The Lodgers (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $7,362 | Details |
| International Box Office | $794,424 | Details |
| Worldwide Box Office | $801,786 | |
| OpusData ID: 311830100 More info... | ||
| Further financial details... | ||
Synopsis
A family curse confines orphaned twins Rachel and Edwards to their home as punishment for their ancestors’ sins. Bound to the rules of a haunting childhood lullaby, the twins must never let any outsiders inside the house, must be in their rooms by the chime of midnight, and must never be separated from one another. Breaking any of these three rules will incur the wrath of a sinister presence that inhabits the house after midnight. While Edward is committed to this ill-fated life, he’s becoming more unhinged due to the fact that Rachel is not. Smitten by a local soldier, Rachel grows skeptical and begins to rebel, desperate to escape the oppression and misery of their captivity.
Metrics
| Opening Weekend: | $5,053 (68.6% of total gross) |
| Legs: | 1.46 (domestic box office/biggest weekend) |
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Theater counts: | 17 opening theaters/17 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,664 |
Movie Details
| Domestic Releases: | February 23rd, 2018 (Limited) by Epic Pictures Group |
| International Releases: | February 15th, 2018 (Wide), released as Обитатели (Russia (CIS))
March 8th, 2018 (Wide), released as The Lodgers - Non infrangere le regole (Italy) March 9th, 2018 (Limited) (United Kingdom) March 16th, 2018 (Wide) (Argentina) April 27th, 2018 (Wide), released as Lanetli Konak (Turkey) ... Show all releases |
| Video Release: | May 29th, 2018 by Epic Pictures |
| MPA Rating: | R for some violence, sexuality and nudity. (Rating bulletin 2507 (Cert #51369), 12/20/2017) |
| Running Time: | 92 minutes |
| Geographical setting: | Ireland |
| Plot point: | Coming of Age, Curses, Dysfunctional Family, Family Secrets, Orphan, Returning Soldiers, Romance, Twins |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Gothic Horror |
| Time period setting: | 1920s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Irish Film Board, Epic Pictures Group, Tailored Films |
| Production Countries: | Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 70 | $5,053 | 17 | $297 | $5,053 | 1 | |
| Mar 2, 2018 | 91 | $286 | -94% | 2 | $143 | $7,236 | 2 |
| Mar 9, 2018 | 94 | $87 | -70% | 1 | $87 | $7,362 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | - | $1,768 | 17 | $104 | $1,768 | 1 | ||
| Feb 24, 2018 | - | $2,102 | +19% | 17 | $124 | $3,870 | 2 | |
| Feb 25, 2018 | - | $1,183 | -44% | 17 | $70 | $5,053 | 3 | |
| Feb 26, 2018 | - | $428 | -64% | 17 | $25 | $5,481 | 4 | |
| Feb 27, 2018 | - | $514 | +20% | 17 | $30 | $5,995 | 5 | |
| Feb 28, 2018 | - | $750 | +46% | 17 | $44 | $6,745 | 6 | |
| Mar 1, 2018 | - | $205 | -73% | 17 | $12 | $6,950 | 7 | |
| Mar 2, 2018 | - | $205 | n/c | -88% | 2 | $103 | $7,155 | 8 |
| Mar 3, 2018 | - | $81 | -60% | -96% | 2 | $41 | $7,236 | 9 |
| Mar 7, 2018 | - | $39 | -95% | 2 | $20 | $7,275 | 13 | |
| Mar 11, 2018 | - | $87 | 1 | $87 | $7,362 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 74 | $6,950 | 17 | $409 | $6,950 | 1 | |
| Mar 2, 2018 | 90 | $325 | -95% | 2 | $163 | $7,275 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/16/2018 | $45,231 | 0 | 0 | 0 | $59,982 | 1/1/2019 | |||
| Italy | 3/8/2018 | $258,923 | 0 | 0 | 0 | $400,224 | 3/19/2018 | |||
| Poland | 5/4/2018 | $0 | 0 | 0 | 0 | $97,464 | 1/1/2019 | |||
| Russia (CIS) | 2/15/2018 | $0 | 0 | 418 | 679 | $168,819 | 1/1/2019 | |||
| Turkey | 4/27/2018 | $27,715 | 121 | 121 | 159 | $59,869 | 2/26/2019 | |||
| United Kingdom | 3/9/2018 | $8,066 | 14 | 14 | 14 | $8,066 | 4/4/2026 | |||
| International Total | $794,424 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlotte Vega | Rachel | |
| Bill Milner | Edward |
Supporting
| David Bradley | Bermingham | |
| Eugene Simon | Sean | |
| Moe Dunford | Dessie | |
| Deirdre O'Kane | Maura | |
| Roisin Murphy | Kay |
Production and Technical Credits
| Brian O'Malley | Director | |
| David Turpin | Screenwriter | |
| Ruth Treacy | Producer | |
| Julianne Forde | Producer | |
| Patrick Ewald | Executive Producer | |
| Shaked Berenson | Executive Producer | |
| Macdara Kelleher | Executive Producer | |
| Rory Gilmartin | Executive Producer | |
| Tony C. Kearns | Editor | |
| Stephen Shannon | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A family curse confines orphaned twins Rachel and Edwards to their home as punishment for their ancestors’ sins. Bound to the rules of a haunting childhood lullaby, the twins must never let any outsiders inside the house, must be in their rooms by the chime of midnight, and must never be separated from one another. Breaking any of these three rules will incur the wrath of a sinister presence that inhabits the house after midnight. While Edward is committed to this ill-fated life, he’s becoming more unhinged due to the fact that Rachel is not. Smitten by a local soldier, Rachel grows skeptical and begins to rebel, desperate to escape the oppression and misery of their captivity.
