The Libertine (2005)
| Theatrical Performance | ||
| Domestic Box Office | $4,835,065 | Details |
| International Box Office | $4,613,558 | |
| Worldwide Box Office | $9,448,623 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,864,931 | |
| Total | $2,864,931 | |
| OpusData ID: 46940100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $27,804 (0.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 51.2% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2 opening theaters/819 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,829,721 |
Movie Details
| Domestic Releases: | November 23rd, 2005 (Limited) by Weinstein Co. March 10th, 2006 (Wide) by Weinstein Co. |
| Video Release: | July 4th, 2006 by Weinstein Co./Genius |
| MPA Rating: | R for strong sexuality including dialogue, violence and language |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Prologue |
| Plot point: | Biography, Infidelity, LGBTQ+, Relationships Gone Wrong, Sex Addiction |
| Subgenre: | Biographical Drama |
| Time period setting: | 1600s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Mr. Mudd |
| Production Countries: | United Kingdom, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 25, 2005 | 55 | $27,804 | 2 | $13,902 | $27,804 | 1 | |
| Mar 10, 2006 | 12 | $2,202,799 | 815 | $2,703 | $2,264,096 | 16 | |
| Mar 17, 2006 | 15 | $881,076 | -60% | 819 | $1,076 | $3,867,537 | 17 |
| Mar 24, 2006 | 22 | $315,344 | -64% | 474 | $665 | $4,554,025 | 18 |
| Mar 31, 2006 | 43 | $68,875 | -78% | 116 | $594 | $4,756,532 | 19 |
| Apr 7, 2006 | 64 | $21,459 | -69% | 43 | $499 | $4,808,748 | 20 |
| Apr 14, 2006 | 83 | $10,361 | -52% | 24 | $432 | $4,829,497 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 10, 2006 | 12 | $2,925,164 | 815 | $3,589 | $2,986,461 | 17 | |
| Mar 17, 2006 | 18 | $1,252,220 | -57% | 819 | $1,529 | $4,238,681 | 18 |
| Mar 24, 2006 | 22 | $448,976 | -64% | 474 | $947 | $4,687,657 | 19 |
| Mar 31, 2006 | 42 | $99,632 | -78% | 116 | $859 | $4,787,289 | 20 |
| Apr 7, 2006 | 66 | $31,847 | -68% | 43 | $741 | $4,819,136 | 21 |
| Apr 14, 2006 | 83 | $15,929 | -50% | 24 | $664 | $4,835,065 | 22 |
Leading
| Johnny Depp | John Wilmot | |
| Samantha Morton | Elizabeth Barry |
Supporting
| John Malkovich | King Charles II | |
| Paul Ritter | Chiffinch | |
| Stanley Townsend | Keown | |
| Francesca Annis | Countess | |
| Rosamund Pike | Elizabeth Malet | |
| Tom Hollander | Etherege | |
| Johnny Vegas | Sackville | |
| Richard Coyle | Alcock | |
| Tom Burke | Vaughan | |
| Hugh Sachs | Ratcliffe | |
| Rupert Friend | Downs | |
| Kelly Reilly | Jane | |
| Jack Davenport | Harris | |
| Trudi Jackson | Rose | |
| Clare Higgins | Molly Luscombe | |
| Freddie Jones | Betterton | |
| Robert Wilfort | Huysmans | |
| Jake Curran | Sackville's Servant | |
| Paul Chahidi | Barrillon | |
| Kevin Doyle | Constable | |
| Morgan Walters | Trooper | |
| Niall Buggy | Chaplain | |
| Peter Howell | Bishop | |
| T.P McKenna | Black Rod |
Production and Technical Credits
| Laurence Dunmore | Director | |
| Stephen Jeffreys | Screenwriter | |
| Lianne Halfon | Producer | |
| John Malkovich | Producer | |
| Russell Smith | Producer | |
| Bailey Chase | Executive Producer | |
| Steve Christian | Executive Producer | |
| Marc Samuelson | Executive Producer | |
| Peter Samuelson | Executive Producer | |
| Ralph Kamp | Executive Producer | |
| Louise Goodsill | Executive Producer | |
| Donald Starr | Executive Producer | |
| Colin Leventhal | Executive Producer | |
| Daniel J.B. Taylor | Executive Producer | |
| Ben Van Os | Production Designer | |
| Jill Bilcock | Editor | |
| Antony Gray | Dialogue Editor | |
| Craig Carter | Sound Effects Editor | |
| Chris Goodes | Sound Effects Editor | |
| Michael Nyman | Composer | |
| Alexander Melman | Director of Photography | |
| Mairi Bett | Line Producer | |
| Max Keene | Assistant Director | |
| Marshall Leviten | Production Manager | |
| Fleur Whitlock | Supervising Art Director | |
| Patrick Rolfe | Art Director | |
| Robert Wischhusen-Hayes | Set Decorator | |
| Dien Van Straalen | Costume Designer | |
| Nigel Egerton | Costume Supervisor | |
| John Hayes | Sound Mixer | |
| Roger Savage | Dubbing Mixer | |
| Patty York | Make-up and Hair Designer | |
| Peter Owen | Make-up and Hair Designer | |
| Ivana Primorac | Make-up and Hair Designer | |
