Little (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $40,860,481 | Details |
| International Box Office | $8,347,436 | Details |
| Worldwide Box Office | $49,207,917 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,257,762 | |
| Blu-ray Sales (estimated) | $1,556,653 | |
| Total | $2,814,415 | |
| OpusData ID: 321040100 More info... | ||
| Further financial details... | ||
Synopsis
Jordan Sanders, a 13-year-old girl, wakes up in her adult self’s penthouse just before a do-or-die presentation. Jordan’s long-suffering assistant April, the only one in on the secret that her daily tormentor is now trapped in an awkward tween body just as everything is on the line.
Metrics
| Opening Weekend: | $15,405,455 (37.7% of total gross) |
| Legs: | 2.65 (domestic box office/biggest weekend) |
| Domestic Share: | 83.0% (domestic box office/worldwide) |
| Theater counts: | 2,667 opening theaters/2,667 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $53,350,582 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Wide) by Universal |
| International Releases: | April 11th, 2019 (Wide) (Israel)
April 11th, 2019 (Wide) (Lebanon) April 11th, 2019 (Wide) (New Zealand) April 11th, 2019 (Wide) (Middle East Region) April 11th, 2019 (Wide) (United Arab Emirates) ... Show all releases |
| Video Release: | June 25th, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for some suggestive content. (Rating bulletin 2566 (Cert #52056), 2/20/2019) |
| Running Time: | 109 minutes |
| Plot point: | Body Swap, Boss From Hell, Bullies, Curses |
| Social setting: | High School |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Universal Pictures, Legendary Pictures, Perfect World Pictures, Will Packer Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 2 | $15,405,455 | 2,667 | $5,776 | $15,405,455 | 1 | |
| Apr 19, 2019 | 5 | $8,327,435 | -46% | 2,667 | $3,122 | $29,256,845 | 2 |
| Apr 26, 2019 | 7 | $3,472,280 | -58% | 2,119 | $1,639 | $35,881,535 | 3 |
| May 3, 2019 | 10 | $1,420,165 | -59% | 1,359 | $1,045 | $38,530,490 | 4 |
| May 10, 2019 | 14 | $684,050 | -52% | 586 | $1,167 | $39,707,750 | 5 |
| May 17, 2019 | 18 | $279,785 | -59% | 314 | $891 | $40,195,795 | 6 |
| May 24, 2019 | 23 | $148,845 | -47% | 183 | $813 | $40,455,555 | 7 |
| May 31, 2019 | 28 | $76,910 | -48% | 111 | $693 | $40,630,040 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | P | $735,000 | 0 | $735,000 | 1 | |||
| Apr 12, 2019 | 2 | $5,376,290 | 2,667 | $2,016 | $5,376,290 | 1 | ||
| Apr 13, 2019 | 2 | $6,202,940 | +15% | 2,667 | $2,326 | $11,579,230 | 2 | |
| Apr 14, 2019 | 2 | $3,826,225 | -38% | 2,667 | $1,435 | $15,405,455 | 3 | |
| Apr 15, 2019 | 2 | $1,118,620 | -71% | 2,667 | $419 | $16,524,075 | 4 | |
| Apr 16, 2019 | 2 | $2,142,970 | +92% | 2,667 | $804 | $18,667,045 | 5 | |
| Apr 17, 2019 | 3 | $1,034,905 | -52% | 2,667 | $388 | $19,701,950 | 6 | |
| Apr 18, 2019 | 4 | $1,227,460 | +19% | 2,667 | $460 | $20,929,410 | 7 | |
| Apr 19, 2019 | 5 | $2,904,770 | +137% | -46% | 2,667 | $1,089 | $23,834,180 | 8 |
| Apr 20, 2019 | 5 | $3,283,575 | +13% | -47% | 2,667 | $1,231 | $27,117,755 | 9 |
| Apr 21, 2019 | 5 | $2,139,090 | -35% | -44% | 2,667 | $802 | $29,256,845 | 10 |
| Apr 22, 2019 | 6 | $914,565 | -57% | -18% | 2,667 | $343 | $30,171,410 | 11 |
