Man Down (2016)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $19,623 | Details |
| Worldwide Box Office | $19,623 | |
| OpusData ID: 267090100 More info... | ||
| Further financial details... | ||
Synopsis
When U.S. Marine Gabriel Drummer returns home from his tour in Afghanistan, he finds that the place he once called home is no better than the battlefields he fought on overseas. Accompanied by his best friend Devin Roberts, a hard-nosed Marine whose natural instinct is to shoot first and ask questions later, he searches desperately for the whereabouts of his estranged son, Johnathan, and wife, Natalie. In their search, the two intercept Charles, a man carrying vital information about the whereabouts of Gabriel’s family. As we revisit the past, we are guided in unraveling the puzzle of Gabriel’s experience and what will eventually lead us to finding his family.
Metrics
Movie Details
| Domestic Releases: | December 2nd, 2016 (Limited) by Lionsgate Premiere |
| International Releases: | March 10th, 2017 (Wide) (Russia (CIS))
March 31st, 2017 (Wide) (United Kingdom) January 12th, 2018 (Wide), released as Man Down - A Guerra (Portugal) |
| Video Release: | February 21st, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for some disturbing violence, and language throughout. (Rating bulletin 2437 (Cert #49969), 8/10/2016) |
| Running Time: | 90 minutes |
| Plot point: | Returning Soldiers, The Past Catching up with You |
| Social setting: | Afghanistan War, Military Life |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Lionsgate Premiere, Mpower Pictures, Krannel Pictures, Binary Light, The Solution Entertainment Group |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 1/12/2018 | $2,270 | 3 | 3 | 6 | $4,046 | 1/22/2018 | |||
| Russia (CIS) | 3/10/2017 | $8,325 | 0 | 0 | 0 | $15,551 | 1/1/2019 | |||
| United Kingdom | 3/31/2017 | $9 | 1 | 1 | 1 | $26 | 4/7/2017 | |||
| International Total | $19,623 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Shia LaBeouf | Gabriel Drummer |
Supporting
| Kate Mara | Natalie Drummer | |
| Jai Courtney | Devin Roberts | |
| Gary Oldman | Counselor Peyton | |
| Clifton Collins, Jr. | Charles | |
| Tory Kittles | Sergeant Miller | |
| Charlie Shotwell | Johnathan Drummer | |
| Jose Pablo Cantillo | 2nd Lt. Taylor | |
| Justin Smith | Stanton | |
| Paul Sado | Spori | |
| Pierre Kennel | Officer Walnum | |
| Ned Yousef | Officer Osiris | |
| Jaylen Moore | SWAT Officer #1 | |
| Ian Casselberry | SWAT Officer #2 | |
| Jim Klock | Police Officer |
Cameo
| Bill O'Reilly | Himself |
Supporting
| Kenzo Cervoni | Small Afghan Boy | |
| Wole Parks | Chance | |
| Zehra Fazal | Pashto Woman #1 | |
| Naz Devarian | Pashto Woman #2 | |
| Reem Kadem | Nurse / Afghani Mother | |
| Mustafa Haidari | Afghani Father | |
| Greg Vrotsos | Marine Mechanic | |
| Nick Jones Jr. | Sergeant Moore | |
| Adrian Lockett | Platoon Soldier | |
| Christopher Berry | Medic | |
| Kenny Williams | Boy at Picnic |
Production and Technical Credits
| Dito Montiel | Director | |
| Dito Montiel | Screenwriter | |
| Adam G. Simon | Screenwriter | |
| Adam G. Simon | Story by | |
| Stephen McEveety | Producer | |
| Dawn Krantz | Producer | |
| Jon Burton | Producer | |
| Helen Burton | Executive Producer | |
| Roger Goff | Executive Producer | |
| John Shepherd | Executive Producer | |
| David Segel | Executive Producer | |
| Pierre Kennel | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Betsy Danbury | Executive Producer | |
| Shelly Johnson | Director of Photography | |
| Aaron Osborne | Production Designer | |
