Little Voice (1998)
| Theatrical Performance | ||
| Domestic Box Office | $4,595,000 | Details |
| International Box Office | $17,192,233 | |
| Worldwide Box Office | $21,787,233 | |
| OpusData ID: 47540100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $93,722 (2.0% of total gross) |
| Legs: | 8.61 (domestic box office/biggest weekend) |
| Domestic Share: | 21.1% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 3.6 times production budget) |
| Theater counts: | 6 opening theaters/215 max. theaters, 6.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,950,014 |
Movie Details
| Domestic Releases: | December 4th, 1998 (Wide) by Miramax |
| MPA Rating: | R for language and brief nudity |
| Running Time: | 96 minutes |
| Plot point: | Anxiety and Phobias, Big Break, Dysfunctional Family, Singers, Young Child Dealing with the Death of a Parent |
| Subgenre: | Comedy Musical |
| Source: | Based on Play |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Scala Productions |
| Production Countries: | United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 1998 | 33 | $93,722 | 6 | $15,620 | $93,722 | 1 | |
| Dec 11, 1998 | 37 | $80,495 | -14% | 10 | $8,050 | $215,830 | 2 |
| Dec 18, 1998 | 39 | $63,828 | -21% | 11 | $5,803 | $314,710 | 3 |
| Dec 25, 1998 | 33 | $170,974 | +168% | 34 | $5,029 | $523,695 | 4 |
| Jan 1, 1999 | 33 | $206,512 | +21% | 34 | $6,074 | $880,046 | 5 |
| Jan 8, 1999 | 31 | $189,926 | -8% | 37 | $5,133 | $1,143,688 | 6 |
| Jan 15, 1999 | 32 | $277,891 | +46% | 38 | $7,313 | $1,512,591 | 7 |
| Jan 22, 1999 | 32 | $197,928 | -29% | 39 | $5,075 | $1,777,974 | 8 |
| Jan 29, 1999 | 28 | $312,275 | +58% | 64 | $4,879 | $2,184,354 | 9 |
| Feb 5, 1999 | 24 | $509,224 | +63% | 158 | $3,223 | $2,806,511 | 10 |
| Feb 12, 1999 | 26 | $533,960 | +5% | 215 | $2,484 | $3,495,950 | 11 |
| Feb 19, 1999 | 33 | $281,316 | -47% | 190 | $1,481 | $3,897,361 | 12 |
| Feb 26, 1999 | 40 | $165,060 | -41% | 143 | $1,154 | $4,153,275 | 13 |
| Mar 5, 1999 | 41 | $110,836 | -33% | 118 | $939 | $4,320,701 | 14 |
| Mar 12, 1999 | 44 | $93,563 | -16% | 104 | $900 | $4,464,667 | 15 |
| Mar 19, 1999 | 52 | $44,960 | -52% | 75 | $599 | $4,556,387 | 16 |
| Mar 26, 1999 | 63 | $18,156 | -60% | 51 | $356 | $4,595,000 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 1998 | 34 | $135,335 | 6 | $22,556 | $135,335 | 1 | |
| Dec 11, 1998 | 37 | $115,547 | -15% | 10 | $11,555 | $250,882 | 2 |
| Dec 18, 1998 | 37 | $101,839 | -12% | 11 | $9,258 | $352,721 | 3 |
| Dec 25, 1998 | 33 | $320,813 | +215% | 34 | $9,436 | $673,534 | 4 |
| Jan 1, 1999 | 33 | $280,228 | -13% | 34 | $8,242 | $953,762 | 5 |
| Jan 8, 1999 | 28 | $280,938 | n/c | 37 | $7,593 | $1,234,700 | 6 |
| Jan 15, 1999 | 32 | $345,346 | +23% | 38 | $9,088 | $1,580,046 | 7 |
| Jan 22, 1999 | 30 | $292,033 | -15% | 39 | $7,488 | $1,872,079 | 8 |
| Jan 29, 1999 | 27 | $425,208 | +46% | 64 | $6,644 | $2,297,287 | 9 |
| Feb 5, 1999 | 24 | $664,703 | +56% | 158 | $4,207 | $2,961,990 | 10 |
| Feb 12, 1999 | 26 | $654,055 | -2% | 215 | $3,042 | $3,616,045 | 11 |
| Feb 19, 1999 | 33 | $372,170 | -43% | 190 | $1,959 | $3,988,215 | 12 |
| Feb 26, 1999 | 40 | $221,650 | -40% | 143 | $1,550 | $4,209,865 | 13 |
| Mar 5, 1999 | 39 | $161,239 | -27% | 118 | $1,366 | $4,371,104 | 14 |
| Mar 12, 1999 | 44 | $140,323 | -13% | 104 | $1,349 | $4,511,427 | 15 |
| Mar 19, 1999 | 53 | $65,417 | -53% | 75 | $872 | $4,576,844 | 16 |
| Ewan McGregor | Billy | |
| Jim Broadbent | Mr. Boo | |
| Brenda Blethyn | Mari Hoff | |
| Michael Caine | Ray Say | |
| Jane Horrocks | LV |
Production and Technical Credits
| Mark Herman | Director | |
| Mark Herman | Screenwriter | |
| Jim Cartwright | Story Creator | |
| Elizabeth Karlsen | Producer | |
