Maggie’s Plan (2016)
| Theatrical Performance | ||
| Domestic Box Office | $3,351,735 | Details |
| International Box Office | $3,739,591 | Details |
| Worldwide Box Office | $7,091,326 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $73,491 | |
| Blu-ray Sales (estimated) | $39,021 | |
| Total | $112,512 | |
| OpusData ID: 240850100 More info... | ||
| Further financial details... | ||
Synopsis
Maggie Hardin is a vibrant and practical thirty-something New Yorker working at the New School who, without success in finding love, decides now is the time to have a child on her own. But when she meets John Harding, a “ficto-critical anthropologist” and struggling novelist, Maggie falls in love for the first time, and adjusts her plans for motherhood. Complicating matters, John is in a strained marriage with Georgette Nørgaard, a brilliant Danish academic. With a Greek chorus of Maggie’s eccentric and hilarious best friends Tony and Felicia observing wryly from the sidelines, Maggie sets into motion a new plan that catapults her into a nervy love triangle with John and Georgette; intertwining their lives and connecting them in surprising and the humorous new ways. Maggie learns that sometimes destiny should be left to its own devices.
Metrics
| Opening Weekend: | $63,308 (1.9% of total gross) |
| Legs: | 5.38 (domestic box office/biggest weekend) |
| Domestic Share: | 47.3% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/335 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,634,309 |
Movie Details
| Domestic Releases: | May 20th, 2016 (Limited) by Sony Pictures Classics |
| International Releases: | April 29th, 2016 (Wide) (France)
May 26th, 2016 (Wide), released as Maggie's Plan (Slovakia) May 26th, 2016 (Wide), released as Maggie's Plan (Czech Republic) June 9th, 2016 (Wide), released as Maggie's Plan (Netherlands) June 24th, 2016 (Wide), released as Maggie's Plan (Portugal) ... Show all releases |
| Video Release: | August 23rd, 2016 by Sony Pictures Home Entertainment, released as Maggie's Plan |
| MPA Rating: | R for language and brief sexuality. (Rating bulletin 2410 (Cert #50080), 2/3/2016) |
| Running Time: | 98 minutes |
| Geographical setting: | Brooklyn, New York |
| Plot point: | Divorcée Romance, Exes in Love, Infidelity, Romance, Step-Family, Writing and Writers |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Freedom Media, Locomotive, Hyperion Media, Round Films , Franklin Street Capital |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 20, 2016 | 38 | $63,308 | 5 | $12,662 | $63,308 | 1 | |
| May 27, 2016 | 28 | $103,999 | +64% | 19 | $5,474 | $192,477 | 2 |
| Jun 3, 2016 | 24 | $142,631 | +37% | 34 | $4,195 | $395,549 | 3 |
| Jun 10, 2016 | 17 | $623,248 | +337% | 311 | $2,004 | $1,071,019 | 4 |
| Jun 17, 2016 | 18 | $430,521 | -31% | 335 | $1,285 | $1,764,740 | 5 |
| Jun 24, 2016 | 20 | $273,940 | -36% | 203 | $1,349 | $2,255,796 | 6 |
| Jul 1, 2016 | 24 | $232,690 | -15% | 158 | $1,473 | $2,622,996 | 7 |
