Love, Antosha (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $50,168 | Details |
| International Box Office | $12,732 | Details |
| Worldwide Box Office | $62,900 | |
| OpusData ID: 405950100 More info... | ||
| Further financial details... | ||
Synopsis
From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man. Born in the former Soviet Union to a family of artists, Anton and his parents came to the U.S. when he was six months old. He started acting at nine. He had a genuine curiosity and love for people, for art, and for family. And a willingness to explore, and be open with, the darker parts of himself. Love, Antosha explores his successes and his struggles, and lets viewers get to know this extraordinary person the world was cheated from seeing grow old.
Metrics
| Opening Weekend: | $7,150 (14.3% of total gross) |
| Legs: | 4.48 (domestic box office/biggest weekend) |
| Domestic Share: | 79.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 0.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $65,505 |
Movie Details
| Domestic Releases: | August 2nd, 2019 (Limited) by Lurker Films |
| International Releases: | September 19th, 2019 (Wide), released as С любовью, Антоша (Russia (CIS)) |
| MPA Rating: | R for language, some sexual content and nudity. (Rating bulletin 2584 (Cert #52280), 6/26/2019) |
| Running Time: | 92 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Lurker Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 54 | $7,150 | 1 | $7,150 | $7,150 | 1 | |
| Aug 9, 2019 | 53 | $11,200 | +57% | 7 | $1,600 | $19,880 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 57 | $8,680 | 1 | $8,680 | $8,680 | 1 | |
| Aug 9, 2019 | 55 | $16,756 | +93% | 7 | $2,394 | $25,436 | 2 |
| Aug 16, 2019 | 67 | $4,924 | -71% | 7 | $703 | $30,360 | 3 |
| Aug 23, 2019 | 65 | $6,211 | +26% | 5 | $1,242 | $36,571 | 4 |
| Aug 30, 2019 | 66 | $8,596 | +38% | 10 | $860 | $45,167 | 5 |
| Sep 6, 2019 | 72 | $2,854 | -67% | 3 | $951 | $48,021 | 6 |
| Sep 13, 2019 | 96 | $880 | -69% | 3 | $293 | $48,901 | 7 |
| Sep 20, 2019 | 93 | $770 | -13% | 3 | $257 | $49,671 | 8 |
| Sep 27, 2019 | 100 | $497 | -35% | 3 | $166 | $50,168 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 9/19/2019 | $0 | 0 | 70 | 93 | $12,732 | 10/19/2022 | |||
| International Total | $12,732 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Anton Yelchin | Himself |
Inverviewee
| J.J. Abrams | Himself | |
| Jennifer Lawrence | Herself | |
| Jodie Foster | Herself | |
| Chris Pine | Himself | |
| Willem Dafoe | Himself | |
| Frank Langella | Himself | |
| Simon Pegg | Himself | |
| Zachary Quinto | Himself | |
| Kristen Stewart | Herself |
Production and Technical Credits
| Garret Price | Director | |
| Adam Gibbs | Producer | |
| Drake Doremus | Producer | |
| Jordan Krause | Co-Producer | |
| Garret Price | Editor | |
| Radan Popovic | Cinematographer | |
| Saul Simon Macwilliams | Composer | |
| Dan Romer | Executive Music Producer | |
| Amine Ramer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man. Born in the former Soviet Union to a family of artists, Anton and his parents came to the U.S. when he was six months old. He started acting at nine. He had a genuine curiosity and love for people, for art, and for family. And a willingness to explore, and be open with, the darker parts of himself. Love, Antosha explores his successes and his struggles, and lets viewers get to know this extraordinary person the world was cheated from seeing grow old.
Metrics
| Opening Weekend: | $7,150 (14.3% of total gross) |
| Legs: | 4.48 (domestic box office/biggest weekend) |
| Domestic Share: | 79.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 0.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $65,505 |
Movie Details
| Domestic Releases: | August 2nd, 2019 (Limited) by Lurker Films |
| International Releases: | September 19th, 2019 (Wide), released as С любовью, Антоша (Russia (CIS)) |
| MPA Rating: | R for language, some sexual content and nudity. (Rating bulletin 2584 (Cert #52280), 6/26/2019) |
| Running Time: | 92 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Lurker Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 54 | $7,150 | 1 | $7,150 | $7,150 | 1 | |
| Aug 9, 2019 | 53 | $11,200 | +57% | 7 | $1,600 | $19,880 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 57 | $8,680 | 1 | $8,680 | $8,680 | 1 | |
| Aug 9, 2019 | 55 | $16,756 | +93% | 7 | $2,394 | $25,436 | 2 |
| Aug 16, 2019 | 67 | $4,924 | -71% | 7 | $703 | $30,360 | 3 |
| Aug 23, 2019 | 65 | $6,211 | +26% | 5 | $1,242 | $36,571 | 4 |
| Aug 30, 2019 | 66 | $8,596 | +38% | 10 | $860 | $45,167 | 5 |
| Sep 6, 2019 | 72 | $2,854 | -67% | 3 | $951 | $48,021 | 6 |
| Sep 13, 2019 | 96 | $880 | -69% | 3 | $293 | $48,901 | 7 |
| Sep 20, 2019 | 93 | $770 | -13% | 3 | $257 | $49,671 | 8 |
| Sep 27, 2019 | 100 | $497 | -35% | 3 | $166 | $50,168 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 9/19/2019 | $0 | 0 | 70 | 93 | $12,732 | 10/19/2022 | |||
| International Total | $12,732 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Anton Yelchin | Himself |
Inverviewee
| J.J. Abrams | Himself | |
| Jennifer Lawrence | Herself | |
| Jodie Foster | Herself | |
| Chris Pine | Himself | |
| Willem Dafoe | Himself | |
| Frank Langella | Himself | |
| Simon Pegg | Himself | |
| Zachary Quinto | Himself | |
| Kristen Stewart | Herself |
Production and Technical Credits
| Garret Price | Director | |
| Adam Gibbs | Producer | |
| Drake Doremus | Producer | |
| Jordan Krause | Co-Producer | |
| Garret Price | Editor | |
| Radan Popovic | Cinematographer | |
| Saul Simon Macwilliams | Composer | |
| Dan Romer | Executive Music Producer | |
| Amine Ramer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.