Love the Coopers (2015)

Love the Coopers poster
Theatrical Performance
Domestic Box Office $26,302,731Details
International Box Office $17,960,682Details
Worldwide Box Office $44,263,413
Home Market Performance
Est. Domestic DVD Sales $2,621,346 Details
Est. Domestic Blu-ray Sales $1,132,600 Details
Total Est. Domestic Video Sales $3,753,946
Further financial details...

Synopsis

Four generations of the extended family Cooper clan come together for their annual Christmas Eve celebration. As the evening unfolds, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

Metrics

Opening Weekend:$8,317,545 (31.6% of total gross)
Legs:3.16 (domestic box office/biggest weekend)
Domestic Share:59.4% (domestic box office/worldwide)
Production Budget:$18,000,000 (worldwide box office is 2.5 times production budget)
Theater counts:2,603 opening theaters/2,603 max. theaters, 4.4 weeks average run per theater
Infl. Adj. Dom. BO $33,631,498

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 13th, 2015 (Wide) by CBS Films
International Releases: November 12th, 2015 (Wide) (Greece)
November 26th, 2015 (Wide) (Italy)
November 26th, 2015 (Wide) (Slovakia)
November 27th, 2015 (Wide), released as Love The Coopers (Australia)
November 27th, 2015 (Wide) (Bulgaria)
... Show all releases
Video Release: February 2nd, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for thematic elements, language and some sexuality.
(Rating bulletin 2392, 9/23/2015)
Running Time: 107 minutes
Comparisons: vs. Bad Moms
Create your own comparison chart…
Keywords: Christmas, Christmas in November, Fake Dating, Single Parent, Dysfunctional Family, Ensemble, Family Comedy, Romance, Non-Chronological, Relationships Gone Wrong
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CBS Films, Imagine Entertainment, Groundswell Productions, Handwritten Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Veterans Day (All Movies, 3-Day) 113 $8,317,545 Nov 13, 2015 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 153 $10,916,173 Nov 13, 2015 3
Veterans Day (Opening, 3-Day) 55 $8,317,545 Nov 13, 2015 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 66 $10,916,173 Nov 13, 2015 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 3 $8,317,545   2,603 $3,195   $8,317,545 1
Nov 20, 2015 6 $4,134,130 -50% 2,603 $1,588   $15,128,355 2
Nov 27, 2015 11 $3,069,792 -26% 1,867 $1,644   $20,453,601 3
Dec 4, 2015 12 $1,514,645 -51% 1,639 $924   $22,698,271 4
Dec 11, 2015 12 $1,375,771 -9% 1,610 $855   $24,662,013 5
Dec 18, 2015 20 $299,290 -78% 593 $505   $25,475,491 6
Dec 25, 2015 32 $148,734 -50% 245 $607   $25,943,344 7
Jan 1, 2016 32 $138,764 -7% 213 $651   $26,193,757 8
Jan 8, 2016 38 $48,761 -65% 128 $381   $26,284,475 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 13, 2015 3 $2,824,666     2,603 $1,085   $2,824,666 1
Nov 14, 2015 3 $3,492,589 +24%   2,603 $1,342   $6,317,255 2
Nov 15, 2015 3 $2,000,290 -43%   2,603 $768   $8,317,545 3
Nov 16, 2015 3 $583,567 -71%   2,603 $224   $8,901,112 4
Nov 17, 2015 3 $928,258 +59%   2,603 $357   $9,829,370 5
Nov 18, 2015 3 $622,236 -33%   2,603 $239   $10,451,606 6
Nov 19, 2015 3 $542,619 -13%   2,603 $208   $10,994,225 7
Nov 20, 2015 6 $1,179,959 +117% -58% 2,603 $453   $12,174,184 8
Nov 21, 2015 6 $1,810,190 +53% -48% 2,603 $695   $13,984,374 9
Nov 22, 2015 6 $1,143,981 -37% -43% 2,603 $439   $15,128,355 10
Nov 23, 2015 7 $437,313 -62% -25% 2,603 $168   $15,565,668 11
Nov 24, 2015 6 $606,704 +39% -35% 2,603 $233   $16,172,372 12
Nov 25, 2015 12 $482,363 -20% -22% 2,603 $185   $16,654,735 13
Nov 26, 2015 8 $729,074 +51% +34% 2,603 $280   $17,383,809 14
Nov 27, 2015 11 $1,214,182 +67% +3% 1,867 $650   $18,597,991 15
Nov 28, 2015 11 $1,242,506 +2% -31% 1,867 $666   $19,840,497 16
Nov 29, 2015 10 $613,104 -51% -46% 1,867 $328   $20,453,601 17
Nov 30, 2015 11 $173,487 -72% -60% 1,867 $93   $20,627,088 18
Dec 1, 2015 11 $235,330 +36% -61% 1,867 $126   $20,862,418 19
Dec 2, 2015 11 $166,041 -29% -66% 1,867 $89   $21,028,459 20
Dec 3, 2015 11 $155,167 -7% -79% 1,867 $83   $21,183,626 21
Dec 4, 2015 12 $442,335 +185% -64% 1,639 $270   $21,625,961 22
Dec 5, 2015 12 $684,692 +55% -45% 1,639 $418   $22,310,653 23
Dec 6, 2015 11 $387,618 -43% -37% 1,639 $236   $22,698,271 24
Dec 7, 2015 12 $124,716 -68% -28% 1,639 $76   $22,822,987 25
Dec 8, 2015 11 $195,286 +57% -17% 1,639 $119   $23,018,273 26
Dec 9, 2015 12 $140,762 -28% -15% 1,639 $86   $23,159,035 27
Dec 10, 2015 12 $127,207 -10% -18% 1,639 $78   $23,286,242 28
Dec 11, 2015 12 $384,705 +202% -13% 1,610 $239   $23,670,947 29
Dec 12, 2015 12 $630,150 +64% -8% 1,610 $391   $24,301,097 30
Dec 13, 2015 12 $360,916 -43% -7% 1,610 $224   $24,662,013 31
Dec 14, 2015 13 $123,663 -66% -1% 1,610 $77   $24,785,676 32
Dec 15, 2015 13 $166,791 +35% -15% 1,610 $104   $24,952,467 33
