Love Hurts (2025)
| Theatrical Performance | ||
| Domestic Box Office | $15,683,090 | Details |
| International Box Office | $1,986,823 | |
| Worldwide Box Office | $17,669,913 | |
| Further financial details... | ||
Synopsis
Marvin Gable is a realtor working the Milwaukee suburbs, where “For Sale” signs bloom. Gable receives a crimson envelope from Rose, a former partner-in-crime that he had left for dead. She’s not happy. Now, Marvin is thrust back into a world of ruthless hitmen, filled with double-crosses and open houses turned into deadly warzones. With his brother Knuckles, a volatile crime lord, hunting him, Marvin must confront the choices that haunt him and the history he never truly buried.
Metrics
| Opening Weekend: | $5,800,440 (37.0% of total gross) |
| Legs: | 2.70 (domestic box office/biggest weekend) |
| Domestic Share: | 88.8% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 3,055 opening theaters/3,055 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,683,090 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Wide) by Universal |
| International Releases: | February 5th, 2025 (Wide) (Egypt)
February 6th, 2025 (Wide) (Others Middle East) February 6th, 2025 (Wide) (Cyprus) February 6th, 2025 (Wide) (Bosnia and Herzegovina) February 6th, 2025 (Wide) (Azerbaijan) |
| Video Release: | February 25th, 2025 by Universal Home Entertainment |
| MPA Rating: | R for strong/bloody violence and language throughout. (Rating bulletin Cert #55260, 1/20/2025) |
| Running Time: | 83 minutes |
| Filming location (country): | Canada |
| Plot point: | Death of a Mentor, Dysfunctional Family, Real Estate Agent, Romance, The Past Catching up with You |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 87North |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 3 | $5,800,440 | 3,055 | $1,899 | $5,800,440 | 1 | |
| Feb 14, 2025 | 7 | $4,196,385 | -28% | 3,055 | $1,374 | $12,115,145 | 2 |
| Feb 21, 2025 | - | $1,110,360 | -74% | 2,419 | $459 | $14,530,065 | 3 |
| Feb 28, 2025 | - | $406,585 | -63% | 1,212 | $335 | $15,402,045 | 4 |
| Mar 7, 2025 | - | $74,630 | -82% | 264 | $283 | $15,647,650 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 6, 2025 | P | $850,000 | 0 | $850,000 | ||||
| Feb 7, 2025 | 3 | $2,624,540 | 3,055 | $859 | $2,624,540 | 1 | ||
| Feb 8, 2025 | 3 | $2,289,050 | -13% | 3,055 | $749 | $4,913,590 | 2 | |
| Feb 9, 2025 | 3 | $886,850 | -61% | 3,055 | $290 | $5,800,440 | 3 | |
| Feb 10, 2025 | 4 | $498,325 | -44% | 3,055 | $163 | $6,298,765 | 4 | |
| Feb 11, 2025 | 3 | $852,315 | +71% | 3,055 | $279 | $7,151,080 | 5 | |
| Feb 12, 2025 | 3 | $402,050 | -53% | 3,055 | $132 | $7,553,130 | 6 | |
| Feb 13, 2025 | 3 | $365,630 | -9% | 3,055 | $120 | $7,918,760 | 7 | |
| Feb 14, 2025 | 6 | $1,978,020 | +441% | -25% | 3,055 | $647 | $9,896,780 | 8 |
| Feb 15, 2025 | 7 | $1,341,580 | -32% | -41% | 3,055 | $439 | $11,238,360 | 9 |
| Feb 16, 2025 | 7 | $876,785 | -35% | -1% | 3,055 | $287 | $12,115,145 | 10 |
| Feb 17, 2025 | 7 | $504,745 | -42% | +1% | 3,055 | $165 | $12,619,890 | 11 |
| Feb 18, 2025 | 7 | $367,415 | -27% | -57% | 3,055 | $120 | $12,987,305 | 12 |
| Feb 19, 2025 | 6 | $239,575 | -35% | -40% | 3,055 | $78 | $13,226,880 | 13 |
| Feb 20, 2025 | 6 | $192,825 | -20% | -47% | 3,055 | $63 | $13,419,705 | 14 |
| Feb 21, 2025 | - | $299,305 | +55% | -85% | 2,419 | $124 | $13,719,010 | 15 |
| Feb 22, 2025 | - | $498,640 | +67% | -63% | 2,419 | $206 | $14,217,650 | 16 |
| Feb 23, 2025 | - | $312,415 | -37% | -64% | 2,419 | $129 | $14,530,065 | 17 |