| Apr 23, 2019 | 5 | $1,185,765 | +30% | -45% | 2,667 | $445 | $31,357,175 | 12 |
| Apr 24, 2019 | 5 | $606,475 | -49% | -41% | 2,667 | $227 | $31,963,650 | 13 |
| Apr 25, 2019 | 5 | $445,605 | -27% | -64% | 2,667 | $167 | $32,409,255 | 14 |
| Apr 26, 2019 | 6 | $964,900 | +117% | -67% | 2,119 | $455 | $33,374,155 | 15 |
| Apr 27, 2019 | 6 | $1,508,175 | +56% | -54% | 2,119 | $712 | $34,882,330 | 16 |
| Apr 28, 2019 | 7 | $999,205 | -34% | -53% | 2,119 | $472 | $35,881,535 | 17 |
| Apr 29, 2019 | 6 | $265,560 | -73% | -71% | 2,119 | $125 | $36,147,095 | 18 |
| Apr 30, 2019 | 6 | $467,595 | +76% | -61% | 2,119 | $221 | $36,614,690 | 19 |
| May 1, 2019 | 7 | $293,030 | -37% | -52% | 2,119 | $138 | $36,907,720 | 20 |
| May 2, 2019 | 7 | $202,605 | -31% | -55% | 2,119 | $96 | $37,110,325 | 21 |
| May 3, 2019 | 9 | $366,370 | +81% | -62% | 1,359 | $270 | $37,476,695 | 22 |
| May 4, 2019 | 10 | $651,880 | +78% | -57% | 1,359 | $480 | $38,128,575 | 23 |
| May 5, 2019 | 10 | $401,915 | -38% | -60% | 1,359 | $296 | $38,530,490 | 24 |
| May 6, 2019 | 9 | $116,080 | -71% | -56% | 1,359 | $85 | $38,646,570 | 25 |
| May 7, 2019 | 9 | $193,210 | +66% | -59% | 1,359 | $142 | $38,839,780 | 26 |
| May 8, 2019 | 10 | $107,845 | -44% | -63% | 1,359 | $79 | $38,947,625 | 27 |
| May 9, 2019 | 10 | $76,075 | -29% | -62% | 1,359 | $56 | $39,023,700 | 28 |
| May 10, 2019 | - | $127,760 | +68% | -65% | 586 | $218 | $39,151,460 | 29 |
| May 11, 2019 | - | $267,870 | +110% | -59% | 586 | $457 | $39,419,330 | 30 |
| May 12, 2019 | 13 | $288,420 | +8% | -28% | 586 | $492 | $39,707,750 | 31 |
| May 13, 2019 | 13 | $51,720 | -82% | -55% | 586 | $88 | $39,759,470 | 32 |
| May 14, 2019 | 13 | $76,400 | +48% | -60% | 586 | $130 | $39,835,870 | 33 |
| May 15, 2019 | 14 | $47,015 | -38% | -56% | 586 | $80 | $39,882,885 | 34 |
| May 16, 2019 | - | $33,125 | -30% | -56% | 586 | $57 | $39,916,010 | 35 |
| May 17, 2019 | - | $67,630 | +104% | -47% | 314 | $215 | $39,983,640 | 36 |
| May 18, 2019 | - | $130,280 | +93% | -51% | 314 | $415 | $40,113,920 | 37 |
| May 19, 2019 | - | $81,875 | -37% | -72% | 314 | $261 | $40,195,795 | 38 |
| May 20, 2019 | - | $25,440 | -69% | -51% | 314 | $81 | $40,221,235 | 39 |
| May 21, 2019 | - | $37,830 | +49% | -50% | 314 | $120 | $40,259,065 | 40 |
| May 22, 2019 | - | $24,775 | -35% | -47% | 314 | $79 | $40,283,840 | 41 |
| May 23, 2019 | - | $22,870 | -8% | -31% | 314 | $73 | $40,306,710 | 42 |
| May 24, 2019 | - | $36,270 | +59% | -46% | 183 | $198 | $40,342,980 | 43 |
| May 25, 2019 | - | $57,740 | +59% | -56% | 183 | $316 | $40,400,720 | 44 |
| May 26, 2019 | - | $54,835 | -5% | -33% | 183 | $300 | $40,455,555 | 45 |
| May 27, 2019 | - | $46,635 | -15% | +83% | 183 | $255 | $40,502,190 | 46 |
| May 28, 2019 | - | $21,445 | -54% | -43% | 183 | $117 | $40,523,635 | 47 |
| May 29, 2019 | - | $16,280 | -24% | -34% | 183 | $89 | $40,539,915 | 48 |
| May 30, 2019 | - | $13,215 | -19% | -42% | 183 | $72 | $40,553,130 | 49 |
| May 31, 2019 | - | $24,215 | +83% | -33% | 111 | $218 | $40,577,345 | 50 |
| Jun 1, 2019 | - | $29,890 | +23% | -48% | 111 | $269 | $40,607,235 | 51 |
| Jun 2, 2019 | - | $22,805 | -24% | -58% | 111 | $205 | $40,630,040 | 52 |
| Jun 3, 2019 | - | $10,650 | -53% | -77% | 111 | $96 | $40,640,690 | 53 |
| Jun 4, 2019 | - | $13,075 | +23% | -39% | 111 | $118 | $40,653,765 | 54 |