Dec 16, 2015 12 $137,065 -18% -3% 1,610 $85   $25,089,532 34
Dec 17, 2015 13 $86,669 -37% -32% 1,610 $54   $25,176,201 35
Dec 18, 2015 - $75,121 -13% -80% 593 $127   $25,251,322 36
Dec 19, 2015 - $125,971 +68% -80% 593 $212   $25,377,293 37
Dec 20, 2015 - $98,198 -22% -73% 593 $166   $25,475,491 38
Dec 21, 2015 - $79,397 -19% -36% 593 $134   $25,554,888 39
Dec 22, 2015 - $94,901 +20% -43% 593 $160   $25,649,789 40
Dec 23, 2015 - $79,636 -16% -42% 593 $134   $25,729,425 41
Dec 24, 2015 - $65,185 -18% -25% 593 $110   $25,794,610 42
Dec 25, 2015 - $50,956 -22% -32% 245 $208   $25,845,566 43
Dec 26, 2015 - $56,079 +10% -55% 245 $229   $25,901,645 44
Dec 27, 2015 - $41,699 -26% -58% 245 $170   $25,943,344 45
Dec 28, 2015 - $24,641 -41% -69% 245 $101   $25,967,985 46
Dec 29, 2015 - $29,517 +20% -69% 245 $120   $25,997,502 47
Dec 30, 2015 - $27,516 -7% -65% 245 $112   $26,025,018 48
Dec 31, 2015 - $29,975 +9% -54% 245 $122   $26,054,993 49
Jan 1, 2016 - $54,971 +83% +8% 213 $258   $26,109,964 50
Jan 2, 2016 - $55,707 +1% -1% 213 $262   $26,165,671 51
Jan 3, 2016 - $28,086 -50% -33% 213 $132   $26,193,757 52
Jan 4, 2016 - $10,409 -63% -58% 213 $49   $26,204,166 53
Jan 5, 2016 - $11,431 +10% -61% 213 $54   $26,215,597 54
Jan 6, 2016 - $9,428 -18% -66% 213 $44   $26,225,025 55
Jan 7, 2016 - $10,689 +13% -64% 213 $50   $26,235,714 56
Jan 8, 2016 - $13,586 +27% -75% 128 $106   $26,249,300 57
Jan 9, 2016 - $22,595 +66% -59% 128 $177   $26,271,895 58
Jan 10, 2016 - $12,580 -44% -55% 128 $98   $26,284,475 59
Jan 11, 2016 - $3,839 -69% -63% 128 $30   $26,288,314 60
Jan 12, 2016 - $5,235 +36% -54% 128 $41   $26,293,549 61
Jan 13, 2016 - $4,386 -16% -53% 128 $34   $26,297,935 62
Jan 14, 2016 - $4,796 +9% -55% 128 $37   $26,302,731 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 3 $10,994,225   2,603 $4,224   $10,994,225 1
Nov 20, 2015 8 $6,389,584 -42% 2,603 $2,455   $17,383,809 2
Nov 27, 2015 11 $3,799,817 -41% 1,867 $2,035   $21,183,626 3
Dec 4, 2015 12 $2,102,616 -45% 1,639 $1,283   $23,286,242 4
Dec 11, 2015 12 $1,889,959 -10% 1,610 $1,174   $25,176,201 5
Dec 18, 2015 20 $624,224 -67% 593 $1,053   $25,800,425 6
Dec 25, 2015 33 $254,568 -59% 245 $1,039   $26,054,993 7
Jan 1, 2016 34 $180,721 -29% 213 $848   $26,235,714 8
Jan 8, 2016 37 $67,017 -63% 128 $524   $26,302,731 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/24/2015 $65,672 36 36 77 $168,280 12/31/2018
Australia 11/27/2015 $282,622 164 168 655 $1,261,925 6/9/2016
Austria 12/4/2015 $93,364 53 54 238 $538,232 6/9/2016
Bolivia 12/3/2015 $12,701 11 11 18 $25,301 12/30/2018
Brazil 12/3/2015 $102,212 90 90 168 $223,690 12/21/2015
Bulgaria 11/27/2015 $26,601 19 19 77 $125,967 12/31/2018
Central America 12/3/2015 $0 0 55 55 $230,750 12/16/2015
Chile 12/24/2015 $23,958 24 24 30 $42,031 12/31/2018
Croatia 12/10/2015 $22,609 23 23 95 $126,526 12/31/2018
Czech Republic 12/10/2015 $51,214 66 66 112 $102,752 12/30/2018
Ecuador 12/11/2015 $22,687 22 22 22 $22,687 12/30/2018
Germany 12/3/2015 $361,919 226 226 664 $1,513,024 6/9/2016
Greece 11/12/2015 $28,102 19 19 35 $61,689 11/25/2015
Hong Kong 12/17/2015 $33,622 7 7 11 $74,049 9/5/2016
Hungary 12/10/2015 $149,717 48 48 48 $664,550 12/31/2018
Iceland 12/11/2015 $0 0 1 1 $18,493 12/30/2018
Iraq 12/24/2015 $6,460 2 2 4 $12,306 12/31/2018
Italy 11/26/2015 $250,689 147 147 253 $433,595 6/9/2016
Lebanon 1/7/2016 $7,543 2 2 3 $11,468 12/31/2018
Lithuania 12/17/2015 $0 0 131 149 $71,984 1/5/2016
Malaysia 12/10/2015 $15,624 17 17 23 $28,425 9/5/2016
Mexico 12/4/2015 $127,869 0 1 1 $835,399 6/9/2016
New Zealand 11/27/2015 $34,439 53 57 221 $117,678 6/9/2016
Oman 12/24/2015 $0 0 1 1 $1,084 12/31/2018
Peru 12/10/2015 $118,383 77 77 156 $343,997 12/31/2018
Portugal 12/10/2015 $23,931 24 24 63 $602,775 6/9/2016
Romania 11/27/2015 $162,848 52 52 152 $571,502 12/30/2018
Russia (CIS) 12/10/2015 $255,191 502 502 1,001 $405,472 12/31/2018
Serbia and Montenegro 12/17/2015 $0 0 12 19 $55,412 12/31/2018
Singapore 12/10/2015 $49,059 13 13 24 $115,099 6/9/2016
Slovakia 11/26/2015 $25,317 28 28 95 $72,797 12/22/2015
Slovenia 12/10/2015 $8,146 10 10 50 $39,345 6/9/2016
South Africa 12/11/2015 $0 0 53 53 $159,712 12/21/2015
Spain 12/25/2015 $273,861 132 132 313 $622,670 6/9/2016
Switzerland 12/3/2015 $67,054 32 32 46 $202,849 12/21/2015
Taiwan 12/18/2015 $10,032 8 8 20 $26,259 6/9/2016
Thailand 12/24/2015 $29,148 77 77 93 $48,131 9/5/2016
Turkey 12/18/2015 $9,277 16 16 21 $15,864 12/30/2018
Ukraine 12/24/2015 $59,918 61 61 122 $159,554 12/31/2018
United Arab Emirates 12/24/2015 $93,215 13 13 23 $313,506 12/31/2018
United Kingdom 12/4/2015 $1,031,582 372 418 1,290 $3,661,407 6/9/2016
Uruguay 12/3/2015 $15,137 10 10 29 $46,714 12/30/2018
Venezuela 12/25/2015 $402,775 38 38 94 $1,749,809 1/26/2016
 
