Mack & Rita (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $2,535,459 | Details |
| International Box Office | $11,103 | Details |
| Worldwide Box Office | $2,546,562 | |
| OpusData ID: 542190100 More info... | ||
| Further financial details... | ||
Synopsis
When 30-year-old self-proclaimed homebody Mack Martin reluctantly joins a Palm Springs bachelorette trip for her best friend Carla, her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita”. Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack’s adorable dog-sitter, Jack. A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age.
Metrics
| Opening Weekend: | $1,038,291 (41.0% of total gross) |
| Legs: | 2.44 (domestic box office/biggest weekend) |
| Domestic Share: | 99.6% (domestic box office/worldwide) |
| Theater counts: | 1,930 opening theaters/1,930 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,879,777 |
Movie Details
| Domestic Releases: | August 12th, 2022 (Wide) by Gravitas Ventures |
| International Releases: | August 12th, 2022 (Wide), released as Con canas y a lo loco (Spain) |
| Video Release: | September 1st, 2022 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some drug use, sexual references and language. (Rating bulletin 2738 (cert #53871), 6/29/2022) |
| Running Time: | 95 minutes |
| Plot point: | Autumn Years, Body Swap, Romance |
| Social setting: | Bachelor Party |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hercules Film Fund, Rhea Films, Page Fifty-Four Pictures, CaliWood Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2022 | 14 | $1,038,291 | 1,930 | $538 | $1,038,291 | 1 | |
| Aug 19, 2022 | - | $367,859 | -65% | 1,400 | $263 | $2,084,063 | 2 |
| Aug 26, 2022 | - | $94,893 | -74% | 350 | $271 | $2,444,891 | 3 |
| Sep 2, 2022 | - | $27,825 | -71% | 125 | $223 | $2,535,459 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 12, 2022 | 14 | $397,691 | 1,930 | $206 | $397,691 | 1 | ||
| Aug 13, 2022 | 14 | $364,759 | -8% | 1,930 | $189 | $762,450 | 2 | |
| Aug 14, 2022 | 14 | $275,841 | -24% | 1,930 | $143 | $1,038,291 | 3 | |
| Aug 15, 2022 | 14 | $128,063 | -54% | 1,605 | $80 | $1,166,354 | 4 | |
| Aug 16, 2022 | 12 | $277,037 | +116% | 1,740 | $159 | $1,443,391 | 5 | |
| Aug 17, 2022 | 12 | $147,781 | -47% | 1,614 | $92 | $1,591,172 | 6 | |
| Aug 18, 2022 | 12 | $125,032 | -15% | 1,614 | $77 | $1,716,204 | 7 | |
| Aug 19, 2022 | - | $109,146 | -13% | -73% | 1,400 | $78 | $1,825,350 | 8 |
| Aug 20, 2022 | - | $145,394 | +33% | -60% | 1,400 | $104 | $1,970,744 | 9 |
| Aug 21, 2022 | - | $113,319 | -22% | -59% | 1,400 | $81 | $2,084,063 | 10 |
| Aug 22, 2022 | - | $52,768 | -53% | -59% | 1,400 | $38 | $2,136,831 | 11 |
| Aug 23, 2022 | 15 | $109,231 | +107% | -61% | 1,400 | $78 | $2,246,062 | 12 |
| Aug 24, 2022 | - | $55,710 | -49% | -62% | 1,400 | $40 | $2,301,772 | 13 |
| Aug 25, 2022 | - | $48,226 | -13% | -61% | 1,400 | $34 | $2,349,998 | 14 |
| Aug 26, 2022 | - | $25,918 | -46% | -76% | 350 | $74 | $2,375,916 | 15 |
| Aug 27, 2022 | - | $37,284 | +44% | -74% | 350 | $107 | $2,413,200 | 16 |
| Aug 28, 2022 | - | $31,691 | -15% | -72% | 350 | $91 | $2,444,891 | 17 |
| Aug 29, 2022 | - | $13,241 | -58% | -75% | 350 | $38 | $2,458,132 | 18 |
| Aug 30, 2022 | - | $24,693 | +86% | -77% | 350 | $71 | $2,482,825 | 19 |
| Aug 31, 2022 | - | $13,621 | -45% | -76% | 350 | $39 | $2,496,446 | 20 |
| Sep 1, 2022 | - | $11,188 | -18% | -77% | 350 | $32 | $2,507,634 | 21 |
| Sep 2, 2022 | - | $7,175 | -36% | -72% | 125 | $57 | $2,514,809 | 22 |
| Sep 3, 2022 | - | $11,475 | +60% | -69% | 125 | $92 | $2,526,284 | 23 |