| Jun 5, 2019 | - | $9,585 | -27% | -41% | 111 | $86 | $40,663,350 | 55 |
| Jun 6, 2019 | - | $10,610 | +11% | -20% | 111 | $96 | $40,673,960 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 2 | $20,929,410 | 2,667 | $7,848 | $20,929,410 | 1 | |
| Apr 19, 2019 | 5 | $11,479,845 | -45% | 2,667 | $4,304 | $32,409,255 | 2 |
| Apr 26, 2019 | 6 | $4,701,070 | -59% | 2,119 | $2,219 | $37,110,325 | 3 |
| May 3, 2019 | 10 | $1,913,375 | -59% | 1,359 | $1,408 | $39,023,700 | 4 |
| May 10, 2019 | 14 | $892,310 | -53% | 586 | $1,523 | $39,916,010 | 5 |
| May 17, 2019 | 18 | $390,700 | -56% | 314 | $1,244 | $40,306,710 | 6 |
| May 24, 2019 | 23 | $246,420 | -37% | 183 | $1,347 | $40,553,130 | 7 |
| May 31, 2019 | 28 | $120,830 | -51% | 111 | $1,089 | $40,673,960 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $498,078 | 165 | 170 | 534 | $1,650,788 | ||||
| Bolivia | 6/6/2019 | $8,176 | 16 | 16 | 27 | $15,517 | ||||
| Bulgaria | 4/12/2019 | $14,957 | 0 | 16 | 26 | $49,155 | ||||
| Central America | 4/11/2019 | $0 | 0 | 8 | 15 | $137,691 | ||||
| Ecuador | 5/3/2019 | $62,390 | 39 | 39 | 107 | $141,150 | ||||
| France | 6/19/2019 | $18,096 | 4 | 4 | 4 | $18,340 | ||||
| Israel | 4/11/2019 | $107,000 | 27 | 27 | 137 | $541,809 | ||||
| Italy | 7/4/2019 | $0 | 0 | 6 | 6 | $55,947 | ||||
| Lebanon | 4/11/2019 | $0 | 0 | 1 | 2 | $24,235 | ||||
| Middle East Region | 4/11/2019 | $144,000 | 37 | 37 | 104 | $494,811 | 5/29/2019 | |||
| Netherlands | 4/12/2019 | $205,663 | 64 | 64 | 275 | $700,830 | ||||
| New Zealand | 4/11/2019 | $50,000 | 49 | 49 | 136 | $136,030 | ||||
| Romania | 4/12/2019 | $106,000 | 75 | 75 | 230 | $321,605 | ||||
| Russia (CIS) | 8/8/2019 | $6,850 | 3 | 3 | 12 | $26,707 | ||||
| South Africa | 4/19/2019 | $168,046 | 87 | 87 | 397 | $694,196 | ||||
| Spain | 6/14/2019 | $0 | 0 | 6 | 6 | $10,903 | ||||
| Trinidad | 4/17/2019 | $111,017 | 20 | 20 | 66 | $304,765 | ||||
| United Arab Emirates | 4/11/2019 | $142,000 | 42 | 42 | 80 | $310,627 | ||||
| United Kingdom | 4/12/2019 | $707,379 | 359 | 359 | 1,107 | $2,437,388 | ||||
| Rest of World | $274,942 | |||||||||
| International Total | $8,347,436 | 5/29/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Regina Hall | Jordan Sanders | |
| Marsai Martin | Jordan Sanders (13 Year Old) | |
| Issa Rae | April |
Supporting
| Justin Hartley | Teacher | |
| Tracee Ellis Ross | HomeGirl | |
| Tone Bell | Preston | |
| Mikey Day | Connor | |
| JD McCrary | Isaac | |
| Tucker Meek | Devon | |
| Thalia Tran | Raina | |
| Marley Taylor | Stevie | |
| Eva Carlton | Caren Greene / Jasmine | |
| Luke James | Trevor | |
| Rachel Dratch | Agent Bea | |
| Christopher A. Martin | Jordan’s Dad | |
| Noree Victoria | Jordan’s Mom | |
| Kendra L. Franklin | Melissa | |
| Marc Hawes | Scott | |
| Jade Fernandez | Emily | |
| Chelsea Hayes | Rachel | |
| Palmer Williams Jr | Windsor Security Guard | |
| Blair Jasin | Intern Martin | |
| Caleb Emery | Valet Vince | |
| Karon Joseph Riley | Tony | |
| Andrew Starr | Charlie | |
| Vince Pisani | Principal Han | |
| Martha Bird Knighton | Oldest Teacher | |
| Kausar Mohammed | Mrs. Parker | |
| Nicole Marie Johnson | Tracy | |
| Amor Owens | Condo Resident | |
| Cecelia Specht | Condo Resident | |
| Jack Breen | Condo Kid | |
