Lisa Frankenstein (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $9,774,285 | Details |
| International Box Office | $153,429 | Details |
| Worldwide Box Office | $9,927,714 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $440,773 | |
| Blu-ray Sales (estimated) | $689,275 | |
| Total | $1,130,048 | |
| OpusData ID: 617380100 More info... | ||
| Further financial details... | ||
Synopsis
A coming of RAGE story about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness… and a few missing body parts along the way.
Metrics
| Opening Weekend: | $3,695,785 (37.8% of total gross) |
| Legs: | 2.64 (domestic box office/biggest weekend) |
| Domestic Share: | 98.5% (domestic box office/worldwide) |
| Theater counts: | 3,144 opening theaters/3,144 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,336,023 |
Movie Details
| Domestic Releases: | February 9th, 2024 (Wide) by Focus Features |
| International Releases: | February 8th, 2024 (Wide) (Hungary)
February 9th, 2024 (Wide) (Finland) February 22nd, 2024 (Wide) (Germany) February 23rd, 2024 (Wide) (Croatia) March 1st, 2024 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | February 27th, 2024 by Universal Home Entertainment |
| MPA Rating: | PG-13 for violent content, bloody images, sexual material, language, sexual assault, teen drinking and drug content. (Rating bulletin 2812 (cert #54044), 12/6/2023) |
| Running Time: | 101 minutes |
| Filming location (city or town): | New Orleans, LA |
| Filming location (country): | United States |
| Filming location (state or county): | Louisiana, United States |
| Plot point: | Frankenstien's Monster, Romance |
| Subgenre: | Horror Comedy |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | MXN Entertainment, Focus Features, Lollipop Woods |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2024 | 2 | $3,695,785 | 3,144 | $1,176 | $3,695,785 | 1 | |
| Feb 16, 2024 | 9 | $2,091,855 | -43% | 3,143 | $666 | $7,726,005 | 2 |
| Feb 23, 2024 | 14 | $599,645 | -71% | 1,366 | $439 | $9,354,075 | 3 |
| Mar 1, 2024 | - | $132,930 | -78% | 294 | $452 | $9,722,035 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 9, 2024 | 2 | $1,725,290 | 3,144 | $549 | $1,725,290 | 1 | ||
| Feb 10, 2024 | 5 | $1,375,915 | -20% | 3,144 | $438 | $3,101,205 | 2 | |
| Feb 11, 2024 | 4 | $594,580 | -57% | 3,144 | $189 | $3,695,785 | 3 | |
| Feb 12, 2024 | 4 | $316,875 | -47% | 3,144 | $101 | $4,012,660 | 4 | |
| Feb 13, 2024 | 5 | $461,835 | +46% | 3,144 | $147 | $4,474,495 | 5 | |
| Feb 14, 2024 | 5 | $886,980 | +92% | 3,144 | $282 | $5,361,475 | 6 | |
| Feb 15, 2024 | 7 | $272,675 | -69% | 3,144 | $87 | $5,634,150 | 7 | |
| Feb 16, 2024 | 10 | $553,500 | +103% | -68% | 3,143 | $176 | $6,187,650 | 8 |
| Feb 17, 2024 | 9 | $879,685 | +59% | -36% | 3,143 | $280 | $7,067,335 | 9 |
| Feb 18, 2024 | 9 | $658,670 | -25% | +11% | 3,143 | $210 | $7,726,005 | 10 |
| Feb 19, 2024 | 8 | $409,075 | -38% | +29% | 3,143 | $130 | $8,135,080 | 11 |
| Feb 20, 2024 | 9 | $278,625 | -32% | -40% | 3,143 | $89 | $8,413,705 | 12 |
