Love, Antosha (2019)

Love, Antosha
Theatrical Performance
Domestic Box Office $50,168Details
International Box Office $12,732Details
Worldwide Box Office $62,900
Further financial details...

Synopsis

From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man. Born in the former Soviet Union to a family of artists, Anton and his parents came to the U.S. when he was six months old. He started acting at nine. He had a genuine curiosity and love for people, for art, and for family. And a willingness to explore, and be open with, the darker parts of himself. Love, Antosha explores his successes and his struggles, and lets viewers get to know this extraordinary person the world was cheated from seeing grow old.

Metrics

Opening Weekend:$7,150 (14.3% of total gross)
Legs:4.48 (domestic box office/biggest weekend)
Domestic Share:79.8% (domestic box office/worldwide)
Theater counts:1 opening theaters/10 max. theaters, 0.8 weeks average run per theater
Infl. Adj. Dom. BO $59,031

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: August 2nd, 2019 (Limited) by Lurker Films
International Releases: September 19th, 2019 (Wide), released as С любовью, Антоша (Russia (CIS))
MPAA Rating: R for language, some sexual content and nudity.
(Rating bulletin 2584 (Cert #52280), 6/26/2019)
Running Time: 92 minutes
Comparisons: Create your own comparison chart…
Keywords: Sundance Film Festival 2019
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Lurker Productions
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 54 $7,150   1 $7,150   $7,150 1
Aug 9, 2019 53 $11,200 +57% 7 $1,600   $19,880 2

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 57 $8,680   1 $8,680   $8,680 1
Aug 9, 2019 55 $16,756 +93% 7 $2,394   $25,436 2
Aug 16, 2019 67 $4,924 -71% 7 $703   $30,360 3
Aug 23, 2019 65 $6,211 +26% 5 $1,242   $36,571 4
Aug 30, 2019 66 $8,596 +38% 10 $860   $45,167 5
Sep 6, 2019 72 $2,854 -67% 3 $951   $48,021 6
Sep 13, 2019 96 $880 -69% 3 $293   $48,901 7
Sep 20, 2019 92 $770 -13% 3 $257   $49,671 8
Sep 27, 2019 100 $497 -35% 3 $166   $50,168 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Russia (CIS) 9/19/2019 $0 0 70 93 $12,732 10/19/2022
 
International Total$12,732 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Anton Yelchin    Himself

Interviewee(s)

J.J. Abrams    Himself
Jennifer Lawrence    Herself
Jodie Foster    Herself
Chris Pine    Himself
Willem Dafoe    Himself
Frank Langella    Himself
Simon Pegg    Himself
Zachary Quinto    Himself
Kristen Stewart    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Garret Price    Director
Adam Gibbs    Producer
Drake Doremus    Producer
Jordan Krause    Co-Producer
Garret Price    Editor
Radan Popovic    Cinematographer
Saul Simon Macwilliams    Composer
Dan Romer    Executive Music Producer
Amine Ramer    Music Supervisor

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Limited and VOD Releases: It’s a Good Night to see a Movie

August 2nd, 2019

The Nightingale

It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man. Born in the former Soviet Union to a family of artists, Anton and his parents came to the U.S. when he was six months old. He started acting at nine. He had a genuine curiosity and love for people, for art, and for family. And a willingness to explore, and be open with, the darker parts of himself. Love, Antosha explores his successes and his struggles, and lets viewers get to know this extraordinary person the world was cheated from seeing grow old.

Metrics

Opening Weekend:$7,150 (14.3% of total gross)
Legs:4.48 (domestic box office/biggest weekend)
Domestic Share:79.8% (domestic box office/worldwide)
Theater counts:1 opening theaters/10 max. theaters, 0.8 weeks average run per theater
Infl. Adj. Dom. BO $59,031

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: August 2nd, 2019 (Limited) by Lurker Films
International Releases: September 19th, 2019 (Wide), released as С любовью, Антоша (Russia (CIS))
MPAA Rating: R for language, some sexual content and nudity.
(Rating bulletin 2584 (Cert #52280), 6/26/2019)
Running Time: 92 minutes
Comparisons: Create your own comparison chart…
Keywords: Sundance Film Festival 2019
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Lurker Productions
Production Countries: United States
Languages: English

Documentary Subject(s)

Anton Yelchin    Himself

Interviewee(s)

J.J. Abrams    Himself
Jennifer Lawrence    Herself
Jodie Foster    Herself
Chris Pine    Himself
Willem Dafoe    Himself
Frank Langella    Himself
Simon Pegg    Himself
Zachary Quinto    Himself
Kristen Stewart    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Garret Price    Director
Adam Gibbs    Producer
Drake Doremus    Producer
Jordan Krause    Co-Producer
Garret Price    Editor
Radan Popovic    Cinematographer
Saul Simon Macwilliams    Composer
Dan Romer    Executive Music Producer
Amine Ramer    Music Supervisor

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Limited and VOD Releases: It’s a Good Night to see a Movie

August 2nd, 2019

The Nightingale

It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 54 $7,150   1 $7,150   $7,150 1
Aug 9, 2019 53 $11,200 +57% 7 $1,600   $19,880 2

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 57 $8,680   1 $8,680   $8,680 1
Aug 9, 2019 55 $16,756 +93% 7 $2,394   $25,436 2
Aug 16, 2019 67 $4,924 -71% 7 $703   $30,360 3
Aug 23, 2019 65 $6,211 +26% 5 $1,242   $36,571 4
Aug 30, 2019 66 $8,596 +38% 10 $860   $45,167 5
Sep 6, 2019 72 $2,854 -67% 3 $951   $48,021 6
Sep 13, 2019 96 $880 -69% 3 $293   $48,901 7
Sep 20, 2019 92 $770 -13% 3 $257   $49,671 8
Sep 27, 2019 100 $497 -35% 3 $166   $50,168 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Russia (CIS) 9/19/2019 $0 0 70 93 $12,732 10/19/2022
 
International Total$12,732 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.