Magnificent Obsession (1954)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $7,906 | Details |
| Worldwide Box Office | $7,906 | |
| OpusData ID: 423410100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | July 16th, 1954 (Limited) by Universal |
| International Releases: | October 10th, 2025 (Limited) (South Korea) |
| Video Release: | August 20th, 2019 by Criterion |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Remake |
| Plot point: | Romance |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, German |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 10/10/2025 | $1,068 | 1 | 1 | 0 | $7,906 | 4/6/2026 | |||
| International Total | $7,906 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jane Wyman | Helen Phillips | |
| Rock Hudson | Bob Merrick |
Supporting
| Barbara Rush | Joyce Phillips | |
| Otto Kruger | Rudolph | |
| Agnes Moorehead | Nancy Ashford | |
| Gregg Palmer | Tom Masterson | |
| Sara Shane | Valerie | |
| Paul Cavanagh | Dr. Giraud | |
| George Lynn | Williams | |
| Richard Cutting | Dr. Dodge |
Production and Technical Credits
| Douglas Sirk | Director | |
| Robert Blees | Screenwriter | |
| Wells Root | Screenwriter | |
| Sarah Y. Mason | Screenwriter | |
| Victor Heerman | Screenwriter | |
| Lloyd C. Douglas | Story based on the book by | |
| Ross Hunter | Producer | |
| Milton Carruth | Editor | |
| Frank Skinner | Composer | |
| Russell Metty | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | July 16th, 1954 (Limited) by Universal |
| International Releases: | October 10th, 2025 (Limited) (South Korea) |
| Video Release: | August 20th, 2019 by Criterion |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Remake |
| Plot point: | Romance |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, German |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 10/10/2025 | $1,068 | 1 | 1 | 0 | $7,906 | 4/6/2026 | |||
| International Total | $7,906 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jane Wyman | Helen Phillips | |
| Rock Hudson | Bob Merrick |
Supporting
| Barbara Rush | Joyce Phillips | |
| Otto Kruger | Rudolph | |
| Agnes Moorehead | Nancy Ashford | |
| Gregg Palmer | Tom Masterson | |
| Sara Shane | Valerie | |
| Paul Cavanagh | Dr. Giraud | |
| George Lynn | Williams | |
| Richard Cutting | Dr. Dodge |
Production and Technical Credits
| Douglas Sirk | Director | |
| Robert Blees | Screenwriter | |
| Wells Root | Screenwriter | |
| Sarah Y. Mason | Screenwriter | |
| Victor Heerman | Screenwriter | |
| Lloyd C. Douglas | Story based on the book by | |
| Ross Hunter | Producer | |
| Milton Carruth | Editor | |
| Frank Skinner | Composer | |
| Russell Metty | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.