Luomandike xiaowang shi (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $367,278 | Details |
| International Box Office | $17,973,326 | Details |
| Worldwide Box Office | $18,340,604 | |
| OpusData ID: 235530100 More info... | ||
| Further financial details... | ||
Synopsis
A local crime boss is at the receiving end of the Japanese army’s attempt to forge a dubious alliance.
Metrics
| Opening Weekend: | $95,514 (26.0% of total gross) |
| Legs: | 3.85 (domestic box office/biggest weekend) |
| Domestic Share: | 2.0% (domestic box office/worldwide) |
| Theater counts: | 20 opening theaters/20 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $507,822 |
Movie Details
| Domestic Releases: | December 16th, 2016 (Limited) by China Lion Film Distribution, released as The Wasted Times |
| International Releases: | December 16th, 2016 (Wide), released as The Wasted Times (China)
December 16th, 2016 (Wide), released as The Wasted Times (Australia) December 16th, 2016 (Wide), released as Wasted Times, The (New Zealand) |
| Video Release: | August 24th, 2021 by Bayview Entertainment, released as The Wasted Times |
| MPA Rating: | Not Rated |
| Running Time: | 123 minutes |
| Geographical setting: | China, Shanghai |
| Plot point: | Infidelity, Kidnap, Non-Chronological, Occupying Army, Relationships Gone Wrong, Sex Crimes |
| Social setting: | Organized Crime, World War II |
| Time period setting: | 1930s, 1940s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | China Film Company, Cutting Edge, Huayi Brothers Pictures Ltd, Emperor Film Production, Huayi Brothers International |
| Production Countries: | China, Hong Kong |
| Languages: | Mandarin, Shanghainese, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 2016 | 28 | $95,514 | 20 | $4,776 | $95,514 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 2016 | 32 | $175,346 | 20 | $8,767 | $175,346 | 1 | |
| Dec 23, 2016 | 35 | $116,034 | -34% | 15 | $7,736 | $291,380 | 2 |
| Dec 30, 2016 | 38 | $75,898 | -35% | 12 | $6,325 | $367,278 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/16/2016 | $29,664 | 14 | 14 | 41 | $86,232 | 1/3/2017 | |||
| China | 12/16/2016 | $9,400,000 | 56,253 | 56,253 | 60,728 | $17,875,408 | 8/13/2018 | |||
| New Zealand | 12/16/2016 | $4,729 | 3 | 3 | 9 | $11,686 | 1/4/2017 | |||
| International Total | $17,973,326 | 8/13/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| You Ge | Lu | |
| Zhang Ziyi | Xiaoliu | |
| Tadanobu Asano | Watabe |
Supporting
| Chun Do | Lu’s Driver | |
| Gillian Chung | Zhong Xintong | |
| Ni Dahong | Wang | |
| Yuan Quan | Wu | |
| Han Geng | Zhao | |
| Huo Siyan | Prostitute | |
| Wallace Chung | Dance Teacher |
Production and Technical Credits
| Er Cheng | Director | |
| Er Cheng | Screenwriter | |
| Hu Xiaofeng | Producer | |
| Zhang Dajun | Producer | |
| T.K. Yang | Producer | |
| Kim Chau Shiu | Producer | |
| Jerry Ye | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Albert Lee | Executive Producer | |
| Han Zhong | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A local crime boss is at the receiving end of the Japanese army’s attempt to forge a dubious alliance.
Metrics
| Opening Weekend: | $95,514 (26.0% of total gross) |
| Legs: | 3.85 (domestic box office/biggest weekend) |
| Domestic Share: | 2.0% (domestic box office/worldwide) |
| Theater counts: | 20 opening theaters/20 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $507,822 |
Movie Details
| Domestic Releases: | December 16th, 2016 (Limited) by China Lion Film Distribution, released as The Wasted Times |
| International Releases: | December 16th, 2016 (Wide), released as The Wasted Times (China)
December 16th, 2016 (Wide), released as The Wasted Times (Australia) December 16th, 2016 (Wide), released as Wasted Times, The (New Zealand) |
| Video Release: | August 24th, 2021 by Bayview Entertainment, released as The Wasted Times |
| MPA Rating: | Not Rated |
| Running Time: | 123 minutes |
| Geographical setting: | China, Shanghai |
| Plot point: | Infidelity, Kidnap, Non-Chronological, Occupying Army, Relationships Gone Wrong, Sex Crimes |
| Social setting: | Organized Crime, World War II |
| Time period setting: | 1930s, 1940s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | China Film Company, Cutting Edge, Huayi Brothers Pictures Ltd, Emperor Film Production, Huayi Brothers International |
| Production Countries: | China, Hong Kong |
| Languages: | Mandarin, Shanghainese, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 2016 | 28 | $95,514 | 20 | $4,776 | $95,514 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 2016 | 32 | $175,346 | 20 | $8,767 | $175,346 | 1 | |
| Dec 23, 2016 | 35 | $116,034 | -34% | 15 | $7,736 | $291,380 | 2 |
| Dec 30, 2016 | 38 | $75,898 | -35% | 12 | $6,325 | $367,278 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/16/2016 | $29,664 | 14 | 14 | 41 | $86,232 | 1/3/2017 | |||
| China | 12/16/2016 | $9,400,000 | 56,253 | 56,253 | 60,728 | $17,875,408 | 8/13/2018 | |||
| New Zealand | 12/16/2016 | $4,729 | 3 | 3 | 9 | $11,686 | 1/4/2017 | |||
| International Total | $17,973,326 | 8/13/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| You Ge | Lu | |
| Zhang Ziyi | Xiaoliu | |
| Tadanobu Asano | Watabe |
Supporting
| Chun Do | Lu’s Driver | |
| Gillian Chung | Zhong Xintong | |
| Ni Dahong | Wang | |
| Yuan Quan | Wu | |
| Han Geng | Zhao | |
| Huo Siyan | Prostitute | |
| Wallace Chung | Dance Teacher |
Production and Technical Credits
| Er Cheng | Director | |
| Er Cheng | Screenwriter | |
| Hu Xiaofeng | Producer | |
| Zhang Dajun | Producer | |
| T.K. Yang | Producer | |
| Kim Chau Shiu | Producer | |
| Jerry Ye | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Albert Lee | Executive Producer | |
| Han Zhong | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.