Logan’s Run (1976)
| Theatrical Performance | ||
| Domestic Box Office | $25,000,000 | Details |
| International Box Office | $306 | Details |
| Worldwide Box Office | $25,000,306 | |
| OpusData ID: 21640100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 3.6 times production budget) |
Movie Details
| Domestic Releases: | 1976 (Wide) by MGM |
| International Releases: | September 5th, 2024 (Limited) (Re-release) (New Zealand) |
| MPA Rating: | PG |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Artificial Intelligence, Fugitive / On the Run, Surprise Twist |
| Social setting: | Dystopia, Utopia |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 9/5/2024 | $0 | 0 | 1 | 3 | $306 | 6/29/2026 | |||
| International Total | $306 | 6/29/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael York | Logan 5, Sandman | |
| Jenny Agutter | Jessica 6 |
Supporting
| Richard Jordan | Francis 7 | |
| Farrah Fawcett-Majors* | Holly 13 | |
| Roscoe Lee Browne | Box | |
| Peter Ustinov | Old Man |
Production and Technical Credits
| Michael Anderson | Director | |
| David Zelag Goodman | Screenwriter | |
| William F. Nolan | Story Creator | |
| George Clayton Johnson | Story Creator | |
| Saul David | Producer | |
| Ernest Laszlo | Cinematographer | |
| Bob Wyman | Editor | |
| Jerry Goldsmith | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 3.6 times production budget) |
Movie Details
| Domestic Releases: | 1976 (Wide) by MGM |
| International Releases: | September 5th, 2024 (Limited) (Re-release) (New Zealand) |
| MPA Rating: | PG |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Artificial Intelligence, Fugitive / On the Run, Surprise Twist |
| Social setting: | Dystopia, Utopia |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 9/5/2024 | $0 | 0 | 1 | 3 | $306 | 6/29/2026 | |||
| International Total | $306 | 6/29/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael York | Logan 5, Sandman | |
| Jenny Agutter | Jessica 6 |
Supporting
| Richard Jordan | Francis 7 | |
| Farrah Fawcett-Majors* | Holly 13 | |
| Roscoe Lee Browne | Box | |
| Peter Ustinov | Old Man |
Production and Technical Credits
| Michael Anderson | Director | |
| David Zelag Goodman | Screenwriter | |
| William F. Nolan | Story Creator | |
| George Clayton Johnson | Story Creator | |
| Saul David | Producer | |
| Ernest Laszlo | Cinematographer | |
| Bob Wyman | Editor | |
| Jerry Goldsmith | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.