Madres paralelas (2021)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $2,297,501 | Details |
| International Box Office | $8,904,197 | Details |
| Worldwide Box Office | $11,201,698 | |
| OpusData ID: 465220100 More info... | ||
| Further financial details... | ||
Synopsis
Two women, Janis and Ana, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way.
Metrics
| Opening Weekend: | $38,249 (1.7% of total gross) |
| Legs: | 8.36 (domestic box office/biggest weekend) |
| Domestic Share: | 20.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/684 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,607,133 |
Movie Details
| Domestic Releases: | December 24th, 2021 (Limited) by Sony Pictures Classics, released as Parallel Mothers January 28th, 2022 (Expands Wide) by Sony Pictures Classics, released as Parallel Mothers |
| International Releases: | October 8th, 2021 (Wide), released as Paralelinės mamos (Lithuania)
October 8th, 2021 (Wide) (Spain) October 28th, 2021 (Wide) (Italy) October 29th, 2021 (Wide), released as Paralelní matky (Czech Republic) October 29th, 2021 (Wide), released as PARALELNÉ MATKY (Slovakia) ... Show all releases |
| Video Release: | March 22nd, 2022 by Sony Pictures Home Entertainment, released as Parallel Mothers |
| MPA Rating: | R for some sexuality. (Rating bulletin 2701 (cert #53441), 10/6/2021) |
| Running Time: | 123 minutes |
| Plot point: | Medical and Hospitals, Pregnant Women |
| Subgenre: | Life Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | El Deseo, Remotamente Films A.I.E. |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 24, 2021 | - | $38,249 | 3 | $12,750 | $45,350 | 1 | |
| Dec 31, 2021 | - | $31,130 | -19% | 5 | $6,226 | $119,728 | 2 |
| Jan 7, 2022 | - | $73,117 | +135% | 18 | $4,062 | $213,092 | 3 |
| Jan 14, 2022 | - | $119,102 | +63% | 49 | $2,431 | $366,193 | 4 |
| Jan 21, 2022 | - | $167,408 | +41% | 111 | $1,508 | $608,760 | 5 |
| Jan 28, 2022 | - | $274,757 | +64% | 684 | $402 | $965,055 | 6 |
| Feb 4, 2022 | - | $188,749 | -31% | 448 | $421 | $1,308,772 | 7 |
| Feb 11, 2022 | - | $153,238 | -19% | 221 | $693 | $1,554,604 | 8 |
| Feb 18, 2022 | - | $120,437 | -21% | 142 | $848 | $1,772,721 | 9 |
| Feb 25, 2022 | - | $69,050 | -43% | 83 | $832 | $1,912,446 | 10 |
| Mar 4, 2022 | - | $47,155 | -32% | 83 | $568 | $1,998,623 | 11 |
| Mar 11, 2022 | - | $40,629 | -14% | 47 | $864 | $2,090,332 | 12 |
| Mar 18, 2022 | - | $29,510 | -27% | 43 | $686 | $2,141,040 | 13 |
| Mar 25, 2022 | - | $50,533 | +71% | 219 | $231 | $2,206,023 | 14 |
| Apr 1, 2022 | - | $16,005 | -68% | 22 | $728 | $2,246,900 | 15 |
| Apr 8, 2022 | - | $12,014 | -25% | 14 | $858 | $2,266,375 | 16 |
| Apr 15, 2022 | - | $6,731 | -44% | 9 | $748 | $2,280,299 | 17 |
| Apr 22, 2022 | - | $6,521 | -3% | 6 | $1,087 | $2,291,497 | 18 |
| Apr 29, 2022 | - | $1,189 | -82% | 3 | $396 | $2,296,605 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 24, 2021 | - | $84,986 | 3 | $28,329 | $84,986 | 1 | |
