Lo And Behold, Reveries Of The Connected World (2016)
| Theatrical Performance | ||
| Domestic Box Office | $594,912 | Details |
| International Box Office | $446,368 | Details |
| Worldwide Box Office | $1,041,280 | |
| OpusData ID: 261050100 More info... | ||
| Further financial details... | ||
Synopsis
Chronicles the virtual world from its origins to its outermost reaches, exploring the digital landscape with the same curiosity and imagination he previously trained on earthly destinations as disparate as the Amazon, the Sahara, the South Pole and the Australian outback. The film leads viewers on a journey through a series of provocative conversations that reveal the ways in which the online world has transformed how virtually everything in the real world works - from business to education, space travel to healthcare, and the very heart of how we conduct our personal relationships.
Metrics
| Opening Weekend: | $114,273 (19.2% of total gross) |
| Legs: | 4.86 (domestic box office/biggest weekend) |
| Domestic Share: | 57.1% (domestic box office/worldwide) |
| Theater counts: | 39 opening theaters/51 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $822,561 |
Movie Details
| Domestic Releases: | August 19th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | September 15th, 2016 (Limited) (Netherlands)
October 28th, 2016 (Limited) (Russia (CIS)) October 28th, 2016 (Limited), released as Lo And Behold (United Kingdom) November 25th, 2016 (Wide) (Portugal) December 9th, 2016 (Wide) (Argentina) ... Show all releases |
| Video Release: | August 19th, 2016 by Magnolia Home Entertainment, released as Lo And Behold Reveries Of The Connected World |
| MPA Rating: | PG-13 for brief strong language and some thematic elements. (Rating bulletin 2431 (Cert #50530), 6/29/2016) |
| Running Time: | 98 minutes |
| Plot point: | Internet, Medical and Hospitals, Robot, Social Media |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | NETSCOUT, Saville Productions, Pereira O'Dell Productions, Skellig Rock, Magnolia Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 19, 2016 | 38 | $114,273 | 39 | $2,930 | $114,273 | 1 | |
| Aug 26, 2016 | 37 | $122,322 | +7% | 47 | $2,603 | $299,947 | 2 |
| Sep 2, 2016 | 48 | $63,285 | -48% | 46 | $1,376 | $407,356 | 3 |
| Sep 9, 2016 | 52 | $38,709 | -39% | 41 | $944 | $490,546 | 4 |
| Sep 16, 2016 | 62 | $20,300 | -48% | 24 | $846 | $530,059 | 5 |
| Sep 23, 2016 | 62 | $13,077 | -36% | 21 | $623 | $556,947 | 6 |
| Sep 30, 2016 | 67 | $9,805 | -25% | 16 | $613 | $572,897 | 7 |
| Oct 7, 2016 | 85 | $3,576 | -64% | 6 | $596 | $580,334 | 8 |
| Oct 14, 2016 | 92 | $2,242 | -37% | 4 | $561 | $585,677 | 9 |
| Oct 21, 2016 | 102 | $1,548 | -31% | 4 | $387 | $589,422 | 10 |
| Oct 28, 2016 | 107 | $672 | -57% | 2 | $336 | $591,122 | 11 |
| Nov 4, 2016 | 110 | $592 | -12% | 3 | $197 | $592,404 | 12 |
| Nov 11, 2016 | 115 | $45 | -92% | 1 | $45 | $594,452 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 19, 2016 | 37 | $177,625 | 41 | $4,332 | $177,625 | 1 | |
| Aug 26, 2016 | 39 | $166,446 | -6% | 51 | $3,264 | $344,071 | 2 |
| Sep 2, 2016 | 48 | $107,766 | -35% | 46 | $2,343 | $451,837 | 3 |
| Sep 9, 2016 | 50 | $57,922 | -46% | 41 | $1,413 | $509,759 | 4 |
| Sep 16, 2016 | 60 | $34,111 | -41% | 24 | $1,421 | $543,870 | 5 |
| Sep 23, 2016 | 62 | $19,222 | -44% | 20 | $961 | $563,092 | 6 |
| Sep 30, 2016 | 74 | $13,666 | -29% | 16 | $854 | $576,758 | 7 |