| Feb 21, 2024 | - | $193,385 | -31% | -78% | 3,143 | $62 | $8,607,090 | 13 |
| Feb 22, 2024 | - | $147,340 | -24% | -46% | 3,143 | $47 | $8,754,430 | 14 |
| Feb 23, 2024 | - | $167,055 | +13% | -70% | 1,366 | $122 | $8,921,485 | 15 |
| Feb 24, 2024 | - | $264,980 | +59% | -70% | 1,366 | $194 | $9,186,465 | 16 |
| Feb 25, 2024 | - | $167,610 | -37% | -75% | 1,366 | $123 | $9,354,075 | 17 |
| Feb 26, 2024 | - | $56,910 | -66% | -86% | 1,366 | $42 | $9,410,985 | 18 |
| Feb 27, 2024 | - | $82,670 | +45% | -70% | 1,366 | $61 | $9,493,655 | 19 |
| Feb 28, 2024 | - | $59,680 | -28% | -69% | 1,366 | $44 | $9,553,335 | 20 |
| Feb 29, 2024 | - | $35,770 | -40% | -76% | 1,366 | $26 | $9,589,105 | 21 |
| Mar 1, 2024 | - | $32,050 | -10% | -81% | 294 | $109 | $9,621,155 | 22 |
| Mar 2, 2024 | - | $58,440 | +82% | -78% | 294 | $199 | $9,679,595 | 23 |
| Mar 3, 2024 | - | $42,440 | -27% | -75% | 294 | $144 | $9,722,035 | 24 |
| Mar 4, 2024 | - | $12,800 | -70% | -78% | 294 | $44 | $9,734,835 | 25 |
| Mar 5, 2024 | - | $17,365 | +36% | -79% | 294 | $59 | $9,752,200 | 26 |
| Mar 6, 2024 | - | $13,950 | -20% | -77% | 294 | $47 | $9,766,150 | 27 |
| Mar 7, 2024 | - | $8,135 | -42% | -77% | 294 | $28 | $9,774,285 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2024 | 4 | $5,634,150 | 3,144 | $1,792 | $5,634,150 | 1 | |
| Feb 16, 2024 | 9 | $3,120,280 | -45% | 3,143 | $993 | $8,754,430 | 2 |
| Feb 23, 2024 | 15 | $834,675 | -73% | 1,366 | $611 | $9,589,105 | 3 |
| Mar 1, 2024 | 24 | $185,180 | -78% | 294 | $630 | $9,774,285 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 2/23/2024 | $6,588 | 43 | 43 | 43 | $6,588 | 3/1/2024 | |||
| United Kingdom | 3/1/2024 | $115,811 | 326 | 326 | 326 | $115,811 | 3/6/2024 | |||
| Rest of World | $31,030 | |||||||||
| International Total | $153,429 | 3/6/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kathryn Newton | Lisa Swallows | |
| Cole Sprouse | The Creature |
Supporting
| Liza Soberano | Taffy Swallows | |
| Henry Eikenberry | Michael Trent | |
| Joe Chrest | Dale Swallows | |
| Carla Gugino | Janet Swallows | |
| Trina LaFarque | Tricia | |
| Paola Andino | Misty | |
| Joshua Montes | Vince | |
| Chris Greening | Jock | |
| Mae Anglim | Drunk Girl | |
| Joey Bree Harris | Tamara | |
| Jennifer Pierce Mathus | Lisa’s Mom | |
| Luke Sexton | Axe Murderer | |
| Ayla Diane Miller | White Girl | |
| Jailyn Rae | Psychic Jenny | |
| Bryce Romero | Doug | |
| Ashton Leigh | Reporter #1 | |
| Charlie Talbert | Wayne | |
| Ray Gaspard | Mr. Garces | |
| Geraldine Singer | Mrs. Garces | |
| Shane Partlow | History Teacher | |
| Jesse Reeks | The Creature Hand Double | |
| Destinie Jones | Sosnouski | |
| Johnny Ballance | Tepper | |
| Donna Duplantier | Buckley | |
| Sylvia Grace Crim | Officer Waters | |
| Walker Babington | Officer John | |
| Ritchie Montgomery | Old Man Harvey | |
| Sarah Fisher | Lady Cop | |
| Summer Selby | Neighbor Woman | |
| Marcello Daniel Maurio | Boy on Bike | |
| Brad Miller | EMT | |
