Love, Cecil (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $106,057 | Details |
| International Box Office | $1,883 | Details |
| Worldwide Box Office | $107,940 | |
| OpusData ID: 325460100 More info... | ||
| Further financial details... | ||
Synopsis
Oscar winning set and costume designer, photographer, writer and painter Cecil Beaton was not only a dazzling chronicler, but an arbiter of his time. From the Bright Young Things to the front lines of war to the international belle monde and the pages of Vogue and then onto the Queen’s official photographer—Beaton embodied the cultural and political changes of the twentieth century.
Metrics
| Opening Weekend: | $9,331 (8.8% of total gross) |
| Legs: | 11.37 (domestic box office/biggest weekend) |
| Domestic Share: | 98.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/8 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $139,238 |
Movie Details
| Domestic Releases: | June 29th, 2018 (Limited) by Zeitgeist |
| International Releases: | December 1st, 2017 (Wide) (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 99 minutes |
| Plot point: | Biography, Fashion, Photography, War Correspondent |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Fischio Films, Sothebys, Matador Content, Hot & Sunny Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 53 | $9,331 | 1 | $9,331 | $9,331 | 1 | |
| Jul 6, 2018 | 56 | $6,779 | -27% | 2 | $3,390 | $26,387 | 2 |
| Jul 13, 2018 | 50 | $8,003 | +18% | 4 | $2,001 | $40,501 | 3 |
| Jul 27, 2018 | 53 | $8,773 | 6 | $1,462 | $71,490 | 5 | |
| Aug 3, 2018 | 56 | $7,684 | -12% | 7 | $1,098 | $85,688 | 6 |
| Aug 10, 2018 | 70 | $3,318 | -57% | 5 | $664 | $94,757 | 7 |
| Aug 17, 2018 | 94 | $330 | -90% | 1 | $330 | $97,214 | 8 |
| Aug 24, 2018 | 93 | $426 | +29% | 1 | $426 | $97,640 | 9 |
| Sep 7, 2018 | 91 | $759 | 2 | $380 | $103,259 | 11 | |
| Oct 26, 2018 | 97 | $591 | 1 | $591 | $106,057 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 54 | $19,128 | 1 | $19,128 | $19,608 | 1 | |
| Jul 6, 2018 | 53 | $12,890 | -33% | 2 | $6,445 | $32,498 | 2 |
| Jul 13, 2018 | 51 | $12,483 | -3% | 4 | $3,121 | $44,981 | 3 |
| Jul 20, 2018 | 54 | $17,736 | +42% | 5 | $3,547 | $62,717 | 4 |
| Jul 27, 2018 | 52 | $15,287 | -14% | 7 | $2,184 | $78,004 | 5 |
| Aug 3, 2018 | 58 | $13,435 | -12% | 8 | $1,679 | $91,439 | 6 |
| Aug 10, 2018 | 69 | $5,445 | -59% | 5 | $1,089 | $96,884 | 7 |
| Aug 17, 2018 | 93 | $330 | -94% | 1 | $330 | $97,214 | 8 |
| Aug 24, 2018 | 94 | $426 | +29% | 1 | $426 | $97,640 | 9 |
| Aug 31, 2018 | 82 | $4,624 | +985% | 4 | $1,156 | $102,500 | 10 |
| Sep 7, 2018 | 91 | $2,549 | -45% | 6 | $425 | $105,049 | 11 |
| Sep 21, 2018 | 108 | $94 | 1 | $94 | $105,143 | 13 | |
| Sep 28, 2018 | 111 | $323 | +244% | 2 | $162 | $105,466 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 12/1/2017 | $1,883 | 0 | 0 | 0 | $1,883 | 10/3/2018 | |||
| International Total | $1,883 | 10/3/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Cecil Beaton | Himself |
Narrator
| Rupert Everett | Narrator |
Interviewee
| David Bailey | Himself | |
| Manolo Blahnik | Himself | |
| Hamish Bowles | Himself | |
| Susanna Brown | Herself | |
| Leslie Caron | Herself | |
| Peter Eyre | Himself | |
| Phillippe Garner | Himself | |
| Ray Gurton | Himself |
Production and Technical Credits
| Lisa Immordino Vreeland | Director | |
| Lisa Immordino Vreeland | Producer | |
| Jonathan Gray | Executive Producer | |
| Mark Lee | Executive Producer | |
| Jennifer Stockman | Executive Producer | |
| Debi Wisch | Executive Producer | |
| Jack Turner | Executive Producer | |
| Bobby Kondrat | Executive Producer | |
| Jay Peterson | Executive Producer | |
| Charles Finch | Executive Producer | |
| Nancy Marks | Co-Executive Producer | |
| Howard Marks | Co-Executive Producer | |
| John Northrup | Co-Producer | |
| Sara Paschall Dodd | Associate Producer | |
| Wendy Fisher | Associate Producer | |
| Ira Resnick | Associate Producer | |
| Gillian Steel | Associate Producer | |
| Bernadine Colish | Editor | |
| Shane Sigler | Director of Photography | |
| Phil France | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Oscar winning set and costume designer, photographer, writer and painter Cecil Beaton was not only a dazzling chronicler, but an arbiter of his time. From the Bright Young Things to the front lines of war to the international belle monde and the pages of Vogue and then onto the Queen’s official photographer—Beaton embodied the cultural and political changes of the twentieth century.