Rest of World $2,035,923
 
International Total$17,960,682 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 14, 2016660,136 60,136$1,171,449$1,171,4492

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 14, 20161421,332 21,332$499,593$499,5932

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Alan Arkin    Bucky
John Goodman    Sam
Ed Helms    Hank
Diane Keaton    Charlotte
Jake Lacy    Joe
Anthony Mackie    Officer Williams
Amanda Seyfried    Ruby
June Squibb    Aunt Fishy
Marisa Tomei    Emma
Olivia Wilde    Eleanor
Alex Borstein    Angie
Timothée Chalamet    Charlie
Maxwell Simkins    Bo

Supporting Cast

Dan Amboyer    Handsome Young Man at Diner
Dorothy Silver    Mrs. Pinkins
Channing Pusateri    Young Boy
Larry McKay    Bob
Molly Gordon    Lauren Hesselberg
Sylvia Kauders    Sara
Krista Marie Yu    Lily the Florist
Lev Pakman    Schnozzle Whitehead
Michael R. Wilson    Young Sam
Elisabeth Evans    Young Charlotte (20s)
Keenan Joliff    Brady
Sean McGee    Young Bucky
Rory Wilson    Young Emma
Quinn McColgan    Young Charlotte (12-14 yrs)
Kristin Slaysman    Effie Newport
Jon Tenney    Dr. Morrissey
Ralph Browning    Gurney Doctor
Marc Moore Jr.    Orderly
Cady Huffman    Gift Shop Clerk
John Luoma    Hospital Caroler
Ryan Borgo    Hospital Caroler
Justin Lonesome    Hospital Caroler
Samuel Mancini    Hospital Caroler
Jack Nadeau    Hospital Caroler
Patrick Steven Bovo    Hospital Caroler
James Hall    Hospital Caroler
Steve Martin    Voice of Rags