| Dec 31, 2021 | - | $50,377 | -41% | 5 | $10,075 | $139,975 | 2 |
| Jan 7, 2022 | - | $107,116 | +113% | 18 | $5,951 | $247,091 | 3 |
| Jan 14, 2022 | - | $194,261 | +81% | 49 | $3,965 | $441,352 | 4 |
| Jan 21, 2022 | - | $248,946 | +28% | 111 | $2,243 | $690,298 | 5 |
| Jan 28, 2022 | - | $429,725 | +73% | 684 | $628 | $1,120,023 | 6 |
| Feb 4, 2022 | - | $281,343 | -35% | 448 | $628 | $1,401,366 | 7 |
| Feb 11, 2022 | - | $250,918 | -11% | 221 | $1,135 | $1,652,284 | 8 |
| Feb 18, 2022 | - | $191,112 | -24% | 142 | $1,346 | $1,843,396 | 9 |
| Feb 25, 2022 | - | $108,072 | -43% | 83 | $1,302 | $1,951,468 | 10 |
| Mar 4, 2022 | - | $98,235 | -9% | 83 | $1,184 | $2,049,703 | 11 |
| Mar 11, 2022 | - | $61,827 | -37% | 47 | $1,315 | $2,111,530 | 12 |
| Mar 18, 2022 | - | $43,960 | -29% | 43 | $1,022 | $2,155,490 | 13 |
| Mar 25, 2022 | - | $75,405 | +72% | 219 | $344 | $2,230,895 | 14 |
| Apr 1, 2022 | - | $23,466 | -69% | 22 | $1,067 | $2,254,361 | 15 |
| Apr 8, 2022 | - | $19,207 | -18% | 14 | $1,372 | $2,273,568 | 16 |
| Apr 15, 2022 | - | $11,408 | -41% | 14 | $815 | $2,284,976 | 17 |
| Apr 22, 2022 | - | $10,440 | -8% | 6 | $1,740 | $2,295,416 | 18 |
| Apr 29, 2022 | - | $2,085 | -80% | 3 | $695 | $2,297,501 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/27/2022 | $48,956 | 36 | 1 | 257 | $336,330 | 4/4/2026 | |||
| Czech Republic | 10/29/2021 | $9,461 | 31 | 31 | 75 | $27,103 | 10/20/2022 | |||
| Finland | 3/4/2022 | $46,966 | 56 | 57 | 201 | $176,198 | 4/21/2026 | |||
| Italy | 10/28/2021 | $837,709 | 0 | 0 | 0 | $2,470,082 | 10/20/2022 | |||
| Lithuania | 10/8/2021 | $6,183 | 17 | 17 | 32 | $15,957 | 12/29/2021 | |||
| Netherlands | 3/10/2022 | $124,700 | 55 | 72 | 468 | $731,008 | 10/20/2022 | |||
| New Zealand | 2/3/2022 | $8,995 | 15 | 15 | 81 | $39,219 | 10/20/2022 | |||
| Portugal | 12/1/2021 | $37,977 | 45 | 45 | 161 | $161,835 | 10/20/2022 | |||
| Romania | 4/1/2022 | $7,725 | 19 | 23 | 58 | $18,917 | 4/20/2022 | |||
| Russia (CIS) | 2/3/2022 | $86,531 | 303 | 303 | 440 | $145,859 | 4/4/2026 | |||
| Slovakia | 10/29/2021 | $5,359 | 35 | 35 | 56 | $14,917 | 10/20/2022 | |||
| South Korea | 3/25/2022 | $0 | 0 | 77 | 166 | $65,324 | 4/30/2022 | |||
| Spain | 10/8/2021 | $709,327 | 346 | 391 | 2,165 | $2,976,967 | 3/24/2022 | |||
| Turkey | 3/18/2022 | $5,700 | 27 | 27 | 51 | $18,003 | 10/20/2022 | |||
| United Kingdom | 1/28/2022 | $405,041 | 184 | 184 | 600 | $1,676,430 | 3/9/2022 | |||
| Rest of World | $30,048 | |||||||||
| International Total | $8,904,197 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Penélope Cruz |
Supporting
| Aitana Sánchez-Gijón | ||
| Milena Smit | ||
| Israel Elejalde | ||
| Julieta Serrano | ||
| Rossy de Palma |
Production and Technical Credits
| Pedro Almodovar | Director | |
| Pedro Almodovar | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two women, Janis and Ana, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way.
