Living (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $3,037,858 | Details |
| International Box Office | $9,381,182 | Details |
| Worldwide Box Office | $12,419,040 | |
| OpusData ID: 529330100 More info... | ||
| Further financial details... | ||
Synopsis
LIVING is the story of an ordinary man, reduced by years of oppressive office routine to a shadow existence, who at the eleventh hour makes a supreme effort to turn his dull life into something wonderful.
Metrics
| Opening Weekend: | $22,784 (0.8% of total gross) |
| Legs: | 5.75 (domestic box office/biggest weekend) |
| Domestic Share: | 24.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/644 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,323,564 |
Movie Details
| Domestic Releases: | December 23rd, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | November 4th, 2022 (Limited) (United Kingdom)
December 23rd, 2022 (Limited) (Italy) December 28th, 2022 (Limited), released as Vivre (France) December 29th, 2022 (Limited) (Netherlands) January 6th, 2023 (Limited) (Spain) ... Show all releases |
| Video Release: | March 3rd, 2023 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some suggestive material and smoking. (Rating bulletin 2742 (cert #53935), 7/27/2022) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Film festival: | Sundance Film Festival 2022 |
| Geographical setting: | London |
| Plot point: | Terminal Illness |
| Subgenre: | Life Drama |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Film 4, County Hall Arts, Lip Sync, Rocket Science, Kurosawa Productions, Stephen Woolley, Elizabeth Karlsen, Number 9 Films, Filmgate Films, Film i Vast, CAA Media Finance |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 23, 2022 | - | $22,784 | 3 | $7,595 | $22,784 | 1 | |
| Dec 30, 2022 | - | $20,863 | -8% | 3 | $6,954 | $65,049 | 2 |
| Jan 6, 2023 | - | $41,088 | +97% | 11 | $3,735 | $118,936 | 3 |
| Jan 13, 2023 | - | $86,214 | +110% | 32 | $2,694 | $217,796 | 4 |
| Jan 27, 2023 | - | $528,525 | 644 | $821 | $981,204 | 6 | |
| Feb 3, 2023 | - | $334,611 | -37% | 410 | $816 | $1,623,267 | 7 |
| Feb 10, 2023 | - | $235,109 | -30% | 266 | $884 | $2,032,998 | 8 |
| Feb 24, 2023 | - | $137,863 | 136 | $1,014 | $2,598,171 | 10 | |
| Mar 3, 2023 | - | $125,711 | -9% | 348 | $361 | $2,782,713 | 11 |
| Mar 10, 2023 | - | $67,586 | -46% | 121 | $559 | $2,921,746 | 12 |
| Mar 17, 2023 | - | $28,325 | -58% | 61 | $464 | $2,981,964 | 13 |
| Mar 24, 2023 | - | $10,511 | -63% | 24 | $438 | $3,010,910 | 14 |
| Mar 31, 2023 | - | $6,800 | -35% | 19 | $358 | $3,025,227 | 15 |
| Apr 7, 2023 | - | $4,288 | -37% | 11 | $390 | $3,033,263 | 16 |
| Apr 14, 2023 | - | $846 | -80% | 5 | $169 | $3,035,411 | 17 |
| Apr 21, 2023 | - | $488 | -42% | 1 | $488 | $3,037,064 | 18 |
| Apr 28, 2023 | - | $403 | -17% | 1 | $403 | $3,037,858 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 23, 2022 | 23 | $44,186 | 3 | $14,729 | $44,186 | 1 | |
| Dec 30, 2022 | 28 | $33,662 | -24% | 3 | $11,221 | $77,848 | 2 |
| Jan 6, 2023 | 21 | $53,734 | +60% | 11 | $4,885 | $131,582 | 3 |
| Jan 13, 2023 | 19 | $138,587 | +158% | 32 | $4,331 | $270,169 | 4 |
| Jan 20, 2023 | 20 | $182,510 | +32% | 49 | $3,725 | $452,679 | 5 |
| Jan 27, 2023 | 19 | $835,977 | +358% | 644 | $1,298 | $1,288,656 | 6 |
| Feb 3, 2023 | 16 | $509,233 | -39% | 410 | $1,242 | $1,797,889 | 7 |
| Feb 10, 2023 | 20 | $363,236 | -29% | 266 | $1,366 | $2,161,125 | 8 |
| Feb 17, 2023 | 20 | $299,183 | -18% | 162 | $1,847 | $2,460,308 | 9 |
| Feb 24, 2023 | 22 | $196,694 | -34% | 136 | $1,446 | $2,657,002 | 10 |
| Mar 3, 2023 | 23 | $197,158 | n/c | 348 | $567 | $2,854,160 | 11 |
| Mar 10, 2023 | 27 | $99,479 | -50% | 121 | $822 | $2,953,639 | 12 |
