0 | 0 | 0 | 0 | $107,651 | 5/22/2026 | |||
| Malaysia | 4/16/2026 | $852,000 | 0 | 0 | 0 | $2,700,000 | 5/19/2026 | |||
| Mexico | 4/16/2026 | $2,196,310 | 0 | 0 | 0 | $5,700,000 | 5/19/2026 | |||
| Netherlands | 4/16/2026 | $280,042 | 99 | 99 | 373 | $842,949 | 5/11/2026 | |||
| New Zealand | 4/16/2026 | $89,020 | 75 | 75 | 0 | $213,940 | 5/25/2026 | |||
| Portugal | 4/16/2026 | $125,179 | 64 | 64 | 0 | $436,491 | 6/2/2026 | |||
| Romania | 4/17/2026 | $100,787 | 91 | 91 | 0 | $390,720 | 6/24/2026 | |||
| Russia (CIS) | 4/16/2026 | $177,873 | 142 | 142 | 142 | $177,873 | 4/21/2026 | |||
| Serbia and Montenegro | 4/16/2026 | $0 | 0 | 61 | 0 | $88,041 | 5/15/2026 | |||
| Slovakia | 4/16/2026 | $52,341 | 65 | 65 | 169 | $168,426 | 5/26/2026 | |||
| South Korea | 4/22/2026 | $121,903 | 366 | 366 | 0 | $267,321 | 5/13/2026 | |||
| Spain | 4/17/2026 | $1,208,524 | 351 | 351 | 1,541 | $4,017,582 | 6/5/2026 | |||
| Taiwan | 4/15/2026 | $397,326 | 85 | 85 | 251 | $654,627 | 5/8/2026 | |||
| Thailand | 4/15/2026 | $584,000 | 0 | 0 | 0 | $584,000 | 4/20/2026 | |||
| Turkey | 4/17/2026 | $119,471 | 360 | 360 | 666 | $341,998 | 5/21/2026 | |||
| United Kingdom | 4/17/2026 | $1,315,196 | 543 | 543 | 1,349 | $3,100,000 | 5/19/2026 | |||
| Rest of World | $20,202,563 | |||||||||
| International Total | $61,400,000 | 7/17/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jack Reynor | Charlie Cannon | |
| Laia Costa | Larissa Cannon |
Supporting
| May Calamawy | Detective Dalia Zaki | |
| Natalie Grace | Katie Cannon | |
| Veronica Falcon | Carmen | |
| Billie Roy | Maud Cannon | |
| Hayat Kamille | Magician | |
| Shylo Molina | Sebastián Cannon | |
| May Elghety | Layla Khalil | |
| Emily Mitchell | Young Katie Cannon | |
| Husam Chadat | Detective Ismail | |
| Tim Seyfi | Doctor El-Sayed | |
| Mark Mitchinson | Professor Bixler | |
| Gideon Emery | Vogel | |
| Dean Allen Williams | Young Sebastián Cannon | |
| Gerald Papasian | Omar Farid | |
| Hanna Khogali | Nadia Taylor | |
| Jamie Doyle | Pinky | |
| Amr Atia | Officer Adel Salah | |
| Jonny Everett | Albuquerque Newsreader | |
| Lily Sullivan | Miss Mills | |
| Montserrat Alcoverro | Lucia | |
| Catalina Botello | Maria | |
| Jose Carlos Montes-Roldan | The Priest | |
| Kian Nagel | Bicycle Boy | |
| Robin Windvogel | Eager Student | |
| Jonathan Gunning | The Eighty-First Mummy | |
| Omar El-Saeidi | Gamal Khalil | |
| Aisha Laouini | Young Layla Khalil | |
| Arkin Cureklibatir | Jabari Khalil | |
| Safi Mulki | Tariq Khalil | |
| Jolly Abraham | Newsreader |
Production and Technical Credits
| Lee Cronin | Director | |
| Lee Cronin | Screenwriter | |
| James Wan | Producer | |
| Jason Blum | Producer | |
| John Keville | Producer | |
| Michael Clear | Executive Producer | |
| Judson Scott | Executive Producer | |
| Macdara Kelleher | Executive Producer | |
| Lee Cronin | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Dave Garbett | Director of Photography | |
| Nick Bassett | Production Designer | |
| Bryan Shaw | Editor | |
| Joanna Eatwell | Costume Designer | |