| Oct 7, 2016 | 84 | $6,677 | -51% | 11 | $607 | $583,435 | 8 |
| Oct 14, 2016 | 93 | $4,439 | -34% | 8 | $555 | $587,874 | 9 |
| Oct 21, 2016 | 104 | $2,576 | -42% | 4 | $644 | $590,450 | 10 |
| Oct 28, 2016 | 103 | $1,362 | -47% | 3 | $454 | $591,812 | 11 |
| Nov 4, 2016 | 87 | $2,595 | +91% | 5 | $519 | $594,407 | 12 |
| Nov 11, 2016 | 127 | $505 | -81% | 2 | $253 | $594,912 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/9/2016 | $0 | 0 | 0 | 0 | $21,051 | 1/1/2019 | |||
| Australia | 2/10/2017 | $1,488 | 1 | 1 | 1 | $1,488 | 2/20/2017 | |||
| Netherlands | 9/15/2016 | $11,861 | 15 | 15 | 15 | $12,946 | 9/21/2016 | |||
| Portugal | 11/25/2016 | $1,533 | 11 | 11 | 11 | $1,533 | 12/1/2016 | |||
| Russia (CIS) | 10/28/2016 | $9,627 | 21 | 21 | 30 | $3,934 | 4/4/2026 | |||
| United Kingdom | 10/28/2016 | $24,232 | 19 | 19 | 19 | $131,418 | 9/8/2018 | |||
| Rest of World | $273,998 | |||||||||
| International Total | $446,368 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Inverviewee
| Joydeep Biswas | Himself | |
| Shawn Carpenter | Himself | |
| Hilarie Cash | Herself | |
| Christina Catsouras | Herself | |
| Christos Catsouras | Himself | |
| Danielle Catsouras | Herself | |
| Kira Catsouras | Herself | |
| Sam Curry | Himself | |
| Danny Hillis | Himself | |
| Kevin Mitnick | Himself |
Production and Technical Credits
| Werner Herzog | Director | |
| Rupert Maconick | Producer | |
| Werner Herzog | Producer | |
| Werner Herzog | Screenwriter | |
| James McNiel | Executive Producer | |
| Dave Arnold | Executive Producer | |
| Tennille Teague | Executive Producer | |
| David Moore* | Executive Producer | |
| Peter Zeitlinger | Director of Photography | |
| Marco Capalbo | Editor | |
| Mark Degli Antoni | Composer | |
| Sebastian Steinberg | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Chronicles the virtual world from its origins to its outermost reaches, exploring the digital landscape with the same curiosity and imagination he previously trained on earthly destinations as disparate as the Amazon, the Sahara, the South Pole and the Australian outback. The film leads viewers on a journey through a series of provocative conversations that reveal the ways in which the online world has transformed how virtually everything in the real world works - from business to education, space travel to healthcare, and the very heart of how we conduct our personal relationships.
Metrics
| Opening Weekend: | $114,273 (19.2% of total gross) |
| Legs: | 4.86 (domestic box office/biggest weekend) |
| Domestic Share: | 57.1% (domestic box office/worldwide) |
| Theater counts: | 39 opening theaters/51 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $822,561 |
Movie Details
| Domestic Releases: | August 19th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | September 15th, 2016 (Limited) (Netherlands)
October 28th, 2016 (Limited) (Russia (CIS)) October 28th, 2016 (Limited), released as Lo And Behold (United Kingdom) November 25th, 2016 (Wide) (Portugal) December 9th, 2016 (Wide) (Argentina) ... Show all releases |
| Video Release: | August 19th, 2016 by Magnolia Home Entertainment, released as Lo And Behold Reveries Of The Connected World |
| MPA Rating: | PG-13 for brief strong language and some thematic elements. (Rating bulletin 2431 (Cert #50530), 6/29/2016) |
| Running Time: | 98 minutes |
