Le Livre D’Image (2018)
| Theatrical Performance | ||
| Domestic Box Office | $93,950 | Details |
| International Box Office | $40,774 | |
| Worldwide Box Office | $134,724 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $18,273 | |
| Blu-ray Sales (estimated) | $20,582 | |
| Total | $38,855 | |
| Further financial details... | ||
Synopsis
Displaying an encyclopedic grasp of cinema and its history, Jean-Luc Godard pieces together fragments and clips them from some of the greatest films of the past, then digitally alters, bleaches, and washes them, all in the service of reflecting on what he sees in front of him and what he makes of the dissonance that surrounds him. He uses his own voice, reminiscent of those of Leonard Cohen or Bob Dylan in the twilights of their careers, to guide us through the fascinating labyrinth of his mind. In some cases, it is to reflect on the metaphysical properties of the world — time, and space, and where meaning is found — but more importantly it is the image, the thing that has obsessed Godard for his entire career, that anchors this film. His ontological enquiry into the image continues to be one of the most moving in history.
Metrics
| Opening Weekend: | $13,854 (14.7% of total gross) |
| Legs: | 6.78 (domestic box office/biggest weekend) |
| Domestic Share: | 69.7% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/12 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $122,674 |
Movie Details
| Domestic Releases: | January 25th, 2019 (Limited) by Kino Lorber, released as The Image Book |
| International Releases: | November 16th, 2018 (Wide) (Argentina)
November 30th, 2018 (Limited), released as The Image Book (United Kingdom) December 7th, 2018 (Wide), released as O Livro de Imagem (Portugal) January 18th, 2019 (Wide), released as İmgeler ve Sözcükler (Turkey) March 15th, 2019 (Wide), released as Kniha obrazov (Slovakia) |
| Video Release: | May 21st, 2019 by Kino Lorber, released as The Image Book |
| MPA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Cast, crew, or production detail: | Archive Footage, Experimental Film |
| Plot point: | Avant Garde, History of Cinema, Terrorism |
| Social setting: | Movie Business, World War II |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Casa Azul Films, Lausanne, ECRAN Noir Productions, Arte, RTS , Cineforom, Office Federal De La Culture |
| Production Countries: | Switzerland, France |
| Languages: | French, English, Arabic, Italian, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 50 | $13,854 | 3 | $4,618 | $30,711 | 1 | |
| Feb 1, 2019 | 53 | $7,694 | -44% | 6 | $1,282 | $47,744 | 2 |
| Feb 8, 2019 | 66 | $2,248 | -71% | 4 | $562 | $57,582 | 3 |
| Feb 15, 2019 | 59 | $8,470 | +277% | 3 | $2,823 | $68,184 | 4 |
| Feb 22, 2019 | 73 | $879 | -90% | 3 | $293 | $77,025 | 5 |
| Mar 1, 2019 | 75 | $3,536 | +302% | 6 | $589 | $81,257 | 6 |
| Mar 8, 2019 | 76 | $3,307 | -6% | 8 | $413 | $86,429 | 7 |
| Mar 15, 2019 | 95 | $1,007 | -70% | 6 | $168 | $90,423 | 8 |
| Mar 22, 2019 | 97 | $375 | -63% | 2 | $188 | $91,924 | 9 |
| Mar 29, 2019 | 93 | $500 | +33% | 1 | $500 | $92,779 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 24, 2019 | P | $16,857 | 3 | $5,619 | $16,857 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 42 | $40,050 | 3 | $13,350 | $40,050 | 1 | |
| Feb 1, 2019 | 53 | $15,284 | -62% | 6 | $2,547 | $55,334 | 2 |
| Feb 8, 2019 | 73 | $4,380 | -71% | 4 | $1,095 | $59,714 | 3 |
| Feb 15, 2019 | 58 | $16,432 | +275% | 3 | $5,477 | $76,146 | 4 |
| Feb 22, 2019 | 74 | $1,575 | -90% | 3 | $525 | $77,721 | 5 |
| Mar 1, 2019 | 75 | $5,401 | +243% | 8 | $675 | $83,122 | 6 |
| Mar 8, 2019 | 75 | $6,294 | +17% | 12 | $525 | $89,416 | 7 |
| Mar 15, 2019 | 93 | $2,133 | -66% | 8 | $267 | $91,549 | 8 |
| Mar 22, 2019 | 95 | $730 | -66% | 2 | $365 | $92,279 | 9 |
| Mar 29, 2019 | 97 | $1,214 | +66% | 2 | $607 | $93,493 | 10 |
| Apr 12, 2019 | 101 | $457 | 2 | $229 | $93,950 | 12 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Displaying an encyclopedic grasp of cinema and its history, Jean-Luc Godard pieces together fragments and clips them from some of the greatest films of the past, then digitally alters, bleaches, and washes them, all in the service of reflecting on what he sees in front of him and what he makes of the dissonance that surrounds him. He uses his own voice, reminiscent of those of Leonard Cohen or Bob Dylan in the twilights of their careers, to guide us through the fascinating labyrinth of his mind. In some cases, it is to reflect on the metaphysical properties of the world — time, and space, and where meaning is found — but more importantly it is the image, the thing that has obsessed Godard for his entire career, that anchors this film. His ontological enquiry into the image continues to be one of the most moving in history.
