Lucy in the Sky (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $319,976 | Details |
| International Box Office | $5,967 | Details |
| Worldwide Box Office | $325,943 | |
| OpusData ID: 232490100 More info... | ||
| Further financial details... | ||
Synopsis
A married astronaut returns to Earth after a mission and begins an affair with a fellow astronaut. She heads into a downward spiral as she loses her connection to her family—a condition that can afflict those who spend a long time in space. When her lover begins another affair with an astronaut trainee, the bottom drops out of her life.
Metrics
| Opening Weekend: | $54,058 (16.9% of total gross) |
| Legs: | 4.08 (domestic box office/biggest weekend) |
| Domestic Share: | 98.2% (domestic box office/worldwide) |
| Production Budget: | $27,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 37 opening theaters/231 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $417,787 |
Movie Details
| Domestic Releases: | October 4th, 2019 (Limited) by Fox Searchlight |
| International Releases: | December 6th, 2019 (Wide), released as Lucy In The Sky (United Kingdom) |
| Video Release: | December 17th, 2019 by Fox Home Entertainment |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2587 (Cert #52261), 7/17/2019) |
| Running Time: | 124 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fox Searchlight Pictures, TSG Entertainment, Pacific Standard, 26 Keys |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | 35 | $54,058 | 37 | $1,461 | $54,058 | 1 | |
| Oct 11, 2019 | 31 | $78,451 | +45% | 198 | $396 | $160,063 | 2 |
| Oct 18, 2019 | 34 | $55,396 | -29% | 231 | $240 | $269,491 | 3 |
| Oct 25, 2019 | 55 | $7,000 | -87% | 35 | $200 | $314,999 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | - | $19,405 | 37 | $524 | $19,405 | 1 | ||
| Oct 5, 2019 | - | $20,394 | +5% | 37 | $551 | $39,799 | 2 | |
| Oct 6, 2019 | - | $14,259 | -30% | 37 | $385 | $54,058 | 3 | |
| Oct 7, 2019 | - | $6,238 | -56% | 37 | $169 | $60,296 | 4 | |
| Oct 8, 2019 | - | $7,406 | +19% | 37 | $200 | $67,702 | 5 | |
| Oct 9, 2019 | - | $7,583 | +2% | 37 | $205 | $75,285 | 6 | |
| Oct 10, 2019 | - | $6,327 | -17% | 37 | $171 | $81,612 | 7 | |
| Oct 11, 2019 | - | $22,122 | +250% | +14% | 198 | $112 | $103,734 | 8 |
| Oct 12, 2019 | - | $32,300 | +46% | +58% | 198 | $163 | $136,034 | 9 |
| Oct 13, 2019 | - | $24,029 | -26% | +69% | 198 | $121 | $160,063 | 10 |
| Oct 14, 2019 | - | $13,631 | -43% | +119% | 198 | $69 | $173,694 | 11 |
| Oct 15, 2019 | - | $16,697 | +22% | +125% | 198 | $84 | $190,391 | 12 |
| Oct 16, 2019 | - | $12,788 | -23% | +69% | 198 | $65 | $203,179 | 13 |
| Oct 17, 2019 | - | $10,916 | -15% | +73% | 198 | $55 | $214,095 | 14 |
| Oct 18, 2019 | - | $16,119 | +48% | -27% | 231 | $70 | $230,214 | 15 |
| Oct 19, 2019 | - | $22,246 | +38% | -31% | 231 | $96 | $252,460 | 16 |
| Oct 20, 2019 | - | $17,031 | -23% | -29% | 231 | $74 | $269,491 | 17 |
| Oct 21, 2019 | - | $8,420 | -51% | -38% | 231 | $36 | $277,911 | 18 |
| Oct 22, 2019 | - | $13,608 | +62% | -19% | 231 | $59 | $291,519 | 19 |
| Oct 23, 2019 | - | $9,148 | -33% | -28% | 231 | $40 | $300,667 | 20 |
| Oct 24, 2019 | - | $7,332 | -20% | -33% | 231 | $32 | $307,999 | 21 |
| Oct 25, 2019 | - | $2,186 | -70% | -86% | 35 | $62 | $310,185 | 22 |
| Oct 26, 2019 | - | $2,868 | +31% | -87% | 35 | $82 | $313,053 | 23 |
| Oct 27, 2019 | - | $1,946 | -32% | -89% | 35 | $56 | $314,999 | 24 |
| Oct 28, 2019 | - | $1,235 | -37% | -85% | 35 | $35 | $316,234 | 25 |