Metrics
| Opening Weekend: | $38,249 (1.7% of total gross) |
| Legs: | 8.36 (domestic box office/biggest weekend) |
| Domestic Share: | 20.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/684 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,607,133 |
Movie Details
| Domestic Releases: | December 24th, 2021 (Limited) by Sony Pictures Classics, released as Parallel Mothers January 28th, 2022 (Expands Wide) by Sony Pictures Classics, released as Parallel Mothers |
| International Releases: | October 8th, 2021 (Wide), released as Paralelinės mamos (Lithuania)
October 8th, 2021 (Wide) (Spain) October 28th, 2021 (Wide) (Italy) October 29th, 2021 (Wide), released as Paralelní matky (Czech Republic) October 29th, 2021 (Wide), released as PARALELNÉ MATKY (Slovakia) ... Show all releases |
| Video Release: | March 22nd, 2022 by Sony Pictures Home Entertainment, released as Parallel Mothers |
| MPA Rating: | R for some sexuality. (Rating bulletin 2701 (cert #53441), 10/6/2021) |
| Running Time: | 123 minutes |
| Plot point: | Medical and Hospitals, Pregnant Women |
| Subgenre: | Life Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | El Deseo, Remotamente Films A.I.E. |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 24, 2021 | - | $38,249 | 3 | $12,750 | $45,350 | 1 | |
| Dec 31, 2021 | - | $31,130 | -19% | 5 | $6,226 | $119,728 | 2 |
| Jan 7, 2022 | - | $73,117 | +135% | 18 | $4,062 | $213,092 | 3 |
| Jan 14, 2022 | - | $119,102 | +63% | 49 | $2,431 | $366,193 | 4 |
| Jan 21, 2022 | - | $167,408 | +41% | 111 | $1,508 | $608,760 | 5 |
| Jan 28, 2022 | - | $274,757 | +64% | 684 | $402 | $965,055 | 6 |
| Feb 4, 2022 | - | $188,749 | -31% | 448 | $421 | $1,308,772 | 7 |
| Feb 11, 2022 | - | $153,238 | -19% | 221 | $693 | $1,554,604 | 8 |
| Feb 18, 2022 | - | $120,437 | -21% | 142 | $848 | $1,772,721 | 9 |
| Feb 25, 2022 | - | $69,050 | -43% | 83 | $832 | $1,912,446 | 10 |
| Mar 4, 2022 | - | $47,155 | -32% | 83 | $568 | $1,998,623 | 11 |
| Mar 11, 2022 | - | $40,629 | -14% | 47 | $864 | $2,090,332 | 12 |
| Mar 18, 2022 | - | $29,510 | -27% | 43 | $686 | $2,141,040 | 13 |
| Mar 25, 2022 | - | $50,533 | +71% | 219 | $231 | $2,206,023 | 14 |
| Apr 1, 2022 | - | $16,005 | -68% | 22 | $728 | $2,246,900 | 15 |
| Apr 8, 2022 | - | $12,014 | -25% | 14 | $858 | $2,266,375 | 16 |
| Apr 15, 2022 | - | $6,731 | -44% | 9 | $748 | $2,280,299 | 17 |
| Apr 22, 2022 | - | $6,521 | -3% | 6 | $1,087 | $2,291,497 | 18 |
| Apr 29, 2022 | - | $1,189 | -82% | 3 | $396 | $2,296,605 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 24, 2021 | - | $84,986 | 3 | $28,329 | $84,986 | 1 | |
| Dec 31, 2021 | - | $50,377 | -41% | 5 | $10,075 | $139,975 | 2 |
| Jan 7, 2022 | - | $107,116 | +113% | 18 | $5,951 | $247,091 | 3 |
