Made in Italy (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $101,339 | Details |
| International Box Office | $2,624,680 | Details |
| Worldwide Box Office | $2,726,019 | |
| OpusData ID: 460020100 More info... | ||
| Further financial details... | ||
Synopsis
Made In Italy is a heart-warming father son story set in glorious Tuscany about bohemian London artist Robert, who returns to Italy with his estranged son Jack to make a quick sale of the house they inherited from his late wife. Neither expects to find the once beautiful villa in such a state of disrepair… Renovations go badly, with father and son soon finding themselves at odds. Robert’s comical lack of DIY experience leads him to seek help from some colourful locals including the no nonsense Kate, an ex-pat making her living selling villas who quickly captures his attention. For Jack, the state of the house seems to mirror his search for memories of happier times with his mother. He soon falls for Natalia, a vivacious young Italian chef, who restores both body and soul with delights from her local trattoria — until the pair find their developing relationship in jeopardy from Natalia’s jealous and threatening ex-husband. As Robert and Jack painstakingly restore the villa to its previous glory, they also start to mend their relationship. The future may now look quite different and surprise them both.
Metrics
| Opening Weekend: | $33,998 (33.5% of total gross) |
| Legs: | 2.98 (domestic box office/biggest weekend) |
| Domestic Share: | 3.7% (domestic box office/worldwide) |
| Theater counts: | 111 opening theaters/111 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $132,026 |
Movie Details
| Domestic Releases: | August 7th, 2020 (Limited) by IFC Films |
| International Releases: | August 7th, 2020 (Wide), released as Vzpomínky na Itálii (Czech Republic)
August 7th, 2020 (Wide), released as Włoskie wakacje (Poland) August 14th, 2020 (Wide), released as Made In Italy (Australia) August 28th, 2020 (Wide), released as Láska v Toskánsku (Slovakia) September 3rd, 2020 (Limited) (Germany) ... Show all releases |
| Video Release: | August 7th, 2020 by IFC Video |
| MPA Rating: | R for language. (Rating bulletin 2638 (Cert #52788), 7/15/2020) |
| Running Time: | 94 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, HanWay Films, Ingenious Media, CrossDay Productions, Indiana Production Company |
| Production Countries: | United Kingdom, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $33,998 | 111 | $306 | $33,998 | 1 | |
| Aug 14, 2020 | - | $20,680 | -39% | 101 | $205 | $73,012 | 2 |
| Aug 21, 2020 | - | $6,212 | -70% | 37 | $168 | $88,077 | 3 |
| Aug 28, 2020 | 17 | $2,721 | -56% | 16 | $170 | $93,877 | 4 |
| Sep 4, 2020 | - | $1,520 | -44% | 11 | $138 | $97,408 | 5 |
| Sep 11, 2020 | - | $803 | -47% | 4 | $201 | $99,153 | 6 |
| Sep 18, 2020 | - | $736 | -8% | 4 | $184 | $100,508 | 7 |
| Sep 25, 2020 | - | $107 | -85% | 1 | $107 | $100,872 | 8 |
| Oct 2, 2020 | - | $155 | +45% | 1 | $155 | $101,195 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $12,137 | 111 | $109 | $12,137 | 1 | ||