| Oct 29, 2019 | - | $1,387 | +12% | -90% | 35 | $40 | $317,621 | 26 |
| Oct 30, 2019 | - | $1,081 | -22% | -88% | 35 | $31 | $318,702 | 27 |
| Oct 31, 2019 | - | $1,274 | +18% | -83% | 35 | $36 | $319,976 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | 35 | $81,612 | 37 | $2,206 | $81,612 | 1 | |
| Oct 11, 2019 | 28 | $132,483 | +62% | 198 | $669 | $214,095 | 2 |
| Oct 18, 2019 | 33 | $93,904 | -29% | 231 | $407 | $307,999 | 3 |
| Oct 25, 2019 | 55 | $11,977 | -87% | 35 | $342 | $319,976 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 12/6/2019 | $5,967 | 21 | 21 | 21 | $5,967 | 12/12/2019 | |||
| International Total | $5,967 | 12/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Natalie Portman | Lucy Cola |
Supporting
| Jon Hamm | Mark Goodwin | |
| Zazie Beetz | Erin Eccles | |
| Dan Stevens | Drew Cola | |
| Colman Domingo | Frank Paxton | |
| Ellen Burstyn | Nana Holbrook | |
| Pearl Amanda Dickson | Blue Iris | |
| Jeremiah Birkett | Hank Underwood | |
| Jeffrey Donovan | Jim Hunt | |
| Tig Notaro | Kate Mournier |
Production and Technical Credits
| Noah Hawley | Director | |
| Brian C. Brown | Screenwriter | |
| Elliott DiGuiseppi | Screenwriter | |
| Brian C. Brown | Story by | |
| Elliott DiGuiseppi | Story by | |
| Noah Hawley | Screenwriter | |
| Reese Witherspoon | Producer | |
| Bruna Papandrea | Producer | |
| Noah Hawley | Producer | |
| John Cameron | Producer | |
| Molly Allen | Executive Producer | |
| Leigh Kittay | Executive Producer | |
| Brian C. Brown | Executive Producer | |
| Elliott DiGuiseppi | Executive Producer | |
| Polly Morgan | Director of Photography | |
| Stefania Cella | Production Designer | |
| Regis B. Kimble | Editor | |
| Louise Frogley | Costume Designer | |
| Jeff Russo | Composer | |
| Ronna Kress | Casting Director | |
| Maggie Phillips | Music Supervisor | |
| Lee Gilmore | Sound Effects Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A married astronaut returns to Earth after a mission and begins an affair with a fellow astronaut. She heads into a downward spiral as she loses her connection to her family—a condition that can afflict those who spend a long time in space. When her lover begins another affair with an astronaut trainee, the bottom drops out of her life.
Metrics
| Opening Weekend: | $54,058 (16.9% of total gross) |
| Legs: | 4.08 (domestic box office/biggest weekend) |
| Domestic Share: | 98.2% (domestic box office/worldwide) |
| Production Budget: | $27,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 37 opening theaters/231 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $417,787 |
Movie Details
| Domestic Releases: | October 4th, 2019 (Limited) by Fox Searchlight |
| International Releases: | December 6th, 2019 (Wide), released as Lucy In The Sky (United Kingdom) |
| Video Release: | December 17th, 2019 by Fox Home Entertainment |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2587 (Cert #52261), 7/17/2019) |
| Running Time: | 124 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fox Searchlight Pictures, TSG Entertainment, Pacific Standard, 26 Keys |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | 35 | $54,058 | 37 | $1,461 | $54,058 | 1 | |
| Oct 11, 2019 | 31 | $78,451 | +45% | 198 | $396 | $160,063 | 2 |
| Oct 18, 2019 | 34 | $55,396 | -29% | 231 | $240 | $269,491 | 3 |
| Oct 25, 2019 | 55 | $7,000 | -87% | 35 | $200 | $314,999 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | - | $19,405 | 37 | $524 | $19,405 | 1 | ||
| Oct 5, 2019 | - | $20,394 | +5% | 37 | $551 | $39,799 | 2 | |