| Katelyn Farrugia | Barista | |
| Kenneth Waymack, Jr. | Condo Lobby Security Guard | |
| Hannah Westerfield | Popular Girl | |
| Alie Urquhart | Student | |
| Desi Banks | Postmates Guy | |
| Abbie Gayle | Hostess | |
| Andrew Romano | Waiter | |
| Taylor Towery | Woman at Bar | |
| Ruth Hobbs | Auntie | |
| Barry Kennedy Jr | Bar Patron | |
| Gregory Lockett | Man in Restaurant on a Date | |
| Nia Williams | Jealous Date in Restaurant | |
| India Crowe | Pep Rally Dancer | |
| Jene Moore | Pep Rally Dancer | |
| A’Jana Davis | Pep Rally Dancer | |
| Ainsley Dobbs | Pep Rally Dancer | |
| Kayla Peltier | Pep Rally Dancer | |
| Mylie Stone | Pep Rally Dancer | |
| Mackenzie Marsala | Pep Rally Dancer |
Production and Technical Credits
| Tina Gordon | Director | |
| Camilla Blackett | Screenwriter | |
| Tracy Oliver | Screenwriter | |
| Tracy Oliver | Story by | |
| Will Packer | Producer | |
| Kenya Barris | Producer | |
| James Lopez | Producer | |
| Preston Holmes | Executive Producer | |
| Marsai Martin | Executive Producer | |
| Regina Hall | Executive Producer | |
| Josh Martin | Executive Producer | |
| Keith Brian Burns | Production Designer | |
| David Mortiz | Editor | |
| Germaine Franco | Composer | |
| Greg Gardiner | Director of Photography | |
| Alan D'Antoni | Stunt Coordinator | |
| Danielle Hollowell | Costume Designer | |
| Barbara Kelly | Unit Production Manager | |
| Mike Topoozian | First Assistant Director | |
| Tracey Poirier | Second Assistant Director | |
| Stephen Cooper | Art Director | |
| Javed Noorullah | Set Decorator | |
| Carlton Lee Jr | Set Designer | |
| Britain Illingworth-Cramer | Set Designer | |
| Erik H. Magnus | Sound Mixer | |
| Mauricia Grant | Costume Supervisor | |
| Vonda Morris | Make up | |
| Ebony Parson | Make up | |
| Para Thomas | Make up | |
| Rita Parillo | Hairstylist | |
| Elizabeth Robinson | Hairstylist | |
| Shayla Cowan | Associate Producer | |
| Lisa Rodgers | Post-Production Supervisor | |
| Kami Asgar | Supervising Sound Editor | |
| Erin Oakley | Supervising Sound Editor | |
| Terry Porter | Re-recording Mixer | |
| Drew Webster | Re-recording Mixer | |
| David Fletcher | Special Effects Supervisor | |
| Rick Cramblett | Special Effects Coordinator | |
| Kai Thorup | Location Manager | |
| Kim Taylor-Coleman | Casting Director | |
| Fred Thomas | First Assistant Camera | |
| Trey Twitty | First Assistant Camera | |
| Brett Carroll | First Assistant Editor | |
| Benjamin L. Cook | Sound Designer | |
| Branden Spencer | Dialogue Editor | |
| Mark Hailstone | Sound Effects Editor | |
| Brendan Croxon | Foley Editor | |
| Duncan Campbell | Foley Recordist | |
| Angie Rubin | Music Editor | |
| Alvin Wee | Score Mixer | |
| David Boucher | Score Recordist | |
| Chris LeDoux | Senior Visual Effects Supervisor | |
| Mark Ledoux | Senior Visual Effects Supervisor | |
| Brian Smith | Visual Effects Supervisor | |
| Blaine Klitzke | Visual Effects Supervisor | |
| Matt Akey | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jordan Sanders, a 13-year-old girl, wakes up in her adult self’s penthouse just before a do-or-die presentation. Jordan’s long-suffering assistant April, the only one in on the secret that her daily tormentor is now trapped in an awkward tween body just as everything is on the line.
