Loving Pablo (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $22,017 | Details |
| International Box Office | $15,428,473 | Details |
| Worldwide Box Office | $15,450,490 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $23,615 | |
| Blu-ray Sales (estimated) | $48,944 | |
| Total | $72,559 | |
| OpusData ID: 322960100 More info... | ||
| Further financial details... | ||
Synopsis
A chronicling of the rise and fall of the world’s most feared drug lord, Pablo Escobar, and his volatile love affair with Colombia's most famous journalist, Virginia Vallejo, throughout his reign of terror that tore a country apart.
Metrics
| Opening Weekend: | $16,564 (75.2% of total gross) |
| Legs: | 1.33 (domestic box office/biggest weekend) |
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Theater counts: | 15 opening theaters/15 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,907 |
Movie Details
| Domestic Releases: | October 5th, 2018 (Limited) by OTL Releasing |
| International Releases: | October 12th, 2017 (Wide), released as Escobar Il fascino del male (Italy)
March 9th, 2018 (Wide) (Spain) April 20th, 2018 (Wide) (France) June 1st, 2018 (Wide) (Netherlands) June 14th, 2018 (Wide), released as ЭСКОБАР (Russia (CIS)) ... Show all releases |
| Video Release: | November 6th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violent content, some sexuality, language and drug use. (Rating bulletin 2492 (Cert #51197), 9/6/2017) |
| Running Time: | 123 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | Columbia, Florida |
| Plot point: | Biography, Drug Cartels, Fired, Investigative Journalist, Narcotics, Non-Chronological, Romance |
| Time period setting: | 1980s, 1990s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Spain, Bulgaria |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | 56 | $16,564 | 15 | $1,104 | $16,564 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | - | $4,228 | 15 | $282 | $4,228 | 1 | |
| Oct 6, 2018 | - | $6,577 | +56% | 15 | $438 | $10,805 | 2 |
| Oct 7, 2018 | - | $5,759 | -12% | 15 | $384 | $16,564 | 3 |
| Oct 8, 2018 | - | $1,457 | -75% | 15 | $97 | $18,021 | 4 |
| Oct 9, 2018 | - | $1,765 | +21% | 15 | $118 | $19,786 | 5 |
| Oct 10, 2018 | - | $1,636 | -7% | 15 | $109 | $21,422 | 6 |
| Oct 11, 2018 | - | $595 | -64% | 15 | $40 | $22,017 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | 60 | $22,017 | 15 | $1,468 | $22,017 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/16/2018 | $27,463 | 32 | 32 | 32 | $38,000 | 12/11/2018 | |||
| Brazil | 8/24/2018 | $151,038 | 0 | 0 | 0 | $151,038 | 8/31/2018 | |||
| Bulgaria | 6/15/2018 | $35,901 | 0 | 0 | 0 | $262,408 | 2/26/2019 | |||
| Czech Republic | 6/15/2018 | $131,522 | 108 | 108 | 351 | $721,706 | 1/1/2019 | |||
| France | 4/20/2018 | $882,749 | 0 | 0 | 0 | $3,384,475 | 6/12/2018 | |||
| Italy | 10/12/2017 | $0 | 0 | 0 | 0 | $4,028,814 | 6/14/2018 | |||
| Lithuania | 6/15/2018 | $19,365 | 97 | 97 | 280 | $109,137 | 10/23/2018 | |||
| Mexico | 8/10/2018 | $557,081 | 0 | 0 | 0 | $1,091,262 | 8/20/2018 | |||
| Netherlands | 6/1/2018 | $190,943 | 58 | 65 | 324 | $712,141 | 7/19/2018 | |||
| Poland | 6/15/2018 | $0 | 0 | 0 | 0 | $562,853 | 1/1/2019 | |||
| Portugal | 7/13/2018 | $47,031 | 36 | 36 | 109 | $187,768 | 9/11/2018 | |||
| Romania | 11/6/2020 | $0 | 0 | 1 | 1 | $455,635 | 2/17/2021 | |||
| Russia (CIS) | 6/14/2018 | $280,232 | 302 | 302 | 890 | $916,770 | 2/26/2019 | |||
| Slovakia | 6/15/2018 | $101,891 | 72 | 72 | 245 | $485,853 | 9/6/2018 | |||
| South Korea | 11/6/2018 | $0 | 0 | 99 | 90 | $59,762 | 4/4/2026 | |||
| Spain | 3/9/2018 | $732,903 | 218 | 229 | 1,031 | $2,108,547 | 5/18/2018 | |||
| Turkey | 7/20/2018 | $52,731 | 155 | 155 | 311 | $150,262 | 2/26/2019 | |||
| United Kingdom | 9/14/2018 | $2,042 | 0 | 0 | 0 | $2,042 | 2/8/2019 | |||
| International Total | $15,428,473 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Javier Bardem | Pablo Escobar | |
| Penélope Cruz | Virginia Vallejo |
| Peter Sarsgaard | Neymar |
Production and Technical Credits
| Fernando León de Aranoa | Director | |
| Javier Bardem | Producer | |
| Fernando León de Aranoa | Screenwriter | |
| Avi Lerner | Producer | |
| Ed Cathell III | Producer | |
| Miguel Menéndez de Zubillaga | Producer | |
| John Thompson | Producer | |
| Kalina Kottas | Producer | |
| Alexander Kenanov | Producer | |
| Dean Nichols | Producer | |
| Andres Calderon | Executive Producer | |
| Trevor Short | Executive Producer | |
| Jeffrey Greenstein | Executive Producer | |
| Christa Campbell | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Dany Boon | Executive Producer | |
| Yaël Boon | Executive Producer | |
| Wang Haiyi | Executive Producer | |
| Xu Bin | Executive Producer | |
| Todd Nichols | Executive Producer | |
| Jere Hausfater | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A chronicling of the rise and fall of the world’s most feared drug lord, Pablo Escobar, and his volatile love affair with Colombia's most famous journalist, Virginia Vallejo, throughout his reign of terror that tore a country apart.
