The Man With One Red Shoe (1985)
| Theatrical Performance | ||
| Domestic Box Office | $8,645,411 | Details |
| OpusData ID: 39390100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,139,025 (36.3% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,044 opening theaters/1,049 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,543,548 |
Movie Details
| Domestic Releases: | July 19th, 1985 (Wide) by 20th Century Fox |
| MPA Rating: | PG |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | C.I.A., Government Corruption, Mistaken Identity, Musicians, Romance |
| Subgenre: | Crime Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Twentieth Century Fox |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 19, 1985 | 6 | $3,139,025 | 1,044 | $3,007 | $3,139,025 | 1 | |
| Jul 26, 1985 | 11 | $1,607,272 | -49% | 1,049 | $1,532 | $6,494,902 | 2 |
| Aug 2, 1985 | 16 | $567,609 | -65% | 426 | $1,332 | $7,967,504 | 3 |
| Aug 9, 1985 | 22 | $156,298 | -72% | 166 | $942 | $8,457,271 | 4 |
| Aug 16, 1985 | 26 | $84,861 | -46% | 103 | $824 | $8,645,411 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 19, 1985 | 6 | $4,887,630 | 1,044 | $4,682 | $4,887,630 | 1 | |
| Jul 26, 1985 | 11 | $2,512,265 | -49% | 1,049 | $2,395 | $7,399,895 | 2 |
| Aug 2, 1985 | 16 | $901,078 | -64% | 426 | $2,115 | $8,300,973 | 3 |
| Aug 9, 1985 | 21 | $259,577 | -71% | 166 | $1,564 | $8,560,550 | 4 |
Supporting
| Tom Hanks | Richard | |
| Dabney Coleman | Cooper | |
| Lori Singer | Maddy | |
| Charles Durning | Ross | |
| James Belushi | Morris | |
| Carrie Fisher | Paula | |
| Edward Herrmann | Brown | |
| Irving Metzman | Virdon | |
| Tom Noonan | Reese | |
| Gerrit Graham | Carson | |
| David L. Lander | Stemple | |
| Ritch Brinkley | Hulse | |
| Frank Hamilton | Edgar | |
| Dortha Duckworth | Natalie | |
| David Ogden Stiers | The Conductor | |
| Julius J. Carry III | CIA Agent | |
| Stephen Bradley | CIA Agent | |
| Art LaFleur | CIA Agent | |
| Richard F. McGonagle* | CIA Agent | |
| George Martin | Senate Chairman | |
| Patricia Gaul | Mrs. Brown | |
| Charles Levin | CIA Dentist | |
| Dan Resin | Man in Car | |
| Tom Rayhall | Sergeant at Arms | |
| Victoria Carroll | Receptionist | |
| Mark Robman | Dentist | |
| Charles Walker | Reporter | |
| David Selburg | Reporter | |
| Lisa Raggio | Reporter | |
| Ivy Bethune | Female Patient | |
| C. Richard Clark | Cab Driver | |
| Tom Chiu | Dickie | |
| Damita Jo Freeman | Waitress | |
| Jeff Ware | Professor Chermenko | |
| Noel De Souza | Officer on Dock | |
| Daniel Ziskie | Young American | |
| Sam Sako | Dock Worker |
Production and Technical Credits
| Stan Dragoti | Director | |
| Victor Drai | Producer | |
| Francis Veber | Story Creator | |
| Yves Robert | Story Creator | |
| Robert Klane | Screenwriter | |
| Richard H. Kline | Director of Photography | |
| Jack Sanders | Associate Producer | |
| Bill Wilson | Associate Producer | |
| Xavier Gelin | Associate Producer | |
| William Beasley | Assistant Director | |
| Max Kleven | Second Unit Director | |
| Henry Kline | Unit Production Manager | |
| Dean E. Mitzner | Production Designer | |
| Anne D. McCulley | Set Decorator | |
| Jack Priestley | Second Unit Camera | |
| William Ware Theiss | Costume Designer | |
| Thalia MacArthur | Costume Supervisor | |
| Bud Molin | Editor | |
| O. Nicholas Brown | Editor | |
| Willie D. Burton | Sound Mixer | |
| Don Bassman | Re-recording Mixer | |
| Kevin F. Cleary | Re-recording Mixer | |
| Garrie Bolger | Re-recording Mixer | |
| Hal Sanders | Sound Editor | |
| Richard Sperber | Sound Editor | |
| David M. Ice | Sound Editor | |
| Lenny Jennings | Sound Editor | |
| Ken Runyon | Music Editor | |
| Robert J. Mills | Make up | |
| Marina Pedraza | Hairstylist | |
| Thomas Newman | Composer | |
| Michael Masser | Love Theme | |