| Norman Webb | Make-up and Hair Designer | |
| Julie Dartnell | Make-up and Hair Designer | |
| Julie Thom | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $27,804 (0.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 51.2% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2 opening theaters/819 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,829,721 |
Movie Details
| Domestic Releases: | November 23rd, 2005 (Limited) by Weinstein Co. March 10th, 2006 (Wide) by Weinstein Co. |
| Video Release: | July 4th, 2006 by Weinstein Co./Genius |
| MPA Rating: | R for strong sexuality including dialogue, violence and language |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Prologue |
| Plot point: | Biography, Infidelity, LGBTQ+, Relationships Gone Wrong, Sex Addiction |
| Subgenre: | Biographical Drama |
| Time period setting: | 1600s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Mr. Mudd |
| Production Countries: | United Kingdom, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 25, 2005 | 55 | $27,804 | 2 | $13,902 | $27,804 | 1 | |
| Mar 10, 2006 | 12 | $2,202,799 | 815 | $2,703 | $2,264,096 | 16 | |
| Mar 17, 2006 | 15 | $881,076 | -60% | 819 | $1,076 | $3,867,537 | 17 |
| Mar 24, 2006 | 22 | $315,344 | -64% | 474 | $665 | $4,554,025 | 18 |
| Mar 31, 2006 | 43 | $68,875 | -78% | 116 | $594 | $4,756,532 | 19 |
| Apr 7, 2006 | 64 | $21,459 | -69% | 43 | $499 | $4,808,748 | 20 |
| Apr 14, 2006 | 83 | $10,361 | -52% | 24 | $432 | $4,829,497 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 10, 2006 | 12 | $2,925,164 | 815 | $3,589 | $2,986,461 | 17 | |
| Mar 17, 2006 | 18 | $1,252,220 | -57% | 819 | $1,529 | $4,238,681 | 18 |
| Mar 24, 2006 | 22 | $448,976 | -64% | 474 | $947 | $4,687,657 | 19 |
| Mar 31, 2006 | 42 | $99,632 | -78% | 116 | $859 | $4,787,289 | 20 |
| Apr 7, 2006 | 66 | $31,847 | -68% | 43 | $741 | $4,819,136 | 21 |
| Apr 14, 2006 | 83 | $15,929 | -50% | 24 | $664 | $4,835,065 | 22 |
Leading
| Johnny Depp | John Wilmot | |
| Samantha Morton | Elizabeth Barry |
Supporting
| John Malkovich | King Charles II | |
| Paul Ritter | Chiffinch | |
| Stanley Townsend | Keown | |
| Francesca Annis | Countess | |
| Rosamund Pike | Elizabeth Malet | |
| Tom Hollander | Etherege | |
| Johnny Vegas | Sackville | |
| Richard Coyle | Alcock | |
| Tom Burke | Vaughan | |
| Hugh Sachs | Ratcliffe | |
| Rupert Friend | Downs | |
| Kelly Reilly | Jane | |
| Jack Davenport | Harris | |
| Trudi Jackson | Rose | |
| Clare Higgins | Molly Luscombe | |
| Freddie Jones | Betterton | |
| Robert Wilfort | Huysmans | |
| Jake Curran | Sackville's Servant | |
| Paul Chahidi | Barrillon | |
| Kevin Doyle | Constable | |
| Morgan Walters | Trooper | |
| Niall Buggy | Chaplain | |
| Peter Howell | Bishop | |
| T.P McKenna | Black Rod |
Production and Technical Credits
| Laurence Dunmore | Director | |
| Stephen Jeffreys | Screenwriter | |
| Lianne Halfon | Producer | |
| John Malkovich | Producer | |
| Russell Smith | Producer | |
| Bailey Chase | Executive Producer | |
| Steve Christian | Executive Producer | |
| Marc Samuelson | Executive Producer | |
| Peter Samuelson | Executive Producer | |
| Ralph Kamp | Executive Producer | |
| Louise Goodsill | Executive Producer | |
| Donald Starr | Executive Producer | |
| Colin Leventhal | Executive Producer | |
| Daniel J.B. Taylor | Executive Producer | |
| Ben Van Os | Production Designer | |
| Jill Bilcock | Editor | |
| Antony Gray | Dialogue Editor | |
| Craig Carter | Sound Effects Editor | |
| Chris Goodes | Sound Effects Editor | |
| Michael Nyman | Composer | |
| Alexander Melman | Director of Photography | |
| Mairi Bett | Line Producer | |
| Max Keene | Assistant Director | |
| Marshall Leviten | Production Manager | |
| Fleur Whitlock | Supervising Art Director | |
| Patrick Rolfe | Art Director | |
| Robert Wischhusen-Hayes | Set Decorator | |
| Dien Van Straalen | Costume Designer | |
| Nigel Egerton | Costume Supervisor | |
| John Hayes | Sound Mixer | |
| Roger Savage | Dubbing Mixer | |
| Patty York | Make-up and Hair Designer | |
| Peter Owen | Make-up and Hair Designer | |
| Ivana Primorac | Make-up and Hair Designer | |
| Norman Webb | Make-up and Hair Designer | |
| Julie Dartnell | Make-up and Hair Designer | |
| Julie Thom | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.