Ma Loute (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $112,481 | Details |
| International Box Office | $4,727,894 | Details |
| Worldwide Box Office | $4,840,375 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $47,599 | |
| Blu-ray Sales (estimated) | $23,251 | |
| Total | $70,850 | |
| OpusData ID: 263310100 More info... | ||
| Further financial details... | ||
Synopsis
The bourgeois and extremely eccentric Van Peteghem family—among them Juliette Binoche, Fabrice Luchini, and Valeria Bruni Tedeschi—have settled in for another summer at their cliff-top villa overlooking the picturesque Slack Bay. Their leisurely rhythm of sunbathing and seaside constitutionals is soon interrupted by the arrival of two bumbling inspectors investigating a string of tourists gone missing (and serving full-on Keystone Kops). As the macabre mysteries mount and love blossoms between the family’s genderqueer teen and the son of a local fisherman, Binoche and company ratchet the slapstick up to eleven. It’s no wonder director Bruno Dumont (Li’l Quinquin, Camille Claudel 1915) cites Peter Sellers, Monty Python, and Laurel and Hardy as cinematic influences for his delightful foray into winking, absurdist farce.
Metrics
| Opening Weekend: | $6,696 (6.0% of total gross) |
| Legs: | 16.80 (domestic box office/biggest weekend) |
| Domestic Share: | 2.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/6 max. theaters, 10.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $149,978 |
Movie Details
| Domestic Releases: | April 21st, 2017 (Limited) by Kino Lorber, released as Slack Bay |
| International Releases: | May 20th, 2016 (Wide) (France)
June 23rd, 2016 (Wide) (Netherlands) July 8th, 2016 (Limited) (Russia (CIS)) July 15th, 2016 (Limited), released as Líná zátoka (Czech Republic) August 26th, 2016 (Wide) (Italy) ... Show all releases |
| Video Release: | September 12th, 2017 by Kino Lorber, released as Slack Bay |
| MPA Rating: | Not Rated |
| Running Time: | 122 minutes |
| Geographical setting: | France |
| Plot point: | Born from Incest, Cannibalism, Cross-Dressing, Dysfunctional Family, Incest, LGBTQ+, Missing Person, Romance, Tourists In Trouble |
| Time period setting: | 1910s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3B Productions, Twenty Twenty Vision, Pallas Film, Arte France Cinema, WDR/Arte, Memento Films Distribution, Memento Films International, Pictanovo, Le Fresnoy, Cofinova 12, Cineimage 10, Soficinema 12, Scope Pictures, Canal Plus, Cine Plus, CNC, La Region des Hauts de France, Mitteldeutsche Medienfoerderung, Medienboard Berlin-Brandenburg, Rachid Bouchareb, The German Federal Film Board, Tax Shelter du Gouvernemant Federal |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 67 | $6,696 | 2 | $3,348 | $6,696 | 1 | |
| Apr 28, 2017 | 67 | $5,629 | -16% | 4 | $1,407 | $20,720 | 2 |