| Aug 8, 2020 | - | $13,926 | +15% | 111 | $125 | $26,063 | 2 | |
| Aug 9, 2020 | - | $7,935 | -43% | 111 | $71 | $33,998 | 3 | |
| Aug 10, 2020 | - | $3,956 | -50% | 111 | $36 | $37,954 | 4 | |
| Aug 11, 2020 | - | $4,371 | +10% | 111 | $39 | $42,325 | 5 | |
| Aug 12, 2020 | - | $4,220 | -3% | 111 | $38 | $46,545 | 6 | |
| Aug 13, 2020 | - | $5,787 | +37% | 111 | $52 | $52,332 | 7 | |
| Aug 14, 2020 | - | $6,700 | +16% | -45% | 101 | $66 | $59,032 | 8 |
| Aug 15, 2020 | - | $8,750 | +31% | -37% | 101 | $87 | $67,782 | 9 |
| Aug 16, 2020 | - | $5,230 | -40% | -34% | 101 | $52 | $73,012 | 10 |
| Aug 17, 2020 | - | $2,494 | -52% | -37% | 101 | $25 | $75,506 | 11 |
| Aug 18, 2020 | - | $1,959 | -21% | -55% | 101 | $19 | $77,465 | 12 |
| Aug 19, 2020 | - | $2,059 | +5% | -51% | 101 | $20 | $79,524 | 13 |
| Aug 20, 2020 | - | $2,341 | +14% | -60% | 101 | $23 | $81,865 | 14 |
| Aug 21, 2020 | - | $1,417 | -39% | -79% | 37 | $38 | $83,282 | 15 |
| Aug 22, 2020 | - | $2,740 | +93% | -69% | 37 | $74 | $86,022 | 16 |
| Aug 23, 2020 | - | $2,055 | -25% | -61% | 37 | $56 | $88,077 | 17 |
| Aug 24, 2020 | - | $614 | -70% | -75% | 37 | $17 | $88,691 | 18 |
| Aug 25, 2020 | - | $768 | +25% | -61% | 37 | $21 | $89,459 | 19 |
| Aug 26, 2020 | - | $891 | +16% | -57% | 37 | $24 | $90,350 | 20 |
| Aug 27, 2020 | - | $806 | -10% | -66% | 37 | $22 | $91,156 | 21 |
| Aug 28, 2020 | - | $699 | -13% | -51% | 16 | $44 | $91,855 | 22 |
| Aug 29, 2020 | - | $1,327 | +90% | -52% | 16 | $83 | $93,182 | 23 |
| Aug 30, 2020 | - | $695 | -48% | -66% | 16 | $43 | $93,877 | 24 |
| Aug 31, 2020 | - | $430 | -38% | -30% | 16 | $27 | $94,307 | 25 |
| Sep 1, 2020 | - | $522 | +21% | -32% | 16 | $33 | $94,829 | 26 |
| Sep 2, 2020 | - | $564 | +8% | -37% | 16 | $35 | $95,393 | 27 |
| Sep 3, 2020 | - | $495 | -12% | -39% | 16 | $31 | $95,888 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $52,332 | 111 | $471 | $52,332 | 1 | |
| Aug 14, 2020 | - | $29,533 | -44% | 101 | $292 | $81,865 | 2 |
| Aug 21, 2020 | - | $9,291 | -69% | 37 | $251 | $91,156 | 3 |
| Aug 28, 2020 | 16 | $4,732 | -49% | 16 | $296 | $95,888 | 4 |
| Sep 4, 2020 | - | $2,462 | -48% | 11 | $224 | $98,350 | 5 |
| Sep 11, 2020 | - | $1,422 | -42% | 4 | $356 | $99,772 | 6 |
| Sep 18, 2020 | - | $993 | -30% | 4 | $248 | $100,765 | 7 |
| Sep 25, 2020 | - | $275 | -72% | 1 | $275 | $101,040 | 8 |
| Oct 2, 2020 | - | $252 | -8% | 1 | $252 | $101,339 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/14/2020 | $183,877 | 120 | 160 | 1,025 | $1,148,154 | 10/19/2022 | |||
| Czech Republic | 8/7/2020 | $17,408 | 92 | 92 | 164 | $54,149 | 10/19/2022 | |||
| Lithuania | 9/25/2020 | $4,520 | 11 | 11 | 33 | $21,109 | 11/11/2020 | |||
| Netherlands | 10/9/2020 | $45,815 | 45 | 509 | 724 | $301,169 | 10/19/2022 | |||
| New Zealand | 11/19/2020 | $19,056 | 47 | 84 | 457 | $307,042 | 10/19/2022 | |||
| Poland | 8/7/2020 | $60,578 | 192 | 192 | 1,344 | $432,179 | 10/19/2022 | |||
| Portugal | 9/11/2020 | $11,368 | 30 | 30 | 70 | $26,726 | 10/19/2022 | |||
| Romania | 10/2/2020 | $15,424 | 78 | 78 | 190 | $34,068 | 3/3/2021 | |||