| Mar 17, 2023 | 26 | $46,760 | -53% | 61 | $767 | $3,000,399 | 13 |
| Mar 24, 2023 | 29 | $18,028 | -61% | 24 | $751 | $3,018,427 | 14 |
| Mar 31, 2023 | 39 | $10,548 | -41% | 19 | $555 | $3,028,975 | 15 |
| Apr 7, 2023 | 38 | $5,590 | -47% | 11 | $508 | $3,034,565 | 16 |
| Apr 14, 2023 | 48 | $2,011 | -64% | 5 | $402 | $3,036,576 | 17 |
| Apr 21, 2023 | 53 | $879 | -56% | 1 | $879 | $3,037,455 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/16/2023 | $310,652 | 189 | 214 | 1,063 | $1,924,291 | 7/17/2023 | |||
| Italy | 12/23/2022 | $12,680 | 0 | 0 | 0 | $222,949 | 1/16/2023 | |||
| Netherlands | 12/29/2022 | $107,139 | 43 | 67 | 350 | $895,764 | 2/24/2023 | |||
| New Zealand | 3/16/2023 | $98,453 | 71 | 71 | 189 | $556,239 | 7/17/2023 | |||
| Portugal | 2/23/2023 | $23,870 | 20 | 20 | 68 | $80,536 | 4/4/2023 | |||
| South Korea | 12/13/2023 | $28,742 | 50 | 50 | 135 | $180,126 | 2/14/2024 | |||
| Spain | 1/6/2023 | $125,171 | 62 | 79 | 369 | $615,712 | 2/16/2023 | |||
| Turkey | 3/3/2023 | $14,898 | 66 | 66 | 94 | $17,840 | 4/4/2026 | |||
| United Kingdom | 11/4/2022 | $755,928 | 258 | 419 | 2,187 | $4,874,643 | 4/19/2023 | |||
| Rest of World | $13,082 | |||||||||
| International Total | $9,381,182 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bill Nighy | Mr. Williams |
Supporting
| Aimee Lou Wood | Margaret | |
| Alex Sharp | Peter Wakeling | |
| Tom Burke | ||
| Adrian Rawlins | ||
| Oliver Chris | ||
| Hubert Burton | ||
| Zoe Boyle | ||
| Barney Fishwick | Michael | |
| Patsy Ferran | Fiona |
Production and Technical Credits
| Oliver Hermanus | Director | |
| Kazuo Ishiguro | Screenwriter | |
| Stephen Woolley | Producer | |
| Elizabeth Karlsen | Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Sean Wheelan | Executive Producer | |
| Thorsten Schumacher | Executive Producer | |
| Emma Berkofsky | Executive Producer | |
| Ko Kurosawa | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
LIVING is the story of an ordinary man, reduced by years of oppressive office routine to a shadow existence, who at the eleventh hour makes a supreme effort to turn his dull life into something wonderful.
Metrics
| Opening Weekend: | $22,784 (0.8% of total gross) |
| Legs: | 5.75 (domestic box office/biggest weekend) |
| Domestic Share: | 24.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/644 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,323,564 |
Movie Details
| Domestic Releases: | December 23rd, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | November 4th, 2022 (Limited) (United Kingdom)
December 23rd, 2022 (Limited) (Italy) December 28th, 2022 (Limited), released as Vivre (France) December 29th, 2022 (Limited) (Netherlands) January 6th, 2023 (Limited) (Spain) ... Show all releases |
| Video Release: | March 3rd, 2023 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some suggestive material and smoking. (Rating bulletin 2742 (cert #53935), 7/27/2022) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Film festival: | Sundance Film Festival 2022 |
| Geographical setting: | London |
| Plot point: | Terminal Illness |
| Subgenre: | Life Drama |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Film 4, County Hall Arts, Lip Sync, Rocket Science, Kurosawa Productions, Stephen Woolley, Elizabeth Karlsen, Number 9 Films, Filmgate Films, Film i Vast, CAA Media Finance |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 23, 2022 | - | $22,784 | 3 | $7,595 | $22,784 | 1 | |
| Dec 30, 2022 | - | $20,863 | -8% | 3 | $6,954 | $65,049 | 2 |
| Jan 6, 2023 | - | $41,088 | +97% | 11 | $3,735 | $118,936 | 3 |
| Jan 13, 2023 | - | $86,214 | +110% | 32 | $2,694 | $217,796 | 4 |
