A Man Apart (2003)
| Theatrical Performance | ||
| Domestic Box Office | $26,500,000 | Details |
| International Box Office | $17,297,731 | Details |
| Worldwide Box Office | $43,797,731 | |
| OpusData ID: 20530100 More info... | ||
| Further financial details... | ||
Synopsis
With nothing left to lose, agent Sean Vetter, already notorious for his violent tactics, uses every means--even an alliance with the former cartel boss he jailed--as he edges dangerously close to the line between justice and lawlessness in his brutal quest for vengeance against a mysterious killer known only as El Diablo. Now, stalking the Tijuana nights accompanied by the glint off the barrel of his rifle, Vetter hunts ... A Man Apart.
Metrics
| Opening Weekend: | $11,019,224 (41.6% of total gross) |
| Legs: | 2.40 (domestic box office/biggest weekend) |
| Domestic Share: | 60.5% (domestic box office/worldwide) |
| Production Budget: | $36,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,459 opening theaters/2,495 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,560,528 |
Movie Details
| Domestic Releases: | April 4th, 2003 (Wide) by New Line |
| International Releases: | June 12th, 2003 (Wide) (Australia) |
| MPA Rating: | R for strong graphic violence, language, drug content and sexuality. |
| Running Time: | 109 minutes |
| Plot point: | DEA Agent, Death of a Spouse or Fiancée / Fiancé, Drug Cartels, Going Legit, Revenge, Vigilante |
| Social setting: | Hood Film, Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Vincent Newman, Tucker Tooley, Joseph Nittolo Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2003 | 3 | $11,019,224 | 2,459 | $4,481 | $11,019,224 | 1 | |
| Apr 11, 2003 | 5 | $4,457,668 | -60% | 2,495 | $1,787 | $18,276,063 | 2 |
| Apr 18, 2003 | 8 | $2,804,432 | -37% | 2,174 | $1,290 | $22,763,440 | 3 |
| Apr 25, 2003 | 16 | $1,200,774 | -57% | 1,235 | $972 | $25,105,722 | 4 |
| May 2, 2003 | 25 | $340,771 | -72% | 454 | $751 | $25,846,938 | 5 |
| May 9, 2003 | 27 | $208,931 | -39% | 258 | $810 | $26,183,197 | 6 |
| May 16, 2003 | 47 | $56,023 | -73% | 89 | $629 | $26,303,905 | 7 |
| May 23, 2003 | 50 | $50,000 | -11% | 43 | $1,163 | $26,500,000 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 4, 2003 | 2 | $4,058,500 | 2,459 | $1,650 | $4,058,500 | 1 | ||
| Apr 5, 2003 | 3 | $4,212,000 | +4% | 2,459 | $1,713 | $8,270,500 | 2 | |
| Apr 6, 2003 | 3 | $2,873,000 | -32% | 2,459 | $1,168 | $11,019,224 | 3 | |
| Apr 7, 2003 | 2 | $768,000 | -73% | 2,459 | $312 | $11,787,000 | 4 | |
| Apr 8, 2003 | 2 | $842,000 | +10% | 2,459 | $342 | $12,630,000 | 5 | |
| Apr 9, 2003 | 2 | $699,000 | -17% | 2,459 | $284 | $13,328,000 | 6 | |
| Apr 10, 2003 | 2 | $606,000 | -13% | 2,459 | $246 | $13,818,000 | 7 | |
| Apr 11, 2003 | 5 | $1,371,000 | +126% | -66% | 2,495 | $549 | $15,189,000 | 8 |
| Apr 12, 2003 | 6 | $1,824,000 | +33% | -57% | 2,495 | $731 | $16,969,000 | 9 |
| Apr 13, 2003 | 4 | $1,307,000 | -28% | -55% | 2,495 | $524 | $18,276,063 | 10 |
| Apr 14, 2003 | 4 | $435,000 | -67% | -43% | 2,495 | $174 | $18,711,000 | 11 |
| Apr 15, 2003 | 4 | $459,000 | +6% | -45% | 2,495 | $184 | $19,170,000 | 12 |
| Apr 16, 2003 | 7 | $394,000 | -14% | -44% | 2,495 | $158 | $19,564,000 | 13 |
| Apr 17, 2003 | 8 | $363,000 | -8% | -40% | 2,495 | $145 | $19,927,000 | 14 |
| Apr 18, 2003 | 8 | $986,000 | +172% | -28% | 2,495 | $395 | $20,545,000 | 15 |
| Apr 19, 2003 | 8 | $1,034,000 | +5% | -43% | 2,174 | $476 | $21,579,000 | 16 |
