Locked (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,632,758 | Details |
| International Box Office | $2,212,215 | Details |
| Worldwide Box Office | $3,844,973 | |
| OpusData ID: 725340100 More info... | ||
| Further financial details... | ||
Synopsis
When Eddie breaks into a luxury SUV, he steps into a deadly trap set by William, a self-proclaimed vigilante delivering his own brand of twisted justice. With no means of escape, Eddie must fight to survive in a ride where escape is an illusion, survival is a nightmare, and justice shifts into high gear.
Metrics
| Opening Weekend: | $924,054 (56.6% of total gross) |
| Legs: | 1.77 (domestic box office/biggest weekend) |
| Domestic Share: | 42.5% (domestic box office/worldwide) |
| Theater counts: | 971 opening theaters/971 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,632,758 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Wide) by The Avenue Entertainment |
| International Releases: | March 20th, 2025 (Limited) (Australia)
March 20th, 2025 (Limited) (New Zealand) March 20th, 2025 (Limited), released as Locked - Sem Saída (Portugal) April 3rd, 2025 (Limited), released as V pasci (Slovakia) April 4th, 2025 (Wide) (South Africa) ... Show all releases |
| Video Release: | April 22nd, 2025 by Paramount Home Video |
| MPA Rating: | R for strong violent content/bloody images, language throughout, and brief drug use. (Rating bulletin 2870 (cert #55342), 1/29/2025) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Filming location (country): | Canada |
| Plot point: | Class Warfare, Death of a Son or Daughter, Revenge, Terminal Illness, Trapped, Vigilante |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 12 | $924,054 | 971 | $952 | $924,054 | 1 | |
| Mar 28, 2025 | - | $175,041 | -81% | 610 | $287 | $1,535,148 | 2 |
| Apr 4, 2025 | - | $6,469 | -96% | 12 | $539 | $1,630,364 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 12 | $1,360,107 | 971 | $1,401 | $1,360,107 | 1 | |
| Mar 28, 2025 | 20 | $263,788 | -81% | 610 | $432 | $1,623,895 | 2 |
| Apr 4, 2025 | 48 | $8,863 | -97% | 12 | $739 | $1,632,758 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/20/2025 | $108,060 | 168 | 168 | 0 | $235,734 | 4/6/2026 | |||
| Croatia | 4/17/2025 | $11,440 | 31 | 31 | 69 | $26,113 | 4/4/2026 | |||
| Italy | 8/21/2025 | $240,525 | 0 | 0 | 0 | $481,574 | 4/4/2026 | |||
| Mexico | 5/8/2025 | $266,894 | 0 | 0 | 0 | $471,191 | 4/4/2026 | |||
| Netherlands | 4/30/2025 | $45,051 | 66 | 66 | 169 | $128,577 | 4/4/2026 | |||
| New Zealand | 3/20/2025 | $1,162 | 8 | 8 | 0 | $2,313 | 4/4/2026 | |||
| Portugal | 3/20/2025 | $54,311 | 42 | 42 | 130 | $143,583 | 4/4/2026 | |||
| Russia (CIS) | 4/10/2025 | $243,599 | 883 | 883 | 1,461 | $416,810 | 4/4/2026 | |||
| Slovakia | 4/3/2025 | $16,117 | 70 | 70 | 103 | $26,516 | 4/4/2026 | |||
| Spain | 5/30/2025 | $119,936 | 266 | 266 | 509 | $279,804 | 4/4/2026 | |||
| International Total | $2,212,215 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bill Skarsgård | Eddie Barrish | |
| Anthony Hopkins | William |
Production and Technical Credits
| David Yarovesky | Director | |
| Michael Arlen Ross | Screenwriter | |
| Mariano Cohn | Story Creator | |
| Gastón Duprat | Story Creator | |
| Ara Keshishian | Producer | |
| Petr Jakl | Producer | |
| Zainab Azizi | Producer | |
| Sam Raimi | Producer | |
| Sean Patrick O'Reilly | Producer | |
| Michael Dallatorre | Cinematographer | |
| Andrew Buckland | Editor | |
| Peter Gvozdas | Editor | |
| Timothy Williams | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Eddie breaks into a luxury SUV, he steps into a deadly trap set by William, a self-proclaimed vigilante delivering his own brand of twisted justice. With no means of escape, Eddie must fight to survive in a ride where escape is an illusion, survival is a nightmare, and justice shifts into high gear.