| Jul 8, 2016 | 28 | $163,838 | -30% | 103 | $1,591 | $2,928,772 | 8 |
| Jul 15, 2016 | 31 | $125,260 | -24% | 127 | $986 | $3,121,707 | 9 |
| Jul 22, 2016 | 40 | $54,393 | -57% | 62 | $877 | $3,236,381 | 10 |
| Jul 29, 2016 | 50 | $18,151 | -67% | 27 | $672 | $3,280,799 | 11 |
| Aug 5, 2016 | 54 | $12,431 | -32% | 14 | $888 | $3,303,188 | 12 |
| Aug 12, 2016 | 55 | $12,089 | -3% | 15 | $806 | $3,321,580 | 13 |
| Aug 19, 2016 | 70 | $5,503 | -54% | 15 | $367 | $3,332,321 | 14 |
| Aug 26, 2016 | 82 | $3,302 | -40% | 24 | $138 | $3,339,104 | 15 |
| Sep 9, 2016 | 89 | $4,290 | 8 | $536 | $3,348,075 | 17 | |
| Sep 16, 2016 | 114 | $680 | -84% | 4 | $170 | $3,350,456 | 18 |
| Sep 23, 2016 | 116 | $524 | -23% | 3 | $175 | $3,351,230 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 20, 2016 | 38 | $88,478 | 5 | $17,696 | $88,478 | 1 | |
| May 27, 2016 | 28 | $164,440 | +86% | 19 | $8,655 | $252,918 | 2 |
| Jun 3, 2016 | 26 | $194,853 | +18% | 34 | $5,731 | $447,771 | 3 |
| Jun 10, 2016 | 18 | $886,448 | +355% | 311 | $2,850 | $1,334,219 | 4 |
| Jun 17, 2016 | 17 | $647,637 | -27% | 335 | $1,933 | $1,981,856 | 5 |
| Jun 24, 2016 | 21 | $408,450 | -37% | 203 | $2,012 | $2,390,306 | 6 |
| Jul 1, 2016 | 26 | $374,628 | -8% | 158 | $2,371 | $2,764,934 | 7 |
| Jul 8, 2016 | 31 | $231,513 | -38% | 103 | $2,248 | $2,996,447 | 8 |
| Jul 15, 2016 | 33 | $185,541 | -20% | 127 | $1,461 | $3,181,988 | 9 |
| Jul 22, 2016 | 42 | $80,660 | -57% | 62 | $1,301 | $3,262,648 | 10 |
| Jul 29, 2016 | 53 | $28,109 | -65% | 27 | $1,041 | $3,290,757 | 11 |
| Aug 5, 2016 | 57 | $18,734 | -33% | 14 | $1,338 | $3,309,491 | 12 |
| Aug 12, 2016 | 61 | $17,327 | -8% | 15 | $1,155 | $3,326,818 | 13 |
| Aug 19, 2016 | 72 | $8,984 | -48% | 15 | $599 | $3,335,802 | 14 |
| Aug 26, 2016 | 82 | $7,983 | -11% | 24 | $333 | $3,343,785 | 15 |
| Sep 2, 2016 | 91 | $3,196 | -60% | 6 | $533 | $3,346,981 | 16 |
| Sep 9, 2016 | 103 | $2,795 | -13% | 8 | $349 | $3,349,776 | 17 |
| Sep 16, 2016 | 119 | $930 | -67% | 4 | $233 | $3,350,706 | 18 |
| Sep 23, 2016 | 121 | $1,029 | +11% | 3 | $343 | $3,351,735 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/8/2016 | $72,445 | 14 | 20 | 96 | $307,173 | 8/30/2016 | |||
| Brazil | 11/10/2016 | $22,447 | 18 | 18 | 37 | $63,536 | 11/29/2016 | |||
| Czech Republic | 5/26/2016 | $6,026 | 57 | 57 | 82 | $11,088 | 1/1/2019 | |||
| France | 4/29/2016 | $224,640 | 0 | 0 | 0 | $344,427 | 8/17/2018 | |||
| Italy | 6/29/2016 | $64,911 | 0 | 0 | 0 | $307,429 | 8/30/2016 | |||
| Lithuania | 11/4/2016 | $4,381 | 25 | 25 | 51 | $9,876 | 11/30/2016 | |||
| Mexico | 8/19/2016 | $31,394 | 23 | 23 | 56 | $75,234 | 12/6/2016 | |||
| Netherlands | 6/9/2016 | $43,923 | 33 | 34 | 164 | $204,607 | 7/22/2016 | |||
| Norway | 7/22/2016 | $193 | 1 | 1 | 1 | $193 | 7/26/2016 | |||
| Peru | 8/11/2016 | $2,836 | 1 | 1 | 5 | $16,816 | 12/31/2018 | |||
| Poland | 9/23/2016 | $44,654 | 0 | 0 | 0 | $57,275 | 11/18/2018 | |||
| Portugal | 6/24/2016 | $6,975 | 10 | 11 | 28 | $23,142 | 7/22/2016 | |||
