Lucky Lady (1975)
| Theatrical Performance | ||
| Domestic Box Office | $24,441,725 | Details |
| OpusData ID: 21960100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | January 1st, 1975 (Wide) |
| MPA Rating: | PG |
| Running Time: | 118 minutes |
| Geographical setting: | California, Mexico |
| Plot point: | Love Triangle, Romance, Smuggler |
| Subgenre: | Comedy Drama |
| Time period setting: | 1930s, Prohibition Era |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English, Spanish, French |
| Gene Hackman | Kibby | |
| Burt Reynolds | Walker | |
| Liza Minnelli | Claire | |
| John Hillerman | McTeague | |
| Geoffrey Lewis | Capt. Mosely | |
| Val Avery | Dolph |
Production and Technical Credits
| Stanley Donen | Director | |
| Gloria Katz | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | January 1st, 1975 (Wide) |
| MPA Rating: | PG |
| Running Time: | 118 minutes |
| Geographical setting: | California, Mexico |
| Plot point: | Love Triangle, Romance, Smuggler |
| Subgenre: | Comedy Drama |
| Time period setting: | 1930s, Prohibition Era |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English, Spanish, French |
| Gene Hackman | Kibby | |
| Burt Reynolds | Walker | |
| Liza Minnelli | Claire | |
| John Hillerman | McTeague | |
| Geoffrey Lewis | Capt. Mosely | |
| Val Avery | Dolph |
Production and Technical Credits
| Stanley Donen | Director | |
| Gloria Katz | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.