Metrics
| Opening Weekend: | $15,405,455 (37.7% of total gross) |
| Legs: | 2.65 (domestic box office/biggest weekend) |
| Domestic Share: | 83.0% (domestic box office/worldwide) |
| Theater counts: | 2,667 opening theaters/2,667 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $53,350,582 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Wide) by Universal |
| International Releases: | April 11th, 2019 (Wide) (Israel)
April 11th, 2019 (Wide) (Lebanon) April 11th, 2019 (Wide) (New Zealand) April 11th, 2019 (Wide) (Middle East Region) April 11th, 2019 (Wide) (United Arab Emirates) ... Show all releases |
| Video Release: | June 25th, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for some suggestive content. (Rating bulletin 2566 (Cert #52056), 2/20/2019) |
| Running Time: | 109 minutes |
| Plot point: | Body Swap, Boss From Hell, Bullies, Curses |
| Social setting: | High School |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Universal Pictures, Legendary Pictures, Perfect World Pictures, Will Packer Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 2 | $15,405,455 | 2,667 | $5,776 | $15,405,455 | 1 | |
| Apr 19, 2019 | 5 | $8,327,435 | -46% | 2,667 | $3,122 | $29,256,845 | 2 |
| Apr 26, 2019 | 7 | $3,472,280 | -58% | 2,119 | $1,639 | $35,881,535 | 3 |
| May 3, 2019 | 10 | $1,420,165 | -59% | 1,359 | $1,045 | $38,530,490 | 4 |
| May 10, 2019 | 14 | $684,050 | -52% | 586 | $1,167 | $39,707,750 | 5 |
| May 17, 2019 | 18 | $279,785 | -59% | 314 | $891 | $40,195,795 | 6 |
| May 24, 2019 | 23 | $148,845 | -47% | 183 | $813 | $40,455,555 | 7 |
| May 31, 2019 | 28 | $76,910 | -48% | 111 | $693 | $40,630,040 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | P | $735,000 | 0 | $735,000 | 1 | |||
| Apr 12, 2019 | 2 | $5,376,290 | 2,667 | $2,016 | $5,376,290 | 1 | ||
| Apr 13, 2019 | 2 | $6,202,940 | +15% | 2,667 | $2,326 | $11,579,230 | 2 | |
| Apr 14, 2019 | 2 | $3,826,225 | -38% | 2,667 | $1,435 | $15,405,455 | 3 | |
| Apr 15, 2019 | 2 | $1,118,620 | -71% | 2,667 | $419 | $16,524,075 | 4 | |
| Apr 16, 2019 | 2 | $2,142,970 | +92% | 2,667 | $804 | $18,667,045 | 5 | |
| Apr 17, 2019 | 3 | $1,034,905 | -52% | 2,667 | $388 | $19,701,950 | 6 | |
| Apr 18, 2019 | 4 | $1,227,460 | +19% | 2,667 | $460 | $20,929,410 | 7 | |
| Apr 19, 2019 | 5 | $2,904,770 | +137% | -46% | 2,667 | $1,089 | $23,834,180 | 8 |
| Apr 20, 2019 | 5 | $3,283,575 | +13% | -47% | 2,667 | $1,231 | $27,117,755 | 9 |
| Apr 21, 2019 | 5 | $2,139,090 | -35% | -44% | 2,667 | $802 | $29,256,845 | 10 |
| Apr 22, 2019 | 6 | $914,565 | -57% | -18% | 2,667 | $343 | $30,171,410 | 11 |
| Apr 23, 2019 | 5 | $1,185,765 | +30% | -45% | 2,667 | $445 | $31,357,175 | 12 |
| Apr 24, 2019 | 5 | $606,475 | -49% | -41% | 2,667 | $227 | $31,963,650 | 13 |
| Apr 25, 2019 | 5 | $445,605 | -27% | -64% | 2,667 | $167 | $32,409,255 | 14 |
| Apr 26, 2019 | 6 | $964,900 | +117% | -67% | 2,119 | $455 | $33,374,155 | 15 |
| Apr 27, 2019 | 6 | $1,508,175 | +56% | -54% | 2,119 | $712 | $34,882,330 | 16 |
| Apr 28, 2019 | 7 | $999,205 | -34% | -53% | 2,119 | $472 | $35,881,535 | 17 |
