Malignant (2021)
| Theatrical Performance | ||
| Domestic Box Office | $13,391,791 | Details |
| International Box Office | $21,500,000 | Details |
| Worldwide Box Office | $34,891,791 | |
| OpusData ID: 430560100 More info... | ||
| Further financial details... | ||
Synopsis
Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.
Metrics
| Opening Weekend: | $5,434,620 (40.6% of total gross) |
| Legs: | 2.46 (domestic box office/biggest weekend) |
| Domestic Share: | 38.4% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,485 opening theaters/3,501 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,748,856 |
Movie Details
| Domestic Releases: | September 10th, 2021 (Wide) by Warner Bros. September 10th, 2021 (IMAX) by Warner Bros. |
| International Releases: | September 2nd, 2021 (Wide) (Germany)
September 2nd, 2021 (Wide) (Italy) September 3rd, 2021 (Wide), released as Maligno (Spain) September 3rd, 2021 (Wide) (France) September 3rd, 2021 (Wide) (Netherlands) ... Show all releases |
| Video Release: | September 10th, 2021 by Max |
| MPA Rating: | R for strong horror violence and gruesome images, and for language. (Rating bulletin 2662 (cert #52845), 1/6/2021) |
| Plot point: | Psychics |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Atomic Monster, New Line Cinema, Starlight Media, My Entertainment Inc |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 2021 | 3 | $5,434,620 | 3,485 | $1,559 | $5,434,620 | 1 | |
| Sep 17, 2021 | 5 | $2,716,557 | -50% | 3,501 | $776 | $9,840,084 | 2 |
| Sep 24, 2021 | 7 | $1,500,765 | -45% | 2,534 | $592 | $12,264,268 | 3 |
| Oct 1, 2021 | - | $340,068 | -77% | 653 | $521 | $13,086,394 | 4 |
| Oct 8, 2021 | - | $112,090 | -67% | 166 | $675 | $13,316,073 | 5 |
| Oct 15, 2021 | - | $18,043 | -84% | 81 | $223 | $13,366,258 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 2021 | 3 | $7,123,527 | 3,485 | $2,044 | $7,123,527 | 1 | |
| Sep 17, 2021 | 5 | $3,639,976 | -49% | 3,501 | $1,040 | $10,763,503 | 2 |
| Sep 24, 2021 | 7 | $1,982,823 | -46% | 3,501 | $566 | $12,746,326 | 3 |
| Oct 1, 2021 | 14 | $457,657 | -77% | 653 | $701 | $13,203,983 | 4 |
| Oct 8, 2021 | - | $144,232 | -68% | 166 | $869 | $13,348,215 | 5 |
| Oct 15, 2021 | - | $25,799 | -82% | 81 | $319 | $13,374,014 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/21/2021 | $187,238 | 195 | 195 | 474 | $398,351 | 10/20/2022 | |||
| Brazil | 9/10/2021 | $0 | 0 | 0 | 0 | $801,000 | 10/20/2022 | |||
| Colombia | 9/24/2021 | $0 | 0 | 0 | 0 | $483,000 | 10/20/2022 | |||
| Czech Republic | 9/10/2021 | $56,625 | 86 | 86 | 239 | $218,145 | 10/20/2022 | |||
| Finland | 9/10/2021 | $52,361 | 56 | 56 | 141 | $144,978 | 4/21/2026 | |||
| France | 9/3/2021 | $494,640 | 233 | 233 | 656 | $1,300,000 | 10/20/2022 | |||
| Germany | 9/2/2021 | $0 | 0 | 0 | 0 | $259,000 | 10/20/2022 | |||
| Hong Kong | 9/3/2021 | $99,985 | 0 | 0 | 0 | $198,203 | 9/17/2021 | |||
| India | 9/10/2021 | $0 | 0 | 0 | 0 | $530,000 | 10/20/2022 | |||
| Italy | 9/2/2021 | $195,469 | 0 | 0 | 0 | $519,000 | 10/20/2022 | |||
| Japan | 11/12/2021 | $201,000 | 70 | 70 | 70 | $201,000 | 10/20/2022 | |||
| Lithuania | 9/3/2021 | $10,263 | 11 | 11 | 35 | $48,015 | 10/20/2022 | |||
| Mexico | 9/9/2021 | $513,492 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 | |||
| Netherlands | 9/3/2021 | $119,450 | 71 | 71 | 271 | $439,000 | 10/20/2022 | |||
| Poland | 9/24/2021 | $0 | 0 | 0 | 0 | $412,000 | 10/20/2022 | |||
| Portugal | 9/10/2021 | $58,811 | 55 | 55 | 180 | $207,300 | 10/20/2022 | |||
| Romania | 9/3/2021 | $0 | 0 | 58 | 238 | $180,709 | 10/20/2022 | |||
| Russia (CIS) | 9/9/2021 | $655,200 | 1,077 | 1,077 | 2,915 | $1,800,000 | 10/20/2022 | |||
