Loving Highsmith (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $46,172 | Details |
| International Box Office | $10,412 | Details |
| Worldwide Box Office | $56,584 | |
| OpusData ID: 551740100 More info... | ||
| Further financial details... | ||
Synopsis
Loving Highsmith is a unique look at the life of celebrated American author Patricia Highsmith based on her diaries and notebooks and the intimate reflections of her lovers, friends and family. Focusing on Highsmith’s quest for love and her troubled identity, the film sheds new light on her life and writing. Most of Highsmith’s novels were adapted for the big screen; the best known of these are Strangers on a Train and The Talented Mr. Ripley. Carol, a partly autobiographic novel, was the first lesbian story with a happy ending to be published in 1950s America. But Highsmith herself was forced to lead a double life and had to hide her vibrant love affairs from her family and the public. Only in her unpublished writings did she reflect on her private life.
Metrics
| Opening Weekend: | $6,800 (14.7% of total gross) |
| Legs: | 5.79 (domestic box office/biggest weekend) |
| Domestic Share: | 81.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/14 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,445 |
Movie Details
| Domestic Releases: | September 2nd, 2022 (Limited) by Zeitgeist |
| International Releases: | August 4th, 2022 (Limited) (New Zealand)
April 14th, 2023 (Limited) (United Kingdom) August 10th, 2023 (Limited) (Mexico) November 3rd, 2023 (Limited), released as Loving Highsmith (パトリシア・ハイスミスに恋して) (Japan) ... Show all releases |
| Running Time: | 83 minutes |
| Source: | Based on Factual Book/Article |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Lichtblick Media, SRF Schweizer Radio, RSI Radiotelevisione Svizzera, ZDF, Zeitgeist Films |
| Production Countries: | Switzerland, Germany |
| Languages: | English, German, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $6,800 | 1 | $6,800 | $6,800 | 1 | |
| Sep 9, 2022 | - | $7,970 | +17% | 12 | $664 | $23,108 | 2 |
| Sep 16, 2022 | - | $3,406 | -57% | 12 | $284 | $31,577 | 3 |
| Sep 23, 2022 | - | $2,795 | -18% | 13 | $215 | $36,276 | 4 |
| Sep 30, 2022 | - | $1,298 | -54% | 4 | $325 | $39,892 | 5 |
| Oct 7, 2022 | - | $940 | -28% | 4 | $235 | $41,222 | 6 |
| Oct 14, 2022 | - | $974 | +4% | 5 | $195 | $43,209 | 7 |
| Oct 21, 2022 | - | $101 | -90% | 3 | $34 | $43,784 | 8 |
| Nov 18, 2022 | - | $1,341 | 3 | $447 | $46,172 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 5, 2022 | - | $2,000 | 1 | $2,000 | $8,800 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $15,138 | 1 | $15,138 | $15,138 | 1 | |
| Sep 9, 2022 | - | $12,707 | -16% | 12 | $1,059 | $27,845 | 2 |
| Sep 16, 2022 | - | $5,310 | -58% | 13 | $408 | $33,481 | 3 |
| Sep 23, 2022 | - | $5,113 | -4% | 14 | $365 | $38,594 | 4 |
| Sep 30, 2022 | 55 | $1,688 | -67% | 4 | $422 | $40,282 | 5 |
| Oct 7, 2022 | 49 | $1,953 | +16% | 7 | $279 | $42,235 | 6 |
| Oct 14, 2022 | 45 | $1,448 | -26% | 6 | $241 | $43,683 | 7 |
| Oct 21, 2022 | 51 | $126 | -91% | 3 | $42 | $44,148 | 8 |
| Nov 18, 2022 | 47 | $1,341 | 3 | $447 | $46,172 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 8/4/2022 | $0 | 0 | 1 | 1 | $642 | 8/15/2022 | |||
| United Kingdom | 4/14/2023 | $9,770 | 16 | 16 | 16 | $9,770 | 4/19/2023 | |||
| International Total | $10,412 | 4/19/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gwendoline Christie | Patricia Highsmith |
Documentary Subject
| Patricia Highsmith | Herself |
Narrator
| Annina Butterworth | Narrator |
Production and Technical Credits
| Eva Vitija | Director | |
| Siri Klug | Director of Photography | |
| Rebecca Trösch | Editor | |
| Noël Akchoté | Composer | |
| Juliane Vari | Sound Supervisor | |
| Jascha Viehl | Sound Designer | |
| Alexander Weuffen | Sound Mixer | |
| Franziska Sonder | Producer | |
| Maurizius Staerkle-Drux | Producer | |
| Carl Ludwig Rettinger | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Loving Highsmith is a unique look at the life of celebrated American author Patricia Highsmith based on her diaries and notebooks and the intimate reflections of her lovers, friends and family. Focusing on Highsmith’s quest for love and her troubled identity, the film sheds new light on her life and writing. Most of Highsmith’s novels were adapted for the big screen; the best known of these are Strangers on a Train and The Talented Mr. Ripley. Carol, a partly autobiographic novel, was the first lesbian story with a happy ending to be published in 1950s America. But Highsmith herself was forced to lead a double life and had to hide her vibrant love affairs from her family and the public. Only in her unpublished writings did she reflect on her private life.