| May 5, 2017 | 79 | $1,791 | -68% | 2 | $896 | $37,602 | 3 |
| May 12, 2017 | 87 | $1,547 | -14% | 2 | $774 | $39,983 | 4 |
| May 19, 2017 | - | $648 | -58% | 1 | $648 | $41,344 | 5 |
| May 26, 2017 | 69 | $3,860 | +496% | 6 | $643 | $45,204 | 6 |
| Jun 2, 2017 | 92 | $210 | -95% | 2 | $105 | $47,233 | 7 |
| Jun 9, 2017 | 81 | $961 | +358% | 2 | $481 | $48,538 | 8 |
| Jun 16, 2017 | 70 | $2,731 | +184% | 5 | $546 | $52,077 | 9 |
| Jun 23, 2017 | 79 | $997 | -63% | 6 | $166 | $55,951 | 10 |
| Jun 30, 2017 | 83 | $1,282 | +29% | 3 | $427 | $57,773 | 11 |
| Jul 7, 2017 | 74 | $2,215 | +73% | 2 | $1,108 | $60,316 | 12 |
| Jul 14, 2017 | 78 | $1,563 | -29% | 2 | $782 | $62,159 | 13 |
| Jul 21, 2017 | 55 | $6,164 | +294% | 4 | $1,541 | $68,323 | 14 |
| Jul 28, 2017 | 66 | $3,998 | -35% | 6 | $666 | $85,341 | 15 |
| Aug 4, 2017 | 62 | $4,821 | +21% | 4 | $1,205 | $95,375 | 16 |
| Aug 11, 2017 | 75 | $2,853 | -41% | 3 | $951 | $99,920 | 17 |
| Aug 18, 2017 | 79 | $2,364 | -17% | 2 | $1,182 | $104,349 | 18 |
| Aug 25, 2017 | 94 | $1,209 | -49% | 2 | $605 | $106,920 | 19 |
| Sep 1, 2017 | 106 | $1,101 | -9% | 2 | $551 | $109,138 | 20 |
| Sep 8, 2017 | 109 | $602 | -45% | 2 | $301 | $111,062 | 21 |
| Sep 15, 2017 | 116 | $26 | -96% | 1 | $26 | $112,375 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 65 | $10,377 | 2 | $5,189 | $15,091 | 1 | |
| Apr 28, 2017 | 58 | $20,720 | +100% | 4 | $5,180 | $35,811 | 2 |
| May 5, 2017 | 78 | $2,625 | -87% | 2 | $1,313 | $38,436 | 3 |
| May 12, 2017 | 85 | $2,260 | -14% | 2 | $1,130 | $40,696 | 4 |
| May 19, 2017 | 87 | $648 | -71% | 1 | $648 | $41,344 | 5 |
| May 26, 2017 | 66 | $5,679 | +776% | 6 | $947 | $47,023 | 6 |
| Jun 2, 2017 | 92 | $554 | -90% | 2 | $277 | $47,577 | 7 |
| Jun 9, 2017 | 79 | $1,769 | +219% | 2 | $885 | $49,346 | 8 |
| Jun 16, 2017 | 68 | $5,608 | +217% | 5 | $1,122 | $54,954 | 9 |
| Jun 23, 2017 | 82 | $1,537 | -73% | 6 | $256 | $56,491 | 10 |
| Jun 30, 2017 | 86 | $1,610 | +5% | 3 | $537 | $58,101 | 11 |
| Jul 7, 2017 | 79 | $2,495 | +55% | 2 | $1,248 | $60,596 | 12 |
| Jul 14, 2017 | 83 | $1,563 | -37% | 2 | $782 | $62,159 | 13 |
| Jul 21, 2017 | 52 | $19,184 | +1,127% | 2 | $9,592 | $81,343 | 14 |
| Jul 28, 2017 | 61 | $9,211 | -52% | 6 | $1,535 | $90,554 | 15 |
| Aug 4, 2017 | 63 | $6,513 | -29% | 4 | $1,628 | $97,067 | 16 |
| Aug 11, 2017 | 75 | $4,918 | -24% | 3 | $1,639 | $101,985 | 17 |
| Aug 18, 2017 | 82 | $3,726 | -24% | 2 | $1,863 | $105,711 | 18 |
| Aug 25, 2017 | 93 | $2,326 | -38% | 2 | $1,163 | $108,037 | 19 |
| Sep 1, 2017 | 99 | $2,423 | +4% | 2 | $1,212 | $110,460 | 20 |
| Sep 8, 2017 | 96 | $1,889 | -22% | 3 | $630 | $112,349 | 21 |
| Sep 15, 2017 | 119 | $132 | -93% | 1 | $132 | $112,481 | 22 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/21/2016 | $36,239 | 31 | 31 | 31 | $56,523 | 1/1/2019 | |||