| Russia (CIS) | 9/24/2020 | $28,284 | 219 | 219 | 454 | $49,526 | 10/19/2022 | |||
| Slovakia | 8/28/2020 | $20,090 | 65 | 65 | 104 | $49,229 | 12/8/2020 | |||
| South Korea | 11/24/2021 | $36,633 | 118 | 118 | 138 | $84,338 | 12/8/2021 | |||
| Spain | 8/6/2021 | $40,242 | 62 | 62 | 157 | $116,894 | 8/27/2021 | |||
| United Kingdom | 6/11/2021 | $97 | 1 | 1 | 1 | $97 | 4/4/2026 | |||
| International Total | $2,624,680 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | Robert | |
| Micheál Richardson | Jack |
Supporting
| Valeria Bilello | Natalia | |
| Lindsay Duncan | Kate | |
| Yolanda Kettle | Ruth | |
| Souad Faress | Ree | |
| Claire Dyson | Jennifer | |
| Helena Antonio | Raffaella | |
| Lavinia Biagi | Clara | |
| Gabriele Tozzi | Giovanni |
Production and Technical Credits
| James D'Arcy | Director | |
| James D'Arcy | Screenwriter | |
| Pippa Cross | Producer | |
| Sam Tipper-Hale | Producer | |
| Alessandro Mascheroni | Co-Producer | |
| Daniel Campos Pavoncelli | Co-Producer | |
| Alessandro Mascheroni | Executive Producer | |
| Daniel Campos Pavoncelli | Executive Producer | |
| Janette Day | Executive Producer | |
| James D'Arcy | Executive Producer | |
| Martin Rushton Turner | Executive Producer | |
| Marie-Gabrielle Stewart | Executive Producer | |
| Peter Watson | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Peter Touche | Executive Producer | |
| Anders Erden | Executive Producer | |
| Marco Cohen | Executive Producer | |
| Benedetto Habib | Executive Producer | |
| Fabrizio Donvito | Executive Producer | |
| Mark Day | Editor | |
| Alex Belcher* | Composer | |
| Mike Eley | Director of Photography | |
| Anthony Boys | Editor | |
| Stevie Herbert | Production Designer | |
| Louise Stjernsward | Costume Designer | |
| Michael Constable | Line Producer | |
| Alberto Monte | Line Producer | |
| Iain Cooke | Music Supervisor | |
| Martin Ware | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Made In Italy is a heart-warming father son story set in glorious Tuscany about bohemian London artist Robert, who returns to Italy with his estranged son Jack to make a quick sale of the house they inherited from his late wife. Neither expects to find the once beautiful villa in such a state of disrepair… Renovations go badly, with father and son soon finding themselves at odds. Robert’s comical lack of DIY experience leads him to seek help from some colourful locals including the no nonsense Kate, an ex-pat making her living selling villas who quickly captures his attention. For Jack, the state of the house seems to mirror his search for memories of happier times with his mother. He soon falls for Natalia, a vivacious young Italian chef, who restores both body and soul with delights from her local trattoria — until the pair find their developing relationship in jeopardy from Natalia’s jealous and threatening ex-husband. As Robert and Jack painstakingly restore the villa to its previous glory, they also start to mend their relationship. The future may now look quite different and surprise them both.