| Feb 24, 2025 | - | $106,015 | -66% | -79% | 2,419 | $44 | $14,636,080 | 18 |
| Feb 25, 2025 | - | $173,810 | +64% | -53% | 2,419 | $72 | $14,809,890 | 19 |
| Feb 26, 2025 | - | $106,715 | -39% | -55% | 2,419 | $44 | $14,916,605 | 20 |
| Feb 27, 2025 | 13 | $78,855 | -26% | -59% | 2,419 | $33 | $14,995,460 | 21 |
| Feb 28, 2025 | - | $108,555 | +38% | -64% | 1,212 | $90 | $15,104,015 | 22 |
| Mar 1, 2025 | - | $178,270 | +64% | -64% | 1,212 | $147 | $15,282,285 | 23 |
| Mar 2, 2025 | - | $119,760 | -33% | -62% | 1,212 | $99 | $15,402,045 | 24 |
| Mar 3, 2025 | - | $35,795 | -70% | -66% | 1,212 | $30 | $15,437,840 | 25 |
| Mar 4, 2025 | - | $64,130 | +79% | -63% | 1,212 | $53 | $15,501,970 | 26 |
| Mar 5, 2025 | - | $41,945 | -35% | -61% | 1,212 | $35 | $15,543,915 | 27 |
| Mar 6, 2025 | - | $29,105 | -31% | -63% | 1,212 | $24 | $15,573,020 | 28 |
| Mar 7, 2025 | - | $22,005 | -24% | -80% | 264 | $83 | $15,595,025 | 29 |
| Mar 8, 2025 | - | $33,010 | +50% | -81% | 264 | $125 | $15,628,035 | 30 |
| Mar 9, 2025 | - | $19,615 | -41% | -84% | 264 | $74 | $15,647,650 | 31 |
| Mar 10, 2025 | - | $7,850 | -60% | -78% | 264 | $30 | $15,655,500 | 32 |
| Mar 11, 2025 | - | $12,690 | +62% | -80% | 264 | $48 | $15,668,190 | 33 |
| Mar 12, 2025 | - | $10,840 | -15% | -74% | 264 | $41 | $15,679,030 | 34 |
| Mar 13, 2025 | - | $4,060 | -63% | -86% | 264 | $15 | $15,683,090 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 3 | $7,918,760 | 3,055 | $2,592 | $7,918,760 | 1 | |
| Feb 14, 2025 | 6 | $5,500,945 | -31% | 3,055 | $1,801 | $13,419,705 | 2 |
| Feb 21, 2025 | 10 | $1,575,755 | -71% | 2,419 | $651 | $14,995,460 | 3 |
| Feb 28, 2025 | 20 | $577,560 | -63% | 1,212 | $477 | $15,573,020 | 4 |
| Mar 7, 2025 | 29 | $110,070 | -81% | 264 | $417 | $15,683,090 | 5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Marvin Gable is a realtor working the Milwaukee suburbs, where “For Sale” signs bloom. Gable receives a crimson envelope from Rose, a former partner-in-crime that he had left for dead. She’s not happy. Now, Marvin is thrust back into a world of ruthless hitmen, filled with double-crosses and open houses turned into deadly warzones. With his brother Knuckles, a volatile crime lord, hunting him, Marvin must confront the choices that haunt him and the history he never truly buried.
Metrics
| Opening Weekend: | $5,800,440 (37.0% of total gross) |
| Legs: | 2.70 (domestic box office/biggest weekend) |
| Domestic Share: | 88.8% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 3,055 opening theaters/3,055 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,683,090 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Wide) by Universal |
| International Releases: | February 5th, 2025 (Wide) (Egypt)
February 6th, 2025 (Wide) (Others Middle East) February 6th, 2025 (Wide) (Cyprus) February 6th, 2025 (Wide) (Bosnia and Herzegovina) February 6th, 2025 (Wide) (Azerbaijan) |
| Video Release: | February 25th, 2025 by Universal Home Entertainment |
| MPA Rating: | R for strong/bloody violence and language throughout. (Rating bulletin Cert #55260, 1/20/2025) |
| Running Time: | 83 minutes |
| Filming location (country): | Canada |
| Plot point: | Death of a Mentor, Dysfunctional Family, Real Estate Agent, Romance, The Past Catching up with You |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 87North |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 3 | $5,800,440 | 3,055 | $1,899 | $5,800,440 | 1 | |