| Saudi Arabia | 9/10/2021 | $0 | 0 | 0 | 0 | $744,000 | 10/20/2022 | |||
| Slovakia | 9/3/2021 | $26,160 | 37 | 38 | 154 | $121,980 | 10/19/2021 | |||
| South Korea | 9/15/2021 | $152,106 | 485 | 485 | 643 | $363,217 | 10/7/2021 | |||
| Spain | 9/3/2021 | $606,352 | 302 | 313 | 1,333 | $2,200,000 | 10/20/2022 | |||
| Taiwan | 9/3/2021 | $0 | 0 | 0 | 0 | $241,000 | 10/20/2022 | |||
| Turkey | 9/3/2021 | $35,074 | 179 | 179 | 385 | $80,197 | 4/4/2026 | |||
| United Kingdom | 9/8/2021 | $566,739 | 523 | 524 | 1,693 | $2,000,000 | 10/20/2022 | |||
| Rest of World | $6,209,905 | |||||||||
| International Total | $21,500,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annabelle Wallis | Madison Mitchell |
Supporting
| Maddie Hasson | Sydney Lake | |
| George Young | Kekoa Shaw | |
| Michole Briana White | Regina Moss | |
| Jacqueline McKenzie | Dr. Florence Weaver | |
| Jake Abel | Derek Mitchell | |
| Ingrid Bisu | CST Winnie | |
| Mckenna Grace | Young Madison | |
| Jean Louisa Kelly | Jane Doe / Serena | |
| Susanna Thompson | Jeanne | |
| Christian Clemenson | Dr. Victor Fields | |
| Amir Aboulela | Dr. Gregory | |
| Mercedes Colon | Mendez | |
| Ruben Pla | Officer Rubin | |
| Jon Lee Brody | Officer Lee | |
| Paula Marshall | Beverly | |
| Zoë Bell | Scorpion | |
| Dan Ramos | Basco | |
| Shaunte Johnson | Beta | |
| Natalia Safran | Nurse Annie | |
| Mike Mendez | Hospital Security Guard #1 | |
| Randy Haynie | Hospital Security Guard #2 | |
| Cord Walker | Hospital Security Guard #3 | |
| Jesus Trujillo | Research Doctor | |
| Lisa Catara | Research Orderly | |
| Danielle Nottingham | News Anchor | |
| Ray Chase | Gabriel |
Production and Technical Credits
| James Wan | Director | |
| Akela Cooper | Screenwriter | |
| James Wan | Producer | |
| Michael Clear | Producer | |
| James Wan | Story Creator | |
| Ingrid Bisu | Story Creator | |
| Akela Cooper | Story Creator | |
| Michelle Silverman | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.
Metrics
| Opening Weekend: | $5,434,620 (40.6% of total gross) |
| Legs: | 2.46 (domestic box office/biggest weekend) |
| Domestic Share: | 38.4% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,485 opening theaters/3,501 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,748,856 |
Movie Details
| Domestic Releases: | September 10th, 2021 (Wide) by Warner Bros. September 10th, 2021 (IMAX) by Warner Bros. |
| International Releases: | September 2nd, 2021 (Wide) (Germany)
September 2nd, 2021 (Wide) (Italy) September 3rd, 2021 (Wide), released as Maligno (Spain) September 3rd, 2021 (Wide) (France) September 3rd, 2021 (Wide) (Netherlands) ... Show all releases |
| Video Release: | September 10th, 2021 by Max |
| MPA Rating: | R for strong horror violence and gruesome images, and for language. (Rating bulletin 2662 (cert #52845), 1/6/2021) |
| Plot point: | Psychics |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Atomic Monster, New Line Cinema, Starlight Media, My Entertainment Inc |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 2021 | 3 | $5,434,620 | 3,485 | $1,559 | $5,434,620 | 1 | |
| Sep 17, 2021 | 5 | $2,716,557 | -50% | 3,501 | $776 | $9,840,084 | 2 |
| Sep 24, 2021 | 7 | $1,500,765 | -45% | 2,534 | $592 | $12,264,268 | 3 |
| Oct 1, 2021 | - | $340,068 | -77% | 653 | $521 | $13,086,394 | 4 |
| Oct 8, 2021 | - | $112,090 | -67% | 166 | $675 | $13,316,073 | 5 |
| Oct 15, 2021 | - | $18,043 | -84% | 81 | $223 | $13,366,258 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 10, 2021 | 3 | $7,123,527 | 3,485 | $2,044 | $7,123,527 | 1 | |
| Sep 17, 2021 | 5 | $3,639,976 | -49% | 3,501 | $1,040 | $10,763,503 | 2 |