Metrics
| Opening Weekend: | $33,998 (33.5% of total gross) |
| Legs: | 2.98 (domestic box office/biggest weekend) |
| Domestic Share: | 3.7% (domestic box office/worldwide) |
| Theater counts: | 111 opening theaters/111 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $132,026 |
Movie Details
| Domestic Releases: | August 7th, 2020 (Limited) by IFC Films |
| International Releases: | August 7th, 2020 (Wide), released as Vzpomínky na Itálii (Czech Republic)
August 7th, 2020 (Wide), released as Włoskie wakacje (Poland) August 14th, 2020 (Wide), released as Made In Italy (Australia) August 28th, 2020 (Wide), released as Láska v Toskánsku (Slovakia) September 3rd, 2020 (Limited) (Germany) ... Show all releases |
| Video Release: | August 7th, 2020 by IFC Video |
| MPA Rating: | R for language. (Rating bulletin 2638 (Cert #52788), 7/15/2020) |
| Running Time: | 94 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, HanWay Films, Ingenious Media, CrossDay Productions, Indiana Production Company |
| Production Countries: | United Kingdom, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $33,998 | 111 | $306 | $33,998 | 1 | |
| Aug 14, 2020 | - | $20,680 | -39% | 101 | $205 | $73,012 | 2 |
| Aug 21, 2020 | - | $6,212 | -70% | 37 | $168 | $88,077 | 3 |
| Aug 28, 2020 | 17 | $2,721 | -56% | 16 | $170 | $93,877 | 4 |
| Sep 4, 2020 | - | $1,520 | -44% | 11 | $138 | $97,408 | 5 |
| Sep 11, 2020 | - | $803 | -47% | 4 | $201 | $99,153 | 6 |
| Sep 18, 2020 | - | $736 | -8% | 4 | $184 | $100,508 | 7 |
| Sep 25, 2020 | - | $107 | -85% | 1 | $107 | $100,872 | 8 |
| Oct 2, 2020 | - | $155 | +45% | 1 | $155 | $101,195 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $12,137 | 111 | $109 | $12,137 | 1 | ||
| Aug 8, 2020 | - | $13,926 | +15% | 111 | $125 | $26,063 | 2 | |
| Aug 9, 2020 | - | $7,935 | -43% | 111 | $71 | $33,998 | 3 | |
| Aug 10, 2020 | - | $3,956 | -50% | 111 | $36 | $37,954 | 4 | |
| Aug 11, 2020 | - | $4,371 | +10% | 111 | $39 | $42,325 | 5 | |
| Aug 12, 2020 | - | $4,220 | -3% | 111 | $38 | $46,545 | 6 | |
| Aug 13, 2020 | - | $5,787 | +37% | 111 | $52 | $52,332 | 7 | |
| Aug 14, 2020 | - | $6,700 | +16% | -45% | 101 | $66 | $59,032 | 8 |
| Aug 15, 2020 | - | $8,750 | +31% | -37% | 101 | $87 | $67,782 | 9 |
| Aug 16, 2020 | - | $5,230 | -40% | -34% | 101 | $52 | $73,012 | 10 |
| Aug 17, 2020 | - | $2,494 | -52% | -37% | 101 | $25 | $75,506 | 11 |
| Aug 18, 2020 | - | $1,959 | -21% | -55% | 101 | $19 | $77,465 | 12 |
| Aug 19, 2020 | - | $2,059 | +5% | -51% | 101 | $20 | $79,524 | 13 |
| Aug 20, 2020 | - | $2,341 | +14% | -60% | 101 | $23 | $81,865 | 14 |
| Aug 21, 2020 | - | $1,417 | -39% | -79% | 37 | $38 | $83,282 | 15 |
| Aug 22, 2020 | - | $2,740 | +93% | -69% | 37 | $74 | $86,022 | 16 |
| Aug 23, 2020 | - | $2,055 | -25% | -61% | 37 | $56 | $88,077 | 17 |
| Aug 24, 2020 | - | $614 | -70% | -75% | 37 | $17 | $88,691 | 18 |
| Aug 25, 2020 | - | $768 | +25% | -61% | 37 | $21 | $89,459 | 19 |
| Aug 26, 2020 | - | $891 | +16% | -57% | 37 | $24 | $90,350 | 20 |
| Aug 27, 2020 | - | $806 | -10% | -66% | 37 | $22 | $91,156 | 21 |
| Aug 28, 2020 | - | $699 | -13% | -51% | 16 | $44 | $91,855 | 22 |
| Aug 29, 2020 | - | $1,327 | +90% | -52% | 16 | $83 | $93,182 | 23 |
| Aug 30, 2020 | - | $695 | -48% | -66% | 16 | $43 | $93,877 | 24 |
| Aug 31, 2020 | - | $430 | -38% | -30% | 16 | $27 | $94,307 | 25 |