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jessie Nelson    Director
Steven Rogers    Screenwriter
Jessie Nelson    Producer
Michael London    Producer
Janice Williams    Producer
Diane Keaton    Executive Producer
Ted Gidlow    Executive Producer
Steven Rogers    Executive Producer
Kim Roth    Executive Producer
Anna Culp    Executive Producer
Elliot Davis    Director of Photography
Beth Rubino    Production Designer
Nancy Richardson    Editor
Hope Hanafin    Costume Designer
Nick Urata    Composer
Mary Vernieu    Casting Director
Venus Kanani    Casting Director
T-Bone Burnett    Executive Music Producer
Robin Fischella    Co-Producer
Marsha L. Swinton    Co-Producer
Ted Gidlow    Unit Production Manager
Darin Rivetti    First Assistant Director
Jason Roberts    Second Assistant Director
Stephen Pope    Stunt Coordinator
Steve Davison    Stunt Coordinator
Peter Epstein    Stunt Coordinator
Gregory Weimerskirch    Art Director
Paul Cheponis    Set Decorator
Darcie Buterbaugh    Costume Supervisor
Louise McCarthy    Make up
Donna Marie Fischetto    Hairstylist
Scott Peterson    Script Supervisor
Jim Emswiller    Sound Mixer
Paul A. Levin    Post-Production Supervisor
Ann Gray    Post-Production Supervisor
Julie Carr    Assistant Editor
Pablo Prietto    Assistant Editor
Marie Lee    Assistant Editor
Ron Bochar    Re-recording Mixer
Ron Bochar    Supervising Sound Editor
Ron Bochar    Sound Designer
Alexa Zimmerman    Dialogue Editor
Heather Gross    Sound Effects Editor
Raymond M. Tasillo    Special Effects Coordinator
Nic Ratner    Music Editor
Jon Ong    Additional Music
Jason LaRocca    Score Mixer
Mitchell Ferm    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 9th, 2016

February 8th, 2016

Grandma

It's a strange week on the home market, as we have a monster release coming out, Spectre. There are also four or so releases that are contenders for Pick of the Week. But after that, there's a huge drop in quality and we quickly reach releases that are not even worthy of being fillers. Of the contenders, Grandma is the Pick of the Week and it is certainly worth picking up on Blu-ray. More...

Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games

November 24th, 2015

The Hunger Games: Mockingjay, Part 2

The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year. More...

Contest: Procrastoween: Winning Announcement

November 18th, 2015

Love the Coopers

The winners of our Procrastoween contest were determined and the entrants with the closest predictions for Love the Coopers opening weekend were... More...

Weekend Wrap-Up: New Releases feel Unloved

November 17th, 2015

Love the Coopers

There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs. More...

Weekend Estimates: Spectre Set to Be Number Two Bond

November 15th, 2015

Spectre

Sony are predicting a decline of just 50% for Spectre in its second weekend in theaters, putting James Bond’s latest incarnation on track for a final domestic box office in the neighborhood of $200 million. While well short of Skyfall’s $304 million, it welcome news for a film that’s probably right on the bubble as far as profitability is concerned. More...

Friday Estimates: Openers Fall Well Short of Spectre and Peanuts

November 14th, 2015

Spectre

Three new wide releases are all, as expected, struggling to make much headway against Spectre and The Peanuts Movie this weekend, with the two returning films sitting comfortably at the top of the chart. Spectre picked up an estimated $10.2 million on Friday for a total to date of $105.5 million, while Peanuts earned another $5.6 million, for $63.9 million so far. More...

Weekend Predictions: Will the New Releases get any Love?

November 11th, 2015

Love the Coopers

Last week the box office bounced back in an impressive fashion. However, this week it will very likely slump back down again. There are only two truly wide releases coming out this week, The 33 and Love the Coopers, neither of which are expected to be hits. In fact, there's a good chance neither of them will top $10 million over the weekend. This will leave Spectre and The Peanuts Movie on top of the charts once again, while we will have a one or two other holdovers in the top five, depending on how well the new wide releases match low expectations. This weekend last year Dumb and Dumber To opened with $36.11 million. This is more than either new release will earn this weekend, or in total. This might be more than both new releases will finish with combined. Unless the holdovers hold on really well, 2015 will lose in the year-over-year comparison, but it should be close. More...

Contest: Elementary, My Dear Bond: Winning Announcement

November 10th, 2015

The winners of our Elementary, My Dear Bond contest contest were determined and the entrants with the closest predictions for Spectre opening weekend were... More...

