En mai, fais ce qu'il te plaît (2015)
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| Theatrical Performance | ||
| Domestic Box Office | $37,858 | Details |
| International Box Office | $1,251,072 | Details |
| Worldwide Box Office | $1,288,930 | |
| OpusData ID: 259930100 More info... | ||
| Further financial details... | ||
Synopsis
May 1940. To escape the imminent German invasion, the inhabitants of a small village in northern France flee their homes, like so many millions of their compatriots. Max, a German boy, travels with them. His father, Hans, opposed the Nazi regime and was imprisoned in Arras for having lied about his nationality. Hans is eventually set free and sets off to find his son, accompanied by a Scottish soldier who is trying to get back home.
Metrics
| Opening Weekend: | $9,738 (25.7% of total gross) |
| Legs: | 3.89 (domestic box office/biggest weekend) |
| Domestic Share: | 2.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/6 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,349 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Limited) by Cohen Media Group, released as Come What May |
| International Releases: | November 6th, 2015 (Wide) (France) |
| MPA Rating: | R for some war violence/bloody images. (Rating bulletin 2429 (Cert #50506), 6/15/2016) |
| Running Time: | 114 minutes |
| Plot point: | Musicians, Nazis, Politicians, Teachers |
| Social setting: | Life in a Small Town, World War II |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Nord-Quest Films, Pathe, France 2 Cinema, Appaloosa Distribution, Une Hirondelle Productions, Canal Plus, Cine Plus, France Television, Artemis, Tax Shelter Films Fund, The Belgian Federal Government, Pictanovo, The Nord Pas De Calais Region, The Centre National Du Cine |
| Production Countries: | France, Germany |
| Languages: | German, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 76 | $9,738 | 2 | $4,869 | $9,738 | 1 | |
| Sep 16, 2016 | 86 | $6,765 | -31% | 4 | $1,691 | $21,857 | 2 |
| Sep 23, 2016 | 77 | $7,347 | +9% | 6 | $1,225 | $33,367 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 77 | $15,092 | 2 | $7,546 | $15,092 | 1 | |
| Sep 16, 2016 | 86 | $10,928 | -28% | 4 | $2,732 | $26,020 | 2 |
| Sep 23, 2016 | 79 | $11,838 | +8% | 6 | $1,973 | $37,858 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 11/6/2015 | $624,978 | 0 | 0 | 0 | $1,048,324 | 8/21/2018 | |||
| Spain | $67,679 | 54 | 57 | 209 | $202,748 | 4/4/2026 | ||||
| International Total | $1,251,072 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| August Diehl | Hans, The German Refugee | |
| Olivier Gourmet | Paul, The Mayor | |
| Mathilde Seigner | Mado, The Owner of the Bistro | |
| Alice Isaaz | Suzanne, The Teacher | |
| Matthew Rhys | Percy, The Scottish Soldier |
Supporting
| Laurent Gerra | Albert, The Good Frenchman | |
| Jacques Bonaffe | Roger, The Farmer | |
| Thomas Schmauser | Arriflex, The German Director | |
| Joshio Marlon | Max, Han's Son |
Production and Technical Credits
| Christian Carion | Director | |
| Christophe Rossignon | Producer | |
| Philip Boeffard | Producer | |
| Christian Carion | Screenwriter | |
| Laure Irrmann | Screenwriter | |
| Romain Le Grand | Co-Producer | |
| Patrick Quinet | Co-Producer | |
| Jonathan Blumental | Associate Producer | |
| Eve Francois-Machuel | Line Producer | |
| Stephane Riga | Line Producer | |
| Ennio Morricone | Composer | |
| Pierre Cottereau | Director of Photography | |
| Laure Gardette | Editor | |
| Thierry Verrier | First Assistant Director | |
| Jean Michel Simonet | Set Designer | |
| Thomas Desjonqueres | Sound Editor | |
| Florent Lavallee | Sound Mixer | |
| Monic Parelle | Costume Designer | |
| Marie Leconte Henriet* | Script Supervisor | |
| Susie Figgis | Casting Director | |
| Anne Walcher | Casting Director | |
| Franziska Aigner | Casting Director | |
| Pascal Mayer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
May 1940. To escape the imminent German invasion, the inhabitants of a small village in northern France flee their homes, like so many millions of their compatriots. Max, a German boy, travels with them. His father, Hans, opposed the Nazi regime and was imprisoned in Arras for having lied about his nationality. Hans is eventually set free and sets off to find his son, accompanied by a Scottish soldier who is trying to get back home.