| Australia | 12/15/2017 | $2,385 | 2 | 3 | 8 | $11,840 | 1/22/2018 | |||
| Czech Republic | 7/15/2016 | $3,107 | 14 | 14 | 14 | $5,726 | 1/1/2019 | |||
| France | 5/20/2016 | $823,378 | 0 | 0 | 0 | $4,281,509 | 4/4/2026 | |||
| Italy | 8/26/2016 | $37,447 | 0 | 0 | 0 | $99,778 | 9/14/2016 | |||
| Lithuania | 12/16/2016 | $703 | 10 | 10 | 22 | $2,351 | 1/13/2017 | |||
| Netherlands | 6/23/2016 | $13,390 | 19 | 19 | 64 | $54,381 | 7/22/2016 | |||
| Portugal | 4/21/2017 | $3,000 | 3 | 3 | 8 | $15,762 | 5/18/2017 | |||
| Russia (CIS) | 7/8/2016 | $19,385 | 28 | 57 | 103 | $49,008 | 11/14/2018 | |||
| South Korea | 4/6/2018 | $2,547 | 0 | 0 | 0 | $6,975 | 9/10/2018 | |||
| Spain | 4/21/2017 | $46,922 | 39 | 39 | 98 | $134,225 | 5/19/2017 | |||
| United Kingdom | 6/16/2017 | $9,816 | 15 | 15 | 15 | $9,816 | 7/4/2017 | |||
| International Total | $4,727,894 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fabrice Luchini | André Van Peteghem |
Supporting
| Juliette Binoche | Aude Van Peteghem | |
| Valeria Bruni Tedeschi | Isabelle Van Peteghem | |
| Jean-Luc Vincent | Christian Van Peteghem | |
| Brandon Lavieville | Ma Loute Brufort | |
| Raph | Billie Van Peteghem | |
| Didier Despres | Alfred Machin | |
| Cyril Riguax | Malfoy | |
| Laura Dupre | Nadège | |
| Thierry Lavieville | The Eternal (Brufort Father) |
Production and Technical Credits
| Bruno Dumont | Director | |
| Jean Brehat | Producer | |
| Rachid Bouchareb | Producer | |
| Muriel Merlin | Producer | |
| Thanassis Karathanos | Co-Producer | |
| Genevieve Lemal | Co-Producer | |
| Muriel Merlin | Line Producer | |
| Cedric Ettouati | Line Producer | |
| Cedric Ettouati | Post-Production Supervisor | |
| Guillaume Deffontaines | Director of Photography | |
| Virginie Barbay | Script Supervisor | |
| Bruno Dumont | Editor | |
| Basile Belkhiri | Editor | |
| Philippe Lecoeur | Sound Designer | |
| Emmanuel Croset | Sound Mixer | |
| Romain Ozanne | Sound Editor | |
| Alexandre Charles | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The bourgeois and extremely eccentric Van Peteghem family—among them Juliette Binoche, Fabrice Luchini, and Valeria Bruni Tedeschi—have settled in for another summer at their cliff-top villa overlooking the picturesque Slack Bay. Their leisurely rhythm of sunbathing and seaside constitutionals is soon interrupted by the arrival of two bumbling inspectors investigating a string of tourists gone missing (and serving full-on Keystone Kops). As the macabre mysteries mount and love blossoms between the family’s genderqueer teen and the son of a local fisherman, Binoche and company ratchet the slapstick up to eleven. It’s no wonder director Bruno Dumont (Li’l Quinquin, Camille Claudel 1915) cites Peter Sellers, Monty Python, and Laurel and Hardy as cinematic influences for his delightful foray into winking, absurdist farce.