| Sep 4, 2022 | - | $9,175 | -20% | -71% | 125 | $73 | $2,535,459 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2022 | 13 | $1,716,204 | 1,614 | $1,063 | $1,716,204 | 1 | |
| Aug 19, 2022 | - | $633,794 | -63% | 1,400 | $453 | $2,349,998 | 2 |
| Aug 26, 2022 | - | $157,636 | -75% | 350 | $450 | $2,507,634 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 8/12/2022 | $11,103 | 48 | 48 | 48 | $11,103 | 9/15/2022 | |||
| International Total | $11,103 | 9/15/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Diane Keaton | Rita | |
| Taylour Paige | Carla | |
| Elizabeth Lail | Mack |
Supporting
| Loretta Devine | Sharon | |
| Amy Hill | ||
| Lois Smith | ||
| Wendie Malick | ||
| Simon Rex | Luca | |
| Martin Short | ||
| Dustin Milligan | Jack | |
| Patti Harrison | ||
| Addie Weyrich | Ali | |
| Aimee Carrero | Sunita | |
| Nicole Byer |
Production and Technical Credits
| Katie Aselton | Director | |
| Madeline Walter | Screenwriter | |
| Paul Welsh | Screenwriter | |
| Alex Saks | Producer | |
| Diane Keaton | Producer | |
| Stephanie Heaton-Harris | Producer | |
| Jina Panebianco | Producer | |
| Dori Rath | Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Terry Dougas | Executive Producer | |
| Jean-Luc De Fanti | Executive Producer | |
| R. Wesley Sierk III | Executive Producer | |
| Joseph Panebianco | Executive Producer | |
| John D. Straley | Executive Producer | |
| Jojo Ryder | Executive Producer | |
| Lauren Beveridge | Executive Producer | |
| Brett Beveridge | Executive Producer | |
| Joseph Restaino | Executive Producer | |
| Sean McElwee | Director of Photography | |
| Tracy Dishman | Production Designer | |
| Michael A. Webber | Editor | |
| Leo Birenberg | Composer | |
| Allyson Fanger | Costume Designer | |
| Jeanne McCarthy | Casting Director | |
| Nicole Albellera Hallman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When 30-year-old self-proclaimed homebody Mack Martin reluctantly joins a Palm Springs bachelorette trip for her best friend Carla, her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita”. Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack’s adorable dog-sitter, Jack. A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age.
Metrics
| Opening Weekend: | $1,038,291 (41.0% of total gross) |
| Legs: | 2.44 (domestic box office/biggest weekend) |
| Domestic Share: | 99.6% (domestic box office/worldwide) |
| Theater counts: | 1,930 opening theaters/1,930 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,879,777 |
Movie Details
| Domestic Releases: | August 12th, 2022 (Wide) by Gravitas Ventures |
| International Releases: | August 12th, 2022 (Wide), released as Con canas y a lo loco (Spain) |
| Video Release: | September 1st, 2022 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some drug use, sexual references and language. (Rating bulletin 2738 (cert #53871), 6/29/2022) |
| Running Time: | 95 minutes |
| Plot point: | Autumn Years, Body Swap, Romance |
| Social setting: | Bachelor Party |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hercules Film Fund, Rhea Films, Page Fifty-Four Pictures, CaliWood Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2022 | 14 | $1,038,291 | 1,930 | $538 | $1,038,291 | 1 | |
| Aug 19, 2022 | - | $367,859 | -65% | 1,400 | $263 | $2,084,063 | 2 |
| Aug 26, 2022 | - | $94,893 | -74% | 350 | $271 | $2,444,891 | 3 |
| Sep 2, 2022 | - | $27,825 | -71% | 125 | $223 | $2,535,459 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 12, 2022 | 14 | $397,691 | 1,930 | $206 | $397,691 | 1 | ||