Contest: Procrastoween

November 6th, 2015

Love the Coopers

It is a bit of a messed up week as far as the contest is concerned. I ended the Halloween trick or treat contests a week early, because I got the release date of Mr. Holmes wrong. I had already set aside the two sets of horror or the one set of bad movies, so I might as well give them away this week. Also, the contest is a mess, because the wide releases next week are a mess. By the Sea was dropped to limited release, while My All-American is opening semi-wide, so that's a reversal of expectations. This leaves The 33 and Love the Coopers as the only true wide releases, neither of which is expected to be a even a midlevel hit. Combined they are not expected to be a midlevel hit. Worse for me, neither is expected to be a significantly bigger hit than the other making it harder to choose which film will be the target film. I'm literally going to have to flip a coin. Love the Coopers is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Love the Coopers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: November

November 1st, 2015

The Hunger Games: Mockingjay - Part 2

October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Four generations of the extended family Cooper clan come together for their annual Christmas Eve celebration. As the evening unfolds, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

Metrics

Opening Weekend:$8,317,545 (31.6% of total gross)
Legs:3.16 (domestic box office/biggest weekend)
Domestic Share:59.4% (domestic box office/worldwide)
Production Budget:$18,000,000 (worldwide box office is 2.5 times production budget)
Theater counts:2,603 opening theaters/2,603 max. theaters, 4.4 weeks average run per theater
Infl. Adj. Dom. BO $33,631,498

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 13th, 2015 (Wide) by CBS Films
International Releases: November 12th, 2015 (Wide) (Greece)
November 26th, 2015 (Wide) (Italy)
November 26th, 2015 (Wide) (Slovakia)
November 27th, 2015 (Wide), released as Love The Coopers (Australia)
November 27th, 2015 (Wide) (Bulgaria)
... Show all releases
Video Release: February 2nd, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for thematic elements, language and some sexuality.
(Rating bulletin 2392, 9/23/2015)
Running Time: 107 minutes
Comparisons: vs. Bad Moms
Create your own comparison chart…
Keywords: Christmas, Christmas in November, Fake Dating, Single Parent, Dysfunctional Family, Ensemble, Family Comedy, Romance, Non-Chronological, Relationships Gone Wrong
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CBS Films, Imagine Entertainment, Groundswell Productions, Handwritten Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Veterans Day (All Movies, 3-Day) 113 $8,317,545 Nov 13, 2015 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 153 $10,916,173 Nov 13, 2015 3
Veterans Day (Opening, 3-Day) 55 $8,317,545 Nov 13, 2015 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 66 $10,916,173 Nov 13, 2015 3

Lead Ensemble Members

Alan Arkin    Bucky
John Goodman    Sam
Ed Helms    Hank
Diane Keaton    Charlotte
Jake Lacy    Joe
Anthony Mackie    Officer Williams
Amanda Seyfried    Ruby
June Squibb    Aunt Fishy
Marisa Tomei    Emma
Olivia Wilde    Eleanor
Alex Borstein    Angie
Timothée Chalamet    Charlie
Maxwell Simkins    Bo

Supporting Cast

Dan Amboyer    Handsome Young Man at Diner
Dorothy Silver    Mrs. Pinkins
Channing Pusateri    Young Boy
Larry McKay    Bob
Molly Gordon    Lauren Hesselberg
Sylvia Kauders    Sara
Krista Marie Yu    Lily the Florist
Lev Pakman    Schnozzle Whitehead
Michael R. Wilson    Young Sam
Elisabeth Evans    Young Charlotte (20s)
Keenan Joliff    Brady
Sean McGee    Young Bucky
Rory Wilson    Young Emma
Quinn McColgan    Young Charlotte (12-14 yrs)
Kristin Slaysman    Effie Newport
Jon Tenney    Dr. Morrissey
Ralph Browning    Gurney Doctor
Marc Moore Jr.    Orderly
Cady Huffman    Gift Shop Clerk
John Luoma    Hospital Caroler
Ryan Borgo    Hospital Caroler
Justin Lonesome    Hospital Caroler
Samuel Mancini    Hospital Caroler
Jack Nadeau    Hospital Caroler
Patrick Steven Bovo    Hospital Caroler
James Hall    Hospital Caroler
Steve Martin    Voice of Rags

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jessie Nelson    Director
Steven Rogers    Screenwriter
Jessie Nelson    Producer
Michael London    Producer
Janice Williams    Producer
Diane Keaton    Executive Producer
Ted Gidlow    Executive Producer
Steven Rogers    Executive Producer
Kim Roth    Executive Producer
Anna Culp    Executive Producer
Elliot Davis    Director of Photography
Beth Rubino    Production Designer
Nancy Richardson    Editor
Hope Hanafin    Costume Designer
Nick Urata    Composer
Mary Vernieu    Casting Director
Venus Kanani    Casting Director
T-Bone Burnett    Executive Music Producer
Robin Fischella    Co-Producer
Marsha L. Swinton    Co-Producer
Ted Gidlow    Unit Production Manager
Darin Rivetti    First Assistant Director
Jason Roberts    Second Assistant Director
Stephen Pope    Stunt Coordinator
Steve Davison    Stunt Coordinator
Peter Epstein    Stunt Coordinator
Gregory Weimerskirch    Art Director
Paul Cheponis    Set Decorator
Darcie Buterbaugh    Costume Supervisor
Louise McCarthy    Make up
Donna Marie Fischetto    Hairstylist
Scott Peterson    Script Supervisor
Jim Emswiller    Sound Mixer
Paul A. Levin    Post-Production Supervisor
Ann Gray    Post-Production Supervisor
Julie Carr    Assistant Editor
Pablo Prietto    Assistant Editor
Marie Lee    Assistant Editor
Ron Bochar    Re-recording Mixer
Ron Bochar    Supervising Sound Editor
Ron Bochar    Sound Designer
Alexa Zimmerman    Dialogue Editor
Heather Gross    Sound Effects Editor
Raymond M. Tasillo    Special Effects Coordinator
Nic Ratner    Music Editor
Jon Ong    Additional Music
Jason LaRocca    Score Mixer
Mitchell Ferm    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 9th, 2016

February 8th, 2016

Grandma

It's a strange week on the home market, as we have a monster release coming out, Spectre. There are also four or so releases that are contenders for Pick of the Week. But after that, there's a huge drop in quality and we quickly reach releases that are not even worthy of being fillers. Of the contenders, Grandma is the Pick of the Week and it is certainly worth picking up on Blu-ray. More...

Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games

November 24th, 2015

The Hunger Games: Mockingjay, Part 2

The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year. More...

Contest: Procrastoween: Winning Announcement

November 18th, 2015

Love the Coopers

The winners of our Procrastoween contest were determined and the entrants with the closest predictions for Love the Coopers opening weekend were... More...

Weekend Wrap-Up: New Releases feel Unloved

November 17th, 2015

Love the Coopers

There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs. More...

Weekend Estimates: Spectre Set to Be Number Two Bond

November 15th, 2015

Spectre

Sony are predicting a decline of just 50% for Spectre in its second weekend in theaters, putting James Bond’s latest incarnation on track for a final domestic box office in the neighborhood of $200 million. While well short of Skyfall’s $304 million, it welcome news for a film that’s probably right on the bubble as far as profitability is concerned. More...

Friday Estimates: Openers Fall Well Short of Spectre and Peanuts

November 14th, 2015

Spectre

Three new wide releases are all, as expected, struggling to make much headway against Spectre and The Peanuts Movie this weekend, with the two returning films sitting comfortably at the top of the chart. Spectre picked up an estimated $10.2 million on Friday for a total to date of $105.5 million, while Peanuts earned another $5.6 million, for $63.9 million so far. More...

Weekend Predictions: Will the New Releases get any Love?

November 11th, 2015

Love the Coopers

Last week the box office bounced back in an impressive fashion. However, this week it will very likely slump back down again. There are only two truly wide releases coming out this week, The 33 and Love the Coopers, neither of which are expected to be hits. In fact, there's a good chance neither of them will top $10 million over the weekend. This will leave Spectre and The Peanuts Movie on top of the charts once again, while we will have a one or two other holdovers in the top five, depending on how well the new wide releases match low expectations. This weekend last year Dumb and Dumber To opened with $36.11 million. This is more than either new release will earn this weekend, or in total. This might be more than both new releases will finish with combined. Unless the holdovers hold on really well, 2015 will lose in the year-over-year comparison, but it should be close. More...

Contest: Elementary, My Dear Bond: Winning Announcement

November 10th, 2015

The winners of our Elementary, My Dear Bond contest contest were determined and the entrants with the closest predictions for Spectre opening weekend were... More...

Contest: Procrastoween

November 6th, 2015

Love the Coopers

It is a bit of a messed up week as far as the contest is concerned. I ended the Halloween trick or treat contests a week early, because I got the release date of Mr. Holmes wrong. I had already set aside the two sets of horror or the one set of bad movies, so I might as well give them away this week. Also, the contest is a mess, because the wide releases next week are a mess. By the Sea was dropped to limited release, while My All-American is opening semi-wide, so that's a reversal of expectations. This leaves The 33 and Love the Coopers as the only true wide releases, neither of which is expected to be a even a midlevel hit. Combined they are not expected to be a midlevel hit. Worse for me, neither is expected to be a significantly bigger hit than the other making it harder to choose which film will be the target film. I'm literally going to have to flip a coin. Love the Coopers is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Love the Coopers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: November