Metrics
| Opening Weekend: | $924,054 (56.6% of total gross) |
| Legs: | 1.77 (domestic box office/biggest weekend) |
| Domestic Share: | 42.5% (domestic box office/worldwide) |
| Theater counts: | 971 opening theaters/971 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,632,758 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Wide) by The Avenue Entertainment |
| International Releases: | March 20th, 2025 (Limited) (Australia)
March 20th, 2025 (Limited) (New Zealand) March 20th, 2025 (Limited), released as Locked - Sem Saída (Portugal) April 3rd, 2025 (Limited), released as V pasci (Slovakia) April 4th, 2025 (Wide) (South Africa) ... Show all releases |
| Video Release: | April 22nd, 2025 by Paramount Home Video |
| MPA Rating: | R for strong violent content/bloody images, language throughout, and brief drug use. (Rating bulletin 2870 (cert #55342), 1/29/2025) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Filming location (country): | Canada |
| Plot point: | Class Warfare, Death of a Son or Daughter, Revenge, Terminal Illness, Trapped, Vigilante |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 12 | $924,054 | 971 | $952 | $924,054 | 1 | |
| Mar 28, 2025 | - | $175,041 | -81% | 610 | $287 | $1,535,148 | 2 |
| Apr 4, 2025 | - | $6,469 | -96% | 12 | $539 | $1,630,364 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 12 | $1,360,107 | 971 | $1,401 | $1,360,107 | 1 | |
| Mar 28, 2025 | 20 | $263,788 | -81% | 610 | $432 | $1,623,895 | 2 |
| Apr 4, 2025 | 48 | $8,863 | -97% | 12 | $739 | $1,632,758 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/20/2025 | $108,060 | 168 | 168 | 0 | $235,734 | 4/6/2026 | |||
| Croatia | 4/17/2025 | $11,440 | 31 | 31 | 69 | $26,113 | 4/4/2026 | |||
| Italy | 8/21/2025 | $240,525 | 0 | 0 | 0 | $481,574 | 4/4/2026 | |||
| Mexico | 5/8/2025 | $266,894 | 0 | 0 | 0 | $471,191 | 4/4/2026 | |||
| Netherlands | 4/30/2025 | $45,051 | 66 | 66 | 169 | $128,577 | 4/4/2026 | |||
| New Zealand | 3/20/2025 | $1,162 | 8 | 8 | 0 | $2,313 | 4/4/2026 | |||
| Portugal | 3/20/2025 | $54,311 | 42 | 42 | 130 | $143,583 | 4/4/2026 | |||
| Russia (CIS) | 4/10/2025 | $243,599 | 883 | 883 | 1,461 | $416,810 | 4/4/2026 | |||
| Slovakia | 4/3/2025 | $16,117 | 70 | 70 | 103 | $26,516 | 4/4/2026 | |||
| Spain | 5/30/2025 | $119,936 | 266 | 266 | 509 | $279,804 | 4/4/2026 | |||
| International Total | $2,212,215 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bill Skarsgård | Eddie Barrish | |
| Anthony Hopkins | William |
Production and Technical Credits
| David Yarovesky | Director | |
| Michael Arlen Ross | Screenwriter | |
| Mariano Cohn | Story Creator | |
| Gastón Duprat | Story Creator | |
| Ara Keshishian | Producer | |
| Petr Jakl | Producer | |
| Zainab Azizi | Producer | |
| Sam Raimi | Producer | |
| Sean Patrick O'Reilly | Producer | |
| Michael Dallatorre | Cinematographer | |
| Andrew Buckland | Editor | |
| Peter Gvozdas | Editor | |
| Timothy Williams | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.