Little Joe (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $23,862 | Details |
| International Box Office | $200,915 | Details |
| Worldwide Box Office | $224,777 | |
| OpusData ID: 421030100 More info... | ||
| Further financial details... | ||
Synopsis
Alice is a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe.’ But as their plant grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests.
Metrics
| Opening Weekend: | $10,626 (44.5% of total gross) |
| Legs: | 2.25 (domestic box office/biggest weekend) |
| Domestic Share: | 10.6% (domestic box office/worldwide) |
| Theater counts: | 12 opening theaters/12 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,155 |
Movie Details
| Domestic Releases: | December 6th, 2019 (Limited) by Magnolia Pictures |
| International Releases: | November 15th, 2019 (Wide) (France)
November 22nd, 2019 (Wide) (Russia (CIS)) December 27th, 2019 (Wide), released as Küçük Joe (Turkey) February 21st, 2020 (Limited) (United Kingdom) March 6th, 2020 (Wide), released as Micul Joe (Romania) ... Show all releases |
| Video Release: | March 10th, 2020 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnolia Pictures, Austrian Film Institute, FISA-Filmstandort Austria, ORF, Filmfonds Wien, Land Niederoesterreich, BBC Films, BFI, Bayerischer Rundfunk, Arte, Medienboard Berlin-Brandenburg, Eurimages, Coop99, The Bureau, Essential Filmproduktion |
| Production Countries: | Austria, Germany, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2019 | 47 | $10,626 | 12 | $886 | $10,626 | 1 | |
| Dec 13, 2019 | 64 | $2,224 | -79% | 6 | $371 | $18,991 | 2 |
| Dec 27, 2019 | 60 | $1,125 | 2 | $563 | $21,882 | 4 | |
| Jan 10, 2020 | 66 | $844 | 2 | $422 | $23,266 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 29, 2019 | - | $1,125 | 2 | $563 | $21,882 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2019 | 47 | $16,767 | 12 | $1,397 | $16,767 | 1 | |
| Dec 13, 2019 | 61 | $3,990 | -76% | 6 | $665 | $20,757 | 2 |
| Dec 27, 2019 | 63 | $1,665 | 2 | $833 | $22,422 | 4 | |
| Jan 10, 2020 | 64 | $1,440 | 2 | $720 | $23,862 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/1/2021 | $2,267 | 2 | 2 | 9 | $7,748 | 10/20/2022 | |||
| China | 12/2/2022 | $0 | 0 | 346 | 0 | $10,000 | 4/4/2026 | |||
| France | 11/15/2019 | $90,329 | 82 | 82 | 82 | $90,329 | 11/24/2019 | |||
| New Zealand | 10/22/2020 | $0 | 0 | 5 | 8 | $814 | 12/7/2020 | |||
| Portugal | 7/31/2020 | $805 | 3 | 3 | 4 | $1,712 | 8/21/2020 | |||
| Romania | 3/6/2020 | $4,744 | 26 | 26 | 26 | $4,744 | 3/11/2020 | |||
| Russia (CIS) | 11/22/2019 | $7,065 | 120 | 120 | 253 | $23,935 | 10/19/2022 | |||
| Slovakia | 9/18/2020 | $0 | 0 | 1 | 1 | $1,047 | 11/24/2020 | |||
| South Korea | 4/1/2021 | $2,453 | 22 | 22 | 38 | $6,457 | 4/15/2021 | |||
| Turkey | 12/27/2019 | $0 | 0 | 13 | 21 | $19,383 | 10/19/2022 | |||
| United Kingdom | 2/21/2020 | $34,746 | 33 | 33 | 33 | $34,746 | 4/4/2026 | |||
| International Total | $200,915 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emily Beecham | Alice | |
| Ben Whishaw | Chris |
Supporting
| Kerry Fox | Bella | |
| Kit Connor | Joe Woodard | |
| David Wilmot | Karl | |
| Phenix Brossard | Ric | |
| Sebastian Hulk | Ivan | |
| Lindsay Duncan | Psychotherapist | |
| Leanne Best | Brittany | |
| Andrew Rajan | Jasper |
Production and Technical Credits
| Jessica Hausner | Director | |
| Bruno Wagner | Producer | |
| Bertrand Faivre | Producer | |
| Philippe Bober | Producer | |
| Martin Gschlacht | Producer | |
| Jessica Hausner | Producer | |
| Gerardine O’Flynn | Producer | |
| Rose Garnett | Executive Producer | |
| Mary Burke | Executive Producer | |
| Vincent Gadelle | Executive Producer | |
| Marina Perales Marhuenda | Executive Producer | |
| Michel Merkt | Executive Producer | |
| Jessica Hausner | Screenwriter | |
| Geraldine Bajard | Screenwriter | |
| Martin Gschlacht | Director of Photography | |
| Karina Ressler | Editor | |
| Jina Jay | Casting Director | |
| Jessie Frost | Casting Director | |
| Erik Mischijew | Sound Designer | |
| Matz Muller | Sound Designer | |
| Tobias Fleig | Re-recording Mixer | |
| Tanja Hausner | Costume Designer | |
| Katharina Woppermann | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alice is a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe.’ But as their plant grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests.