Metrics
| Opening Weekend: | $9,738 (25.7% of total gross) |
| Legs: | 3.89 (domestic box office/biggest weekend) |
| Domestic Share: | 2.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/6 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,349 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Limited) by Cohen Media Group, released as Come What May |
| International Releases: | November 6th, 2015 (Wide) (France) |
| MPA Rating: | R for some war violence/bloody images. (Rating bulletin 2429 (Cert #50506), 6/15/2016) |
| Running Time: | 114 minutes |
| Plot point: | Musicians, Nazis, Politicians, Teachers |
| Social setting: | Life in a Small Town, World War II |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Nord-Quest Films, Pathe, France 2 Cinema, Appaloosa Distribution, Une Hirondelle Productions, Canal Plus, Cine Plus, France Television, Artemis, Tax Shelter Films Fund, The Belgian Federal Government, Pictanovo, The Nord Pas De Calais Region, The Centre National Du Cine |
| Production Countries: | France, Germany |
| Languages: | German, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 76 | $9,738 | 2 | $4,869 | $9,738 | 1 | |
| Sep 16, 2016 | 86 | $6,765 | -31% | 4 | $1,691 | $21,857 | 2 |
| Sep 23, 2016 | 77 | $7,347 | +9% | 6 | $1,225 | $33,367 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 77 | $15,092 | 2 | $7,546 | $15,092 | 1 | |
| Sep 16, 2016 | 86 | $10,928 | -28% | 4 | $2,732 | $26,020 | 2 |
| Sep 23, 2016 | 79 | $11,838 | +8% | 6 | $1,973 | $37,858 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 11/6/2015 | $624,978 | 0 | 0 | 0 | $1,048,324 | 8/21/2018 | |||
| Spain | $67,679 | 54 | 57 | 209 | $202,748 | 4/4/2026 | ||||
| International Total | $1,251,072 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| August Diehl | Hans, The German Refugee | |
| Olivier Gourmet | Paul, The Mayor | |
| Mathilde Seigner | Mado, The Owner of the Bistro | |
| Alice Isaaz | Suzanne, The Teacher | |
| Matthew Rhys | Percy, The Scottish Soldier |
Supporting
| Laurent Gerra | Albert, The Good Frenchman | |
| Jacques Bonaffe | Roger, The Farmer | |
| Thomas Schmauser | Arriflex, The German Director | |
| Joshio Marlon | Max, Han's Son |
Production and Technical Credits
| Christian Carion | Director | |
| Christophe Rossignon | Producer | |
| Philip Boeffard | Producer | |
| Christian Carion | Screenwriter | |
| Laure Irrmann | Screenwriter | |
| Romain Le Grand | Co-Producer | |
| Patrick Quinet | Co-Producer | |
| Jonathan Blumental | Associate Producer | |
| Eve Francois-Machuel | Line Producer | |
| Stephane Riga | Line Producer | |
| Ennio Morricone | Composer | |
| Pierre Cottereau | Director of Photography | |
| Laure Gardette | Editor | |
| Thierry Verrier | First Assistant Director | |
| Jean Michel Simonet | Set Designer | |
| Thomas Desjonqueres | Sound Editor | |
| Florent Lavallee | Sound Mixer | |
| Monic Parelle | Costume Designer | |
| Marie Leconte Henriet* | Script Supervisor | |
| Susie Figgis | Casting Director | |
| Anne Walcher | Casting Director | |
| Franziska Aigner | Casting Director | |
| Pascal Mayer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.