| Jan 14, 2022 | - | $194,261 | +81% | 49 | $3,965 | $441,352 | 4 |
| Jan 21, 2022 | - | $248,946 | +28% | 111 | $2,243 | $690,298 | 5 |
| Jan 28, 2022 | - | $429,725 | +73% | 684 | $628 | $1,120,023 | 6 |
| Feb 4, 2022 | - | $281,343 | -35% | 448 | $628 | $1,401,366 | 7 |
| Feb 11, 2022 | - | $250,918 | -11% | 221 | $1,135 | $1,652,284 | 8 |
| Feb 18, 2022 | - | $191,112 | -24% | 142 | $1,346 | $1,843,396 | 9 |
| Feb 25, 2022 | - | $108,072 | -43% | 83 | $1,302 | $1,951,468 | 10 |
| Mar 4, 2022 | - | $98,235 | -9% | 83 | $1,184 | $2,049,703 | 11 |
| Mar 11, 2022 | - | $61,827 | -37% | 47 | $1,315 | $2,111,530 | 12 |
| Mar 18, 2022 | - | $43,960 | -29% | 43 | $1,022 | $2,155,490 | 13 |
| Mar 25, 2022 | - | $75,405 | +72% | 219 | $344 | $2,230,895 | 14 |
| Apr 1, 2022 | - | $23,466 | -69% | 22 | $1,067 | $2,254,361 | 15 |
| Apr 8, 2022 | - | $19,207 | -18% | 14 | $1,372 | $2,273,568 | 16 |
| Apr 15, 2022 | - | $11,408 | -41% | 14 | $815 | $2,284,976 | 17 |
| Apr 22, 2022 | - | $10,440 | -8% | 6 | $1,740 | $2,295,416 | 18 |
| Apr 29, 2022 | - | $2,085 | -80% | 3 | $695 | $2,297,501 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/27/2022 | $48,956 | 36 | 1 | 257 | $336,330 | 4/4/2026 | |||
| Czech Republic | 10/29/2021 | $9,461 | 31 | 31 | 75 | $27,103 | 10/20/2022 | |||
| Finland | 3/4/2022 | $46,966 | 56 | 57 | 201 | $176,198 | 4/21/2026 | |||
| Italy | 10/28/2021 | $837,709 | 0 | 0 | 0 | $2,470,082 | 10/20/2022 | |||
| Lithuania | 10/8/2021 | $6,183 | 17 | 17 | 32 | $15,957 | 12/29/2021 | |||
| Netherlands | 3/10/2022 | $124,700 | 55 | 72 | 468 | $731,008 | 10/20/2022 | |||
| New Zealand | 2/3/2022 | $8,995 | 15 | 15 | 81 | $39,219 | 10/20/2022 | |||
| Portugal | 12/1/2021 | $37,977 | 45 | 45 | 161 | $161,835 | 10/20/2022 | |||
| Romania | 4/1/2022 | $7,725 | 19 | 23 | 58 | $18,917 | 4/20/2022 | |||
| Russia (CIS) | 2/3/2022 | $86,531 | 303 | 303 | 440 | $145,859 | 4/4/2026 | |||
| Slovakia | 10/29/2021 | $5,359 | 35 | 35 | 56 | $14,917 | 10/20/2022 | |||
| South Korea | 3/25/2022 | $0 | 0 | 77 | 166 | $65,324 | 4/30/2022 | |||
| Spain | 10/8/2021 | $709,327 | 346 | 391 | 2,165 | $2,976,967 | 3/24/2022 | |||
| Turkey | 3/18/2022 | $5,700 | 27 | 27 | 51 | $18,003 | 10/20/2022 | |||
| United Kingdom | 1/28/2022 | $405,041 | 184 | 184 | 600 | $1,676,430 | 3/9/2022 | |||
| Rest of World | $30,048 | |||||||||
| International Total | $8,904,197 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Penélope Cruz |
Supporting
| Aitana Sánchez-Gijón | ||
| Milena Smit | ||
| Israel Elejalde | ||
| Julieta Serrano | ||
| Rossy de Palma |
Production and Technical Credits
| Pedro Almodovar | Director | |
| Pedro Almodovar | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.