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The Lovers And The Despot (2016)

The Lovers And The Despot
Theatrical Performance
Domestic Box Office $55,511Details
International Box Office $51,115Details
Worldwide Box Office $106,626
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Tells the story of young, ambitious South Korean filmmaker Shin Sang-ok and actress Choi Eun-hee, who met and fell in love in 1950s post-war Korea. In the 70s, after reaching the top of Korean society following a string of successful films, Choi was kidnapped in Hong Kong by North Korean agents and taken to meet Kim Jong-il. While searching for Choi, Shin also was kidnapped, and following five years of imprisonment, the couple was reunited by the movie-obsessed Kim, who declared them his personal filmmakers. Choi and Shin planned their escape, but not before producing 17 feature films for the dictator and gaining his trust in the process.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,901-12,000) 11,922 $55,511
All Time International Box Office (Rank 9,301-9,400) 9,357 $51,115
All Time Worldwide Box Office (Rank 14,801-14,900) 14,859 $106,626
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,601-4,700) 4,658 $55,511

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 23rd, 2016 (Limited) by Magnolia Pictures
International Releases: September 8th, 2016 (Wide), released as The Lovers and the Despot (South Korea)
September 23rd, 2016 (Wide), released as The Lovers and the Despot (United Kingdom)
Video Release: September 23rd, 2016 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: Create your own comparison chart…
Keywords: South Korea, North Korea, Movie Director, Film Actor, Kidnap, Early / Simultaneous Video on Demand release, Government Corruption, 1960s, 1970s, Escape
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Countries: United Kingdom

Production and Technical Credits

   Director
   Director
Robert Cannan    Producer
Adam Ross    Producer
Jim Hession    Screenwriter
Adam Ross    Screenwriter
Robert Cannan    Screenwriter
Natasha Ojumu    Producer
Nathan Halpern    Composer
Jim Hession    Editor
Lizzie Francke    Executive Producer
Richard Holmes    Executive Producer
Nick Fraser    Executive Producer
Kate Townsend    Executive Producer
Sheryl Crown    Executive Producer
Maggie Monteith    Executive Producer
Victoria Steventon    Executive Producer
Cristina Ljungberg    Executive Producer
Sandra Whipham    Executive Producer
Alastair Sirkett    Sound Designer
Abigail Harding    Archival Producer
Victoria Chalk    Co-Editor
Charlie Hawryliw    Additional Editor
Ollie Huddleston    Additional Editor
David Charap    Additional Editor
Amine Ramer    Music Supervisor
Connie Farr    Music Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Theater Averages: The Week’s Best Average Money can Buy is $9,511

September 28th, 2016

The Best Democracy Money Can Buy

Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446. More...

Limited and VOD Releases: Dirty 30 is Apt Description

September 23rd, 2016

Queen of Katwe

Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2016/09/23 60 $14,925   8 $1,866   $14,925 1
2016/09/30 58 $14,495 -3% 13 $1,115   $37,102 2
2016/10/07 86 $3,444 -76% 5 $689   $48,071 3
2016/10/14 97 $1,720 -50% 5 $344   $51,348 4
2016/10/21 106 $1,010 -41% 2 $505   $53,442 5
2016/10/28 99 $1,001 -1% 3 $334   $55,180 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2016/09/23 60 $22,607   10 $2,261   $22,607 1
2016/09/30 62 $22,020 -3% 13 $1,694   $44,627 2
2016/10/07 89 $5,001 -77% 5 $1,000   $49,628 3
2016/10/14 103 $2,804 -44% 5 $561   $52,432 4
2016/10/21 109 $1,747 -38% 2 $874   $54,179 5
2016/10/28 106 $1,332 -24% 3 $444   $55,511 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
South Korea 9/8/2016 $0 0 76 89 $38,708 10/27/2016
United Kingdom 9/23/2016 $7,198 6 6 11 $12,014 10/12/2016
 
Rest of World $393
 
International Total$51,115 10/27/2016

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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