| Jake Pushinsky | Editor | |
| Mark Yoshikawa | Editor | |
| Christine Wada | Costume Designer | |
| Dan Lester | Co-Costume Designer | |
| Clint Mansell | Composer | |
| Patrick Hibler | Co-Producer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Kier Lehman | Music Supervisor | |
| Federico Bauder Mantellini | Executive Producer | |
| Martin Sprock | Executive Producer | |
| Devin Goodsell | Executive Producer | |
| Billy Wirth | Executive Producer | |
| Myles Nestel | Executive Producer | |
| Lisa Wilson | Executive Producer | |
| Jeff Elliott | Executive Producer | |
| Jim Pesoli | Associate Producer | |
| Michael J Urann | Associate Producer | |
| Barry Alexander | Associate Producer | |
| Charles Zeller | Associate Producer | |
| Betsy Danbury | Unit Production Manager | |
| J.B. Rogers | First Assistant Director | |
| Tommy Martin | Second Assistant Director | |
| Andrew Blau | Production Supervisor | |
| Erin Cochran | Art Director | |
| Kristin Bicksler | Set Decorator | |
| Jean Paul Chreky | Script Supervisor | |
| Richard Schexnayder | Sound Mixer | |
| Robin Mathews | Make up | |
| Ashley Walsh | Make up | |
| Jennifer Hodges | Hairstylist | |
| Linda Traxler | Hairstylist | |
| Andree Fortier | Costume Supervisor | |
| Guy Clayton | Special Effects Coordinator | |
| Kolie Wegner | Associate Producer | |
| Alissa M. Kantrow | Associate Producer | |
| Lisa Zagoria | Casting Associate | |
| Dana Hanby | Location Manager | |
| Jessica Ochoa | Set Designer | |
| Chris Terhune | Supervising Sound Editor | |
| Richard 'Tricky' Kitting | Re-recording Mixer | |
| Kyle Arzt | Additional Sound Re-recording Mixer | |
| Ryan Briley | Dialogue Editor | |
| James Miller | Sound Effects Editor | |
| Derek McGinley | Sound Effects Editor | |
| Sean Findley | Visual Effects Producer | |
| Natalia Sorokina | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When U.S. Marine Gabriel Drummer returns home from his tour in Afghanistan, he finds that the place he once called home is no better than the battlefields he fought on overseas. Accompanied by his best friend Devin Roberts, a hard-nosed Marine whose natural instinct is to shoot first and ask questions later, he searches desperately for the whereabouts of his estranged son, Johnathan, and wife, Natalie. In their search, the two intercept Charles, a man carrying vital information about the whereabouts of Gabriel’s family. As we revisit the past, we are guided in unraveling the puzzle of Gabriel’s experience and what will eventually lead us to finding his family.
Metrics
Movie Details
| Domestic Releases: | December 2nd, 2016 (Limited) by Lionsgate Premiere |
| International Releases: | March 10th, 2017 (Wide) (Russia (CIS))
March 31st, 2017 (Wide) (United Kingdom) January 12th, 2018 (Wide), released as Man Down - A Guerra (Portugal) |
| Video Release: | February 21st, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for some disturbing violence, and language throughout. (Rating bulletin 2437 (Cert #49969), 8/10/2016) |
| Running Time: | 90 minutes |
| Plot point: | Returning Soldiers, The Past Catching up with You |
| Social setting: | Afghanistan War, Military Life |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Lionsgate Premiere, Mpower Pictures, Krannel Pictures, Binary Light, The Solution Entertainment Group |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 1/12/2018 | $2,270 | 3 | 3 | 6 | $4,046 | 1/22/2018 | |||
| Russia (CIS) | 3/10/2017 | $8,325 | 0 | 0 | 0 | $15,551 | 1/1/2019 | |||
| United Kingdom | 3/31/2017 | $9 | 1 | 1 | 1 | $26 | 4/7/2017 | |||