| Julia Belanova | Goth Teen | |
| Wendy Miklovic | Strange Figure | |
| April Dupre | Reporter #2 |
Production and Technical Credits
| Zelda Williams | Director | |
| Diablo Cody | Screenwriter | |
| Mason Novick | Producer | |
| Diablo Cody | Producer | |
| Jeffrey Lampert | Executive Producer | |
| Paula Huidobro | Director of Photography | |
| Mark Worthington | Production Designer | |
| Meagan McLaughlin Luster* | Costume Designer | |
| Remi Savva | Make up | |
| Brad Turner | Editor | |
| Isabella Summers | Composer | |
| Nancy Nayor | Casting Director | |
| Anthony Rossi III | Unit Production Manager | |
| Georgianna W. Paz | Firist Assistant Director | |
| Jared Swidzinski | Second Assistant Director | |
| Michelle C. Harmon | Art Director | |
| Andrew Bofinger | Set Decorator | |
| Adie Kaplan | Set Designer | |
| Robert C. Bigelow | Sound Mixer | |
| David Nami | Special Effects Coordinator | |
| Emma Villere | Costume Supervisor | |
| Ulla Gaudin | Make up | |
| Donna Spahn-Jones | Hairstylist | |
| Natalie Shea Rose | Hairstylist | |
| David Thornsberry | Location Manager | |
| Carmen Soriano | Script Supervisor | |
| Chang Tseng | Production Supervisor | |
| Richard Friedlander | Visual Effects Supervisor | |
| Glenn Allen | Visual Effects Producer | |
| Jeffrey Penman | Post-Production Supervisor | |
| Lewis Goldstein | Supervising Sound Editor | |
| Lewis Goldstein | Re-recording Mixer | |
| Scott Ferrara | Dialogue Editor | |
| Allan Zaleski | Sound Effects Editor | |
| Jacob Oostra | Foley Mixer | |
| Yorick Sedee | Foley Mixer | |
| Annika Epker | Foley Editor | |
| Nicholas Kmet | Music Editor | |
| Chelsea Bruland | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A coming of RAGE story about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness… and a few missing body parts along the way.
Metrics
| Opening Weekend: | $3,695,785 (37.8% of total gross) |
| Legs: | 2.64 (domestic box office/biggest weekend) |
| Domestic Share: | 98.5% (domestic box office/worldwide) |
| Theater counts: | 3,144 opening theaters/3,144 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,336,023 |
Movie Details
| Domestic Releases: | February 9th, 2024 (Wide) by Focus Features |
| International Releases: | February 8th, 2024 (Wide) (Hungary)
February 9th, 2024 (Wide) (Finland) February 22nd, 2024 (Wide) (Germany) February 23rd, 2024 (Wide) (Croatia) March 1st, 2024 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | February 27th, 2024 by Universal Home Entertainment |
| MPA Rating: | PG-13 for violent content, bloody images, sexual material, language, sexual assault, teen drinking and drug content. (Rating bulletin 2812 (cert #54044), 12/6/2023) |
| Running Time: | 101 minutes |
| Filming location (city or town): | New Orleans, LA |
| Filming location (country): | United States |
| Filming location (state or county): | Louisiana, United States |
| Plot point: | Frankenstien's Monster, Romance |
