The Legend of 1900 (1999)

The Legend of 1900
Theatrical Performance
Domestic Box Office $262,933Details
International Box Office $19,216,280Details
Worldwide Box Office $19,479,213
OpusData ID: 72780100 More info...
Further financial details...

Metrics

Opening Weekend:$39,200 (14.9% of total gross)
Legs:4.55 (domestic box office/biggest weekend)
Domestic Share:1.3% (domestic box office/worldwide)
Theater counts:5 opening theaters/58 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $619,026

Movie Details

Domestic Releases: October 29th, 1999 (Limited) by Fine Line
International Releases: July 19th, 2001 (Wide), released as Легенда о пианисте (Russia (CIS))
November 15th, 2019 (Wide), released as La Leggenda del pianista sull'oceano (China)
January 1st, 2020 (Wide) (South Korea)
May 13th, 2021 (Wide), released as Легенда о пианисте (Russia (CIS))
November 15th, 2024 (Limited), released as The Legend of 1900 (海上钢琴师) (China)
... Show all releases
MPA Rating: R for language.
Running Time: 169 minutes
Source:Original Screenplay
Genre:Musical
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Italy
Languages: English, French, Italian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 1999 57 $39,200   5 $7,840   $39,200 1
Nov 5, 1999 63 $23,798 -39% 5 $4,760   $79,512 2
Nov 12, 1999 70 $14,945 -37% 4 $3,736   $104,127 3
Nov 19, 1999 50 $57,756 +286% 58 $996   $167,435 4
Nov 26, 1999 70 $24,709 -57% 41 $603   $216,530 5
Dec 3, 1999 72 $16,741 -32% 28 $598   $241,864 6
Dec 10, 1999 81 $9,485 -43% 12 $790   $257,127 7

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 1999 56 $55,714   5 $11,143   $55,714 1
Nov 5, 1999 60 $33,468 -40% 5 $6,694   $89,182 2
Nov 12, 1999 71 $20,497 -39% 4 $5,124   $109,679 3
Nov 19, 1999 52 $82,142 +301% 58 $1,416   $191,821 4
Nov 26, 1999 68 $33,302 -59% 41 $812   $225,123 5
Dec 3, 1999 73 $22,519 -32% 28 $804   $247,642 6
Dec 10, 1999 73 $15,291 -32% 12 $1,274   $262,933 7

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
China 11/15/2019 $9,210,000 53,346 53,346 74,949 $18,842,767 4/4/2026
Russia (CIS) 7/19/2001 $0 0 122 183 $52,573 10/20/2022
South Korea 1/1/2020 $59,557 69 69 326 $320,940 1/18/2024
  
International Total $19,216,280 4/4/2026

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Tim Roth    Novecento
Pruitt Taylor Vince    Max
Melanie Thierry    The Girl
Bill Nunn    Danny Boodmann
Noriko Aida    Matress Maker
Peter Vaughan    Music Store Owner
Niall O'Brien    Harbor Chief
Alberto Vasquez    Mexican Machinist
Clarence Williams, III    Jelly Roll Morton
Gabriele Lavia    Farmer
Cory Buck   
Norman Chancer   
Harry Ditson   
Easton Gage   
Kevin McNally   

Production and Technical Credits

Giuseppe Tornatore    Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$39,200 (14.9% of total gross)
Legs:4.55 (domestic box office/biggest weekend)
Domestic Share:1.3% (domestic box office/worldwide)
Theater counts:5 opening theaters/58 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $619,026

Movie Details

Domestic Releases: October 29th, 1999 (Limited) by Fine Line
International Releases: July 19th, 2001 (Wide), released as Легенда о пианисте (Russia (CIS))
November 15th, 2019 (Wide), released as La Leggenda del pianista sull'oceano (China)
January 1st, 2020 (Wide) (South Korea)
May 13th, 2021 (Wide), released as Легенда о пианисте (Russia (CIS))
November 15th, 2024 (Limited), released as The Legend of 1900 (海上钢琴师) (China)
... Show all releases
MPA Rating: R for language.
Running Time: 169 minutes
Source:Original Screenplay
Genre:Musical
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Italy
Languages: English, French, Italian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 1999 57 $39,200   5 $7,840   $39,200 1
Nov 5, 1999 63 $23,798 -39% 5 $4,760   $79,512 2
Nov 12, 1999 70 $14,945 -37% 4 $3,736   $104,127 3
Nov 19, 1999 50 $57,756 +286% 58 $996   $167,435 4
Nov 26, 1999 70 $24,709 -57% 41 $603   $216,530 5
Dec 3, 1999 72 $16,741 -32% 28 $598   $241,864 6
Dec 10, 1999 81 $9,485 -43% 12 $790   $257,127 7

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 1999 56 $55,714   5 $11,143   $55,714 1
Nov 5, 1999 60 $33,468 -40% 5 $6,694   $89,182 2
Nov 12, 1999 71 $20,497 -39% 4 $5,124   $109,679 3
Nov 19, 1999 52 $82,142 +301% 58 $1,416   $191,821 4
Nov 26, 1999 68 $33,302 -59% 41 $812   $225,123 5
Dec 3, 1999 73 $22,519 -32% 28 $804   $247,642 6
Dec 10, 1999 73 $15,291 -32% 12 $1,274   $262,933 7

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
China 11/15/2019 $9,210,000 53,346 53,346 74,949 $18,842,767 4/4/2026
Russia (CIS) 7/19/2001 $0 0 122 183 $52,573 10/20/2022
South Korea 1/1/2020 $59,557 69 69 326 $320,940 1/18/2024
  
International Total $19,216,280 4/4/2026

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Tim Roth    Novecento
Pruitt Taylor Vince    Max
Melanie Thierry    The Girl
Bill Nunn    Danny Boodmann
Noriko Aida    Matress Maker
Peter Vaughan    Music Store Owner
Niall O'Brien    Harbor Chief
Alberto Vasquez    Mexican Machinist
Clarence Williams, III    Jelly Roll Morton
Gabriele Lavia    Farmer
Cory Buck   
Norman Chancer   
Harry Ditson   
Easton Gage   
Kevin McNally   

Production and Technical Credits

Giuseppe Tornatore    Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.