| Slovakia | 5/26/2016 | $5,022 | 38 | 38 | 56 | $8,410 | 6/9/2016 | |||
| Slovenia | 7/15/2016 | $1,057 | 1 | 3 | 10 | $9,274 | 8/9/2016 | |||
| South Africa | 11/25/2016 | $5,893 | 5 | 6 | 42 | $53,471 | 1/31/2017 | |||
| South Korea | 1/3/2017 | $0 | 0 | 94 | 222 | $335,258 | 4/4/2026 | |||
| Spain | 10/28/2016 | $20,894 | 14 | 16 | 46 | $65,254 | 12/20/2016 | |||
| Turkey | 6/24/2016 | $6,835 | 15 | 15 | 24 | $16,737 | 2/26/2019 | |||
| United Kingdom | 7/8/2016 | $132,661 | 80 | 80 | 272 | $628,457 | 10/11/2016 | |||
| Rest of World | $1,201,934 | |||||||||
| International Total | $3,739,591 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Greta Gerwig | Maggie | |
| Ethan Hawke | John Harding | |
| Julianne Moore | Georgette |
Supporting
| Bill Hader | Tony | |
| Maya Rudolph | Felicia | |
| Travis Fimmel | Guy Childers | |
| Wallace Shawn | Kliegler | |
| Ida Rohatyn | Lily | |
| George Ashiotis | Blind Man | |
| Monte Greene | Max | |
| Fredi Walker-Browne | Beverly | |
| Brendan Titley | Shakespearean Actor | |
| Stephen Linn | Shakespearean Actor's Lover | |
| Mina Sundwall | Justine | |
| Jackson Frazer | Paul | |
| Alex Morf | Al Benthwaithe | |
| Angela Trento | Debbie Wasserman | |
| Kathleen Hanna | Quebecois Cover Band | |
| Tommy Buck | Quebecois Cover Band | |
| Sue Jean Kim | Komiko |
Production and Technical Credits
| Rebecca Miller | Director | |
| Rebecca Miller | Screenwriter | |
| Karen Rinaldi | Based on a Story by | |
| Rachael Horovitz | Producer | |
| Damon Cardasis | Producer | |
| Rebecca Miller | Producer | |
| Philip Stephenson | Executive Producer | |
| Temple Williams | Executive Producer | |
| Lucy Barzun Donnelly | Executive Producer | |
| Alexandra Kerry | Executive Producer | |
| Michael J. Mailis* | Executive Producer | |
| Susan Wrubel | Executive Producer | |
| Jonathan Shoemaker | Co-Producer | |
| Adam Horovitz | Music Supervisor | |
| Malgosia Turzanska | Costume Designer | |
| Michael Rohatyn | Composer | |
| Sabine Hoffman | Editor | |
| Alexandra Schaller | Production Designer | |
| Sam Levy | Director of Photography | |
| Cindy Tolan | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Maggie Hardin is a vibrant and practical thirty-something New Yorker working at the New School who, without success in finding love, decides now is the time to have a child on her own. But when she meets John Harding, a “ficto-critical anthropologist” and struggling novelist, Maggie falls in love for the first time, and adjusts her plans for motherhood. Complicating matters, John is in a strained marriage with Georgette Nørgaard, a brilliant Danish academic. With a Greek chorus of Maggie’s eccentric and hilarious best friends Tony and Felicia observing wryly from the sidelines, Maggie sets into motion a new plan that catapults her into a nervy love triangle with John and Georgette; intertwining their lives and connecting them in surprising and the humorous new ways. Maggie learns that sometimes destiny should be left to its own devices.