| Aug 13, 2022 | 14 | $364,759 | -8% | 1,930 | $189 | $762,450 | 2 | |
| Aug 14, 2022 | 14 | $275,841 | -24% | 1,930 | $143 | $1,038,291 | 3 | |
| Aug 15, 2022 | 14 | $128,063 | -54% | 1,605 | $80 | $1,166,354 | 4 | |
| Aug 16, 2022 | 12 | $277,037 | +116% | 1,740 | $159 | $1,443,391 | 5 | |
| Aug 17, 2022 | 12 | $147,781 | -47% | 1,614 | $92 | $1,591,172 | 6 | |
| Aug 18, 2022 | 12 | $125,032 | -15% | 1,614 | $77 | $1,716,204 | 7 | |
| Aug 19, 2022 | - | $109,146 | -13% | -73% | 1,400 | $78 | $1,825,350 | 8 |
| Aug 20, 2022 | - | $145,394 | +33% | -60% | 1,400 | $104 | $1,970,744 | 9 |
| Aug 21, 2022 | - | $113,319 | -22% | -59% | 1,400 | $81 | $2,084,063 | 10 |
| Aug 22, 2022 | - | $52,768 | -53% | -59% | 1,400 | $38 | $2,136,831 | 11 |
| Aug 23, 2022 | 15 | $109,231 | +107% | -61% | 1,400 | $78 | $2,246,062 | 12 |
| Aug 24, 2022 | - | $55,710 | -49% | -62% | 1,400 | $40 | $2,301,772 | 13 |
| Aug 25, 2022 | - | $48,226 | -13% | -61% | 1,400 | $34 | $2,349,998 | 14 |
| Aug 26, 2022 | - | $25,918 | -46% | -76% | 350 | $74 | $2,375,916 | 15 |
| Aug 27, 2022 | - | $37,284 | +44% | -74% | 350 | $107 | $2,413,200 | 16 |
| Aug 28, 2022 | - | $31,691 | -15% | -72% | 350 | $91 | $2,444,891 | 17 |
| Aug 29, 2022 | - | $13,241 | -58% | -75% | 350 | $38 | $2,458,132 | 18 |
| Aug 30, 2022 | - | $24,693 | +86% | -77% | 350 | $71 | $2,482,825 | 19 |
| Aug 31, 2022 | - | $13,621 | -45% | -76% | 350 | $39 | $2,496,446 | 20 |
| Sep 1, 2022 | - | $11,188 | -18% | -77% | 350 | $32 | $2,507,634 | 21 |
| Sep 2, 2022 | - | $7,175 | -36% | -72% | 125 | $57 | $2,514,809 | 22 |
| Sep 3, 2022 | - | $11,475 | +60% | -69% | 125 | $92 | $2,526,284 | 23 |
| Sep 4, 2022 | - | $9,175 | -20% | -71% | 125 | $73 | $2,535,459 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2022 | 13 | $1,716,204 | 1,614 | $1,063 | $1,716,204 | 1 | |
| Aug 19, 2022 | - | $633,794 | -63% | 1,400 | $453 | $2,349,998 | 2 |
| Aug 26, 2022 | - | $157,636 | -75% | 350 | $450 | $2,507,634 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 8/12/2022 | $11,103 | 48 | 48 | 48 | $11,103 | 9/15/2022 | |||
| International Total | $11,103 | 9/15/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Diane Keaton | Rita | |
| Taylour Paige | Carla | |
| Elizabeth Lail | Mack |
Supporting
| Loretta Devine | Sharon | |
| Amy Hill | ||
| Lois Smith | ||
| Wendie Malick | ||
| Simon Rex | Luca | |
| Martin Short | ||
| Dustin Milligan | Jack | |
| Patti Harrison | ||
| Addie Weyrich | Ali | |
| Aimee Carrero | Sunita | |
| Nicole Byer |
Production and Technical Credits
| Katie Aselton | Director | |
| Madeline Walter | Screenwriter | |
| Paul Welsh | Screenwriter | |
| Alex Saks | Producer | |
| Diane Keaton | Producer | |
| Stephanie Heaton-Harris | Producer | |
| Jina Panebianco | Producer | |
| Dori Rath | Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Terry Dougas | Executive Producer | |
| Jean-Luc De Fanti | Executive Producer | |
| R. Wesley Sierk III | Executive Producer | |
| Joseph Panebianco | Executive Producer | |
| John D. Straley | Executive Producer | |
| Jojo Ryder | Executive Producer | |
| Lauren Beveridge | Executive Producer | |
| Brett Beveridge | Executive Producer | |
| Joseph Restaino | Executive Producer | |
| Sean McElwee | Director of Photography | |
| Tracy Dishman | Production Designer | |
| Michael A. Webber | Editor | |
| Leo Birenberg | Composer | |
| Allyson Fanger | Costume Designer | |
| Jeanne McCarthy | Casting Director | |
| Nicole Albellera Hallman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.