Metrics
| Opening Weekend: | $10,626 (44.5% of total gross) |
| Legs: | 2.25 (domestic box office/biggest weekend) |
| Domestic Share: | 10.6% (domestic box office/worldwide) |
| Theater counts: | 12 opening theaters/12 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,155 |
Movie Details
| Domestic Releases: | December 6th, 2019 (Limited) by Magnolia Pictures |
| International Releases: | November 15th, 2019 (Wide) (France)
November 22nd, 2019 (Wide) (Russia (CIS)) December 27th, 2019 (Wide), released as Küçük Joe (Turkey) February 21st, 2020 (Limited) (United Kingdom) March 6th, 2020 (Wide), released as Micul Joe (Romania) ... Show all releases |
| Video Release: | March 10th, 2020 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnolia Pictures, Austrian Film Institute, FISA-Filmstandort Austria, ORF, Filmfonds Wien, Land Niederoesterreich, BBC Films, BFI, Bayerischer Rundfunk, Arte, Medienboard Berlin-Brandenburg, Eurimages, Coop99, The Bureau, Essential Filmproduktion |
| Production Countries: | Austria, Germany, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2019 | 47 | $10,626 | 12 | $886 | $10,626 | 1 | |
| Dec 13, 2019 | 64 | $2,224 | -79% | 6 | $371 | $18,991 | 2 |
| Dec 27, 2019 | 60 | $1,125 | 2 | $563 | $21,882 | 4 | |
| Jan 10, 2020 | 66 | $844 | 2 | $422 | $23,266 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 29, 2019 | - | $1,125 | 2 | $563 | $21,882 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2019 | 47 | $16,767 | 12 | $1,397 | $16,767 | 1 | |
| Dec 13, 2019 | 61 | $3,990 | -76% | 6 | $665 | $20,757 | 2 |
| Dec 27, 2019 | 63 | $1,665 | 2 | $833 | $22,422 | 4 | |
| Jan 10, 2020 | 64 | $1,440 | 2 | $720 | $23,862 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/1/2021 | $2,267 | 2 | 2 | 9 | $7,748 | 10/20/2022 | |||
| China | 12/2/2022 | $0 | 0 | 346 | 0 | $10,000 | 4/4/2026 | |||
| France | 11/15/2019 | $90,329 | 82 | 82 | 82 | $90,329 | 11/24/2019 | |||
| New Zealand | 10/22/2020 | $0 | 0 | 5 | 8 | $814 | 12/7/2020 | |||
| Portugal | 7/31/2020 | $805 | 3 | 3 | 4 | $1,712 | 8/21/2020 | |||
| Romania | 3/6/2020 | $4,744 | 26 | 26 | 26 | $4,744 | 3/11/2020 | |||
| Russia (CIS) | 11/22/2019 | $7,065 | 120 | 120 | 253 | $23,935 | 10/19/2022 | |||
| Slovakia | 9/18/2020 | $0 | 0 | 1 | 1 | $1,047 | 11/24/2020 | |||
| South Korea | 4/1/2021 | $2,453 | 22 | 22 | 38 | $6,457 | 4/15/2021 | |||
| Turkey | 12/27/2019 | $0 | 0 | 13 | 21 | $19,383 | 10/19/2022 | |||
| United Kingdom | 2/21/2020 | $34,746 | 33 | 33 | 33 | $34,746 | 4/4/2026 | |||
| International Total | $200,915 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emily Beecham | Alice | |
| Ben Whishaw | Chris |
Supporting
| Kerry Fox | Bella | |
| Kit Connor | Joe Woodard | |
| David Wilmot | Karl | |
| Phenix Brossard | Ric | |
| Sebastian Hulk | Ivan | |
| Lindsay Duncan | Psychotherapist | |
| Leanne Best | Brittany | |
| Andrew Rajan | Jasper |
Production and Technical Credits
| Jessica Hausner | Director | |
| Bruno Wagner | Producer | |
| Bertrand Faivre | Producer | |
| Philippe Bober | Producer | |
| Martin Gschlacht | Producer | |
| Jessica Hausner | Producer | |
| Gerardine O’Flynn | Producer | |
| Rose Garnett | Executive Producer | |
| Mary Burke | Executive Producer | |
| Vincent Gadelle | Executive Producer | |
| Marina Perales Marhuenda | Executive Producer | |
| Michel Merkt | Executive Producer | |
| Jessica Hausner | Screenwriter | |
| Geraldine Bajard | Screenwriter | |
| Martin Gschlacht | Director of Photography | |
| Karina Ressler | Editor | |
| Jina Jay | Casting Director | |
| Jessie Frost | Casting Director | |
| Erik Mischijew | Sound Designer | |
| Matz Muller | Sound Designer | |
| Tobias Fleig | Re-recording Mixer | |
| Tanja Hausner | Costume Designer | |
| Katharina Woppermann | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.