| Stephen McKeon | Composer | |
| Russell Bowen | Visual Effects Supervisor | |
| Arjen Tuiten | Special Make-Up Effects Designed and Created by | |
| Peter Albrechtsen | Sound Designer | |
| Terri Taylor | Casting Director | |
| Sarah Domeier Lindo | Casting Director | |
| Jennifer Scudder Trent | Co-Producer | |
| Niamh Gale | Co-Producer | |
| Alayna Glasthal | Co-Producer | |
| Ella Gale | Associate Producer | |
| Dorothy McDonnell | Unit Production Manager | |
| Daire Glynn | First Assistant Director | |
| Cian Boyne | Production Supervisor | |
| Joe Hagg | Visual Effects Producer | |
| Shane McEnroe | Supervising Art Director | |
| Gary McGinty | Senior Art Director | |
| Robert Barrett | Art Director | |
| Stephen Boylan | Story Artist | |
| Kevin Downey | Set Decorator | |
| Hugh Fox | Sound Mixer | |
| Terry Palmer | Special Effects Supervisor | |
| Rhona McGuirke | Costume Supervisor | |
| Katie Derwin | Make up | |
| Zuelika Delaney | Hairstylist | |
| Louise Gaffney Farrell | Script Supervisor | |
| Eoin Holohan | Supervising Location Manager | |
| Charlie Endean | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The young daughter of a journalist disappears into the desert without a trace—eight years later, the broken family is shocked when she is returned to them, as what should be a joyful reunion turns into a living nightmare.
Metrics
| Opening Weekend: | $13,517,172 (46.4% of total gross) |
| Legs: | 2.16 (domestic box office/biggest weekend) |
| Domestic Share: | 32.2% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 4.1 times production budget) |
| Theater counts: | 3,304 opening theaters/3,304 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,152,113 |
Movie Details
| Domestic Releases: | April 17th, 2026 (Wide) by Warner Bros. |
| International Releases: | April 15th, 2026 (Wide) (Thailand)
April 15th, 2026 (Wide) (Taiwan) April 15th, 2026 (Wide), released as Le Reveil de la Momie (France) April 15th, 2026 (Wide) (Belgium) April 15th, 2026 (Wide), released as Lee Cronin’s The Mummy (ザ・マミー 棺の中の少女) (Japan) ... Show all releases |
| Video Release: | May 19th, 2026 by Warner Home Video |
| MPA Rating: | R for strong disturbing violent content, gore, language and brief drug use. (Rating bulletin 2929 (cert #55863), 3/25/2026) |
| Running Time: | 136 minutes |
| Geographical setting: | Cairo, Egypt, Egypt, New Mexico |
| Plot point: | Adult Child Dealing with the Death of a Parent, Death of Other Extended Family, Demons, Desert, Human Sacrifice, Kidnap, Missing Child, Possessed |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | New Line Cinema, Blumhouse, Atomic Monster, Wicked/Good |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 3 | $13,517,172 | 3,304 | $4,091 | $13,517,172 | 1 | |
| Apr 24, 2026 | 4 | $5,501,140 | -59% | 3,304 | $1,665 | $23,322,828 | 2 |
| May 1, 2026 | 7 | $2,201,007 | -60% | 2,083 | $1,057 | $27,418,461 | 3 |
| May 8, 2026 | 11 | $556,167 | -75% | 612 | $909 | $28,717,189 | 4 |
| May 15, 2026 | - | $161,012 | -71% | 178 | $905 | $29,070,667 | 5 |