| Apr 29, 2019 | 6 | $265,560 | -73% | -71% | 2,119 | $125 | $36,147,095 | 18 |
| Apr 30, 2019 | 6 | $467,595 | +76% | -61% | 2,119 | $221 | $36,614,690 | 19 |
| May 1, 2019 | 7 | $293,030 | -37% | -52% | 2,119 | $138 | $36,907,720 | 20 |
| May 2, 2019 | 7 | $202,605 | -31% | -55% | 2,119 | $96 | $37,110,325 | 21 |
| May 3, 2019 | 9 | $366,370 | +81% | -62% | 1,359 | $270 | $37,476,695 | 22 |
| May 4, 2019 | 10 | $651,880 | +78% | -57% | 1,359 | $480 | $38,128,575 | 23 |
| May 5, 2019 | 10 | $401,915 | -38% | -60% | 1,359 | $296 | $38,530,490 | 24 |
| May 6, 2019 | 9 | $116,080 | -71% | -56% | 1,359 | $85 | $38,646,570 | 25 |
| May 7, 2019 | 9 | $193,210 | +66% | -59% | 1,359 | $142 | $38,839,780 | 26 |
| May 8, 2019 | 10 | $107,845 | -44% | -63% | 1,359 | $79 | $38,947,625 | 27 |
| May 9, 2019 | 10 | $76,075 | -29% | -62% | 1,359 | $56 | $39,023,700 | 28 |
| May 10, 2019 | - | $127,760 | +68% | -65% | 586 | $218 | $39,151,460 | 29 |
| May 11, 2019 | - | $267,870 | +110% | -59% | 586 | $457 | $39,419,330 | 30 |
| May 12, 2019 | 13 | $288,420 | +8% | -28% | 586 | $492 | $39,707,750 | 31 |
| May 13, 2019 | 13 | $51,720 | -82% | -55% | 586 | $88 | $39,759,470 | 32 |
| May 14, 2019 | 13 | $76,400 | +48% | -60% | 586 | $130 | $39,835,870 | 33 |
| May 15, 2019 | 14 | $47,015 | -38% | -56% | 586 | $80 | $39,882,885 | 34 |
| May 16, 2019 | - | $33,125 | -30% | -56% | 586 | $57 | $39,916,010 | 35 |
| May 17, 2019 | - | $67,630 | +104% | -47% | 314 | $215 | $39,983,640 | 36 |
| May 18, 2019 | - | $130,280 | +93% | -51% | 314 | $415 | $40,113,920 | 37 |
| May 19, 2019 | - | $81,875 | -37% | -72% | 314 | $261 | $40,195,795 | 38 |
| May 20, 2019 | - | $25,440 | -69% | -51% | 314 | $81 | $40,221,235 | 39 |
| May 21, 2019 | - | $37,830 | +49% | -50% | 314 | $120 | $40,259,065 | 40 |
| May 22, 2019 | - | $24,775 | -35% | -47% | 314 | $79 | $40,283,840 | 41 |
| May 23, 2019 | - | $22,870 | -8% | -31% | 314 | $73 | $40,306,710 | 42 |
| May 24, 2019 | - | $36,270 | +59% | -46% | 183 | $198 | $40,342,980 | 43 |
| May 25, 2019 | - | $57,740 | +59% | -56% | 183 | $316 | $40,400,720 | 44 |
| May 26, 2019 | - | $54,835 | -5% | -33% | 183 | $300 | $40,455,555 | 45 |
| May 27, 2019 | - | $46,635 | -15% | +83% | 183 | $255 | $40,502,190 | 46 |
| May 28, 2019 | - | $21,445 | -54% | -43% | 183 | $117 | $40,523,635 | 47 |
| May 29, 2019 | - | $16,280 | -24% | -34% | 183 | $89 | $40,539,915 | 48 |
| May 30, 2019 | - | $13,215 | -19% | -42% | 183 | $72 | $40,553,130 | 49 |
| May 31, 2019 | - | $24,215 | +83% | -33% | 111 | $218 | $40,577,345 | 50 |
| Jun 1, 2019 | - | $29,890 | +23% | -48% | 111 | $269 | $40,607,235 | 51 |
| Jun 2, 2019 | - | $22,805 | -24% | -58% | 111 | $205 | $40,630,040 | 52 |
| Jun 3, 2019 | - | $10,650 | -53% | -77% | 111 | $96 | $40,640,690 | 53 |
| Jun 4, 2019 | - | $13,075 | +23% | -39% | 111 | $118 | $40,653,765 | 54 |
| Jun 5, 2019 | - | $9,585 | -27% | -41% | 111 | $86 | $40,663,350 | 55 |
| Jun 6, 2019 | - | $10,610 | +11% | -20% | 111 | $96 | $40,673,960 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 2 | $20,929,410 | 2,667 | $7,848 | $20,929,410 | 1 | |