| Sep 24, 2021 | 7 | $1,982,823 | -46% | 3,501 | $566 | $12,746,326 | 3 |
| Oct 1, 2021 | 14 | $457,657 | -77% | 653 | $701 | $13,203,983 | 4 |
| Oct 8, 2021 | - | $144,232 | -68% | 166 | $869 | $13,348,215 | 5 |
| Oct 15, 2021 | - | $25,799 | -82% | 81 | $319 | $13,374,014 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/21/2021 | $187,238 | 195 | 195 | 474 | $398,351 | 10/20/2022 | |||
| Brazil | 9/10/2021 | $0 | 0 | 0 | 0 | $801,000 | 10/20/2022 | |||
| Colombia | 9/24/2021 | $0 | 0 | 0 | 0 | $483,000 | 10/20/2022 | |||
| Czech Republic | 9/10/2021 | $56,625 | 86 | 86 | 239 | $218,145 | 10/20/2022 | |||
| Finland | 9/10/2021 | $52,361 | 56 | 56 | 141 | $144,978 | 4/21/2026 | |||
| France | 9/3/2021 | $494,640 | 233 | 233 | 656 | $1,300,000 | 10/20/2022 | |||
| Germany | 9/2/2021 | $0 | 0 | 0 | 0 | $259,000 | 10/20/2022 | |||
| Hong Kong | 9/3/2021 | $99,985 | 0 | 0 | 0 | $198,203 | 9/17/2021 | |||
| India | 9/10/2021 | $0 | 0 | 0 | 0 | $530,000 | 10/20/2022 | |||
| Italy | 9/2/2021 | $195,469 | 0 | 0 | 0 | $519,000 | 10/20/2022 | |||
| Japan | 11/12/2021 | $201,000 | 70 | 70 | 70 | $201,000 | 10/20/2022 | |||
| Lithuania | 9/3/2021 | $10,263 | 11 | 11 | 35 | $48,015 | 10/20/2022 | |||
| Mexico | 9/9/2021 | $513,492 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 | |||
| Netherlands | 9/3/2021 | $119,450 | 71 | 71 | 271 | $439,000 | 10/20/2022 | |||
| Poland | 9/24/2021 | $0 | 0 | 0 | 0 | $412,000 | 10/20/2022 | |||
| Portugal | 9/10/2021 | $58,811 | 55 | 55 | 180 | $207,300 | 10/20/2022 | |||
| Romania | 9/3/2021 | $0 | 0 | 58 | 238 | $180,709 | 10/20/2022 | |||
| Russia (CIS) | 9/9/2021 | $655,200 | 1,077 | 1,077 | 2,915 | $1,800,000 | 10/20/2022 | |||
| Saudi Arabia | 9/10/2021 | $0 | 0 | 0 | 0 | $744,000 | 10/20/2022 | |||
| Slovakia | 9/3/2021 | $26,160 | 37 | 38 | 154 | $121,980 | 10/19/2021 | |||
| South Korea | 9/15/2021 | $152,106 | 485 | 485 | 643 | $363,217 | 10/7/2021 | |||
| Spain | 9/3/2021 | $606,352 | 302 | 313 | 1,333 | $2,200,000 | 10/20/2022 | |||
| Taiwan | 9/3/2021 | $0 | 0 | 0 | 0 | $241,000 | 10/20/2022 | |||
| Turkey | 9/3/2021 | $35,074 | 179 | 179 | 385 | $80,197 | 4/4/2026 | |||
| United Kingdom | 9/8/2021 | $566,739 | 523 | 524 | 1,693 | $2,000,000 | 10/20/2022 | |||
| Rest of World | $6,209,905 | |||||||||
| International Total | $21,500,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annabelle Wallis | Madison Mitchell |
Supporting
| Maddie Hasson | Sydney Lake | |
| George Young | Kekoa Shaw | |
| Michole Briana White | Regina Moss | |
| Jacqueline McKenzie | Dr. Florence Weaver | |
| Jake Abel | Derek Mitchell | |
| Ingrid Bisu | CST Winnie | |
| Mckenna Grace | Young Madison | |
| Jean Louisa Kelly | Jane Doe / Serena | |
| Susanna Thompson | Jeanne | |
| Christian Clemenson | Dr. Victor Fields | |
| Amir Aboulela | Dr. Gregory | |
| Mercedes Colon | Mendez | |
| Ruben Pla | Officer Rubin | |
| Jon Lee Brody | Officer Lee | |
| Paula Marshall | Beverly | |
| Zoë Bell | Scorpion | |
| Dan Ramos | Basco | |
| Shaunte Johnson | Beta | |
| Natalia Safran | Nurse Annie | |
| Mike Mendez | Hospital Security Guard #1 | |
| Randy Haynie | Hospital Security Guard #2 | |
| Cord Walker | Hospital Security Guard #3 | |
| Jesus Trujillo | Research Doctor | |
| Lisa Catara | Research Orderly | |
| Danielle Nottingham | News Anchor | |
| Ray Chase | Gabriel |
Production and Technical Credits
| James Wan | Director | |
| Akela Cooper | Screenwriter | |
| James Wan | Producer | |
| Michael Clear | Producer | |
| James Wan | Story Creator | |
| Ingrid Bisu | Story Creator | |
| Akela Cooper | Story Creator | |
| Michelle Silverman | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.