Love After Love (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $121,098 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $19,508 | |
| Total | $19,508 | |
| OpusData ID: 295410100 More info... | ||
| Further financial details... | ||
Synopsis
What happens when you lose the foundation of your family? In the wake of a husband and father’s death, the family members he leaves behind find themselves adrift—and in danger of drifting apart—as they each try to find meaning in a world without the man who held them together. Mother Suzanne tentatively seeks companionship—but her attempts at dating only drive a wedge between her and older son Nicholas, whose own relationship with his girlfriend is disintegrating. Meanwhile, younger son Chris deals with grief in his own complicated—and increasingly worrying—way.
Metrics
| Opening Weekend: | $11,290 (9.3% of total gross) |
| Legs: | 4.61 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/29 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $158,984 |
Movie Details
| Domestic Releases: | March 30th, 2018 (Limited) by IFC Films |
| Video Release: | July 24th, 2018 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Plot point: | Adult Child Dealing with the Death of a Parent, Dating After the Death of a Romantic Partner, Death of a Spouse or Fiancée / Fiancé, Relationships Gone Wrong, Romance, Widow/Widower |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Great Point Media, Secret Engine, Weedon Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 64 | $11,290 | 1 | $11,290 | $11,290 | 1 | |
| Apr 6, 2018 | 58 | $13,302 | +18% | 3 | $4,434 | $30,665 | 2 |
| Apr 13, 2018 | 67 | $7,390 | -44% | 5 | $1,478 | $44,338 | 3 |
| Apr 20, 2018 | 66 | $9,912 | +34% | 10 | $991 | $59,971 | 4 |
| Apr 27, 2018 | 48 | $26,275 | +165% | 29 | $906 | $90,911 | 5 |
| May 4, 2018 | 72 | $3,978 | -85% | 16 | $249 | $107,630 | 6 |
| May 11, 2018 | 93 | $1,631 | -59% | 5 | $326 | $112,304 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 63 | $17,363 | 1 | $17,363 | $17,363 | 1 | |
| Apr 6, 2018 | 59 | $19,585 | +13% | 3 | $6,528 | $36,948 | 2 |
| Apr 13, 2018 | 67 | $13,111 | -33% | 5 | $2,622 | $50,059 | 3 |
| Apr 20, 2018 | 67 | $14,577 | +11% | 10 | $1,458 | $64,636 | 4 |
| Apr 27, 2018 | 50 | $37,885 | +160% | 29 | $1,306 | $102,521 | 5 |
| May 4, 2018 | 72 | $7,021 | -81% | 17 | $413 | $110,673 | 6 |
| May 11, 2018 | 93 | $2,401 | -66% | 5 | $480 | $113,074 | 7 |
Leading
| Andie MacDowell | Suzanne | |
| Chris O'Dowd | Nicholas |
Supporting
| James Adomian | Chris | |
| Juliet Rylance | Rebecca | |
| Dree Hemingway | Emilie | |
| Gareth Williams | Glenn |
Production and Technical Credits
| Russell Harbaugh | Director | |
| Russell Harbaugh | Screenwriter | |
| Eric Mendelsohn | Screenwriter | |
| Lucas Joaquin | Producer | |
| Lauren Haber | Producer | |
| Michael Prall | Producer | |
| Lars Knudsen | Executive Producer | |
| Eric Mendelsohn | Executive Producer | |
| Robert Halmi, Jr. | Executive Producer | |
| Jim Reeve | Executive Producer | |
| Chris Teague | Director of Photography | |
| Erin Magill | Production Designer | |
| Matthew C. Hart | Editor | |
| John Magary | Editor | |
| Sarah Mae Burton | Costume Designer | |
| David Shire | Composer | |
| Winslow Bright | Music Supervisor | |
| Douglas Aibel | Casting Director | |
| Henry Russell Bergstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
What happens when you lose the foundation of your family? In the wake of a husband and father’s death, the family members he leaves behind find themselves adrift—and in danger of drifting apart—as they each try to find meaning in a world without the man who held them together. Mother Suzanne tentatively seeks companionship—but her attempts at dating only drive a wedge between her and older son Nicholas, whose own relationship with his girlfriend is disintegrating. Meanwhile, younger son Chris deals with grief in his own complicated—and increasingly worrying—way.
Metrics
| Opening Weekend: | $11,290 (9.3% of total gross) |
| Legs: | 4.61 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/29 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $158,984 |
Movie Details
| Domestic Releases: | March 30th, 2018 (Limited) by IFC Films |
| Video Release: | July 24th, 2018 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Plot point: | Adult Child Dealing with the Death of a Parent, Dating After the Death of a Romantic Partner, Death of a Spouse or Fiancée / Fiancé, Relationships Gone Wrong, Romance, Widow/Widower |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Great Point Media, Secret Engine, Weedon Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 64 | $11,290 | 1 | $11,290 | $11,290 | 1 | |
| Apr 6, 2018 | 58 | $13,302 | +18% | 3 | $4,434 | $30,665 | 2 |
| Apr 13, 2018 | 67 | $7,390 | -44% | 5 | $1,478 | $44,338 | 3 |
| Apr 20, 2018 | 66 | $9,912 | +34% | 10 | $991 | $59,971 | 4 |
| Apr 27, 2018 | 48 | $26,275 | +165% | 29 | $906 | $90,911 | 5 |
| May 4, 2018 | 72 | $3,978 | -85% | 16 | $249 | $107,630 | 6 |
| May 11, 2018 | 93 | $1,631 | -59% | 5 | $326 | $112,304 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 63 | $17,363 | 1 | $17,363 | $17,363 | 1 | |
| Apr 6, 2018 | 59 | $19,585 | +13% | 3 | $6,528 | $36,948 | 2 |
| Apr 13, 2018 | 67 | $13,111 | -33% | 5 | $2,622 | $50,059 | 3 |
| Apr 20, 2018 | 67 | $14,577 | +11% | 10 | $1,458 | $64,636 | 4 |
| Apr 27, 2018 | 50 | $37,885 | +160% | 29 | $1,306 | $102,521 | 5 |
| May 4, 2018 | 72 | $7,021 | -81% | 17 | $413 | $110,673 | 6 |
| May 11, 2018 | 93 | $2,401 | -66% | 5 | $480 | $113,074 | 7 |
Leading
| Andie MacDowell | Suzanne | |
| Chris O'Dowd | Nicholas |
Supporting
| James Adomian | Chris | |
| Juliet Rylance | Rebecca | |
| Dree Hemingway | Emilie | |
| Gareth Williams | Glenn |
Production and Technical Credits
| Russell Harbaugh | Director | |
| Russell Harbaugh | Screenwriter | |
| Eric Mendelsohn | Screenwriter | |
| Lucas Joaquin | Producer | |
| Lauren Haber | Producer | |
| Michael Prall | Producer | |
| Lars Knudsen | Executive Producer | |
| Eric Mendelsohn | Executive Producer | |
| Robert Halmi, Jr. | Executive Producer | |
| Jim Reeve | Executive Producer | |
| Chris Teague | Director of Photography | |
| Erin Magill | Production Designer | |
| Matthew C. Hart | Editor | |
| John Magary | Editor | |
| Sarah Mae Burton | Costume Designer | |
| David Shire | Composer | |
| Winslow Bright | Music Supervisor | |
| Douglas Aibel | Casting Director | |
| Henry Russell Bergstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.