| May 22, 2026 | - | $29,479 | -82% | 82 | $360 | $29,137,560 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 16, 2026 | P | $1,500,000 | 3,000 | $500 | $1,500,000 | |||
| Apr 17, 2026 | 2 | $5,240,987 | 3,304 | $1,586 | $5,240,987 | 1 | ||
| Apr 18, 2026 | 3 | $4,935,612 | -6% | 3,304 | $1,494 | $10,176,599 | 2 | |
| Apr 19, 2026 | 3 | $3,340,573 | -32% | 3,304 | $1,011 | $13,517,172 | 3 | |
| Apr 20, 2026 | 3 | $1,084,952 | -68% | 3,304 | $328 | $14,602,124 | 4 | |
| Apr 21, 2026 | 3 | $1,586,146 | +46% | 3,304 | $480 | $16,188,270 | 5 | |
| Apr 22, 2026 | 3 | $901,031 | -43% | 3,304 | $273 | $17,089,301 | 6 | |
| Apr 23, 2026 | 3 | $732,387 | -19% | 3,304 | $222 | $17,821,688 | 7 | |
| Apr 24, 2026 | 4 | $1,550,379 | +112% | -70% | 3,304 | $469 | $19,372,067 | 8 |
| Apr 25, 2026 | 4 | $2,425,183 | +56% | -51% | 3,304 | $734 | $21,797,250 | 9 |
| Apr 26, 2026 | 4 | $1,525,578 | -37% | -54% | 3,304 | $462 | $23,322,828 | 10 |
| Apr 27, 2026 | 4 | $465,114 | -70% | -57% | 3,304 | $141 | $23,787,942 | 11 |
| Apr 28, 2026 | 4 | $646,124 | +39% | -59% | 3,304 | $196 | $24,434,066 | 12 |
| Apr 29, 2026 | 4 | $455,957 | -29% | -49% | 3,304 | $138 | $24,890,023 | 13 |
| Apr 30, 2026 | 4 | $327,431 | -28% | -55% | 3,304 | $99 | $25,217,454 | 14 |
| May 1, 2026 | 8 | $615,350 | +88% | -60% | 2,083 | $295 | $25,832,804 | 15 |
| May 2, 2026 | 7 | $960,216 | +56% | -60% | 2,083 | $461 | $26,793,020 | 16 |
| May 3, 2026 | 7 | $625,441 | -35% | -59% | 2,083 | $300 | $27,418,461 | 17 |
| May 4, 2026 | 7 | $191,065 | -69% | -59% | 2,083 | $92 | $27,609,526 | 18 |
| May 5, 2026 | 8 | $245,501 | +28% | -62% | 2,083 | $118 | $27,855,027 | 19 |
| May 6, 2026 | 7 | $201,124 | -18% | -56% | 2,083 | $97 | $28,056,151 | 20 |
| May 7, 2026 | - | $104,871 | -48% | -68% | 2,083 | $50 | $28,161,022 | 21 |
| May 8, 2026 | 11 | $160,429 | +53% | -74% | 612 | $262 | $28,321,451 | 22 |
| May 9, 2026 | 11 | $235,105 | +47% | -76% | 612 | $384 | $28,556,556 | 23 |
| May 10, 2026 | 11 | $160,633 | -32% | -74% | 612 | $262 | $28,717,189 | 24 |
| May 11, 2026 | 11 | $57,502 | -64% | -70% | 612 | $94 | $28,774,691 | 25 |
| May 12, 2026 | 11 | $67,516 | +17% | -72% | 612 | $110 | $28,842,207 | 26 |
| May 13, 2026 | - | $44,097 | -35% | -78% | 612 | $72 | $28,886,304 | 27 |
| May 14, 2026 | - | $23,351 | -47% | -78% | 612 | $38 | $28,909,655 | 28 |
| May 15, 2026 | - | $50,485 | +116% | -69% | 178 | $284 | $28,960,140 | 29 |
| May 16, 2026 | - | $65,501 | +30% | -72% | 178 | $368 | $29,025,641 | 30 |
| May 17, 2026 | - | $45,026 | -31% | -72% | 178 | $253 | $29,070,667 | 31 |
| May 18, 2026 | - | $10,426 | -77% | -82% | 178 | $59 | $29,081,093 | 32 |
| May 19, 2026 | - | $10,785 | +3% | -84% | 178 | $61 | $29,091,878 | 33 |
| May 20, 2026 | - | $10,084 | -6% | -77% | 178 | $57 | $29,101,962 | 34 |
| May 21, 2026 | - | $6,119 | -39% | -74% | 178 | $34 | $29,108,081 | 35 |
| May 22, 2026 | - | $8,292 | +36% | -84% | 82 | $101 | $29,116,373 | 36 |
| May 23, 2026 | - | $12,156 | +47% | -81% | 82 | $148 | $29,128,529 | 37 |
| May 24, 2026 | - | $9,031 | -26% | -80% | 82 | $110 | $29,137,560 | 38 |