Metrics
| Opening Weekend: | $16,564 (75.2% of total gross) |
| Legs: | 1.33 (domestic box office/biggest weekend) |
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Theater counts: | 15 opening theaters/15 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,907 |
Movie Details
| Domestic Releases: | October 5th, 2018 (Limited) by OTL Releasing |
| International Releases: | October 12th, 2017 (Wide), released as Escobar Il fascino del male (Italy)
March 9th, 2018 (Wide) (Spain) April 20th, 2018 (Wide) (France) June 1st, 2018 (Wide) (Netherlands) June 14th, 2018 (Wide), released as ЭСКОБАР (Russia (CIS)) ... Show all releases |
| Video Release: | November 6th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violent content, some sexuality, language and drug use. (Rating bulletin 2492 (Cert #51197), 9/6/2017) |
| Running Time: | 123 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | Columbia, Florida |
| Plot point: | Biography, Drug Cartels, Fired, Investigative Journalist, Narcotics, Non-Chronological, Romance |
| Time period setting: | 1980s, 1990s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Spain, Bulgaria |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | 56 | $16,564 | 15 | $1,104 | $16,564 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | - | $4,228 | 15 | $282 | $4,228 | 1 | |
| Oct 6, 2018 | - | $6,577 | +56% | 15 | $438 | $10,805 | 2 |
| Oct 7, 2018 | - | $5,759 | -12% | 15 | $384 | $16,564 | 3 |
| Oct 8, 2018 | - | $1,457 | -75% | 15 | $97 | $18,021 | 4 |
| Oct 9, 2018 | - | $1,765 | +21% | 15 | $118 | $19,786 | 5 |
| Oct 10, 2018 | - | $1,636 | -7% | 15 | $109 | $21,422 | 6 |
| Oct 11, 2018 | - | $595 | -64% | 15 | $40 | $22,017 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | 60 | $22,017 | 15 | $1,468 | $22,017 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/16/2018 | $27,463 | 32 | 32 | 32 | $38,000 | 12/11/2018 | |||
| Brazil | 8/24/2018 | $151,038 | 0 | 0 | 0 | $151,038 | 8/31/2018 | |||
| Bulgaria | 6/15/2018 | $35,901 | 0 | 0 | 0 | $262,408 | 2/26/2019 | |||
| Czech Republic | 6/15/2018 | $131,522 | 108 | 108 | 351 | $721,706 | 1/1/2019 | |||
| France | 4/20/2018 | $882,749 | 0 | 0 | 0 | $3,384,475 | 6/12/2018 | |||
| Italy | 10/12/2017 | $0 | 0 | 0 | 0 | $4,028,814 | 6/14/2018 | |||
| Lithuania | 6/15/2018 | $19,365 | 97 | 97 | 280 | $109,137 | 10/23/2018 | |||
| Mexico | 8/10/2018 | $557,081 | 0 | 0 | 0 | $1,091,262 | 8/20/2018 | |||
| Netherlands | 6/1/2018 | $190,943 | 58 | 65 | 324 | $712,141 | 7/19/2018 | |||
| Poland | 6/15/2018 | $0 | 0 | 0 | 0 | $562,853 | 1/1/2019 | |||
| Portugal | 7/13/2018 | $47,031 | 36 | 36 | 109 | $187,768 | 9/11/2018 | |||
| Romania | 11/6/2020 | $0 | 0 | 1 | 1 | $455,635 | 2/17/2021 | |||
| Russia (CIS) | 6/14/2018 | $280,232 | 302 | 302 | 890 | $916,770 | 2/26/2019 | |||
| Slovakia | 6/15/2018 | $101,891 | 72 | 72 | 245 | $485,853 | 9/6/2018 | |||
| South Korea | 11/6/2018 | $0 | 0 | 99 | 90 | $59,762 | 4/4/2026 | |||
| Spain | 3/9/2018 | $732,903 | 218 | 229 | 1,031 | $2,108,547 | 5/18/2018 | |||
| Turkey | 7/20/2018 | $52,731 | 155 | 155 | 311 | $150,262 | 2/26/2019 | |||
| United Kingdom | 9/14/2018 | $2,042 | 0 | 0 | 0 | $2,042 | 2/8/2019 | |||
| International Total | $15,428,473 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Javier Bardem | Pablo Escobar | |
| Penélope Cruz | Virginia Vallejo |
| Peter Sarsgaard | Neymar |
Production and Technical Credits
| Fernando León de Aranoa | Director | |
| Javier Bardem | Producer | |
| Fernando León de Aranoa | Screenwriter | |
| Avi Lerner | Producer | |
| Ed Cathell III | Producer | |
| Miguel Menéndez de Zubillaga | Producer | |
| John Thompson | Producer | |
| Kalina Kottas | Producer | |
| Alexander Kenanov | Producer | |
| Dean Nichols | Producer | |
| Andres Calderon | Executive Producer | |
| Trevor Short | Executive Producer | |
| Jeffrey Greenstein | Executive Producer | |
| Christa Campbell | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Dany Boon | Executive Producer | |
| Yaël Boon | Executive Producer | |
| Wang Haiyi | Executive Producer | |
| Xu Bin | Executive Producer | |
| Todd Nichols | Executive Producer | |
| Jere Hausfater | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.