Metrics
| Opening Weekend: | $5,053 (68.6% of total gross) |
| Legs: | 1.46 (domestic box office/biggest weekend) |
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Theater counts: | 17 opening theaters/17 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,664 |
Movie Details
| Domestic Releases: | February 23rd, 2018 (Limited) by Epic Pictures Group |
| International Releases: | February 15th, 2018 (Wide), released as Обитатели (Russia (CIS))
March 8th, 2018 (Wide), released as The Lodgers - Non infrangere le regole (Italy) March 9th, 2018 (Limited) (United Kingdom) March 16th, 2018 (Wide) (Argentina) April 27th, 2018 (Wide), released as Lanetli Konak (Turkey) ... Show all releases |
| Video Release: | May 29th, 2018 by Epic Pictures |
| MPA Rating: | R for some violence, sexuality and nudity. (Rating bulletin 2507 (Cert #51369), 12/20/2017) |
| Running Time: | 92 minutes |
| Geographical setting: | Ireland |
| Plot point: | Coming of Age, Curses, Dysfunctional Family, Family Secrets, Orphan, Returning Soldiers, Romance, Twins |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Gothic Horror |
| Time period setting: | 1920s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Irish Film Board, Epic Pictures Group, Tailored Films |
| Production Countries: | Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 70 | $5,053 | 17 | $297 | $5,053 | 1 | |
| Mar 2, 2018 | 91 | $286 | -94% | 2 | $143 | $7,236 | 2 |
| Mar 9, 2018 | 94 | $87 | -70% | 1 | $87 | $7,362 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | - | $1,768 | 17 | $104 | $1,768 | 1 | ||
| Feb 24, 2018 | - | $2,102 | +19% | 17 | $124 | $3,870 | 2 | |
| Feb 25, 2018 | - | $1,183 | -44% | 17 | $70 | $5,053 | 3 | |
| Feb 26, 2018 | - | $428 | -64% | 17 | $25 | $5,481 | 4 | |
| Feb 27, 2018 | - | $514 | +20% | 17 | $30 | $5,995 | 5 | |
| Feb 28, 2018 | - | $750 | +46% | 17 | $44 | $6,745 | 6 | |
| Mar 1, 2018 | - | $205 | -73% | 17 | $12 | $6,950 | 7 | |
| Mar 2, 2018 | - | $205 | n/c | -88% | 2 | $103 | $7,155 | 8 |
| Mar 3, 2018 | - | $81 | -60% | -96% | 2 | $41 | $7,236 | 9 |
| Mar 7, 2018 | - | $39 | -95% | 2 | $20 | $7,275 | 13 | |
| Mar 11, 2018 | - | $87 | 1 | $87 | $7,362 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 74 | $6,950 | 17 | $409 | $6,950 | 1 | |
| Mar 2, 2018 | 90 | $325 | -95% | 2 | $163 | $7,275 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/16/2018 | $45,231 | 0 | 0 | 0 | $59,982 | 1/1/2019 | |||
| Italy | 3/8/2018 | $258,923 | 0 | 0 | 0 | $400,224 | 3/19/2018 | |||
| Poland | 5/4/2018 | $0 | 0 | 0 | 0 | $97,464 | 1/1/2019 | |||
| Russia (CIS) | 2/15/2018 | $0 | 0 | 418 | 679 | $168,819 | 1/1/2019 | |||
| Turkey | 4/27/2018 | $27,715 | 121 | 121 | 159 | $59,869 | 2/26/2019 | |||
| United Kingdom | 3/9/2018 | $8,066 | 14 | 14 | 14 | $8,066 | 4/4/2026 | |||
| International Total | $794,424 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlotte Vega | Rachel | |
| Bill Milner | Edward |
Supporting
| David Bradley | Bermingham | |
| Eugene Simon | Sean | |
| Moe Dunford | Dessie | |
| Deirdre O'Kane | Maura | |
| Roisin Murphy | Kay |
Production and Technical Credits
| Brian O'Malley | Director | |
| David Turpin | Screenwriter | |
| Ruth Treacy | Producer | |
| Julianne Forde | Producer | |
| Patrick Ewald | Executive Producer | |
| Shaked Berenson | Executive Producer | |
| Macdara Kelleher | Executive Producer | |
| Rory Gilmartin | Executive Producer | |
| Tony C. Kearns | Editor | |
| Stephen Shannon | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.