Metrics
| Opening Weekend: | $63,308 (1.9% of total gross) |
| Legs: | 5.38 (domestic box office/biggest weekend) |
| Domestic Share: | 47.3% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/335 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,634,309 |
Movie Details
| Domestic Releases: | May 20th, 2016 (Limited) by Sony Pictures Classics |
| International Releases: | April 29th, 2016 (Wide) (France)
May 26th, 2016 (Wide), released as Maggie's Plan (Slovakia) May 26th, 2016 (Wide), released as Maggie's Plan (Czech Republic) June 9th, 2016 (Wide), released as Maggie's Plan (Netherlands) June 24th, 2016 (Wide), released as Maggie's Plan (Portugal) ... Show all releases |
| Video Release: | August 23rd, 2016 by Sony Pictures Home Entertainment, released as Maggie's Plan |
| MPA Rating: | R for language and brief sexuality. (Rating bulletin 2410 (Cert #50080), 2/3/2016) |
| Running Time: | 98 minutes |
| Geographical setting: | Brooklyn, New York |
| Plot point: | Divorcée Romance, Exes in Love, Infidelity, Romance, Step-Family, Writing and Writers |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Freedom Media, Locomotive, Hyperion Media, Round Films , Franklin Street Capital |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 20, 2016 | 38 | $63,308 | 5 | $12,662 | $63,308 | 1 | |
| May 27, 2016 | 28 | $103,999 | +64% | 19 | $5,474 | $192,477 | 2 |
| Jun 3, 2016 | 24 | $142,631 | +37% | 34 | $4,195 | $395,549 | 3 |
| Jun 10, 2016 | 17 | $623,248 | +337% | 311 | $2,004 | $1,071,019 | 4 |
| Jun 17, 2016 | 18 | $430,521 | -31% | 335 | $1,285 | $1,764,740 | 5 |
| Jun 24, 2016 | 20 | $273,940 | -36% | 203 | $1,349 | $2,255,796 | 6 |
| Jul 1, 2016 | 24 | $232,690 | -15% | 158 | $1,473 | $2,622,996 | 7 |
| Jul 8, 2016 | 28 | $163,838 | -30% | 103 | $1,591 | $2,928,772 | 8 |
| Jul 15, 2016 | 31 | $125,260 | -24% | 127 | $986 | $3,121,707 | 9 |
| Jul 22, 2016 | 40 | $54,393 | -57% | 62 | $877 | $3,236,381 | 10 |
| Jul 29, 2016 | 50 | $18,151 | -67% | 27 | $672 | $3,280,799 | 11 |
| Aug 5, 2016 | 54 | $12,431 | -32% | 14 | $888 | $3,303,188 | 12 |
| Aug 12, 2016 | 55 | $12,089 | -3% | 15 | $806 | $3,321,580 | 13 |
| Aug 19, 2016 | 70 | $5,503 | -54% | 15 | $367 | $3,332,321 | 14 |
| Aug 26, 2016 | 82 | $3,302 | -40% | 24 | $138 | $3,339,104 | 15 |
| Sep 9, 2016 | 89 | $4,290 | 8 | $536 | $3,348,075 | 17 | |
| Sep 16, 2016 | 114 | $680 | -84% | 4 | $170 | $3,350,456 | 18 |
| Sep 23, 2016 | 116 | $524 | -23% | 3 | $175 | $3,351,230 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 20, 2016 | 38 | $88,478 | 5 | $17,696 | $88,478 | 1 | |
| May 27, 2016 | 28 | $164,440 | +86% | 19 | $8,655 | $252,918 | 2 |
| Jun 3, 2016 | 26 | $194,853 | +18% | 34 | $5,731 | $447,771 | 3 |
| Jun 10, 2016 | 18 | $886,448 | +355% | 311 | $2,850 | $1,334,219 | 4 |
| Jun 17, 2016 | 17 | $647,637 | -27% | 335 | $1,933 | $1,981,856 | 5 |
| Jun 24, 2016 | 21 | $408,450 | -37% | 203 | $2,012 | $2,390,306 | 6 |
| Jul 1, 2016 | 26 | $374,628 | -8% | 158 | $2,371 | $2,764,934 | 7 |
| Jul 8, 2016 | 31 | $231,513 | -38% | 103 | $2,248 | $2,996,447 | 8 |
| Jul 15, 2016 | 33 | $185,541 | -20% | 127 | $1,461 | $3,181,988 | 9 |
| Jul 22, 2016 | 42 | $80,660 | -57% | 62 | $1,301 | $3,262,648 | 10 |
| Jul 29, 2016 | 53 | $28,109 | -65% | 27 | $1,041 | $3,290,757 | 11 |
| Aug 5, 2016 | 57 | $18,734 | -33% | 14 | $1,338 | $3,309,491 | 12 |
| Aug 12, 2016 | 61 | $17,327 | -8% | 15 | $1,155 | $3,326,818 | 13 |