| Oct 6, 2019 | - | $14,259 | -30% | 37 | $385 | $54,058 | 3 | |
| Oct 7, 2019 | - | $6,238 | -56% | 37 | $169 | $60,296 | 4 | |
| Oct 8, 2019 | - | $7,406 | +19% | 37 | $200 | $67,702 | 5 | |
| Oct 9, 2019 | - | $7,583 | +2% | 37 | $205 | $75,285 | 6 | |
| Oct 10, 2019 | - | $6,327 | -17% | 37 | $171 | $81,612 | 7 | |
| Oct 11, 2019 | - | $22,122 | +250% | +14% | 198 | $112 | $103,734 | 8 |
| Oct 12, 2019 | - | $32,300 | +46% | +58% | 198 | $163 | $136,034 | 9 |
| Oct 13, 2019 | - | $24,029 | -26% | +69% | 198 | $121 | $160,063 | 10 |
| Oct 14, 2019 | - | $13,631 | -43% | +119% | 198 | $69 | $173,694 | 11 |
| Oct 15, 2019 | - | $16,697 | +22% | +125% | 198 | $84 | $190,391 | 12 |
| Oct 16, 2019 | - | $12,788 | -23% | +69% | 198 | $65 | $203,179 | 13 |
| Oct 17, 2019 | - | $10,916 | -15% | +73% | 198 | $55 | $214,095 | 14 |
| Oct 18, 2019 | - | $16,119 | +48% | -27% | 231 | $70 | $230,214 | 15 |
| Oct 19, 2019 | - | $22,246 | +38% | -31% | 231 | $96 | $252,460 | 16 |
| Oct 20, 2019 | - | $17,031 | -23% | -29% | 231 | $74 | $269,491 | 17 |
| Oct 21, 2019 | - | $8,420 | -51% | -38% | 231 | $36 | $277,911 | 18 |
| Oct 22, 2019 | - | $13,608 | +62% | -19% | 231 | $59 | $291,519 | 19 |
| Oct 23, 2019 | - | $9,148 | -33% | -28% | 231 | $40 | $300,667 | 20 |
| Oct 24, 2019 | - | $7,332 | -20% | -33% | 231 | $32 | $307,999 | 21 |
| Oct 25, 2019 | - | $2,186 | -70% | -86% | 35 | $62 | $310,185 | 22 |
| Oct 26, 2019 | - | $2,868 | +31% | -87% | 35 | $82 | $313,053 | 23 |
| Oct 27, 2019 | - | $1,946 | -32% | -89% | 35 | $56 | $314,999 | 24 |
| Oct 28, 2019 | - | $1,235 | -37% | -85% | 35 | $35 | $316,234 | 25 |
| Oct 29, 2019 | - | $1,387 | +12% | -90% | 35 | $40 | $317,621 | 26 |
| Oct 30, 2019 | - | $1,081 | -22% | -88% | 35 | $31 | $318,702 | 27 |
| Oct 31, 2019 | - | $1,274 | +18% | -83% | 35 | $36 | $319,976 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 4, 2019 | 35 | $81,612 | 37 | $2,206 | $81,612 | 1 | |
| Oct 11, 2019 | 28 | $132,483 | +62% | 198 | $669 | $214,095 | 2 |
| Oct 18, 2019 | 33 | $93,904 | -29% | 231 | $407 | $307,999 | 3 |
| Oct 25, 2019 | 55 | $11,977 | -87% | 35 | $342 | $319,976 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 12/6/2019 | $5,967 | 21 | 21 | 21 | $5,967 | 12/12/2019 | |||
| International Total | $5,967 | 12/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Natalie Portman | Lucy Cola |
Supporting
| Jon Hamm | Mark Goodwin | |
| Zazie Beetz | Erin Eccles | |
| Dan Stevens | Drew Cola | |
| Colman Domingo | Frank Paxton | |
| Ellen Burstyn | Nana Holbrook | |
| Pearl Amanda Dickson | Blue Iris | |
| Jeremiah Birkett | Hank Underwood | |
| Jeffrey Donovan | Jim Hunt | |
| Tig Notaro | Kate Mournier |
Production and Technical Credits
| Noah Hawley | Director | |
| Brian C. Brown | Screenwriter | |
| Elliott DiGuiseppi | Screenwriter | |
| Brian C. Brown | Story by | |
| Elliott DiGuiseppi | Story by | |
| Noah Hawley | Screenwriter | |
| Reese Witherspoon | Producer | |
| Bruna Papandrea | Producer | |
| Noah Hawley | Producer | |
| John Cameron | Producer | |
| Molly Allen | Executive Producer | |
| Leigh Kittay | Executive Producer | |
| Brian C. Brown | Executive Producer | |
| Elliott DiGuiseppi | Executive Producer | |
| Polly Morgan | Director of Photography | |
| Stefania Cella | Production Designer | |
| Regis B. Kimble | Editor | |
| Louise Frogley | Costume Designer | |
| Jeff Russo | Composer | |
| Ronna Kress | Casting Director | |
| Maggie Phillips | Music Supervisor | |
| Lee Gilmore | Sound Effects Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.