| Apr 20, 2003 | 8 | $802,000 | -22% | -39% | 2,174 | $369 | $22,763,440 | 17 |
| Apr 21, 2003 | 8 | $355,000 | -56% | -18% | 2,174 | $163 | $23,118,000 | 18 |
| Apr 22, 2003 | 9 | $275,000 | -23% | -40% | 2,174 | $126 | $23,393,000 | 19 |
| Apr 23, 2003 | 9 | $271,000 | -1% | -31% | 2,174 | $125 | $23,664,000 | 20 |
| Apr 24, 2003 | 9 | $252,000 | -7% | -31% | 2,174 | $116 | $23,905,000 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2003 | 2 | $13,818,395 | 2,459 | $5,620 | $13,818,395 | 1 | |
| Apr 11, 2003 | 5 | $6,140,613 | -56% | 2,495 | $2,461 | $19,959,008 | 2 |
| Apr 18, 2003 | 8 | $3,945,940 | -36% | 2,174 | $1,815 | $23,904,948 | 3 |
| Apr 25, 2003 | 17 | $1,601,219 | -59% | 1,235 | $1,297 | $25,506,167 | 4 |
| May 2, 2003 | 23 | $468,099 | -71% | 454 | $1,031 | $25,974,266 | 5 |
| May 9, 2003 | 29 | $273,616 | -42% | 258 | $1,061 | $26,247,882 | 6 |
| May 16, 2003 | 28 | $202,118 | -26% | 89 | $2,271 | $26,450,000 | 7 |
| May 23, 2003 | 55 | $50,000 | -75% | 43 | $1,163 | $26,500,000 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/2003 | $367,779 | 151 | 151 | 151 | $367,779 | 4/2/2020 | |||
| Rest of World | $16,929,952 | |||||||||
| International Total | $17,297,731 | 4/2/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Vin Diesel | Sean Vetter |
Supporting
| Larenz Tate | Demetrius Hicks | |
| Timothy Olyphant | Hollywood Jack Slayton, AKA "Diablo" | |
| Geno Silva | Guillermo "Memo" Lucero | |
| Steve Eastin | Ty Frost | |
| Jacqueline Obradors | Stacy Vetter | |
| Juan Fernandez | Mateo Santos | |
| Jeff Kober | Pomona Joe | |
| Marco Rodriguez | Hondo | |
| Mike Moroff | Gustavo Leon | |
| Emilio Rivera | Garza | |
| George Sharperson | Big Sexy | |
| Malieek W. Straughter | Overdose | |
| Alice Amter | Marta | |
| Jim Boeke | Bad Cop | |
| Atiana Coons-Parker | Rachel Hicks | |
| Ken Davitian | Ramon Cadena | |
| Aleane Fitz Carter | Old Lady | |
| Robert Fraade | Counsel | |
| Zachary John Gonzales | Lucero's Son | |
| Richard Gross | Old Agent | |
| Richard Haje | Lucero's Bodyguard | |
| Terri Hoyos | Lucero's Wife | |
| Thomas Kopache | Chief Neal | |
| Julia Lee | Spa Receptionist | |
| F. Valentino Morales | GT Commando | |
| Scott Reitz | D.E.A. Agent | |
| Joe Xavier Rodriguez | Mexican Bureaucrat | |
| Mik Scriba | Prison Guard | |
| Karin "Yizette" Stephens* | Candice Hicks | |
| Rachel Sterling | Assia | |
| Rubelio Bracamonte | Santos Henchman | |
| Ben Bray | Assassin | |
| Toby Holguin | Assassin | |
| Norm Compton | Bat | |
| Esteban Cueto | Federale | |
| Diana Espen | Stripper | |
| Paula Harrison | Dancer | |
| Lamont Tyler | Tow Truck Driver | |
| Dawnn Alane | Nightclub Worker | |
| Elizabeth Alvarez | Nightclub Worker | |
| Roslyn Bezanilla | Nightclub Worker | |
| Charlie Curtis | Nightclub Worker | |
| Azalea Davila | Nightclub Worker | |
| Kristin Eckert | Nightclub Worker | |
| Sonia Enriquez | Nightclub Worker | |
| Cristina LaMonica | Nightclub Worker | |
| Laura Salem | Nightclub Worker |
Production and Technical Credits
| F. Gary Gray | Director | |
| Christian Gudegast | Screenwriter | |
| Paul Scheuring | Screenwriter | |
| Tucker Tooley | Producer | |
| Vincent Newman | Producer | |
| Joseph Nittolo | Producer | |
| Vin Diesel | Producer | |
| George Zakk | Producer | |
| Michael De Luca | Executive Producer | |
| Claire Rudnick Polstein | Executive Producer | |
| F. Gary Gray | Executive Producer | |
| Robert J. Degus | Executive Producer | |