| May 25, 2026 | - | $5,271 | -42% | -49% | 82 | $64 | $29,142,831 | 39 |
| May 26, 2026 | - | $4,287 | -19% | -60% | 82 | $52 | $29,147,118 | 40 |
| May 27, 2026 | - | $3,208 | -25% | -68% | 82 | $39 | $29,150,326 | 41 |
| May 28, 2026 | - | $1,787 | -44% | -71% | 82 | $22 | $29,152,113 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 3 | $17,821,688 | 3,304 | $5,394 | $17,821,688 | 1 | |
| Apr 24, 2026 | 4 | $7,395,766 | -59% | 3,304 | $2,238 | $25,217,454 | 2 |
| May 1, 2026 | 7 | $2,943,568 | -60% | 2,083 | $1,413 | $28,161,022 | 3 |
| May 8, 2026 | 12 | $748,633 | -75% | 612 | $1,223 | $28,909,655 | 4 |
| May 15, 2026 | 18 | $198,426 | -73% | 178 | $1,115 | $29,108,081 | 5 |
| May 22, 2026 | 29 | $44,032 | -78% | 82 | $537 | $29,152,113 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/16/2026 | $704,517 | 266 | 266 | 0 | $1,689,494 | 6/23/2026 | |||
| Brazil | 4/16/2026 | $872,000 | 0 | 0 | 0 | $2,148,581 | 7/17/2026 | |||
| Bulgaria | 4/17/2026 | $0 | 0 | 62 | 0 | $104,497 | 6/5/2026 | |||
| Colombia | 4/16/2026 | $661,000 | 0 | 0 | 0 | $1,600,000 | 5/19/2026 | |||
| Croatia | 4/16/2026 | $43,415 | 51 | 51 | 133 | $107,763 | 5/26/2026 | |||
| Czech Republic | 4/16/2026 | $73,447 | 110 | 110 | 269 | $234,330 | 5/26/2026 | |||
| Egypt | 4/16/2026 | $0 | 0 | 0 | 0 | $197,843 | 6/24/2026 | |||
| Finland | 4/17/2026 | $58,896 | 81 | 81 | 308 | $190,878 | 5/18/2026 | |||
| France | 4/15/2026 | $1,100,000 | 0 | 0 | 0 | $3,600,000 | 5/19/2026 | |||
| Germany | 4/16/2026 | $967,000 | 0 | 0 | 0 | $3,000,000 | 5/18/2026 | |||
| Hong Kong | 4/16/2026 | $0 | 0 | 0 | 0 | $339,415 | 5/8/2026 | |||
| Hungary | 4/16/2026 | $158,661 | 60 | 69 | 0 | $531,964 | 7/8/2026 | |||
| India | 4/16/2026 | $969,000 | 0 | 0 | 0 | $3,161,053 | 6/5/2026 | |||
| Indonesia | 4/16/2026 | $1,000,000 | 0 | 0 | 0 | $2,400,000 | 5/18/2026 | |||
| Italy | 4/16/2026 | $839,243 | 0 | 0 | 0 | $2,100,000 | 5/19/2026 | |||
| Lithuania | 4/17/2026 | $0 | 0 | 0 | 0 | $107,651 | 5/22/2026 | |||
| Malaysia | 4/16/2026 | $852,000 | 0 | 0 | 0 | $2,700,000 | 5/19/2026 | |||
| Mexico | 4/16/2026 | $2,196,310 | 0 | 0 | 0 | $5,700,000 | 5/19/2026 | |||
| Netherlands | 4/16/2026 | $280,042 | 99 | 99 | 373 | $842,949 | 5/11/2026 | |||
| New Zealand | 4/16/2026 | $89,020 | 75 | 75 | 0 | $213,940 | 5/25/2026 | |||
| Portugal | 4/16/2026 | $125,179 | 64 | 64 | 0 | $436,491 | 6/2/2026 | |||
| Romania | 4/17/2026 | $100,787 | 91 | 91 | 0 | $390,720 | 6/24/2026 | |||
| Russia (CIS) | 4/16/2026 | $177,873 | 142 | 142 | 142 | $177,873 | 4/21/2026 | |||
| Serbia and Montenegro | 4/16/2026 | $0 | 0 | 61 | 0 | $88,041 | 5/15/2026 | |||
| Slovakia | 4/16/2026 | $52,341 | 65 | 65 | 169 | $168,426 | 5/26/2026 | |||
| South Korea | 4/22/2026 | $121,903 | 366 | 366 | 0 | $267,321 | 5/13/2026 | |||
| Spain | 4/17/2026 | $1,208,524 | 351 | 351 | 1,541 | $4,017,582 | 6/5/2026 | |||
| Taiwan | 4/15/2026 | $397,326 | 85 | 85 | 251 | $654,627 | 5/8/2026 | |||
| Thailand | 4/15/2026 | $584,000 | 0 | 0 | 0 | $584,000 | 4/20/2026 | |||
| Turkey | 4/17/2026 | $119,471 | 360 | 360 | 666 | $341,998 | 5/21/2026 | |||