Metrics
| Opening Weekend: | $6,696 (6.0% of total gross) |
| Legs: | 16.80 (domestic box office/biggest weekend) |
| Domestic Share: | 2.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/6 max. theaters, 10.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $149,978 |
Movie Details
| Domestic Releases: | April 21st, 2017 (Limited) by Kino Lorber, released as Slack Bay |
| International Releases: | May 20th, 2016 (Wide) (France)
June 23rd, 2016 (Wide) (Netherlands) July 8th, 2016 (Limited) (Russia (CIS)) July 15th, 2016 (Limited), released as Líná zátoka (Czech Republic) August 26th, 2016 (Wide) (Italy) ... Show all releases |
| Video Release: | September 12th, 2017 by Kino Lorber, released as Slack Bay |
| MPA Rating: | Not Rated |
| Running Time: | 122 minutes |
| Geographical setting: | France |
| Plot point: | Born from Incest, Cannibalism, Cross-Dressing, Dysfunctional Family, Incest, LGBTQ+, Missing Person, Romance, Tourists In Trouble |
| Time period setting: | 1910s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3B Productions, Twenty Twenty Vision, Pallas Film, Arte France Cinema, WDR/Arte, Memento Films Distribution, Memento Films International, Pictanovo, Le Fresnoy, Cofinova 12, Cineimage 10, Soficinema 12, Scope Pictures, Canal Plus, Cine Plus, CNC, La Region des Hauts de France, Mitteldeutsche Medienfoerderung, Medienboard Berlin-Brandenburg, Rachid Bouchareb, The German Federal Film Board, Tax Shelter du Gouvernemant Federal |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 67 | $6,696 | 2 | $3,348 | $6,696 | 1 | |
| Apr 28, 2017 | 67 | $5,629 | -16% | 4 | $1,407 | $20,720 | 2 |
| May 5, 2017 | 79 | $1,791 | -68% | 2 | $896 | $37,602 | 3 |
| May 12, 2017 | 87 | $1,547 | -14% | 2 | $774 | $39,983 | 4 |
| May 19, 2017 | - | $648 | -58% | 1 | $648 | $41,344 | 5 |
| May 26, 2017 | 69 | $3,860 | +496% | 6 | $643 | $45,204 | 6 |
| Jun 2, 2017 | 92 | $210 | -95% | 2 | $105 | $47,233 | 7 |
| Jun 9, 2017 | 81 | $961 | +358% | 2 | $481 | $48,538 | 8 |
| Jun 16, 2017 | 70 | $2,731 | +184% | 5 | $546 | $52,077 | 9 |
| Jun 23, 2017 | 79 | $997 | -63% | 6 | $166 | $55,951 | 10 |
| Jun 30, 2017 | 83 | $1,282 | +29% | 3 | $427 | $57,773 | 11 |
| Jul 7, 2017 | 74 | $2,215 | +73% | 2 | $1,108 | $60,316 | 12 |
| Jul 14, 2017 | 78 | $1,563 | -29% | 2 | $782 | $62,159 | 13 |
| Jul 21, 2017 | 55 | $6,164 | +294% | 4 | $1,541 | $68,323 | 14 |
| Jul 28, 2017 | 66 | $3,998 | -35% | 6 | $666 | $85,341 | 15 |
| Aug 4, 2017 | 62 | $4,821 | +21% | 4 | $1,205 | $95,375 | 16 |
| Aug 11, 2017 | 75 | $2,853 | -41% | 3 | $951 | $99,920 | 17 |
| Aug 18, 2017 | 79 | $2,364 | -17% | 2 | $1,182 | $104,349 | 18 |
| Aug 25, 2017 | 94 | $1,209 | -49% | 2 | $605 | $106,920 | 19 |
| Sep 1, 2017 | 106 | $1,101 | -9% | 2 | $551 | $109,138 | 20 |
| Sep 8, 2017 | 109 | $602 | -45% | 2 | $301 | $111,062 | 21 |
| Sep 15, 2017 | 116 | $26 | -96% | 1 | $26 | $112,375 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 65 | $10,377 | 2 | $5,189 | $15,091 | 1 | |
| Apr 28, 2017 | 58 | $20,720 | +100% | 4 | $5,180 | $35,811 | 2 |
| May 5, 2017 | 78 | $2,625 | -87% | 2 | $1,313 | $38,436 | 3 |
| May 12, 2017 | 85 | $2,260 | -14% | 2 | $1,130 | $40,696 | 4 |
| May 19, 2017 | 87 | $648 | -71% | 1 | $648 | $41,344 | 5 |