| International Total | $19,623 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Shia LaBeouf | Gabriel Drummer |
Supporting
| Kate Mara | Natalie Drummer | |
| Jai Courtney | Devin Roberts | |
| Gary Oldman | Counselor Peyton | |
| Clifton Collins, Jr. | Charles | |
| Tory Kittles | Sergeant Miller | |
| Charlie Shotwell | Johnathan Drummer | |
| Jose Pablo Cantillo | 2nd Lt. Taylor | |
| Justin Smith | Stanton | |
| Paul Sado | Spori | |
| Pierre Kennel | Officer Walnum | |
| Ned Yousef | Officer Osiris | |
| Jaylen Moore | SWAT Officer #1 | |
| Ian Casselberry | SWAT Officer #2 | |
| Jim Klock | Police Officer |
Cameo
| Bill O'Reilly | Himself |
Supporting
| Kenzo Cervoni | Small Afghan Boy | |
| Wole Parks | Chance | |
| Zehra Fazal | Pashto Woman #1 | |
| Naz Devarian | Pashto Woman #2 | |
| Reem Kadem | Nurse / Afghani Mother | |
| Mustafa Haidari | Afghani Father | |
| Greg Vrotsos | Marine Mechanic | |
| Nick Jones Jr. | Sergeant Moore | |
| Adrian Lockett | Platoon Soldier | |
| Christopher Berry | Medic | |
| Kenny Williams | Boy at Picnic |
Production and Technical Credits
| Dito Montiel | Director | |
| Dito Montiel | Screenwriter | |
| Adam G. Simon | Screenwriter | |
| Adam G. Simon | Story by | |
| Stephen McEveety | Producer | |
| Dawn Krantz | Producer | |
| Jon Burton | Producer | |
| Helen Burton | Executive Producer | |
| Roger Goff | Executive Producer | |
| John Shepherd | Executive Producer | |
| David Segel | Executive Producer | |
| Pierre Kennel | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Betsy Danbury | Executive Producer | |
| Shelly Johnson | Director of Photography | |
| Aaron Osborne | Production Designer | |
| Jake Pushinsky | Editor | |
| Mark Yoshikawa | Editor | |
| Christine Wada | Costume Designer | |
| Dan Lester | Co-Costume Designer | |
| Clint Mansell | Composer | |
| Patrick Hibler | Co-Producer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Kier Lehman | Music Supervisor | |
| Federico Bauder Mantellini | Executive Producer | |
| Martin Sprock | Executive Producer | |
| Devin Goodsell | Executive Producer | |
| Billy Wirth | Executive Producer | |
| Myles Nestel | Executive Producer | |
| Lisa Wilson | Executive Producer | |
| Jeff Elliott | Executive Producer | |
| Jim Pesoli | Associate Producer | |
| Michael J Urann | Associate Producer | |
| Barry Alexander | Associate Producer | |
| Charles Zeller | Associate Producer | |
| Betsy Danbury | Unit Production Manager | |
| J.B. Rogers | First Assistant Director | |
| Tommy Martin | Second Assistant Director | |
| Andrew Blau | Production Supervisor | |
| Erin Cochran | Art Director | |
| Kristin Bicksler | Set Decorator | |
| Jean Paul Chreky | Script Supervisor | |
| Richard Schexnayder | Sound Mixer | |
| Robin Mathews | Make up | |
| Ashley Walsh | Make up | |
| Jennifer Hodges | Hairstylist | |
| Linda Traxler | Hairstylist | |
| Andree Fortier | Costume Supervisor | |
| Guy Clayton | Special Effects Coordinator | |
| Kolie Wegner | Associate Producer | |
| Alissa M. Kantrow | Associate Producer | |
| Lisa Zagoria | Casting Associate | |
| Dana Hanby | Location Manager | |
| Jessica Ochoa | Set Designer | |
| Chris Terhune | Supervising Sound Editor | |
| Richard 'Tricky' Kitting | Re-recording Mixer | |
| Kyle Arzt | Additional Sound Re-recording Mixer | |
| Ryan Briley | Dialogue Editor | |
| James Miller | Sound Effects Editor | |
| Derek McGinley | Sound Effects Editor | |
| Sean Findley | Visual Effects Producer | |
| Natalia Sorokina | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.