Love Stinks (1999)
| Theatrical Performance | ||
| Domestic Box Office | $2,793,776 | Details |
| OpusData ID: 52970100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,398,046 (50.0% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 1,380 opening theaters/1,380 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,577,474 |
Movie Details
| Domestic Releases: | September 10th, 1999 (Wide) by Independent Artists |
| MPA Rating: | R for language and sexual content |
| Running Time: | 94 minutes |
| Plot point: | Relationships Gone Wrong, Romance |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 1999 | 11 | $1,398,046 | 1,380 | $1,013 | $1,398,046 | 1 | |
| Sep 17, 1999 | 14 | $620,000 | -56% | 1,240 | $500 | $2,622,075 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 10, 1999 | 13 | $325,000 | 1,324 | $245 | $325,000 | 1 | ||
| Sep 11, 1999 | 17 | $392,000 | +21% | 1,324 | $296 | $703,000 | 2 | |
| Sep 12, 1999 | 11 | $389,000 | -1% | 1,325 | $294 | $1,340,000 | 3 | |
| Sep 13, 1999 | 13 | $84,254 | -78% | 1,325 | $64 | $1,423,829 | 4 | |
| Sep 14, 1999 | 12 | $98,678 | +17% | 1,325 | $74 | $1,522,507 | 5 | |
| Sep 15, 1999 | 14 | $94,400 | -4% | 1,325 | $71 | $1,616,907 | 6 | |
| Sep 16, 1999 | 14 | $91,323 | -3% | 1,325 | $69 | $1,708,230 | 7 | |
| Sep 17, 1999 | 19 | $116,000 | +27% | -64% | 1,247 | $93 | $1,824,000 | 8 |
| Sep 20, 1999 | 19 | $43,854 | -48% | 1,240 | $35 | $2,665,929 | 11 | |
| Sep 21, 1999 | 16 | $48,163 | +10% | -51% | 1,240 | $39 | $2,714,092 | 12 |
| Sep 22, 1999 | 18 | $39,684 | -18% | -58% | 1,240 | $32 | $2,753,776 | 13 |
| Sep 23, 1999 | 17 | $40,000 | +1% | -56% | 1,240 | $32 | $2,793,776 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 1999 | 11 | $2,002,075 | 1,380 | $1,451 | $2,002,075 | 1 | |
| Sep 17, 1999 | 15 | $791,701 | -60% | 1,240 | $638 | $2,793,776 | 2 |
| French Stewart | Seth Winnick | |
| Bridgette Wilson | Chelsea Turner | |
| Bill Bellamy | Larry Garnett | |
| Tyra Banks | Holly | |
| Marliece Andrada | ||
| Jason Bateman | Jesse Travis | |
| Warren Littlefield | ||
| Julia Schultz | Tiffany | |
| Tiffani Thiessen | Rebecca | |
| Colleen Camp | Monica Harris | |
| Ivana Milicevic | Amber |
Production and Technical Credits
| Jeff Franklin | Director | |
| Jeff Franklin | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,398,046 (50.0% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 1,380 opening theaters/1,380 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,577,474 |
Movie Details
| Domestic Releases: | September 10th, 1999 (Wide) by Independent Artists |
| MPA Rating: | R for language and sexual content |
| Running Time: | 94 minutes |
| Plot point: | Relationships Gone Wrong, Romance |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 1999 | 11 | $1,398,046 | 1,380 | $1,013 | $1,398,046 | 1 | |
| Sep 17, 1999 | 14 | $620,000 | -56% | 1,240 | $500 | $2,622,075 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 10, 1999 | 13 | $325,000 | 1,324 | $245 | $325,000 | 1 | ||
| Sep 11, 1999 | 17 | $392,000 | +21% | 1,324 | $296 | $703,000 | 2 | |
| Sep 12, 1999 | 11 | $389,000 | -1% | 1,325 | $294 | $1,340,000 | 3 | |
| Sep 13, 1999 | 13 | $84,254 | -78% | 1,325 | $64 | $1,423,829 | 4 | |
| Sep 14, 1999 | 12 | $98,678 | +17% | 1,325 | $74 | $1,522,507 | 5 | |
| Sep 15, 1999 | 14 | $94,400 | -4% | 1,325 | $71 | $1,616,907 | 6 | |
| Sep 16, 1999 | 14 | $91,323 | -3% | 1,325 | $69 | $1,708,230 | 7 | |
| Sep 17, 1999 | 19 | $116,000 | +27% | -64% | 1,247 | $93 | $1,824,000 | 8 |
| Sep 20, 1999 | 19 | $43,854 | -48% | 1,240 | $35 | $2,665,929 | 11 | |
| Sep 21, 1999 | 16 | $48,163 | +10% | -51% | 1,240 | $39 | $2,714,092 | 12 |
| Sep 22, 1999 | 18 | $39,684 | -18% | -58% | 1,240 | $32 | $2,753,776 | 13 |
| Sep 23, 1999 | 17 | $40,000 | +1% | -56% | 1,240 | $32 | $2,793,776 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 1999 | 11 | $2,002,075 | 1,380 | $1,451 | $2,002,075 | 1 | |
| Sep 17, 1999 | 15 | $791,701 | -60% | 1,240 | $638 | $2,793,776 | 2 |
| French Stewart | Seth Winnick | |
| Bridgette Wilson | Chelsea Turner | |
| Bill Bellamy | Larry Garnett | |
| Tyra Banks | Holly | |
| Marliece Andrada | ||
| Jason Bateman | Jesse Travis | |
| Warren Littlefield | ||
| Julia Schultz | Tiffany | |
| Tiffani Thiessen | Rebecca | |
| Colleen Camp | Monica Harris | |
| Ivana Milicevic | Amber |
Production and Technical Credits
| Jeff Franklin | Director | |
| Jeff Franklin | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.