| Feb 14, 2025 | 7 | $4,196,385 | -28% | 3,055 | $1,374 | $12,115,145 | 2 |
| Feb 21, 2025 | - | $1,110,360 | -74% | 2,419 | $459 | $14,530,065 | 3 |
| Feb 28, 2025 | - | $406,585 | -63% | 1,212 | $335 | $15,402,045 | 4 |
| Mar 7, 2025 | - | $74,630 | -82% | 264 | $283 | $15,647,650 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 6, 2025 | P | $850,000 | 0 | $850,000 | ||||
| Feb 7, 2025 | 3 | $2,624,540 | 3,055 | $859 | $2,624,540 | 1 | ||
| Feb 8, 2025 | 3 | $2,289,050 | -13% | 3,055 | $749 | $4,913,590 | 2 | |
| Feb 9, 2025 | 3 | $886,850 | -61% | 3,055 | $290 | $5,800,440 | 3 | |
| Feb 10, 2025 | 4 | $498,325 | -44% | 3,055 | $163 | $6,298,765 | 4 | |
| Feb 11, 2025 | 3 | $852,315 | +71% | 3,055 | $279 | $7,151,080 | 5 | |
| Feb 12, 2025 | 3 | $402,050 | -53% | 3,055 | $132 | $7,553,130 | 6 | |
| Feb 13, 2025 | 3 | $365,630 | -9% | 3,055 | $120 | $7,918,760 | 7 | |
| Feb 14, 2025 | 6 | $1,978,020 | +441% | -25% | 3,055 | $647 | $9,896,780 | 8 |
| Feb 15, 2025 | 7 | $1,341,580 | -32% | -41% | 3,055 | $439 | $11,238,360 | 9 |
| Feb 16, 2025 | 7 | $876,785 | -35% | -1% | 3,055 | $287 | $12,115,145 | 10 |
| Feb 17, 2025 | 7 | $504,745 | -42% | +1% | 3,055 | $165 | $12,619,890 | 11 |
| Feb 18, 2025 | 7 | $367,415 | -27% | -57% | 3,055 | $120 | $12,987,305 | 12 |
| Feb 19, 2025 | 6 | $239,575 | -35% | -40% | 3,055 | $78 | $13,226,880 | 13 |
| Feb 20, 2025 | 6 | $192,825 | -20% | -47% | 3,055 | $63 | $13,419,705 | 14 |
| Feb 21, 2025 | - | $299,305 | +55% | -85% | 2,419 | $124 | $13,719,010 | 15 |
| Feb 22, 2025 | - | $498,640 | +67% | -63% | 2,419 | $206 | $14,217,650 | 16 |
| Feb 23, 2025 | - | $312,415 | -37% | -64% | 2,419 | $129 | $14,530,065 | 17 |
| Feb 24, 2025 | - | $106,015 | -66% | -79% | 2,419 | $44 | $14,636,080 | 18 |
| Feb 25, 2025 | - | $173,810 | +64% | -53% | 2,419 | $72 | $14,809,890 | 19 |
| Feb 26, 2025 | - | $106,715 | -39% | -55% | 2,419 | $44 | $14,916,605 | 20 |
| Feb 27, 2025 | 13 | $78,855 | -26% | -59% | 2,419 | $33 | $14,995,460 | 21 |
| Feb 28, 2025 | - | $108,555 | +38% | -64% | 1,212 | $90 | $15,104,015 | 22 |
| Mar 1, 2025 | - | $178,270 | +64% | -64% | 1,212 | $147 | $15,282,285 | 23 |
| Mar 2, 2025 | - | $119,760 | -33% | -62% | 1,212 | $99 | $15,402,045 | 24 |
| Mar 3, 2025 | - | $35,795 | -70% | -66% | 1,212 | $30 | $15,437,840 | 25 |
| Mar 4, 2025 | - | $64,130 | +79% | -63% | 1,212 | $53 | $15,501,970 | 26 |
| Mar 5, 2025 | - | $41,945 | -35% | -61% | 1,212 | $35 | $15,543,915 | 27 |
| Mar 6, 2025 | - | $29,105 | -31% | -63% | 1,212 | $24 | $15,573,020 | 28 |
| Mar 7, 2025 | - | $22,005 | -24% | -80% | 264 | $83 | $15,595,025 | 29 |
| Mar 8, 2025 | - | $33,010 | +50% | -81% | 264 | $125 | $15,628,035 | 30 |
| Mar 9, 2025 | - | $19,615 | -41% | -84% | 264 | $74 | $15,647,650 | 31 |
| Mar 10, 2025 | - | $7,850 | -60% | -78% | 264 | $30 | $15,655,500 | 32 |
| Mar 11, 2025 | - | $12,690 | +62% | -80% | 264 | $48 | $15,668,190 | 33 |
| Mar 12, 2025 | - | $10,840 | -15% | -74% | 264 | $41 | $15,679,030 | 34 |
| Mar 13, 2025 | - | $4,060 | -63% | -86% | 264 | $15 | $15,683,090 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 3 | $7,918,760 | 3,055 | $2,592 | $7,918,760 | 1 | |
| Feb 14, 2025 | 6 | $5,500,945 | -31% | 3,055 | $1,801 | $13,419,705 | 2 |
| Feb 21, 2025 | 10 | $1,575,755 | -71% | 2,419 | $651 | $14,995,460 | 3 |
| Feb 28, 2025 | 20 | $577,560 | -63% | 1,212 | $477 | $15,573,020 | 4 |
| Mar 7, 2025 | 29 | $110,070 | -81% | 264 | $417 | $15,683,090 | 5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.