Looking Glass (2018)

Looking Glass
Theatrical Performance
Domestic Box Office n/a
International Box Office $80,612Details
Worldwide Box Office $80,612
Home Market Performance
Est. Domestic DVD Sales $734,568 Details
Est. Domestic Blu-ray Sales $305,858 Details
Total Est. Domestic Video Sales $1,040,426
OpusData ID: 314720100
Further financial details...

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 20,701-20,800) 20,701 $80,612
All Time Worldwide Box Office (Rank 27,501-27,600) 27,516 $80,612
All Time International Box Office for R Movies (Rank 3,501-3,600) 3,501 $80,612
All Time Worldwide Box Office for R Movies (Rank 5,701-5,800) 5,766 $80,612

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: February 16th, 2018 (Limited) by Momentum Pictures
International Releases: June 23rd, 2018 (Wide) (South Korea)
Video Release: April 3rd, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for sexual content, violence and language.
(Rating bulletin 2507 (Cert #51367), 12/20/2017)
Running Time: 103 minutes
Comparisons: Create your own comparison chart…
Keywords: Early / Simultaneous Video-on-Demand release, Motel, Voyeurism, Prostitution, LGBTQ+, BDSM, Death of a Son or Daughter, Infidelity, Relationships Gone Wrong, Crime Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States, Canada
Languages: English

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
South Korea 6/23/2018 $0 0 3 9 $51,348 5/23/2019
 
International Total$80,612 5/23/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 20,701-20,800) 20,701 $80,612
All Time International Non-Sequel Box Office (Rank 19,201-19,300) 19,240 $80,612
All Time International Box Office for Original Screenplay Movies (Rank 12,401-12,500) 12,404 $80,612
All Time International Box Office for Live Action Movies (Rank 17,601-17,700) 17,641 $80,612
All Time International Box Office for Contemporary Fiction Movies (Rank 11,001-11,100) 11,024 $80,612
All Time International Box Office for Thriller/Suspense Movies (Rank 1,601-1,700) 1,635 $80,612
All Time International Box Office for R Movies (Rank 3,501-3,600) 3,501 $80,612
All Time International Box Office for Momentum Pictures Movies 19 $80,612

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 27,501-27,600) 27,516 $80,612
All Time Worldwide Non-Sequel Box Office (Rank 25,701-25,800) 25,767 $80,612
All Time Worldwide Box Office for Original Screenplay Movies (Rank 15,801-15,900) 15,877 $80,612
All Time Worldwide Box Office for Live Action Movies (Rank 23,601-23,700) 23,640 $80,612
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 14,201-14,300) 14,298 $80,612
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 2,001-2,100) 2,071 $80,612
All Time Worldwide Box Office for R Movies (Rank 5,701-5,800) 5,766 $80,612
All Time Worldwide Box Office for Momentum Pictures Movies 19 $80,612

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 20181817,081 17,081$215,733$215,7331

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 2018157,698 7,698$101,078$101,0781

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.

Leading Cast

Nicolas Cage   
Robin Tunney   

Uncategorized

Marc Blucas   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tim Hunter    Director
Braxton Pope    Producer
David Wulf    Producer

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Limited and VOD Releases: Monster Hits and Animated Flicks

February 16th, 2018

Tehran Taboo

It’s a strange week for limited releases with a wide variety of films to check out. There’s an Oscar nominationed Russian film, Loveless. As well as two Chinese films that are going to be monster hits back home, Detective Chinatown 2 and Monster Hunt 2. And finally, two animated films, Mind Game and Tehran Taboo. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 20,701-20,800) 20,701 $80,612
All Time Worldwide Box Office (Rank 27,501-27,600) 27,516 $80,612
All Time International Box Office for R Movies (Rank 3,501-3,600) 3,501 $80,612
All Time Worldwide Box Office for R Movies (Rank 5,701-5,800) 5,766 $80,612

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: February 16th, 2018 (Limited) by Momentum Pictures
International Releases: June 23rd, 2018 (Wide) (South Korea)
Video Release: April 3rd, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for sexual content, violence and language.
(Rating bulletin 2507 (Cert #51367), 12/20/2017)
Running Time: 103 minutes
Comparisons: Create your own comparison chart…
Keywords: Early / Simultaneous Video-on-Demand release, Motel, Voyeurism, Prostitution, LGBTQ+, BDSM, Death of a Son or Daughter, Infidelity, Relationships Gone Wrong, Crime Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States, Canada
Languages: English

Leading Cast

Nicolas Cage   
Robin Tunney   

Uncategorized

Marc Blucas   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tim Hunter    Director
Braxton Pope    Producer
David Wulf    Producer

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Limited and VOD Releases: Monster Hits and Animated Flicks

February 16th, 2018

Tehran Taboo

It’s a strange week for limited releases with a wide variety of films to check out. There’s an Oscar nominationed Russian film, Loveless. As well as two Chinese films that are going to be monster hits back home, Detective Chinatown 2 and Monster Hunt 2. And finally, two animated films, Mind Game and Tehran Taboo. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
South Korea 6/23/2018 $0 0 3 9 $51,348 5/23/2019
 
International Total$80,612 5/23/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 20,701-20,800) 20,701 $80,612
All Time International Non-Sequel Box Office (Rank 19,201-19,300) 19,240 $80,612
All Time International Box Office for Original Screenplay Movies (Rank 12,401-12,500) 12,404 $80,612
All Time International Box Office for Live Action Movies (Rank 17,601-17,700) 17,641 $80,612
All Time International Box Office for Contemporary Fiction Movies (Rank 11,001-11,100) 11,024 $80,612
All Time International Box Office for Thriller/Suspense Movies (Rank 1,601-1,700) 1,635 $80,612
All Time International Box Office for R Movies (Rank 3,501-3,600) 3,501 $80,612
All Time International Box Office for Momentum Pictures Movies 19 $80,612

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 27,501-27,600) 27,516 $80,612
All Time Worldwide Non-Sequel Box Office (Rank 25,701-25,800) 25,767 $80,612
All Time Worldwide Box Office for Original Screenplay Movies (Rank 15,801-15,900) 15,877 $80,612
All Time Worldwide Box Office for Live Action Movies (Rank 23,601-23,700) 23,640 $80,612
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 14,201-14,300) 14,298 $80,612
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 2,001-2,100) 2,071 $80,612
All Time Worldwide Box Office for R Movies (Rank 5,701-5,800) 5,766 $80,612
All Time Worldwide Box Office for Momentum Pictures Movies 19 $80,612

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 20181817,081 17,081$215,733$215,7331

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 2018157,698 7,698$101,078$101,0781

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.