| Plot point: | Internet, Medical and Hospitals, Robot, Social Media |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | NETSCOUT, Saville Productions, Pereira O'Dell Productions, Skellig Rock, Magnolia Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 19, 2016 | 38 | $114,273 | 39 | $2,930 | $114,273 | 1 | |
| Aug 26, 2016 | 37 | $122,322 | +7% | 47 | $2,603 | $299,947 | 2 |
| Sep 2, 2016 | 48 | $63,285 | -48% | 46 | $1,376 | $407,356 | 3 |
| Sep 9, 2016 | 52 | $38,709 | -39% | 41 | $944 | $490,546 | 4 |
| Sep 16, 2016 | 62 | $20,300 | -48% | 24 | $846 | $530,059 | 5 |
| Sep 23, 2016 | 62 | $13,077 | -36% | 21 | $623 | $556,947 | 6 |
| Sep 30, 2016 | 67 | $9,805 | -25% | 16 | $613 | $572,897 | 7 |
| Oct 7, 2016 | 85 | $3,576 | -64% | 6 | $596 | $580,334 | 8 |
| Oct 14, 2016 | 92 | $2,242 | -37% | 4 | $561 | $585,677 | 9 |
| Oct 21, 2016 | 102 | $1,548 | -31% | 4 | $387 | $589,422 | 10 |
| Oct 28, 2016 | 107 | $672 | -57% | 2 | $336 | $591,122 | 11 |
| Nov 4, 2016 | 110 | $592 | -12% | 3 | $197 | $592,404 | 12 |
| Nov 11, 2016 | 115 | $45 | -92% | 1 | $45 | $594,452 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 19, 2016 | 37 | $177,625 | 41 | $4,332 | $177,625 | 1 | |
| Aug 26, 2016 | 39 | $166,446 | -6% | 51 | $3,264 | $344,071 | 2 |
| Sep 2, 2016 | 48 | $107,766 | -35% | 46 | $2,343 | $451,837 | 3 |
| Sep 9, 2016 | 50 | $57,922 | -46% | 41 | $1,413 | $509,759 | 4 |
| Sep 16, 2016 | 60 | $34,111 | -41% | 24 | $1,421 | $543,870 | 5 |
| Sep 23, 2016 | 62 | $19,222 | -44% | 20 | $961 | $563,092 | 6 |
| Sep 30, 2016 | 74 | $13,666 | -29% | 16 | $854 | $576,758 | 7 |
| Oct 7, 2016 | 84 | $6,677 | -51% | 11 | $607 | $583,435 | 8 |
| Oct 14, 2016 | 93 | $4,439 | -34% | 8 | $555 | $587,874 | 9 |
| Oct 21, 2016 | 104 | $2,576 | -42% | 4 | $644 | $590,450 | 10 |
| Oct 28, 2016 | 103 | $1,362 | -47% | 3 | $454 | $591,812 | 11 |
| Nov 4, 2016 | 87 | $2,595 | +91% | 5 | $519 | $594,407 | 12 |
| Nov 11, 2016 | 127 | $505 | -81% | 2 | $253 | $594,912 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/9/2016 | $0 | 0 | 0 | 0 | $21,051 | 1/1/2019 | |||
| Australia | 2/10/2017 | $1,488 | 1 | 1 | 1 | $1,488 | 2/20/2017 | |||
| Netherlands | 9/15/2016 | $11,861 | 15 | 15 | 15 | $12,946 | 9/21/2016 | |||
| Portugal | 11/25/2016 | $1,533 | 11 | 11 | 11 | $1,533 | 12/1/2016 | |||
| Russia (CIS) | 10/28/2016 | $9,627 | 21 | 21 | 30 | $3,934 | 4/4/2026 | |||
| United Kingdom | 10/28/2016 | $24,232 | 19 | 19 | 19 | $131,418 | 9/8/2018 | |||
| Rest of World | $273,998 | |||||||||
| International Total | $446,368 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Inverviewee
| Joydeep Biswas | Himself | |
| Shawn Carpenter | Himself | |
| Hilarie Cash | Herself | |
| Christina Catsouras | Herself | |
| Christos Catsouras | Himself | |
| Danielle Catsouras | Herself | |
| Kira Catsouras | Herself | |
| Sam Curry | Himself | |
| Danny Hillis | Himself | |
| Kevin Mitnick | Himself |
Production and Technical Credits
| Werner Herzog | Director | |
| Rupert Maconick | Producer | |
| Werner Herzog | Producer | |
| Werner Herzog | Screenwriter | |
| James McNiel | Executive Producer | |
| Dave Arnold | Executive Producer | |
| Tennille Teague | Executive Producer | |
| David Moore* | Executive Producer | |
| Peter Zeitlinger | Director of Photography | |
| Marco Capalbo | Editor | |
| Mark Degli Antoni | Composer | |
| Sebastian Steinberg | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.