| Harvey Weinstein | Co-Executive Producer | |
| Bob Weinstein | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $93,722 (2.0% of total gross) |
| Legs: | 8.61 (domestic box office/biggest weekend) |
| Domestic Share: | 21.1% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 3.6 times production budget) |
| Theater counts: | 6 opening theaters/215 max. theaters, 6.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,950,014 |
Movie Details
| Domestic Releases: | December 4th, 1998 (Wide) by Miramax |
| MPA Rating: | R for language and brief nudity |
| Running Time: | 96 minutes |
| Plot point: | Anxiety and Phobias, Big Break, Dysfunctional Family, Singers, Young Child Dealing with the Death of a Parent |
| Subgenre: | Comedy Musical |
| Source: | Based on Play |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Scala Productions |
| Production Countries: | United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 1998 | 33 | $93,722 | 6 | $15,620 | $93,722 | 1 | |
| Dec 11, 1998 | 37 | $80,495 | -14% | 10 | $8,050 | $215,830 | 2 |
| Dec 18, 1998 | 39 | $63,828 | -21% | 11 | $5,803 | $314,710 | 3 |
| Dec 25, 1998 | 33 | $170,974 | +168% | 34 | $5,029 | $523,695 | 4 |
| Jan 1, 1999 | 33 | $206,512 | +21% | 34 | $6,074 | $880,046 | 5 |
| Jan 8, 1999 | 31 | $189,926 | -8% | 37 | $5,133 | $1,143,688 | 6 |
| Jan 15, 1999 | 32 | $277,891 | +46% | 38 | $7,313 | $1,512,591 | 7 |
| Jan 22, 1999 | 32 | $197,928 | -29% | 39 | $5,075 | $1,777,974 | 8 |
| Jan 29, 1999 | 28 | $312,275 | +58% | 64 | $4,879 | $2,184,354 | 9 |
| Feb 5, 1999 | 24 | $509,224 | +63% | 158 | $3,223 | $2,806,511 | 10 |
| Feb 12, 1999 | 26 | $533,960 | +5% | 215 | $2,484 | $3,495,950 | 11 |
| Feb 19, 1999 | 33 | $281,316 | -47% | 190 | $1,481 | $3,897,361 | 12 |
| Feb 26, 1999 | 40 | $165,060 | -41% | 143 | $1,154 | $4,153,275 | 13 |
| Mar 5, 1999 | 41 | $110,836 | -33% | 118 | $939 | $4,320,701 | 14 |
| Mar 12, 1999 | 44 | $93,563 | -16% | 104 | $900 | $4,464,667 | 15 |
| Mar 19, 1999 | 52 | $44,960 | -52% | 75 | $599 | $4,556,387 | 16 |
| Mar 26, 1999 | 63 | $18,156 | -60% | 51 | $356 | $4,595,000 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 1998 | 34 | $135,335 | 6 | $22,556 | $135,335 | 1 | |
| Dec 11, 1998 | 37 | $115,547 | -15% | 10 | $11,555 | $250,882 | 2 |
| Dec 18, 1998 | 37 | $101,839 | -12% | 11 | $9,258 | $352,721 | 3 |
| Dec 25, 1998 | 33 | $320,813 | +215% | 34 | $9,436 | $673,534 | 4 |
| Jan 1, 1999 | 33 | $280,228 | -13% | 34 | $8,242 | $953,762 | 5 |
| Jan 8, 1999 | 28 | $280,938 | n/c | 37 | $7,593 | $1,234,700 | 6 |
| Jan 15, 1999 | 32 | $345,346 | +23% | 38 | $9,088 | $1,580,046 | 7 |
| Jan 22, 1999 | 30 | $292,033 | -15% | 39 | $7,488 | $1,872,079 | 8 |
| Jan 29, 1999 | 27 | $425,208 | +46% | 64 | $6,644 | $2,297,287 | 9 |
| Feb 5, 1999 | 24 | $664,703 | +56% | 158 | $4,207 | $2,961,990 | 10 |
| Feb 12, 1999 | 26 | $654,055 | -2% | 215 | $3,042 | $3,616,045 | 11 |
| Feb 19, 1999 | 33 | $372,170 | -43% | 190 | $1,959 | $3,988,215 | 12 |
| Feb 26, 1999 | 40 | $221,650 | -40% | 143 | $1,550 | $4,209,865 | 13 |
| Mar 5, 1999 | 39 | $161,239 | -27% | 118 | $1,366 | $4,371,104 | 14 |
| Mar 12, 1999 | 44 | $140,323 | -13% | 104 | $1,349 | $4,511,427 | 15 |
| Mar 19, 1999 | 53 | $65,417 | -53% | 75 | $872 | $4,576,844 | 16 |
| Ewan McGregor | Billy | |
| Jim Broadbent | Mr. Boo | |
| Brenda Blethyn | Mari Hoff | |
| Michael Caine | Ray Say | |
| Jane Horrocks | LV |
Production and Technical Credits
| Mark Herman | Director | |
| Mark Herman | Screenwriter | |
| Jim Cartwright | Story Creator | |
| Elizabeth Karlsen | Producer | |
| Harvey Weinstein | Co-Executive Producer | |
| Bob Weinstein | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.