| United Kingdom | 4/17/2026 | $1,315,196 | 543 | 543 | 1,349 | $3,100,000 | 5/19/2026 | |||
| Rest of World | $20,202,563 | |||||||||
| International Total | $61,400,000 | 7/17/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jack Reynor | Charlie Cannon | |
| Laia Costa | Larissa Cannon |
Supporting
| May Calamawy | Detective Dalia Zaki | |
| Natalie Grace | Katie Cannon | |
| Veronica Falcon | Carmen | |
| Billie Roy | Maud Cannon | |
| Hayat Kamille | Magician | |
| Shylo Molina | Sebastián Cannon | |
| May Elghety | Layla Khalil | |
| Emily Mitchell | Young Katie Cannon | |
| Husam Chadat | Detective Ismail | |
| Tim Seyfi | Doctor El-Sayed | |
| Mark Mitchinson | Professor Bixler | |
| Gideon Emery | Vogel | |
| Dean Allen Williams | Young Sebastián Cannon | |
| Gerald Papasian | Omar Farid | |
| Hanna Khogali | Nadia Taylor | |
| Jamie Doyle | Pinky | |
| Amr Atia | Officer Adel Salah | |
| Jonny Everett | Albuquerque Newsreader | |
| Lily Sullivan | Miss Mills | |
| Montserrat Alcoverro | Lucia | |
| Catalina Botello | Maria | |
| Jose Carlos Montes-Roldan | The Priest | |
| Kian Nagel | Bicycle Boy | |
| Robin Windvogel | Eager Student | |
| Jonathan Gunning | The Eighty-First Mummy | |
| Omar El-Saeidi | Gamal Khalil | |
| Aisha Laouini | Young Layla Khalil | |
| Arkin Cureklibatir | Jabari Khalil | |
| Safi Mulki | Tariq Khalil | |
| Jolly Abraham | Newsreader |
Production and Technical Credits
| Lee Cronin | Director | |
| Lee Cronin | Screenwriter | |
| James Wan | Producer | |
| Jason Blum | Producer | |
| John Keville | Producer | |
| Michael Clear | Executive Producer | |
| Judson Scott | Executive Producer | |
| Macdara Kelleher | Executive Producer | |
| Lee Cronin | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Dave Garbett | Director of Photography | |
| Nick Bassett | Production Designer | |
| Bryan Shaw | Editor | |
| Joanna Eatwell | Costume Designer | |
| Stephen McKeon | Composer | |
| Russell Bowen | Visual Effects Supervisor | |
| Arjen Tuiten | Special Make-Up Effects Designed and Created by | |
| Peter Albrechtsen | Sound Designer | |
| Terri Taylor | Casting Director | |
| Sarah Domeier Lindo | Casting Director | |
| Jennifer Scudder Trent | Co-Producer | |
| Niamh Gale | Co-Producer | |
| Alayna Glasthal | Co-Producer | |
| Ella Gale | Associate Producer | |
| Dorothy McDonnell | Unit Production Manager | |
| Daire Glynn | First Assistant Director | |
| Cian Boyne | Production Supervisor | |
| Joe Hagg | Visual Effects Producer | |
| Shane McEnroe | Supervising Art Director | |
| Gary McGinty | Senior Art Director | |
| Robert Barrett | Art Director | |
| Stephen Boylan | Story Artist | |
| Kevin Downey | Set Decorator | |
| Hugh Fox | Sound Mixer | |
| Terry Palmer | Special Effects Supervisor | |
| Rhona McGuirke | Costume Supervisor | |
| Katie Derwin | Make up | |
| Zuelika Delaney | Hairstylist | |
| Louise Gaffney Farrell | Script Supervisor | |
| Eoin Holohan | Supervising Location Manager | |
| Charlie Endean | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.