Metrics
| Opening Weekend: | $9,331 (8.8% of total gross) |
| Legs: | 11.37 (domestic box office/biggest weekend) |
| Domestic Share: | 98.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/8 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $139,238 |
Movie Details
| Domestic Releases: | June 29th, 2018 (Limited) by Zeitgeist |
| International Releases: | December 1st, 2017 (Wide) (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 99 minutes |
| Plot point: | Biography, Fashion, Photography, War Correspondent |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Fischio Films, Sothebys, Matador Content, Hot & Sunny Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 53 | $9,331 | 1 | $9,331 | $9,331 | 1 | |
| Jul 6, 2018 | 56 | $6,779 | -27% | 2 | $3,390 | $26,387 | 2 |
| Jul 13, 2018 | 50 | $8,003 | +18% | 4 | $2,001 | $40,501 | 3 |
| Jul 27, 2018 | 53 | $8,773 | 6 | $1,462 | $71,490 | 5 | |
| Aug 3, 2018 | 56 | $7,684 | -12% | 7 | $1,098 | $85,688 | 6 |
| Aug 10, 2018 | 70 | $3,318 | -57% | 5 | $664 | $94,757 | 7 |
| Aug 17, 2018 | 94 | $330 | -90% | 1 | $330 | $97,214 | 8 |
| Aug 24, 2018 | 93 | $426 | +29% | 1 | $426 | $97,640 | 9 |
| Sep 7, 2018 | 91 | $759 | 2 | $380 | $103,259 | 11 | |
| Oct 26, 2018 | 97 | $591 | 1 | $591 | $106,057 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 54 | $19,128 | 1 | $19,128 | $19,608 | 1 | |
| Jul 6, 2018 | 53 | $12,890 | -33% | 2 | $6,445 | $32,498 | 2 |
| Jul 13, 2018 | 51 | $12,483 | -3% | 4 | $3,121 | $44,981 | 3 |
| Jul 20, 2018 | 54 | $17,736 | +42% | 5 | $3,547 | $62,717 | 4 |
| Jul 27, 2018 | 52 | $15,287 | -14% | 7 | $2,184 | $78,004 | 5 |
| Aug 3, 2018 | 58 | $13,435 | -12% | 8 | $1,679 | $91,439 | 6 |
| Aug 10, 2018 | 69 | $5,445 | -59% | 5 | $1,089 | $96,884 | 7 |
| Aug 17, 2018 | 93 | $330 | -94% | 1 | $330 | $97,214 | 8 |
| Aug 24, 2018 | 94 | $426 | +29% | 1 | $426 | $97,640 | 9 |
| Aug 31, 2018 | 82 | $4,624 | +985% | 4 | $1,156 | $102,500 | 10 |
| Sep 7, 2018 | 91 | $2,549 | -45% | 6 | $425 | $105,049 | 11 |
| Sep 21, 2018 | 108 | $94 | 1 | $94 | $105,143 | 13 | |
| Sep 28, 2018 | 111 | $323 | +244% | 2 | $162 | $105,466 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 12/1/2017 | $1,883 | 0 | 0 | 0 | $1,883 | 10/3/2018 | |||
| International Total | $1,883 | 10/3/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Cecil Beaton | Himself |
Narrator
| Rupert Everett | Narrator |
Interviewee
| David Bailey | Himself | |
| Manolo Blahnik | Himself | |
| Hamish Bowles | Himself | |
| Susanna Brown | Herself | |
| Leslie Caron | Herself | |
| Peter Eyre | Himself | |
| Phillippe Garner | Himself | |
| Ray Gurton | Himself |
Production and Technical Credits
| Lisa Immordino Vreeland | Director | |
| Lisa Immordino Vreeland | Producer | |
| Jonathan Gray | Executive Producer | |
| Mark Lee | Executive Producer | |
| Jennifer Stockman | Executive Producer | |
| Debi Wisch | Executive Producer | |
| Jack Turner | Executive Producer | |
| Bobby Kondrat | Executive Producer | |
| Jay Peterson | Executive Producer | |
| Charles Finch | Executive Producer | |
| Nancy Marks | Co-Executive Producer | |
| Howard Marks | Co-Executive Producer | |
| John Northrup | Co-Producer | |
| Sara Paschall Dodd | Associate Producer | |
| Wendy Fisher | Associate Producer | |
| Ira Resnick | Associate Producer | |
| Gillian Steel | Associate Producer | |
| Bernadine Colish | Editor | |
| Shane Sigler | Director of Photography | |
| Phil France | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.