| Dianne Crittenden | Casting Director | |
| Wally Crowder | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,139,025 (36.3% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,044 opening theaters/1,049 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,543,548 |
Movie Details
| Domestic Releases: | July 19th, 1985 (Wide) by 20th Century Fox |
| MPA Rating: | PG |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | C.I.A., Government Corruption, Mistaken Identity, Musicians, Romance |
| Subgenre: | Crime Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Twentieth Century Fox |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 19, 1985 | 6 | $3,139,025 | 1,044 | $3,007 | $3,139,025 | 1 | |
| Jul 26, 1985 | 11 | $1,607,272 | -49% | 1,049 | $1,532 | $6,494,902 | 2 |
| Aug 2, 1985 | 16 | $567,609 | -65% | 426 | $1,332 | $7,967,504 | 3 |
| Aug 9, 1985 | 22 | $156,298 | -72% | 166 | $942 | $8,457,271 | 4 |
| Aug 16, 1985 | 26 | $84,861 | -46% | 103 | $824 | $8,645,411 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 19, 1985 | 6 | $4,887,630 | 1,044 | $4,682 | $4,887,630 | 1 | |
| Jul 26, 1985 | 11 | $2,512,265 | -49% | 1,049 | $2,395 | $7,399,895 | 2 |
| Aug 2, 1985 | 16 | $901,078 | -64% | 426 | $2,115 | $8,300,973 | 3 |
| Aug 9, 1985 | 21 | $259,577 | -71% | 166 | $1,564 | $8,560,550 | 4 |
Supporting
| Tom Hanks | Richard | |
| Dabney Coleman | Cooper | |
| Lori Singer | Maddy | |
| Charles Durning | Ross | |
| James Belushi | Morris | |
| Carrie Fisher | Paula | |
| Edward Herrmann | Brown | |
| Irving Metzman | Virdon | |
| Tom Noonan | Reese | |
| Gerrit Graham | Carson | |
| David L. Lander | Stemple | |
| Ritch Brinkley | Hulse | |
| Frank Hamilton | Edgar | |
| Dortha Duckworth | Natalie | |
| David Ogden Stiers | The Conductor | |
| Julius J. Carry III | CIA Agent | |
| Stephen Bradley | CIA Agent | |
| Art LaFleur | CIA Agent | |
| Richard F. McGonagle* | CIA Agent | |
| George Martin | Senate Chairman | |
| Patricia Gaul | Mrs. Brown | |
| Charles Levin | CIA Dentist | |
| Dan Resin | Man in Car | |
| Tom Rayhall | Sergeant at Arms | |
| Victoria Carroll | Receptionist | |
| Mark Robman | Dentist | |
| Charles Walker | Reporter | |
| David Selburg | Reporter | |
| Lisa Raggio | Reporter | |
| Ivy Bethune | Female Patient | |
| C. Richard Clark | Cab Driver | |
| Tom Chiu | Dickie | |
| Damita Jo Freeman | Waitress | |
| Jeff Ware | Professor Chermenko | |
| Noel De Souza | Officer on Dock | |
| Daniel Ziskie | Young American | |
| Sam Sako | Dock Worker |
Production and Technical Credits
| Stan Dragoti | Director | |
| Victor Drai | Producer | |
| Francis Veber | Story Creator | |
| Yves Robert | Story Creator | |
| Robert Klane | Screenwriter | |
| Richard H. Kline | Director of Photography | |
| Jack Sanders | Associate Producer | |
| Bill Wilson | Associate Producer | |
| Xavier Gelin | Associate Producer | |
| William Beasley | Assistant Director | |
| Max Kleven | Second Unit Director | |
| Henry Kline | Unit Production Manager | |
| Dean E. Mitzner | Production Designer | |
| Anne D. McCulley | Set Decorator | |
| Jack Priestley | Second Unit Camera | |
| William Ware Theiss | Costume Designer | |
| Thalia MacArthur | Costume Supervisor | |
| Bud Molin | Editor | |
| O. Nicholas Brown | Editor | |
| Willie D. Burton | Sound Mixer | |
| Don Bassman | Re-recording Mixer | |
| Kevin F. Cleary | Re-recording Mixer | |
| Garrie Bolger | Re-recording Mixer | |
| Hal Sanders | Sound Editor | |
| Richard Sperber | Sound Editor | |
| David M. Ice | Sound Editor | |
| Lenny Jennings | Sound Editor | |
| Ken Runyon | Music Editor | |
| Robert J. Mills | Make up | |
| Marina Pedraza | Hairstylist | |
| Thomas Newman | Composer | |
| Michael Masser | Love Theme | |
| Dianne Crittenden | Casting Director | |
| Wally Crowder | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.