| May 26, 2017 | 66 | $5,679 | +776% | 6 | $947 | $47,023 | 6 |
| Jun 2, 2017 | 92 | $554 | -90% | 2 | $277 | $47,577 | 7 |
| Jun 9, 2017 | 79 | $1,769 | +219% | 2 | $885 | $49,346 | 8 |
| Jun 16, 2017 | 68 | $5,608 | +217% | 5 | $1,122 | $54,954 | 9 |
| Jun 23, 2017 | 82 | $1,537 | -73% | 6 | $256 | $56,491 | 10 |
| Jun 30, 2017 | 86 | $1,610 | +5% | 3 | $537 | $58,101 | 11 |
| Jul 7, 2017 | 79 | $2,495 | +55% | 2 | $1,248 | $60,596 | 12 |
| Jul 14, 2017 | 83 | $1,563 | -37% | 2 | $782 | $62,159 | 13 |
| Jul 21, 2017 | 52 | $19,184 | +1,127% | 2 | $9,592 | $81,343 | 14 |
| Jul 28, 2017 | 61 | $9,211 | -52% | 6 | $1,535 | $90,554 | 15 |
| Aug 4, 2017 | 63 | $6,513 | -29% | 4 | $1,628 | $97,067 | 16 |
| Aug 11, 2017 | 75 | $4,918 | -24% | 3 | $1,639 | $101,985 | 17 |
| Aug 18, 2017 | 82 | $3,726 | -24% | 2 | $1,863 | $105,711 | 18 |
| Aug 25, 2017 | 93 | $2,326 | -38% | 2 | $1,163 | $108,037 | 19 |
| Sep 1, 2017 | 99 | $2,423 | +4% | 2 | $1,212 | $110,460 | 20 |
| Sep 8, 2017 | 96 | $1,889 | -22% | 3 | $630 | $112,349 | 21 |
| Sep 15, 2017 | 119 | $132 | -93% | 1 | $132 | $112,481 | 22 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/21/2016 | $36,239 | 31 | 31 | 31 | $56,523 | 1/1/2019 | |||
| Australia | 12/15/2017 | $2,385 | 2 | 3 | 8 | $11,840 | 1/22/2018 | |||
| Czech Republic | 7/15/2016 | $3,107 | 14 | 14 | 14 | $5,726 | 1/1/2019 | |||
| France | 5/20/2016 | $823,378 | 0 | 0 | 0 | $4,281,509 | 4/4/2026 | |||
| Italy | 8/26/2016 | $37,447 | 0 | 0 | 0 | $99,778 | 9/14/2016 | |||
| Lithuania | 12/16/2016 | $703 | 10 | 10 | 22 | $2,351 | 1/13/2017 | |||
| Netherlands | 6/23/2016 | $13,390 | 19 | 19 | 64 | $54,381 | 7/22/2016 | |||
| Portugal | 4/21/2017 | $3,000 | 3 | 3 | 8 | $15,762 | 5/18/2017 | |||
| Russia (CIS) | 7/8/2016 | $19,385 | 28 | 57 | 103 | $49,008 | 11/14/2018 | |||
| South Korea | 4/6/2018 | $2,547 | 0 | 0 | 0 | $6,975 | 9/10/2018 | |||
| Spain | 4/21/2017 | $46,922 | 39 | 39 | 98 | $134,225 | 5/19/2017 | |||
| United Kingdom | 6/16/2017 | $9,816 | 15 | 15 | 15 | $9,816 | 7/4/2017 | |||
| International Total | $4,727,894 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fabrice Luchini | André Van Peteghem |
Supporting
| Juliette Binoche | Aude Van Peteghem | |
| Valeria Bruni Tedeschi | Isabelle Van Peteghem | |
| Jean-Luc Vincent | Christian Van Peteghem | |
| Brandon Lavieville | Ma Loute Brufort | |
| Raph | Billie Van Peteghem | |
| Didier Despres | Alfred Machin | |
| Cyril Riguax | Malfoy | |
| Laura Dupre | Nadège | |
| Thierry Lavieville | The Eternal (Brufort Father) |
Production and Technical Credits
| Bruno Dumont | Director | |
| Jean Brehat | Producer | |
| Rachid Bouchareb | Producer | |
| Muriel Merlin | Producer | |
| Thanassis Karathanos | Co-Producer | |
| Genevieve Lemal | Co-Producer | |
| Muriel Merlin | Line Producer | |
| Cedric Ettouati | Line Producer | |
| Cedric Ettouati | Post-Production Supervisor | |
| Guillaume Deffontaines | Director of Photography | |
| Virginie Barbay | Script Supervisor | |
| Bruno Dumont | Editor | |
| Basile Belkhiri | Editor | |
| Philippe Lecoeur | Sound Designer | |
| Emmanuel Croset | Sound Mixer | |
| Romain Ozanne | Sound Editor | |
| Alexandre Charles | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.