Madame Hyde (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $18,627 | Details |
| International Box Office | $745,613 | Details |
| Worldwide Box Office | $764,240 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $12,650 | |
| Total | $12,650 | |
| OpusData ID: 325040100 More info... | ||
| Further financial details... | ||
Synopsis
Mrs. Géquil is a shy teacher despised by her colleagues and students. On a stormy night, while conducting an experiment in her lab, she is struck by lightning and faints. When she wakes up, she feels decidedly different… and the appearance of the dangerous Mrs. Hyde soon impacts on Mrs. Géquil’s teaching methods.
Metrics
| Opening Weekend: | $5,943 (31.9% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 2.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,458 |
Movie Details
| Domestic Releases: | April 27th, 2018 (Limited) by Cartilage Films, released as Mrs. Hyde |
| International Releases: | March 30th, 2018 (Wide) (France)
April 26th, 2018 (Wide) (Russia (CIS)) May 18th, 2018 (Wide) (Portugal) June 1st, 2018 (Wide) (South Korea) November 24th, 2022 (Limited) (South Korea) ... Show all releases |
| Video Release: | June 19th, 2018 by The Orchard |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Intertitle |
| Geographical setting: | France |
| Plot point: | Bad Teachers, Split Personality, Teachers |
| Social setting: | High School |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 27, 2018 | 70 | $5,943 | 1 | $5,943 | $5,943 | 1 | |
| May 4, 2018 | 100 | $216 | -96% | 1 | $216 | $8,625 | 2 |
| May 25, 2018 | 102 | $434 | 1 | $434 | $10,904 | 5 | |
| Jun 8, 2018 | 93 | $544 | 1 | $544 | $11,720 | 7 | |
| Jun 22, 2018 | 75 | $1,103 | 2 | $552 | $13,316 | 9 | |
| Jul 20, 2018 | 71 | $1,945 | 1 | $1,945 | $16,886 | 13 | |
| Jul 27, 2018 | 92 | $141 | -93% | 1 | $141 | $17,109 | 14 |
| Aug 3, 2018 | 80 | $1,518 | +977% | 1 | $1,518 | $18,627 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 27, 2018 | 70 | $8,409 | 1 | $8,409 | $8,409 | 1 | |
| May 4, 2018 | 92 | $1,676 | -80% | 1 | $1,676 | $10,085 | 2 |
| May 18, 2018 | 103 | $385 | 1 | $385 | $10,470 | 4 | |
| May 25, 2018 | 100 | $706 | +83% | 1 | $706 | $11,176 | 5 |
| Jun 8, 2018 | 97 | $670 | 1 | $670 | $11,846 | 7 | |
| Jun 15, 2018 | 95 | $367 | -45% | 1 | $367 | $12,213 | 8 |
| Jun 22, 2018 | 72 | $2,240 | +510% | 2 | $1,120 | $14,453 | 9 |
| Jun 29, 2018 | 91 | $488 | -78% | 1 | $488 | $14,941 | 10 |
| Jul 20, 2018 | 79 | $2,027 | 1 | $2,027 | $16,968 | 13 | |
| Jul 27, 2018 | 93 | $141 | -93% | 1 | $141 | $17,109 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/30/2018 | $296,363 | 0 | 0 | 0 | $664,724 | 6/13/2018 | |||
| Portugal | 5/18/2018 | $5,496 | 7 | 7 | 22 | $26,944 | 6/20/2018 | |||
| Russia (CIS) | 4/26/2018 | $24,468 | 0 | 0 | 0 | $35,021 | 1/1/2019 | |||
| South Korea | 6/1/2018 | $6,635 | 0 | 0 | 0 | $18,924 | 10/1/2018 | |||
| International Total | $745,613 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Serge Bozon | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Mrs. Géquil is a shy teacher despised by her colleagues and students. On a stormy night, while conducting an experiment in her lab, she is struck by lightning and faints. When she wakes up, she feels decidedly different… and the appearance of the dangerous Mrs. Hyde soon impacts on Mrs. Géquil’s teaching methods.
Metrics
| Opening Weekend: | $5,943 (31.9% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 2.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,458 |
Movie Details
| Domestic Releases: | April 27th, 2018 (Limited) by Cartilage Films, released as Mrs. Hyde |
| International Releases: | March 30th, 2018 (Wide) (France)
April 26th, 2018 (Wide) (Russia (CIS)) May 18th, 2018 (Wide) (Portugal) June 1st, 2018 (Wide) (South Korea) November 24th, 2022 (Limited) (South Korea) ... Show all releases |
| Video Release: | June 19th, 2018 by The Orchard |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Intertitle |
| Geographical setting: | France |
| Plot point: | Bad Teachers, Split Personality, Teachers |
| Social setting: | High School |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 27, 2018 | 70 | $5,943 | 1 | $5,943 | $5,943 | 1 | |
| May 4, 2018 | 100 | $216 | -96% | 1 | $216 | $8,625 | 2 |
| May 25, 2018 | 102 | $434 | 1 | $434 | $10,904 | 5 | |
| Jun 8, 2018 | 93 | $544 | 1 | $544 | $11,720 | 7 | |
| Jun 22, 2018 | 75 | $1,103 | 2 | $552 | $13,316 | 9 | |
| Jul 20, 2018 | 71 | $1,945 | 1 | $1,945 | $16,886 | 13 | |
| Jul 27, 2018 | 92 | $141 | -93% | 1 | $141 | $17,109 | 14 |
| Aug 3, 2018 | 80 | $1,518 | +977% | 1 | $1,518 | $18,627 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 27, 2018 | 70 | $8,409 | 1 | $8,409 | $8,409 | 1 | |
| May 4, 2018 | 92 | $1,676 | -80% | 1 | $1,676 | $10,085 | 2 |
| May 18, 2018 | 103 | $385 | 1 | $385 | $10,470 | 4 | |
| May 25, 2018 | 100 | $706 | +83% | 1 | $706 | $11,176 | 5 |
| Jun 8, 2018 | 97 | $670 | 1 | $670 | $11,846 | 7 | |
| Jun 15, 2018 | 95 | $367 | -45% | 1 | $367 | $12,213 | 8 |
| Jun 22, 2018 | 72 | $2,240 | +510% | 2 | $1,120 | $14,453 | 9 |
| Jun 29, 2018 | 91 | $488 | -78% | 1 | $488 | $14,941 | 10 |
| Jul 20, 2018 | 79 | $2,027 | 1 | $2,027 | $16,968 | 13 | |
| Jul 27, 2018 | 93 | $141 | -93% | 1 | $141 | $17,109 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/30/2018 | $296,363 | 0 | 0 | 0 | $664,724 | 6/13/2018 | |||
| Portugal | 5/18/2018 | $5,496 | 7 | 7 | 22 | $26,944 | 6/20/2018 | |||
| Russia (CIS) | 4/26/2018 | $24,468 | 0 | 0 | 0 | $35,021 | 1/1/2019 | |||
| South Korea | 6/1/2018 | $6,635 | 0 | 0 | 0 | $18,924 | 10/1/2018 | |||
| International Total | $745,613 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Serge Bozon | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.