| Ida Random | Production Designer | |
| Bob Brown | Editor | |
| William Hoy | Editor | |
| Anne Dudley | Composer | |
| Jack N. Green | Director of Photography | |
| Hans Bjerno | Director of Photography (Aerial) | |
| Janet Hirshenson | Casting Director | |
| Jane Jenkins | Casting Director | |
| George Zakk | Co-Producer | |
| Meredyth Frattolillo | Associate Producer | |
| Nancy Lanham | Associate Producer | |
| Michael Nelson | Line Producer | |
| Douglas C. Metzger | Assistant Director | |
| Michael A. Benson | Second Unit Director | |
| Leon Dudevoir | Unit Production Manager | |
| Allen Alsobrook | Unit Production Manager | |
| Christine White | Production Supervisor | |
| Jeffrey Berk | Production Supervisor | |
| Tom Reta | Art Director | |
| Ellen Totleben | Set Decorator | |
| Michael A. Benson | Second Unit Camera | |
| Shawn Barton | Costume Designer | |
| Claudia Wick | Costume Supervisor | |
| Sean Hubbert | Additional Editor | |
| Walter Martin | Sound Mixer | |
| Rick Ash | Re-recording Mixer | |
| Adam Jenkins | Re-recording Mixer | |
| Drew Webster | Re-recording Mixer | |
| David Whittaker | Supervising Sound Editor | |
| Avram D. Gold | Supervising Sound Editor | |
| Mark A. Lanza | Sound Editor | |
| Piero Mura | Sound Editor | |
| David E. Stone | Sound Editor | |
| Jussi Tegelman | Sound Editor | |
| Mark Mangini | Sound Desginer-Supervising Sound Designer | |
| Eric Lindemann | Sound Designer | |
| Cliff Latimer | Dialogue Editor | |
| Mark Mangino | Dialogue Editor | |
| Mike Flicker | Music Editor-Supervising Music Editor | |
| David Atherton | Make up | |
| Gil Mosko | Make up | |
| Frances Mathias | Hairstylist | |
| Jeri Baker Sadler | Hairstylist | |
| Erma Kent | Hairstylist | |
| J. Peter Robinson | Additional Music | |
| Dana Sano | Music Supervisor | |
| Tim Davison | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
With nothing left to lose, agent Sean Vetter, already notorious for his violent tactics, uses every means--even an alliance with the former cartel boss he jailed--as he edges dangerously close to the line between justice and lawlessness in his brutal quest for vengeance against a mysterious killer known only as El Diablo. Now, stalking the Tijuana nights accompanied by the glint off the barrel of his rifle, Vetter hunts ... A Man Apart.
Metrics
| Opening Weekend: | $11,019,224 (41.6% of total gross) |
| Legs: | 2.40 (domestic box office/biggest weekend) |
| Domestic Share: | 60.5% (domestic box office/worldwide) |
| Production Budget: | $36,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,459 opening theaters/2,495 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,560,528 |
Movie Details
| Domestic Releases: | April 4th, 2003 (Wide) by New Line |
| International Releases: | June 12th, 2003 (Wide) (Australia) |
| MPA Rating: | R for strong graphic violence, language, drug content and sexuality. |
| Running Time: | 109 minutes |
| Plot point: | DEA Agent, Death of a Spouse or Fiancée / Fiancé, Drug Cartels, Going Legit, Revenge, Vigilante |
| Social setting: | Hood Film, Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Vincent Newman, Tucker Tooley, Joseph Nittolo Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2003 | 3 | $11,019,224 | 2,459 | $4,481 | $11,019,224 | 1 | |
| Apr 11, 2003 | 5 | $4,457,668 | -60% | 2,495 | $1,787 | $18,276,063 | 2 |
| Apr 18, 2003 | 8 | $2,804,432 | -37% | 2,174 | $1,290 | $22,763,440 | 3 |
| Apr 25, 2003 | 16 | $1,200,774 | -57% | 1,235 | $972 | $25,105,722 | 4 |