| Subgenre: | Horror Comedy |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | MXN Entertainment, Focus Features, Lollipop Woods |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2024 | 2 | $3,695,785 | 3,144 | $1,176 | $3,695,785 | 1 | |
| Feb 16, 2024 | 9 | $2,091,855 | -43% | 3,143 | $666 | $7,726,005 | 2 |
| Feb 23, 2024 | 14 | $599,645 | -71% | 1,366 | $439 | $9,354,075 | 3 |
| Mar 1, 2024 | - | $132,930 | -78% | 294 | $452 | $9,722,035 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 9, 2024 | 2 | $1,725,290 | 3,144 | $549 | $1,725,290 | 1 | ||
| Feb 10, 2024 | 5 | $1,375,915 | -20% | 3,144 | $438 | $3,101,205 | 2 | |
| Feb 11, 2024 | 4 | $594,580 | -57% | 3,144 | $189 | $3,695,785 | 3 | |
| Feb 12, 2024 | 4 | $316,875 | -47% | 3,144 | $101 | $4,012,660 | 4 | |
| Feb 13, 2024 | 5 | $461,835 | +46% | 3,144 | $147 | $4,474,495 | 5 | |
| Feb 14, 2024 | 5 | $886,980 | +92% | 3,144 | $282 | $5,361,475 | 6 | |
| Feb 15, 2024 | 7 | $272,675 | -69% | 3,144 | $87 | $5,634,150 | 7 | |
| Feb 16, 2024 | 10 | $553,500 | +103% | -68% | 3,143 | $176 | $6,187,650 | 8 |
| Feb 17, 2024 | 9 | $879,685 | +59% | -36% | 3,143 | $280 | $7,067,335 | 9 |
| Feb 18, 2024 | 9 | $658,670 | -25% | +11% | 3,143 | $210 | $7,726,005 | 10 |
| Feb 19, 2024 | 8 | $409,075 | -38% | +29% | 3,143 | $130 | $8,135,080 | 11 |
| Feb 20, 2024 | 9 | $278,625 | -32% | -40% | 3,143 | $89 | $8,413,705 | 12 |
| Feb 21, 2024 | - | $193,385 | -31% | -78% | 3,143 | $62 | $8,607,090 | 13 |
| Feb 22, 2024 | - | $147,340 | -24% | -46% | 3,143 | $47 | $8,754,430 | 14 |
| Feb 23, 2024 | - | $167,055 | +13% | -70% | 1,366 | $122 | $8,921,485 | 15 |
| Feb 24, 2024 | - | $264,980 | +59% | -70% | 1,366 | $194 | $9,186,465 | 16 |
| Feb 25, 2024 | - | $167,610 | -37% | -75% | 1,366 | $123 | $9,354,075 | 17 |
| Feb 26, 2024 | - | $56,910 | -66% | -86% | 1,366 | $42 | $9,410,985 | 18 |
| Feb 27, 2024 | - | $82,670 | +45% | -70% | 1,366 | $61 | $9,493,655 | 19 |
| Feb 28, 2024 | - | $59,680 | -28% | -69% | 1,366 | $44 | $9,553,335 | 20 |
| Feb 29, 2024 | - | $35,770 | -40% | -76% | 1,366 | $26 | $9,589,105 | 21 |
| Mar 1, 2024 | - | $32,050 | -10% | -81% | 294 | $109 | $9,621,155 | 22 |
| Mar 2, 2024 | - | $58,440 | +82% | -78% | 294 | $199 | $9,679,595 | 23 |
| Mar 3, 2024 | - | $42,440 | -27% | -75% | 294 | $144 | $9,722,035 | 24 |
| Mar 4, 2024 | - | $12,800 | -70% | -78% | 294 | $44 | $9,734,835 | 25 |
| Mar 5, 2024 | - | $17,365 | +36% | -79% | 294 | $59 | $9,752,200 | 26 |
| Mar 6, 2024 | - | $13,950 | -20% | -77% | 294 | $47 | $9,766,150 | 27 |
| Mar 7, 2024 | - | $8,135 | -42% | -77% | 294 | $28 | $9,774,285 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2024 | 4 | $5,634,150 | 3,144 | $1,792 | $5,634,150 | 1 | |
| Feb 16, 2024 | 9 | $3,120,280 | -45% | 3,143 | $993 | $8,754,430 | 2 |
| Feb 23, 2024 | 15 | $834,675 | -73% | 1,366 | $611 | $9,589,105 | 3 |
| Mar 1, 2024 | 24 | $185,180 | -78% | 294 | $630 | $9,774,285 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 2/23/2024 | $6,588 | 43 | 43 | 43 | $6,588 | 3/1/2024 | |||