| Apr 19, 2019 | 5 | $11,479,845 | -45% | 2,667 | $4,304 | $32,409,255 | 2 |
| Apr 26, 2019 | 6 | $4,701,070 | -59% | 2,119 | $2,219 | $37,110,325 | 3 |
| May 3, 2019 | 10 | $1,913,375 | -59% | 1,359 | $1,408 | $39,023,700 | 4 |
| May 10, 2019 | 14 | $892,310 | -53% | 586 | $1,523 | $39,916,010 | 5 |
| May 17, 2019 | 18 | $390,700 | -56% | 314 | $1,244 | $40,306,710 | 6 |
| May 24, 2019 | 23 | $246,420 | -37% | 183 | $1,347 | $40,553,130 | 7 |
| May 31, 2019 | 28 | $120,830 | -51% | 111 | $1,089 | $40,673,960 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $498,078 | 165 | 170 | 534 | $1,650,788 | ||||
| Bolivia | 6/6/2019 | $8,176 | 16 | 16 | 27 | $15,517 | ||||
| Bulgaria | 4/12/2019 | $14,957 | 0 | 16 | 26 | $49,155 | ||||
| Central America | 4/11/2019 | $0 | 0 | 8 | 15 | $137,691 | ||||
| Ecuador | 5/3/2019 | $62,390 | 39 | 39 | 107 | $141,150 | ||||
| France | 6/19/2019 | $18,096 | 4 | 4 | 4 | $18,340 | ||||
| Israel | 4/11/2019 | $107,000 | 27 | 27 | 137 | $541,809 | ||||
| Italy | 7/4/2019 | $0 | 0 | 6 | 6 | $55,947 | ||||
| Lebanon | 4/11/2019 | $0 | 0 | 1 | 2 | $24,235 | ||||
| Middle East Region | 4/11/2019 | $144,000 | 37 | 37 | 104 | $494,811 | 5/29/2019 | |||
| Netherlands | 4/12/2019 | $205,663 | 64 | 64 | 275 | $700,830 | ||||
| New Zealand | 4/11/2019 | $50,000 | 49 | 49 | 136 | $136,030 | ||||
| Romania | 4/12/2019 | $106,000 | 75 | 75 | 230 | $321,605 | ||||
| Russia (CIS) | 8/8/2019 | $6,850 | 3 | 3 | 12 | $26,707 | ||||
| South Africa | 4/19/2019 | $168,046 | 87 | 87 | 397 | $694,196 | ||||
| Spain | 6/14/2019 | $0 | 0 | 6 | 6 | $10,903 | ||||
| Trinidad | 4/17/2019 | $111,017 | 20 | 20 | 66 | $304,765 | ||||
| United Arab Emirates | 4/11/2019 | $142,000 | 42 | 42 | 80 | $310,627 | ||||
| United Kingdom | 4/12/2019 | $707,379 | 359 | 359 | 1,107 | $2,437,388 | ||||
| Rest of World | $274,942 | |||||||||
| International Total | $8,347,436 | 5/29/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Regina Hall | Jordan Sanders | |
| Marsai Martin | Jordan Sanders (13 Year Old) | |
| Issa Rae | April |
Supporting
| Justin Hartley | Teacher | |
| Tracee Ellis Ross | HomeGirl | |
| Tone Bell | Preston | |
| Mikey Day | Connor | |
| JD McCrary | Isaac | |
| Tucker Meek | Devon | |
| Thalia Tran | Raina | |
| Marley Taylor | Stevie | |
| Eva Carlton | Caren Greene / Jasmine | |
| Luke James | Trevor | |
| Rachel Dratch | Agent Bea | |
| Christopher A. Martin | Jordan’s Dad | |
| Noree Victoria | Jordan’s Mom | |
| Kendra L. Franklin | Melissa | |
| Marc Hawes | Scott | |
| Jade Fernandez | Emily | |
| Chelsea Hayes | Rachel | |
| Palmer Williams Jr | Windsor Security Guard | |
| Blair Jasin | Intern Martin | |
| Caleb Emery | Valet Vince | |
| Karon Joseph Riley | Tony | |
| Andrew Starr | Charlie | |
| Vince Pisani | Principal Han | |
| Martha Bird Knighton | Oldest Teacher | |
| Kausar Mohammed | Mrs. Parker | |
| Nicole Marie Johnson | Tracy | |
| Amor Owens | Condo Resident | |
| Cecelia Specht | Condo Resident | |