| Sep 1, 2020 | - | $522 | +21% | -32% | 16 | $33 | $94,829 | 26 |
| Sep 2, 2020 | - | $564 | +8% | -37% | 16 | $35 | $95,393 | 27 |
| Sep 3, 2020 | - | $495 | -12% | -39% | 16 | $31 | $95,888 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 7, 2020 | - | $52,332 | 111 | $471 | $52,332 | 1 | |
| Aug 14, 2020 | - | $29,533 | -44% | 101 | $292 | $81,865 | 2 |
| Aug 21, 2020 | - | $9,291 | -69% | 37 | $251 | $91,156 | 3 |
| Aug 28, 2020 | 16 | $4,732 | -49% | 16 | $296 | $95,888 | 4 |
| Sep 4, 2020 | - | $2,462 | -48% | 11 | $224 | $98,350 | 5 |
| Sep 11, 2020 | - | $1,422 | -42% | 4 | $356 | $99,772 | 6 |
| Sep 18, 2020 | - | $993 | -30% | 4 | $248 | $100,765 | 7 |
| Sep 25, 2020 | - | $275 | -72% | 1 | $275 | $101,040 | 8 |
| Oct 2, 2020 | - | $252 | -8% | 1 | $252 | $101,339 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/14/2020 | $183,877 | 120 | 160 | 1,025 | $1,148,154 | 10/19/2022 | |||
| Czech Republic | 8/7/2020 | $17,408 | 92 | 92 | 164 | $54,149 | 10/19/2022 | |||
| Lithuania | 9/25/2020 | $4,520 | 11 | 11 | 33 | $21,109 | 11/11/2020 | |||
| Netherlands | 10/9/2020 | $45,815 | 45 | 509 | 724 | $301,169 | 10/19/2022 | |||
| New Zealand | 11/19/2020 | $19,056 | 47 | 84 | 457 | $307,042 | 10/19/2022 | |||
| Poland | 8/7/2020 | $60,578 | 192 | 192 | 1,344 | $432,179 | 10/19/2022 | |||
| Portugal | 9/11/2020 | $11,368 | 30 | 30 | 70 | $26,726 | 10/19/2022 | |||
| Romania | 10/2/2020 | $15,424 | 78 | 78 | 190 | $34,068 | 3/3/2021 | |||
| Russia (CIS) | 9/24/2020 | $28,284 | 219 | 219 | 454 | $49,526 | 10/19/2022 | |||
| Slovakia | 8/28/2020 | $20,090 | 65 | 65 | 104 | $49,229 | 12/8/2020 | |||
| South Korea | 11/24/2021 | $36,633 | 118 | 118 | 138 | $84,338 | 12/8/2021 | |||
| Spain | 8/6/2021 | $40,242 | 62 | 62 | 157 | $116,894 | 8/27/2021 | |||
| United Kingdom | 6/11/2021 | $97 | 1 | 1 | 1 | $97 | 4/4/2026 | |||
| International Total | $2,624,680 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | Robert | |
| Micheál Richardson | Jack |
Supporting
| Valeria Bilello | Natalia | |
| Lindsay Duncan | Kate | |
| Yolanda Kettle | Ruth | |
| Souad Faress | Ree | |
| Claire Dyson | Jennifer | |
| Helena Antonio | Raffaella | |
| Lavinia Biagi | Clara | |
| Gabriele Tozzi | Giovanni |
Production and Technical Credits
| James D'Arcy | Director | |
| James D'Arcy | Screenwriter | |
| Pippa Cross | Producer | |
| Sam Tipper-Hale | Producer | |
| Alessandro Mascheroni | Co-Producer | |
| Daniel Campos Pavoncelli | Co-Producer | |
| Alessandro Mascheroni | Executive Producer | |
| Daniel Campos Pavoncelli | Executive Producer | |
| Janette Day | Executive Producer | |
| James D'Arcy | Executive Producer | |
| Martin Rushton Turner | Executive Producer | |
| Marie-Gabrielle Stewart | Executive Producer | |
| Peter Watson | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Peter Touche | Executive Producer | |
| Anders Erden | Executive Producer | |
| Marco Cohen | Executive Producer | |
| Benedetto Habib | Executive Producer | |
| Fabrizio Donvito | Executive Producer | |
| Mark Day | Editor | |
| Alex Belcher* | Composer | |
| Mike Eley | Director of Photography | |
| Anthony Boys | Editor | |
| Stevie Herbert | Production Designer | |
| Louise Stjernsward | Costume Designer | |
| Michael Constable | Line Producer | |
| Alberto Monte | Line Producer | |
| Iain Cooke | Music Supervisor | |
| Martin Ware | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.