November 1st, 2015

The Hunger Games: Mockingjay - Part 2

October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 3 $8,317,545   2,603 $3,195   $8,317,545 1
Nov 20, 2015 6 $4,134,130 -50% 2,603 $1,588   $15,128,355 2
Nov 27, 2015 11 $3,069,792 -26% 1,867 $1,644   $20,453,601 3
Dec 4, 2015 12 $1,514,645 -51% 1,639 $924   $22,698,271 4
Dec 11, 2015 12 $1,375,771 -9% 1,610 $855   $24,662,013 5
Dec 18, 2015 20 $299,290 -78% 593 $505   $25,475,491 6
Dec 25, 2015 32 $148,734 -50% 245 $607   $25,943,344 7
Jan 1, 2016 32 $138,764 -7% 213 $651   $26,193,757 8
Jan 8, 2016 38 $48,761 -65% 128 $381   $26,284,475 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 13, 2015 3 $2,824,666     2,603 $1,085   $2,824,666 1
Nov 14, 2015 3 $3,492,589 +24%   2,603 $1,342   $6,317,255 2
Nov 15, 2015 3 $2,000,290 -43%   2,603 $768   $8,317,545 3
Nov 16, 2015 3 $583,567 -71%   2,603 $224   $8,901,112 4
Nov 17, 2015 3 $928,258 +59%   2,603 $357   $9,829,370 5
Nov 18, 2015 3 $622,236 -33%   2,603 $239   $10,451,606 6
Nov 19, 2015 3 $542,619 -13%   2,603 $208   $10,994,225 7
Nov 20, 2015 6 $1,179,959 +117% -58% 2,603 $453   $12,174,184 8
Nov 21, 2015 6 $1,810,190 +53% -48% 2,603 $695   $13,984,374 9
Nov 22, 2015 6 $1,143,981 -37% -43% 2,603 $439   $15,128,355 10
Nov 23, 2015 7 $437,313 -62% -25% 2,603 $168   $15,565,668 11
Nov 24, 2015 6 $606,704 +39% -35% 2,603 $233   $16,172,372 12
Nov 25, 2015 12 $482,363 -20% -22% 2,603 $185   $16,654,735 13
Nov 26, 2015 8 $729,074 +51% +34% 2,603 $280   $17,383,809 14
Nov 27, 2015 11 $1,214,182 +67% +3% 1,867 $650   $18,597,991 15
Nov 28, 2015 11 $1,242,506 +2% -31% 1,867 $666   $19,840,497 16
Nov 29, 2015 10 $613,104 -51% -46% 1,867 $328   $20,453,601 17
Nov 30, 2015 11 $173,487 -72% -60% 1,867 $93   $20,627,088 18
Dec 1, 2015 11 $235,330 +36% -61% 1,867 $126   $20,862,418 19
Dec 2, 2015 11 $166,041 -29% -66% 1,867 $89   $21,028,459 20
Dec 3, 2015 11 $155,167 -7% -79% 1,867 $83   $21,183,626 21
Dec 4, 2015 12 $442,335 +185% -64% 1,639 $270   $21,625,961 22
Dec 5, 2015 12 $684,692 +55% -45% 1,639 $418   $22,310,653 23
Dec 6, 2015 11 $387,618 -43% -37% 1,639 $236   $22,698,271 24
Dec 7, 2015 12 $124,716 -68% -28% 1,639 $76   $22,822,987 25
Dec 8, 2015 11 $195,286 +57% -17% 1,639 $119   $23,018,273 26
Dec 9, 2015 12 $140,762 -28% -15% 1,639 $86   $23,159,035 27
Dec 10, 2015 12 $127,207 -10% -18% 1,639 $78   $23,286,242 28
Dec 11, 2015 12 $384,705 +202% -13% 1,610 $239   $23,670,947 29
Dec 12, 2015 12 $630,150 +64% -8% 1,610 $391   $24,301,097 30
Dec 13, 2015 12 $360,916 -43% -7% 1,610 $224   $24,662,013 31
Dec 14, 2015 13 $123,663 -66% -1% 1,610 $77   $24,785,676 32
Dec 15, 2015 13 $166,791 +35% -15% 1,610 $104   $24,952,467 33
Dec 16, 2015 12 $137,065 -18% -3% 1,610 $85   $25,089,532 34
Dec 17, 2015 13 $86,669 -37% -32% 1,610 $54   $25,176,201 35
Dec 18, 2015 - $75,121 -13% -80% 593 $127   $25,251,322 36
Dec 19, 2015 - $125,971 +68% -80% 593 $212   $25,377,293 37
Dec 20, 2015 - $98,198 -22% -73% 593 $166   $25,475,491 38
Dec 21, 2015 - $79,397 -19% -36% 593 $134   $25,554,888 39
Dec 22, 2015 - $94,901 +20% -43% 593 $160   $25,649,789 40
Dec 23, 2015 - $79,636 -16% -42% 593 $134   $25,729,425 41
Dec 24, 2015 - $65,185 -18% -25% 593 $110   $25,794,610 42
Dec 25, 2015 - $50,956 -22% -32% 245 $208   $25,845,566 43
Dec 26, 2015 - $56,079 +10% -55% 245 $229   $25,901,645 44
Dec 27, 2015 - $41,699 -26% -58% 245 $170   $25,943,344 45
Dec 28, 2015 - $24,641 -41% -69% 245 $101   $25,967,985 46
Dec 29, 2015 - $29,517 +20% -69% 245 $120   $25,997,502 47
Dec 30, 2015 - $27,516 -7% -65% 245 $112   $26,025,018 48
Dec 31, 2015 - $29,975 +9% -54% 245 $122   $26,054,993 49
Jan 1, 2016 - $54,971 +83% +8% 213 $258   $26,109,964 50
Jan 2, 2016 - $55,707 +1% -1% 213 $262   $26,165,671 51
Jan 3, 2016 - $28,086 -50% -33% 213 $132   $26,193,757 52
Jan 4, 2016 - $10,409 -63% -58% 213 $49   $26,204,166 53