| Jack Breen | Condo Kid | |
| Katelyn Farrugia | Barista | |
| Kenneth Waymack, Jr. | Condo Lobby Security Guard | |
| Hannah Westerfield | Popular Girl | |
| Alie Urquhart | Student | |
| Desi Banks | Postmates Guy | |
| Abbie Gayle | Hostess | |
| Andrew Romano | Waiter | |
| Taylor Towery | Woman at Bar | |
| Ruth Hobbs | Auntie | |
| Barry Kennedy Jr | Bar Patron | |
| Gregory Lockett | Man in Restaurant on a Date | |
| Nia Williams | Jealous Date in Restaurant | |
| India Crowe | Pep Rally Dancer | |
| Jene Moore | Pep Rally Dancer | |
| A’Jana Davis | Pep Rally Dancer | |
| Ainsley Dobbs | Pep Rally Dancer | |
| Kayla Peltier | Pep Rally Dancer | |
| Mylie Stone | Pep Rally Dancer | |
| Mackenzie Marsala | Pep Rally Dancer |
Production and Technical Credits
| Tina Gordon | Director | |
| Camilla Blackett | Screenwriter | |
| Tracy Oliver | Screenwriter | |
| Tracy Oliver | Story by | |
| Will Packer | Producer | |
| Kenya Barris | Producer | |
| James Lopez | Producer | |
| Preston Holmes | Executive Producer | |
| Marsai Martin | Executive Producer | |
| Regina Hall | Executive Producer | |
| Josh Martin | Executive Producer | |
| Keith Brian Burns | Production Designer | |
| David Mortiz | Editor | |
| Germaine Franco | Composer | |
| Greg Gardiner | Director of Photography | |
| Alan D'Antoni | Stunt Coordinator | |
| Danielle Hollowell | Costume Designer | |
| Barbara Kelly | Unit Production Manager | |
| Mike Topoozian | First Assistant Director | |
| Tracey Poirier | Second Assistant Director | |
| Stephen Cooper | Art Director | |
| Javed Noorullah | Set Decorator | |
| Carlton Lee Jr | Set Designer | |
| Britain Illingworth-Cramer | Set Designer | |
| Erik H. Magnus | Sound Mixer | |
| Mauricia Grant | Costume Supervisor | |
| Vonda Morris | Make up | |
| Ebony Parson | Make up | |
| Para Thomas | Make up | |
| Rita Parillo | Hairstylist | |
| Elizabeth Robinson | Hairstylist | |
| Shayla Cowan | Associate Producer | |
| Lisa Rodgers | Post-Production Supervisor | |
| Kami Asgar | Supervising Sound Editor | |
| Erin Oakley | Supervising Sound Editor | |
| Terry Porter | Re-recording Mixer | |
| Drew Webster | Re-recording Mixer | |
| David Fletcher | Special Effects Supervisor | |
| Rick Cramblett | Special Effects Coordinator | |
| Kai Thorup | Location Manager | |
| Kim Taylor-Coleman | Casting Director | |
| Fred Thomas | First Assistant Camera | |
| Trey Twitty | First Assistant Camera | |
| Brett Carroll | First Assistant Editor | |
| Benjamin L. Cook | Sound Designer | |
| Branden Spencer | Dialogue Editor | |
| Mark Hailstone | Sound Effects Editor | |
| Brendan Croxon | Foley Editor | |
| Duncan Campbell | Foley Recordist | |
| Angie Rubin | Music Editor | |
| Alvin Wee | Score Mixer | |
| David Boucher | Score Recordist | |
| Chris LeDoux | Senior Visual Effects Supervisor | |
| Mark Ledoux | Senior Visual Effects Supervisor | |
| Brian Smith | Visual Effects Supervisor | |
| Blaine Klitzke | Visual Effects Supervisor | |
| Matt Akey | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.