Listen Up Philip (2014)
| Theatrical Performance | ||
| Domestic Box Office | $200,126 | Details |
| International Box Office | $28,137 | Details |
| Worldwide Box Office | $228,263 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $55,338 | |
| Total | $55,338 | |
| OpusData ID: 209980100 More info... | ||
| Further financial details... | ||
Synopsis
A complex, intimate, and highly idiosyncratic comedy, Listen Up Philip is a literary look at the triumph of reality over the human spirit. Anger rages in Philip as he awaits the publication of his sure-to-succeed second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his indifference to promoting his own work. When Philip's idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject - himself.
Metrics
| Opening Weekend: | $23,284 (11.6% of total gross) |
| Legs: | 3.40 (domestic box office/biggest weekend) |
| Domestic Share: | 87.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/32 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $292,446 |
Movie Details
| Domestic Releases: | October 17th, 2014 (Limited) by TriBeca Films |
| International Releases: | April 2nd, 2015 (Wide) (Australia)
August 19th, 2016 (Wide) (Argentina) |
| Video Release: | March 10th, 2015 by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Relationships Gone Wrong, Writing and Writers |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Washington Square Films, Sailor Bear |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 17, 2014 | 61 | $23,284 | 2 | $11,642 | $23,284 | 1 | |
| Oct 24, 2014 | 49 | $58,850 | +153% | 20 | $2,943 | $91,655 | 2 |
| Oct 31, 2014 | 56 | $30,466 | -48% | 30 | $1,016 | $137,566 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 17, 2014 | 64 | $32,805 | 2 | $16,403 | $32,805 | 1 | |
| Oct 24, 2014 | 51 | $74,295 | +126% | 23 | $3,230 | $107,100 | 2 |
| Oct 31, 2014 | 55 | $42,993 | -42% | 32 | $1,344 | $150,093 | 3 |
| Nov 7, 2014 | 59 | $19,130 | -56% | 27 | $709 | $169,223 | 4 |
| Nov 14, 2014 | 70 | $8,412 | -56% | 15 | $561 | $177,635 | 5 |
| Nov 21, 2014 | 75 | $2,802 | -67% | 7 | $400 | $180,437 | 6 |
| Nov 28, 2014 | 99 | $487 | -83% | 2 | $244 | $180,924 | 7 |
| Dec 5, 2014 | 72 | $4,924 | +911% | 4 | $1,231 | $185,848 | 8 |
| Dec 12, 2014 | 83 | $1,713 | -65% | 4 | $428 | $187,561 | 9 |
| Dec 19, 2014 | 81 | $925 | -46% | 3 | $308 | $188,486 | 10 |
| Jan 2, 2015 | 94 | $625 | 3 | $208 | $189,111 | 12 | |
| Jan 9, 2015 | 91 | $1,379 | +121% | 4 | $345 | $190,490 | 13 |
| Jan 16, 2015 | 76 | $6,202 | +350% | 3 | $2,067 | $196,692 | 14 |
| Jan 23, 2015 | 83 | $3,434 | -45% | 5 | $687 | $200,126 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/19/2016 | $9,533 | 9 | 9 | 15 | $14,191 | 11/30/2018 | |||
| Australia | 4/2/2015 | $8,013 | 2 | 2 | 6 | $13,946 | 5/21/2015 | |||
| International Total | $28,137 | 11/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jason Schwartzman | Philip Lewis Friedman | |
| Elisabeth Moss | Ashley Kane | |
| Krysten Ritter | Melanie Zimmerman | |
| Josephine De La Baume | Yvette Dussart | |
| Jonathan Pryce | Ike Zimmerman |
Supporting
| Dree Hemingway | Emily | |
| Jess Weixler | Holly Kane | |
| Keith Poulson | Josh Fawn | |
| Kate Lyn Sheil | Nancy | |
| Yusef Bulos | Norm |
Production and Technical Credits
| Alex Ross Perry | Director | |
| Alex Ross Perry | Screenwriter | |
| Katie Stern | Producer | |
| Joshua Blum | Producer | |
| Toby Halbrooks | Producer | |
| James M. Johnston | Producer | |
| David Lowery | Producer | |
| Christos V. Konstantakopoulos | Executive Producer | |
| Michaela McKee | Co-Producer | |
| Robert Greene | Editor | |
| Keegan DeWitt | Composer | |
| Susan Shopmaker | Casting Director | |
| Lois Drabkin | Casting Director | |
| Scott Kuzio | Production Designer | |
| Amanda Ford | Costume Designer | |
| Sean Price Williams | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A complex, intimate, and highly idiosyncratic comedy, Listen Up Philip is a literary look at the triumph of reality over the human spirit. Anger rages in Philip as he awaits the publication of his sure-to-succeed second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his indifference to promoting his own work. When Philip's idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject - himself.