Jan 5, 2016 - $11,431 +10% -61% 213 $54   $26,215,597 54
Jan 6, 2016 - $9,428 -18% -66% 213 $44   $26,225,025 55
Jan 7, 2016 - $10,689 +13% -64% 213 $50   $26,235,714 56
Jan 8, 2016 - $13,586 +27% -75% 128 $106   $26,249,300 57
Jan 9, 2016 - $22,595 +66% -59% 128 $177   $26,271,895 58
Jan 10, 2016 - $12,580 -44% -55% 128 $98   $26,284,475 59
Jan 11, 2016 - $3,839 -69% -63% 128 $30   $26,288,314 60
Jan 12, 2016 - $5,235 +36% -54% 128 $41   $26,293,549 61
Jan 13, 2016 - $4,386 -16% -53% 128 $34   $26,297,935 62
Jan 14, 2016 - $4,796 +9% -55% 128 $37   $26,302,731 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 3 $10,994,225   2,603 $4,224   $10,994,225 1
Nov 20, 2015 8 $6,389,584 -42% 2,603 $2,455   $17,383,809 2
Nov 27, 2015 11 $3,799,817 -41% 1,867 $2,035   $21,183,626 3
Dec 4, 2015 12 $2,102,616 -45% 1,639 $1,283   $23,286,242 4
Dec 11, 2015 12 $1,889,959 -10% 1,610 $1,174   $25,176,201 5
Dec 18, 2015 20 $624,224 -67% 593 $1,053   $25,800,425 6
Dec 25, 2015 33 $254,568 -59% 245 $1,039   $26,054,993 7
Jan 1, 2016 34 $180,721 -29% 213 $848   $26,235,714 8
Jan 8, 2016 37 $67,017 -63% 128 $524   $26,302,731 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/24/2015 $65,672 36 36 77 $168,280 12/31/2018
Australia 11/27/2015 $282,622 164 168 655 $1,261,925 6/9/2016
Austria 12/4/2015 $93,364 53 54 238 $538,232 6/9/2016
Bolivia 12/3/2015 $12,701 11 11 18 $25,301 12/30/2018
Brazil 12/3/2015 $102,212 90 90 168 $223,690 12/21/2015
Bulgaria 11/27/2015 $26,601 19 19 77 $125,967 12/31/2018
Central America 12/3/2015 $0 0 55 55 $230,750 12/16/2015
Chile 12/24/2015 $23,958 24 24 30 $42,031 12/31/2018
Croatia 12/10/2015 $22,609 23 23 95 $126,526 12/31/2018
Czech Republic 12/10/2015 $51,214 66 66 112 $102,752 12/30/2018
Ecuador 12/11/2015 $22,687 22 22 22 $22,687 12/30/2018
Germany 12/3/2015 $361,919 226 226 664 $1,513,024 6/9/2016
Greece 11/12/2015 $28,102 19 19 35 $61,689 11/25/2015
Hong Kong 12/17/2015 $33,622 7 7 11 $74,049 9/5/2016
Hungary 12/10/2015 $149,717 48 48 48 $664,550 12/31/2018
Iceland 12/11/2015 $0 0 1 1 $18,493 12/30/2018
Iraq 12/24/2015 $6,460 2 2 4 $12,306 12/31/2018
Italy 11/26/2015 $250,689 147 147 253 $433,595 6/9/2016
Lebanon 1/7/2016 $7,543 2 2 3 $11,468 12/31/2018
Lithuania 12/17/2015 $0 0 131 149 $71,984 1/5/2016
Malaysia 12/10/2015 $15,624 17 17 23 $28,425 9/5/2016
Mexico 12/4/2015 $127,869 0 1 1 $835,399 6/9/2016
New Zealand 11/27/2015 $34,439 53 57 221 $117,678 6/9/2016
Oman 12/24/2015 $0 0 1 1 $1,084 12/31/2018
Peru 12/10/2015 $118,383 77 77 156 $343,997 12/31/2018
Portugal 12/10/2015 $23,931 24 24 63 $602,775 6/9/2016
Romania 11/27/2015 $162,848 52 52 152 $571,502 12/30/2018
Russia (CIS) 12/10/2015 $255,191 502 502 1,001 $405,472 12/31/2018
Serbia and Montenegro 12/17/2015 $0 0 12 19 $55,412 12/31/2018
Singapore 12/10/2015 $49,059 13 13 24 $115,099 6/9/2016
Slovakia 11/26/2015 $25,317 28 28 95 $72,797 12/22/2015
Slovenia 12/10/2015 $8,146 10 10 50 $39,345 6/9/2016
South Africa 12/11/2015 $0 0 53 53 $159,712 12/21/2015
Spain 12/25/2015 $273,861 132 132 313 $622,670 6/9/2016
Switzerland 12/3/2015 $67,054 32 32 46 $202,849 12/21/2015
Taiwan 12/18/2015 $10,032 8 8 20 $26,259 6/9/2016
Thailand 12/24/2015 $29,148 77 77 93 $48,131 9/5/2016
Turkey 12/18/2015 $9,277 16 16 21 $15,864 12/30/2018
Ukraine 12/24/2015 $59,918 61 61 122 $159,554 12/31/2018
United Arab Emirates 12/24/2015 $93,215 13 13 23 $313,506 12/31/2018
United Kingdom 12/4/2015 $1,031,582 372 418 1,290 $3,661,407 6/9/2016
Uruguay 12/3/2015 $15,137 10 10 29 $46,714 12/30/2018
Venezuela 12/25/2015 $402,775 38 38 94 $1,749,809 1/26/2016
 
Rest of World $2,035,923
 
International Total$17,960,682 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 14, 2016660,136 60,136$1,171,449$1,171,4492

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 14, 20161421,332 21,332$499,593$499,5932

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.