Metrics
| Opening Weekend: | $6,800 (14.7% of total gross) |
| Legs: | 5.79 (domestic box office/biggest weekend) |
| Domestic Share: | 81.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/14 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,445 |
Movie Details
| Domestic Releases: | September 2nd, 2022 (Limited) by Zeitgeist |
| International Releases: | August 4th, 2022 (Limited) (New Zealand)
April 14th, 2023 (Limited) (United Kingdom) August 10th, 2023 (Limited) (Mexico) November 3rd, 2023 (Limited), released as Loving Highsmith (パトリシア・ハイスミスに恋して) (Japan) ... Show all releases |
| Running Time: | 83 minutes |
| Source: | Based on Factual Book/Article |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Lichtblick Media, SRF Schweizer Radio, RSI Radiotelevisione Svizzera, ZDF, Zeitgeist Films |
| Production Countries: | Switzerland, Germany |
| Languages: | English, German, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $6,800 | 1 | $6,800 | $6,800 | 1 | |
| Sep 9, 2022 | - | $7,970 | +17% | 12 | $664 | $23,108 | 2 |
| Sep 16, 2022 | - | $3,406 | -57% | 12 | $284 | $31,577 | 3 |
| Sep 23, 2022 | - | $2,795 | -18% | 13 | $215 | $36,276 | 4 |
| Sep 30, 2022 | - | $1,298 | -54% | 4 | $325 | $39,892 | 5 |
| Oct 7, 2022 | - | $940 | -28% | 4 | $235 | $41,222 | 6 |
| Oct 14, 2022 | - | $974 | +4% | 5 | $195 | $43,209 | 7 |
| Oct 21, 2022 | - | $101 | -90% | 3 | $34 | $43,784 | 8 |
| Nov 18, 2022 | - | $1,341 | 3 | $447 | $46,172 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 5, 2022 | - | $2,000 | 1 | $2,000 | $8,800 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $15,138 | 1 | $15,138 | $15,138 | 1 | |
| Sep 9, 2022 | - | $12,707 | -16% | 12 | $1,059 | $27,845 | 2 |
| Sep 16, 2022 | - | $5,310 | -58% | 13 | $408 | $33,481 | 3 |
| Sep 23, 2022 | - | $5,113 | -4% | 14 | $365 | $38,594 | 4 |
| Sep 30, 2022 | 55 | $1,688 | -67% | 4 | $422 | $40,282 | 5 |
| Oct 7, 2022 | 49 | $1,953 | +16% | 7 | $279 | $42,235 | 6 |
| Oct 14, 2022 | 45 | $1,448 | -26% | 6 | $241 | $43,683 | 7 |
| Oct 21, 2022 | 51 | $126 | -91% | 3 | $42 | $44,148 | 8 |
| Nov 18, 2022 | 47 | $1,341 | 3 | $447 | $46,172 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 8/4/2022 | $0 | 0 | 1 | 1 | $642 | 8/15/2022 | |||
| United Kingdom | 4/14/2023 | $9,770 | 16 | 16 | 16 | $9,770 | 4/19/2023 | |||
| International Total | $10,412 | 4/19/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gwendoline Christie | Patricia Highsmith |
Documentary Subject
| Patricia Highsmith | Herself |
Narrator
| Annina Butterworth | Narrator |
Production and Technical Credits
| Eva Vitija | Director | |
| Siri Klug | Director of Photography | |
| Rebecca Trösch | Editor | |
| Noël Akchoté | Composer | |
| Juliane Vari | Sound Supervisor | |
| Jascha Viehl | Sound Designer | |
| Alexander Weuffen | Sound Mixer | |
| Franziska Sonder | Producer | |
| Maurizius Staerkle-Drux | Producer | |
| Carl Ludwig Rettinger | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.