| May 2, 2003 | 25 | $340,771 | -72% | 454 | $751 | $25,846,938 | 5 |
| May 9, 2003 | 27 | $208,931 | -39% | 258 | $810 | $26,183,197 | 6 |
| May 16, 2003 | 47 | $56,023 | -73% | 89 | $629 | $26,303,905 | 7 |
| May 23, 2003 | 50 | $50,000 | -11% | 43 | $1,163 | $26,500,000 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 4, 2003 | 2 | $4,058,500 | 2,459 | $1,650 | $4,058,500 | 1 | ||
| Apr 5, 2003 | 3 | $4,212,000 | +4% | 2,459 | $1,713 | $8,270,500 | 2 | |
| Apr 6, 2003 | 3 | $2,873,000 | -32% | 2,459 | $1,168 | $11,019,224 | 3 | |
| Apr 7, 2003 | 2 | $768,000 | -73% | 2,459 | $312 | $11,787,000 | 4 | |
| Apr 8, 2003 | 2 | $842,000 | +10% | 2,459 | $342 | $12,630,000 | 5 | |
| Apr 9, 2003 | 2 | $699,000 | -17% | 2,459 | $284 | $13,328,000 | 6 | |
| Apr 10, 2003 | 2 | $606,000 | -13% | 2,459 | $246 | $13,818,000 | 7 | |
| Apr 11, 2003 | 5 | $1,371,000 | +126% | -66% | 2,495 | $549 | $15,189,000 | 8 |
| Apr 12, 2003 | 6 | $1,824,000 | +33% | -57% | 2,495 | $731 | $16,969,000 | 9 |
| Apr 13, 2003 | 4 | $1,307,000 | -28% | -55% | 2,495 | $524 | $18,276,063 | 10 |
| Apr 14, 2003 | 4 | $435,000 | -67% | -43% | 2,495 | $174 | $18,711,000 | 11 |
| Apr 15, 2003 | 4 | $459,000 | +6% | -45% | 2,495 | $184 | $19,170,000 | 12 |
| Apr 16, 2003 | 7 | $394,000 | -14% | -44% | 2,495 | $158 | $19,564,000 | 13 |
| Apr 17, 2003 | 8 | $363,000 | -8% | -40% | 2,495 | $145 | $19,927,000 | 14 |
| Apr 18, 2003 | 8 | $986,000 | +172% | -28% | 2,495 | $395 | $20,545,000 | 15 |
| Apr 19, 2003 | 8 | $1,034,000 | +5% | -43% | 2,174 | $476 | $21,579,000 | 16 |
| Apr 20, 2003 | 8 | $802,000 | -22% | -39% | 2,174 | $369 | $22,763,440 | 17 |
| Apr 21, 2003 | 8 | $355,000 | -56% | -18% | 2,174 | $163 | $23,118,000 | 18 |
| Apr 22, 2003 | 9 | $275,000 | -23% | -40% | 2,174 | $126 | $23,393,000 | 19 |
| Apr 23, 2003 | 9 | $271,000 | -1% | -31% | 2,174 | $125 | $23,664,000 | 20 |
| Apr 24, 2003 | 9 | $252,000 | -7% | -31% | 2,174 | $116 | $23,905,000 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2003 | 2 | $13,818,395 | 2,459 | $5,620 | $13,818,395 | 1 | |
| Apr 11, 2003 | 5 | $6,140,613 | -56% | 2,495 | $2,461 | $19,959,008 | 2 |
| Apr 18, 2003 | 8 | $3,945,940 | -36% | 2,174 | $1,815 | $23,904,948 | 3 |
| Apr 25, 2003 | 17 | $1,601,219 | -59% | 1,235 | $1,297 | $25,506,167 | 4 |
| May 2, 2003 | 23 | $468,099 | -71% | 454 | $1,031 | $25,974,266 | 5 |
| May 9, 2003 | 29 | $273,616 | -42% | 258 | $1,061 | $26,247,882 | 6 |
| May 16, 2003 | 28 | $202,118 | -26% | 89 | $2,271 | $26,450,000 | 7 |
| May 23, 2003 | 55 | $50,000 | -75% | 43 | $1,163 | $26,500,000 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/2003 | $367,779 | 151 | 151 | 151 | $367,779 | 4/2/2020 | |||
| Rest of World | $16,929,952 | |||||||||
| International Total | $17,297,731 | 4/2/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Vin Diesel | Sean Vetter |
Supporting
| Larenz Tate | Demetrius Hicks | |
| Timothy Olyphant | Hollywood Jack Slayton, AKA "Diablo" | |
| Geno Silva | Guillermo "Memo" Lucero | |
| Steve Eastin | Ty Frost | |
| Jacqueline Obradors | Stacy Vetter | |
| Juan Fernandez | Mateo Santos | |
| Jeff Kober | Pomona Joe | |
| Marco Rodriguez | Hondo | |
| Mike Moroff | Gustavo Leon | |
| Emilio Rivera | Garza | |
| George Sharperson | Big Sexy | |
| Malieek W. Straughter | Overdose | |
| Alice Amter | Marta | |
| Jim Boeke | Bad Cop | |
| Atiana Coons-Parker | Rachel Hicks | |
| Ken Davitian | Ramon Cadena | |
