Look Who's Talking Now (1993)
| Theatrical Performance | ||
| Domestic Box Office | $10,172,124 | Details |
| OpusData ID: 36930100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,022,570 (39.5% of total gross) |
| Legs: | 2.53 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,858 opening theaters/1,886 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,789,055 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Wide) by Sony/TriStar |
| MPA Rating: | PG-13 for off-color dialogue. |
| Running Time: | 95 minutes |
| Franchise: | Look Who's Talking |
| Cast, crew, or production detail: | Ensemble, Family Affair, Famously Bad |
| Plot point: | Talking Animals |
| Social setting: | Christmas |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 6 | $4,022,570 | 1,858 | $2,165 | $4,022,570 | 1 | |
| Nov 12, 1993 | 7 | $2,421,624 | -40% | 1,886 | $1,284 | $7,475,384 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 6 | $5,053,760 | 1,858 | $2,720 | $5,053,760 | 1 | |
| Nov 12, 1993 | 7 | $2,798,824 | -45% | 1,886 | $1,484 | $7,852,584 | 2 |
Supporting
| Diane Keaton | Daphne |
| Kirstie Alley | Mollie |
Leading
| John Travolta | James Ubriacco |
| Olympia Dukakis | Rosie | |
| George Segal | Albert | |
| Patrick Pinney | Dogs and Wolves | |
| David Gallagher | Mikey Ubriacco | |
| Lysette Anthony | Samantha | |
| Bob Bergen | Dod / Wolf |
Production and Technical Credits
| Tom Ropelewski | Director | |
| Tom Ropelewski | Screenwriter | |
| Leslie Dixon | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,022,570 (39.5% of total gross) |
| Legs: | 2.53 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,858 opening theaters/1,886 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,789,055 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Wide) by Sony/TriStar |
| MPA Rating: | PG-13 for off-color dialogue. |
| Running Time: | 95 minutes |
| Franchise: | Look Who's Talking |
| Cast, crew, or production detail: | Ensemble, Family Affair, Famously Bad |
| Plot point: | Talking Animals |
| Social setting: | Christmas |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 6 | $4,022,570 | 1,858 | $2,165 | $4,022,570 | 1 | |
| Nov 12, 1993 | 7 | $2,421,624 | -40% | 1,886 | $1,284 | $7,475,384 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 6 | $5,053,760 | 1,858 | $2,720 | $5,053,760 | 1 | |
| Nov 12, 1993 | 7 | $2,798,824 | -45% | 1,886 | $1,484 | $7,852,584 | 2 |
Supporting
| Diane Keaton | Daphne |
| Kirstie Alley | Mollie |
Leading
| John Travolta | James Ubriacco |
| Olympia Dukakis | Rosie | |
| George Segal | Albert | |
| Patrick Pinney | Dogs and Wolves | |
| David Gallagher | Mikey Ubriacco | |
| Lysette Anthony | Samantha | |
| Bob Bergen | Dod / Wolf |
Production and Technical Credits
| Tom Ropelewski | Director | |
| Tom Ropelewski | Screenwriter | |
| Leslie Dixon | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.