| United Kingdom | 3/1/2024 | $115,811 | 326 | 326 | 326 | $115,811 | 3/6/2024 | |||
| Rest of World | $31,030 | |||||||||
| International Total | $153,429 | 3/6/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kathryn Newton | Lisa Swallows | |
| Cole Sprouse | The Creature |
Supporting
| Liza Soberano | Taffy Swallows | |
| Henry Eikenberry | Michael Trent | |
| Joe Chrest | Dale Swallows | |
| Carla Gugino | Janet Swallows | |
| Trina LaFarque | Tricia | |
| Paola Andino | Misty | |
| Joshua Montes | Vince | |
| Chris Greening | Jock | |
| Mae Anglim | Drunk Girl | |
| Joey Bree Harris | Tamara | |
| Jennifer Pierce Mathus | Lisa’s Mom | |
| Luke Sexton | Axe Murderer | |
| Ayla Diane Miller | White Girl | |
| Jailyn Rae | Psychic Jenny | |
| Bryce Romero | Doug | |
| Ashton Leigh | Reporter #1 | |
| Charlie Talbert | Wayne | |
| Ray Gaspard | Mr. Garces | |
| Geraldine Singer | Mrs. Garces | |
| Shane Partlow | History Teacher | |
| Jesse Reeks | The Creature Hand Double | |
| Destinie Jones | Sosnouski | |
| Johnny Ballance | Tepper | |
| Donna Duplantier | Buckley | |
| Sylvia Grace Crim | Officer Waters | |
| Walker Babington | Officer John | |
| Ritchie Montgomery | Old Man Harvey | |
| Sarah Fisher | Lady Cop | |
| Summer Selby | Neighbor Woman | |
| Marcello Daniel Maurio | Boy on Bike | |
| Brad Miller | EMT | |
| Julia Belanova | Goth Teen | |
| Wendy Miklovic | Strange Figure | |
| April Dupre | Reporter #2 |
Production and Technical Credits
| Zelda Williams | Director | |
| Diablo Cody | Screenwriter | |
| Mason Novick | Producer | |
| Diablo Cody | Producer | |
| Jeffrey Lampert | Executive Producer | |
| Paula Huidobro | Director of Photography | |
| Mark Worthington | Production Designer | |
| Meagan McLaughlin Luster* | Costume Designer | |
| Remi Savva | Make up | |
| Brad Turner | Editor | |
| Isabella Summers | Composer | |
| Nancy Nayor | Casting Director | |
| Anthony Rossi III | Unit Production Manager | |
| Georgianna W. Paz | Firist Assistant Director | |
| Jared Swidzinski | Second Assistant Director | |
| Michelle C. Harmon | Art Director | |
| Andrew Bofinger | Set Decorator | |
| Adie Kaplan | Set Designer | |
| Robert C. Bigelow | Sound Mixer | |
| David Nami | Special Effects Coordinator | |
| Emma Villere | Costume Supervisor | |
| Ulla Gaudin | Make up | |
| Donna Spahn-Jones | Hairstylist | |
| Natalie Shea Rose | Hairstylist | |
| David Thornsberry | Location Manager | |
| Carmen Soriano | Script Supervisor | |
| Chang Tseng | Production Supervisor | |
| Richard Friedlander | Visual Effects Supervisor | |
| Glenn Allen | Visual Effects Producer | |
| Jeffrey Penman | Post-Production Supervisor | |
| Lewis Goldstein | Supervising Sound Editor | |
| Lewis Goldstein | Re-recording Mixer | |
| Scott Ferrara | Dialogue Editor | |
| Allan Zaleski | Sound Effects Editor | |
| Jacob Oostra | Foley Mixer | |
| Yorick Sedee | Foley Mixer | |
| Annika Epker | Foley Editor | |
| Nicholas Kmet | Music Editor | |
| Chelsea Bruland | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.