Metrics
| Opening Weekend: | $23,284 (11.6% of total gross) |
| Legs: | 3.40 (domestic box office/biggest weekend) |
| Domestic Share: | 87.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/32 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $292,446 |
Movie Details
| Domestic Releases: | October 17th, 2014 (Limited) by TriBeca Films |
| International Releases: | April 2nd, 2015 (Wide) (Australia)
August 19th, 2016 (Wide) (Argentina) |
| Video Release: | March 10th, 2015 by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Relationships Gone Wrong, Writing and Writers |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Washington Square Films, Sailor Bear |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 17, 2014 | 61 | $23,284 | 2 | $11,642 | $23,284 | 1 | |
| Oct 24, 2014 | 49 | $58,850 | +153% | 20 | $2,943 | $91,655 | 2 |
| Oct 31, 2014 | 56 | $30,466 | -48% | 30 | $1,016 | $137,566 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 17, 2014 | 64 | $32,805 | 2 | $16,403 | $32,805 | 1 | |
| Oct 24, 2014 | 51 | $74,295 | +126% | 23 | $3,230 | $107,100 | 2 |
| Oct 31, 2014 | 55 | $42,993 | -42% | 32 | $1,344 | $150,093 | 3 |
| Nov 7, 2014 | 59 | $19,130 | -56% | 27 | $709 | $169,223 | 4 |
| Nov 14, 2014 | 70 | $8,412 | -56% | 15 | $561 | $177,635 | 5 |
| Nov 21, 2014 | 75 | $2,802 | -67% | 7 | $400 | $180,437 | 6 |
| Nov 28, 2014 | 99 | $487 | -83% | 2 | $244 | $180,924 | 7 |
| Dec 5, 2014 | 72 | $4,924 | +911% | 4 | $1,231 | $185,848 | 8 |
| Dec 12, 2014 | 83 | $1,713 | -65% | 4 | $428 | $187,561 | 9 |
| Dec 19, 2014 | 81 | $925 | -46% | 3 | $308 | $188,486 | 10 |
| Jan 2, 2015 | 94 | $625 | 3 | $208 | $189,111 | 12 | |
| Jan 9, 2015 | 91 | $1,379 | +121% | 4 | $345 | $190,490 | 13 |
| Jan 16, 2015 | 76 | $6,202 | +350% | 3 | $2,067 | $196,692 | 14 |
| Jan 23, 2015 | 83 | $3,434 | -45% | 5 | $687 | $200,126 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/19/2016 | $9,533 | 9 | 9 | 15 | $14,191 | 11/30/2018 | |||
| Australia | 4/2/2015 | $8,013 | 2 | 2 | 6 | $13,946 | 5/21/2015 | |||
| International Total | $28,137 | 11/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jason Schwartzman | Philip Lewis Friedman | |
| Elisabeth Moss | Ashley Kane | |
| Krysten Ritter | Melanie Zimmerman | |
| Josephine De La Baume | Yvette Dussart | |
| Jonathan Pryce | Ike Zimmerman |
Supporting
| Dree Hemingway | Emily | |
| Jess Weixler | Holly Kane | |
| Keith Poulson | Josh Fawn | |
| Kate Lyn Sheil | Nancy | |
| Yusef Bulos | Norm |
Production and Technical Credits
| Alex Ross Perry | Director | |
| Alex Ross Perry | Screenwriter | |
| Katie Stern | Producer | |
| Joshua Blum | Producer | |
| Toby Halbrooks | Producer | |
| James M. Johnston | Producer | |
| David Lowery | Producer | |
| Christos V. Konstantakopoulos | Executive Producer | |
| Michaela McKee | Co-Producer | |
| Robert Greene | Editor | |
| Keegan DeWitt | Composer | |
| Susan Shopmaker | Casting Director | |
| Lois Drabkin | Casting Director | |
| Scott Kuzio | Production Designer | |
| Amanda Ford | Costume Designer | |
| Sean Price Williams | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.