| Jan 27, 2023 | - | $528,525 | 644 | $821 | $981,204 | 6 | |
| Feb 3, 2023 | - | $334,611 | -37% | 410 | $816 | $1,623,267 | 7 |
| Feb 10, 2023 | - | $235,109 | -30% | 266 | $884 | $2,032,998 | 8 |
| Feb 24, 2023 | - | $137,863 | 136 | $1,014 | $2,598,171 | 10 | |
| Mar 3, 2023 | - | $125,711 | -9% | 348 | $361 | $2,782,713 | 11 |
| Mar 10, 2023 | - | $67,586 | -46% | 121 | $559 | $2,921,746 | 12 |
| Mar 17, 2023 | - | $28,325 | -58% | 61 | $464 | $2,981,964 | 13 |
| Mar 24, 2023 | - | $10,511 | -63% | 24 | $438 | $3,010,910 | 14 |
| Mar 31, 2023 | - | $6,800 | -35% | 19 | $358 | $3,025,227 | 15 |
| Apr 7, 2023 | - | $4,288 | -37% | 11 | $390 | $3,033,263 | 16 |
| Apr 14, 2023 | - | $846 | -80% | 5 | $169 | $3,035,411 | 17 |
| Apr 21, 2023 | - | $488 | -42% | 1 | $488 | $3,037,064 | 18 |
| Apr 28, 2023 | - | $403 | -17% | 1 | $403 | $3,037,858 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 23, 2022 | 23 | $44,186 | 3 | $14,729 | $44,186 | 1 | |
| Dec 30, 2022 | 28 | $33,662 | -24% | 3 | $11,221 | $77,848 | 2 |
| Jan 6, 2023 | 21 | $53,734 | +60% | 11 | $4,885 | $131,582 | 3 |
| Jan 13, 2023 | 19 | $138,587 | +158% | 32 | $4,331 | $270,169 | 4 |
| Jan 20, 2023 | 20 | $182,510 | +32% | 49 | $3,725 | $452,679 | 5 |
| Jan 27, 2023 | 19 | $835,977 | +358% | 644 | $1,298 | $1,288,656 | 6 |
| Feb 3, 2023 | 16 | $509,233 | -39% | 410 | $1,242 | $1,797,889 | 7 |
| Feb 10, 2023 | 20 | $363,236 | -29% | 266 | $1,366 | $2,161,125 | 8 |
| Feb 17, 2023 | 20 | $299,183 | -18% | 162 | $1,847 | $2,460,308 | 9 |
| Feb 24, 2023 | 22 | $196,694 | -34% | 136 | $1,446 | $2,657,002 | 10 |
| Mar 3, 2023 | 23 | $197,158 | n/c | 348 | $567 | $2,854,160 | 11 |
| Mar 10, 2023 | 27 | $99,479 | -50% | 121 | $822 | $2,953,639 | 12 |
| Mar 17, 2023 | 26 | $46,760 | -53% | 61 | $767 | $3,000,399 | 13 |
| Mar 24, 2023 | 29 | $18,028 | -61% | 24 | $751 | $3,018,427 | 14 |
| Mar 31, 2023 | 39 | $10,548 | -41% | 19 | $555 | $3,028,975 | 15 |
| Apr 7, 2023 | 38 | $5,590 | -47% | 11 | $508 | $3,034,565 | 16 |
| Apr 14, 2023 | 48 | $2,011 | -64% | 5 | $402 | $3,036,576 | 17 |
| Apr 21, 2023 | 53 | $879 | -56% | 1 | $879 | $3,037,455 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/16/2023 | $310,652 | 189 | 214 | 1,063 | $1,924,291 | 7/17/2023 | |||
| Italy | 12/23/2022 | $12,680 | 0 | 0 | 0 | $222,949 | 1/16/2023 | |||
| Netherlands | 12/29/2022 | $107,139 | 43 | 67 | 350 | $895,764 | 2/24/2023 | |||
| New Zealand | 3/16/2023 | $98,453 | 71 | 71 | 189 | $556,239 | 7/17/2023 | |||
| Portugal | 2/23/2023 | $23,870 | 20 | 20 | 68 | $80,536 | 4/4/2023 | |||
| South Korea | 12/13/2023 | $28,742 | 50 | 50 | 135 | $180,126 | 2/14/2024 | |||
| Spain | 1/6/2023 | $125,171 | 62 | 79 | 369 | $615,712 | 2/16/2023 | |||
| Turkey | 3/3/2023 | $14,898 | 66 | 66 | 94 | $17,840 | 4/4/2026 | |||
| United Kingdom | 11/4/2022 | $755,928 | 258 | 419 | 2,187 | $4,874,643 | 4/19/2023 | |||
| Rest of World | $13,082 | |||||||||
| International Total | $9,381,182 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bill Nighy | Mr. Williams |
Supporting
| Aimee Lou Wood | Margaret | |
| Alex Sharp | Peter Wakeling | |
| Tom Burke | ||
| Adrian Rawlins | ||
| Oliver Chris | ||
| Hubert Burton | ||
| Zoe Boyle | ||
| Barney Fishwick | Michael | |
| Patsy Ferran | Fiona |
Production and Technical Credits
| Oliver Hermanus | Director | |
| Kazuo Ishiguro | Screenwriter | |
| Stephen Woolley | Producer | |
| Elizabeth Karlsen | Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Sean Wheelan | Executive Producer | |
| Thorsten Schumacher | Executive Producer | |
| Emma Berkofsky | Executive Producer | |
| Ko Kurosawa | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.