| Aug 19, 2016 | 72 | $8,984 | -48% | 15 | $599 | $3,335,802 | 14 |
| Aug 26, 2016 | 82 | $7,983 | -11% | 24 | $333 | $3,343,785 | 15 |
| Sep 2, 2016 | 91 | $3,196 | -60% | 6 | $533 | $3,346,981 | 16 |
| Sep 9, 2016 | 103 | $2,795 | -13% | 8 | $349 | $3,349,776 | 17 |
| Sep 16, 2016 | 119 | $930 | -67% | 4 | $233 | $3,350,706 | 18 |
| Sep 23, 2016 | 121 | $1,029 | +11% | 3 | $343 | $3,351,735 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/8/2016 | $72,445 | 14 | 20 | 96 | $307,173 | 8/30/2016 | |||
| Brazil | 11/10/2016 | $22,447 | 18 | 18 | 37 | $63,536 | 11/29/2016 | |||
| Czech Republic | 5/26/2016 | $6,026 | 57 | 57 | 82 | $11,088 | 1/1/2019 | |||
| France | 4/29/2016 | $224,640 | 0 | 0 | 0 | $344,427 | 8/17/2018 | |||
| Italy | 6/29/2016 | $64,911 | 0 | 0 | 0 | $307,429 | 8/30/2016 | |||
| Lithuania | 11/4/2016 | $4,381 | 25 | 25 | 51 | $9,876 | 11/30/2016 | |||
| Mexico | 8/19/2016 | $31,394 | 23 | 23 | 56 | $75,234 | 12/6/2016 | |||
| Netherlands | 6/9/2016 | $43,923 | 33 | 34 | 164 | $204,607 | 7/22/2016 | |||
| Norway | 7/22/2016 | $193 | 1 | 1 | 1 | $193 | 7/26/2016 | |||
| Peru | 8/11/2016 | $2,836 | 1 | 1 | 5 | $16,816 | 12/31/2018 | |||
| Poland | 9/23/2016 | $44,654 | 0 | 0 | 0 | $57,275 | 11/18/2018 | |||
| Portugal | 6/24/2016 | $6,975 | 10 | 11 | 28 | $23,142 | 7/22/2016 | |||
| Slovakia | 5/26/2016 | $5,022 | 38 | 38 | 56 | $8,410 | 6/9/2016 | |||
| Slovenia | 7/15/2016 | $1,057 | 1 | 3 | 10 | $9,274 | 8/9/2016 | |||
| South Africa | 11/25/2016 | $5,893 | 5 | 6 | 42 | $53,471 | 1/31/2017 | |||
| South Korea | 1/3/2017 | $0 | 0 | 94 | 222 | $335,258 | 4/4/2026 | |||
| Spain | 10/28/2016 | $20,894 | 14 | 16 | 46 | $65,254 | 12/20/2016 | |||
| Turkey | 6/24/2016 | $6,835 | 15 | 15 | 24 | $16,737 | 2/26/2019 | |||
| United Kingdom | 7/8/2016 | $132,661 | 80 | 80 | 272 | $628,457 | 10/11/2016 | |||
| Rest of World | $1,201,934 | |||||||||
| International Total | $3,739,591 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Greta Gerwig | Maggie | |
| Ethan Hawke | John Harding | |
| Julianne Moore | Georgette |
Supporting
| Bill Hader | Tony | |
| Maya Rudolph | Felicia | |
| Travis Fimmel | Guy Childers | |
| Wallace Shawn | Kliegler | |
| Ida Rohatyn | Lily | |
| George Ashiotis | Blind Man | |
| Monte Greene | Max | |
| Fredi Walker-Browne | Beverly | |
| Brendan Titley | Shakespearean Actor | |
| Stephen Linn | Shakespearean Actor's Lover | |
| Mina Sundwall | Justine | |
| Jackson Frazer | Paul | |
| Alex Morf | Al Benthwaithe | |
| Angela Trento | Debbie Wasserman | |
| Kathleen Hanna | Quebecois Cover Band | |
| Tommy Buck | Quebecois Cover Band | |
| Sue Jean Kim | Komiko |
Production and Technical Credits
| Rebecca Miller | Director | |
| Rebecca Miller | Screenwriter | |
| Karen Rinaldi | Based on a Story by | |
| Rachael Horovitz | Producer | |
| Damon Cardasis | Producer | |
| Rebecca Miller | Producer | |
| Philip Stephenson | Executive Producer | |
| Temple Williams | Executive Producer | |
| Lucy Barzun Donnelly | Executive Producer | |
| Alexandra Kerry | Executive Producer | |
| Michael J. Mailis* | Executive Producer | |
| Susan Wrubel | Executive Producer | |
| Jonathan Shoemaker | Co-Producer | |
| Adam Horovitz | Music Supervisor | |
| Malgosia Turzanska | Costume Designer | |
| Michael Rohatyn | Composer | |
| Sabine Hoffman | Editor | |
| Alexandra Schaller | Production Designer | |
| Sam Levy | Director of Photography | |
| Cindy Tolan | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.