Metrics
| Opening Weekend: | $13,854 (14.7% of total gross) |
| Legs: | 6.78 (domestic box office/biggest weekend) |
| Domestic Share: | 69.7% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/12 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $122,674 |
Movie Details
| Domestic Releases: | January 25th, 2019 (Limited) by Kino Lorber, released as The Image Book |
| International Releases: | November 16th, 2018 (Wide) (Argentina)
November 30th, 2018 (Limited), released as The Image Book (United Kingdom) December 7th, 2018 (Wide), released as O Livro de Imagem (Portugal) January 18th, 2019 (Wide), released as İmgeler ve Sözcükler (Turkey) March 15th, 2019 (Wide), released as Kniha obrazov (Slovakia) |
| Video Release: | May 21st, 2019 by Kino Lorber, released as The Image Book |
| MPA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Cast, crew, or production detail: | Archive Footage, Experimental Film |
| Plot point: | Avant Garde, History of Cinema, Terrorism |
| Social setting: | Movie Business, World War II |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Casa Azul Films, Lausanne, ECRAN Noir Productions, Arte, RTS , Cineforom, Office Federal De La Culture |
| Production Countries: | Switzerland, France |
| Languages: | French, English, Arabic, Italian, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 50 | $13,854 | 3 | $4,618 | $30,711 | 1 | |
| Feb 1, 2019 | 53 | $7,694 | -44% | 6 | $1,282 | $47,744 | 2 |
| Feb 8, 2019 | 66 | $2,248 | -71% | 4 | $562 | $57,582 | 3 |
| Feb 15, 2019 | 59 | $8,470 | +277% | 3 | $2,823 | $68,184 | 4 |
| Feb 22, 2019 | 73 | $879 | -90% | 3 | $293 | $77,025 | 5 |
| Mar 1, 2019 | 75 | $3,536 | +302% | 6 | $589 | $81,257 | 6 |
| Mar 8, 2019 | 76 | $3,307 | -6% | 8 | $413 | $86,429 | 7 |
| Mar 15, 2019 | 95 | $1,007 | -70% | 6 | $168 | $90,423 | 8 |
| Mar 22, 2019 | 97 | $375 | -63% | 2 | $188 | $91,924 | 9 |
| Mar 29, 2019 | 93 | $500 | +33% | 1 | $500 | $92,779 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 24, 2019 | P | $16,857 | 3 | $5,619 | $16,857 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 42 | $40,050 | 3 | $13,350 | $40,050 | 1 | |
| Feb 1, 2019 | 53 | $15,284 | -62% | 6 | $2,547 | $55,334 | 2 |
| Feb 8, 2019 | 73 | $4,380 | -71% | 4 | $1,095 | $59,714 | 3 |
| Feb 15, 2019 | 58 | $16,432 | +275% | 3 | $5,477 | $76,146 | 4 |
| Feb 22, 2019 | 74 | $1,575 | -90% | 3 | $525 | $77,721 | 5 |
| Mar 1, 2019 | 75 | $5,401 | +243% | 8 | $675 | $83,122 | 6 |
| Mar 8, 2019 | 75 | $6,294 | +17% | 12 | $525 | $89,416 | 7 |
| Mar 15, 2019 | 93 | $2,133 | -66% | 8 | $267 | $91,549 | 8 |
| Mar 22, 2019 | 95 | $730 | -66% | 2 | $365 | $92,279 | 9 |
| Mar 29, 2019 | 97 | $1,214 | +66% | 2 | $607 | $93,493 | 10 |
| Apr 12, 2019 | 101 | $457 | 2 | $229 | $93,950 | 12 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.