| Aleane Fitz Carter | Old Lady | |
| Robert Fraade | Counsel | |
| Zachary John Gonzales | Lucero's Son | |
| Richard Gross | Old Agent | |
| Richard Haje | Lucero's Bodyguard | |
| Terri Hoyos | Lucero's Wife | |
| Thomas Kopache | Chief Neal | |
| Julia Lee | Spa Receptionist | |
| F. Valentino Morales | GT Commando | |
| Scott Reitz | D.E.A. Agent | |
| Joe Xavier Rodriguez | Mexican Bureaucrat | |
| Mik Scriba | Prison Guard | |
| Karin "Yizette" Stephens* | Candice Hicks | |
| Rachel Sterling | Assia | |
| Rubelio Bracamonte | Santos Henchman | |
| Ben Bray | Assassin | |
| Toby Holguin | Assassin | |
| Norm Compton | Bat | |
| Esteban Cueto | Federale | |
| Diana Espen | Stripper | |
| Paula Harrison | Dancer | |
| Lamont Tyler | Tow Truck Driver | |
| Dawnn Alane | Nightclub Worker | |
| Elizabeth Alvarez | Nightclub Worker | |
| Roslyn Bezanilla | Nightclub Worker | |
| Charlie Curtis | Nightclub Worker | |
| Azalea Davila | Nightclub Worker | |
| Kristin Eckert | Nightclub Worker | |
| Sonia Enriquez | Nightclub Worker | |
| Cristina LaMonica | Nightclub Worker | |
| Laura Salem | Nightclub Worker |
Production and Technical Credits
| F. Gary Gray | Director | |
| Christian Gudegast | Screenwriter | |
| Paul Scheuring | Screenwriter | |
| Tucker Tooley | Producer | |
| Vincent Newman | Producer | |
| Joseph Nittolo | Producer | |
| Vin Diesel | Producer | |
| George Zakk | Producer | |
| Michael De Luca | Executive Producer | |
| Claire Rudnick Polstein | Executive Producer | |
| F. Gary Gray | Executive Producer | |
| Robert J. Degus | Executive Producer | |
| Ida Random | Production Designer | |
| Bob Brown | Editor | |
| William Hoy | Editor | |
| Anne Dudley | Composer | |
| Jack N. Green | Director of Photography | |
| Hans Bjerno | Director of Photography (Aerial) | |
| Janet Hirshenson | Casting Director | |
| Jane Jenkins | Casting Director | |
| George Zakk | Co-Producer | |
| Meredyth Frattolillo | Associate Producer | |
| Nancy Lanham | Associate Producer | |
| Michael Nelson | Line Producer | |
| Douglas C. Metzger | Assistant Director | |
| Michael A. Benson | Second Unit Director | |
| Leon Dudevoir | Unit Production Manager | |
| Allen Alsobrook | Unit Production Manager | |
| Christine White | Production Supervisor | |
| Jeffrey Berk | Production Supervisor | |
| Tom Reta | Art Director | |
| Ellen Totleben | Set Decorator | |
| Michael A. Benson | Second Unit Camera | |
| Shawn Barton | Costume Designer | |
| Claudia Wick | Costume Supervisor | |
| Sean Hubbert | Additional Editor | |
| Walter Martin | Sound Mixer | |
| Rick Ash | Re-recording Mixer | |
| Adam Jenkins | Re-recording Mixer | |
| Drew Webster | Re-recording Mixer | |
| David Whittaker | Supervising Sound Editor | |
| Avram D. Gold | Supervising Sound Editor | |
| Mark A. Lanza | Sound Editor | |
| Piero Mura | Sound Editor | |
| David E. Stone | Sound Editor | |
| Jussi Tegelman | Sound Editor | |
| Mark Mangini | Sound Desginer-Supervising Sound Designer | |
| Eric Lindemann | Sound Designer | |
| Cliff Latimer | Dialogue Editor | |
| Mark Mangino | Dialogue Editor | |
| Mike Flicker | Music Editor-Supervising Music Editor | |
| David Atherton | Make up | |
| Gil Mosko | Make up | |
| Frances Mathias | Hairstylist | |
| Jeri Baker Sadler | Hairstylist | |
| Erma Kent | Hairstylist | |
| J. Peter Robinson | Additional Music | |
| Dana Sano | Music Supervisor | |
| Tim Davison | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.