Little Pink House (2018)
| Theatrical Performance | ||
| Domestic Box Office | $199,069 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $21,748 | |
| Total | $21,748 | |
| OpusData ID: 243600100 More info... | ||
| Further financial details... | ||
Synopsis
Based on a true story, a small-town paramedic named Susette Kelo leaves a bad marriage, and starts over in a new town. She buys a rundown cottage with a gorgeous water view. She fixes it up and paints it pink. Then she discovers powerful politicians want to bulldoze her blue-collar neighborhood for the benefit of a multi-billion dollar corporation. Susette emerges as the reluctant leader of her neighbors in an epic battle that goes all the way to the Supreme Court and helps millions of Americans protect their homes
Metrics
| Opening Weekend: | $68,507 (34.4% of total gross) |
| Legs: | 2.91 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/13 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $261,350 |
Movie Details
| Domestic Releases: | April 20th, 2018 (Limited) by Dada Films |
| Video Release: | July 24th, 2018 by Samuel Goldwyn |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Biography, Corporate Malfeasance, Government Corruption, Political |
| Social setting: | Life in a Small Town, Supreme Court |
| Subgenre: | Courtroom / Legal Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Brightlight Pictures, Korchula Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 38 | $68,507 | 9 | $7,612 | $68,507 | 1 | |
| May 4, 2018 | 43 | $25,532 | 11 | $2,321 | $143,317 | 3 | |
| May 18, 2018 | 82 | $3,249 | 5 | $650 | $185,812 | 5 | |
| May 25, 2018 | 81 | $2,225 | -32% | 4 | $556 | $196,218 | 6 |
| Jun 1, 2018 | 79 | $2,432 | +9% | 3 | $811 | $199,069 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 37 | $93,646 | 9 | $10,405 | $93,646 | 1 | |
| Apr 27, 2018 | 56 | $24,139 | -74% | 7 | $3,448 | $117,785 | 2 |
| May 4, 2018 | 46 | $37,424 | +55% | 11 | $3,402 | $155,209 | 3 |
| May 11, 2018 | 57 | $27,354 | -27% | 13 | $2,104 | $182,563 | 4 |
| May 18, 2018 | 67 | $10,853 | -60% | 5 | $2,171 | $193,416 | 5 |
| May 25, 2018 | 84 | $3,221 | -70% | 4 | $805 | $196,637 | 6 |
Leading
| Catherine Keener | Susette Kelo |
Supporting
| Jeanne Tripplehorn | Dr. Charlotte Wells | |
| Callum Keith Rennie | Tim Leblanc | |
| Colin Cunningham | Billy Von Winkle | |
| Giacomo Baessato | Scott Bullock | |
| Jerry Wasserman | Jim Bratten | |
| Aaron Douglas | Governor | |
| Rob LaBelle | Gallagher | |
| Garry Chalk | Mayor Lloyd Beachy | |
| Barbara Tyson | Paulette Vecchiarelli | |
| Brenda McDonald | Agnes Vecchiarelli |
Production and Technical Credits
| Courtney Moorehead Balaker* | Director | |
| Courtney Moorehead Balaker* | Screenwriter | |
| Ted Balaker | Producer | |
| Courtney Moorehead Balaker* | Producer | |
| Joel Soisson | Producer | |
| Arielle Boisvert | Producer | |
| Jeff Benedict | Executive Producer | |
| Melanie Miller | Executive Producer | |
| Shawn Williamson | Executive Producer | |
| Soojin Chung | Co-Producer | |
| John Kramer | Co-Producer | |
| Melanie Miller | Co-Producer | |
| Alexandre Lehmann | Cinematographer | |
| Rick Whitfield | Production Designer | |
| Soojin Chung | Editor | |
| Scott McCrae | Composer | |
| Ryan Rapsys | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Based on a true story, a small-town paramedic named Susette Kelo leaves a bad marriage, and starts over in a new town. She buys a rundown cottage with a gorgeous water view. She fixes it up and paints it pink. Then she discovers powerful politicians want to bulldoze her blue-collar neighborhood for the benefit of a multi-billion dollar corporation. Susette emerges as the reluctant leader of her neighbors in an epic battle that goes all the way to the Supreme Court and helps millions of Americans protect their homes
Metrics
| Opening Weekend: | $68,507 (34.4% of total gross) |
| Legs: | 2.91 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/13 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $261,350 |
Movie Details
| Domestic Releases: | April 20th, 2018 (Limited) by Dada Films |
| Video Release: | July 24th, 2018 by Samuel Goldwyn |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Biography, Corporate Malfeasance, Government Corruption, Political |
| Social setting: | Life in a Small Town, Supreme Court |
| Subgenre: | Courtroom / Legal Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Brightlight Pictures, Korchula Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 38 | $68,507 | 9 | $7,612 | $68,507 | 1 | |
| May 4, 2018 | 43 | $25,532 | 11 | $2,321 | $143,317 | 3 | |
| May 18, 2018 | 82 | $3,249 | 5 | $650 | $185,812 | 5 | |
| May 25, 2018 | 81 | $2,225 | -32% | 4 | $556 | $196,218 | 6 |
| Jun 1, 2018 | 79 | $2,432 | +9% | 3 | $811 | $199,069 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 37 | $93,646 | 9 | $10,405 | $93,646 | 1 | |
| Apr 27, 2018 | 56 | $24,139 | -74% | 7 | $3,448 | $117,785 | 2 |
| May 4, 2018 | 46 | $37,424 | +55% | 11 | $3,402 | $155,209 | 3 |
| May 11, 2018 | 57 | $27,354 | -27% | 13 | $2,104 | $182,563 | 4 |
| May 18, 2018 | 67 | $10,853 | -60% | 5 | $2,171 | $193,416 | 5 |
| May 25, 2018 | 84 | $3,221 | -70% | 4 | $805 | $196,637 | 6 |
Leading
| Catherine Keener | Susette Kelo |
Supporting
| Jeanne Tripplehorn | Dr. Charlotte Wells | |
| Callum Keith Rennie | Tim Leblanc | |
| Colin Cunningham | Billy Von Winkle | |
| Giacomo Baessato | Scott Bullock | |
| Jerry Wasserman | Jim Bratten | |
| Aaron Douglas | Governor | |
| Rob LaBelle | Gallagher | |
| Garry Chalk | Mayor Lloyd Beachy | |
| Barbara Tyson | Paulette Vecchiarelli | |
| Brenda McDonald | Agnes Vecchiarelli |
Production and Technical Credits
| Courtney Moorehead Balaker* | Director | |
| Courtney Moorehead Balaker* | Screenwriter | |
| Ted Balaker | Producer | |
| Courtney Moorehead Balaker* | Producer | |
| Joel Soisson | Producer | |
| Arielle Boisvert | Producer | |
| Jeff Benedict | Executive Producer | |
| Melanie Miller | Executive Producer | |
| Shawn Williamson | Executive Producer | |
| Soojin Chung | Co-Producer | |
| John Kramer | Co-Producer | |
| Melanie Miller | Co-Producer | |
| Alexandre Lehmann | Cinematographer | |
| Rick Whitfield | Production Designer | |
| Soojin Chung | Editor | |
| Scott McCrae | Composer | |
| Ryan Rapsys | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.