Man on a Ledge (2012)
| Theatrical Performance | ||
| Domestic Box Office | $18,620,000 | Details |
| International Box Office | $31,001,440 | Details |
| Worldwide Box Office | $49,621,440 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $6,105,445 | |
| Blu-ray Sales (estimated) | $1,995,103 | |
| Total | $8,100,548 | |
| OpusData ID: 143210100 More info... | ||
| Further financial details... | ||
Synopsis
Nick Cassidy makes a desperate and life-threatening move to prove his innocence after he is framed for the theft of a rare, prized diamond. Recently escaped from prison and with nowhere else to go, Nick climbs onto the ledge of a towering skyscraper, inviting the eyes of New York City to anxiously watch as one wrong step could mean plunging to his death. But as one police negotiator soon learns, Nick’s daredevil stunt, captivating the eyes of the public and media, masks a dangerous ploy to reveal the truth about his tarnished name. With the help of his brother and with time running out, Nick’s intricate plan must work perfectly, but when you’re on the 25th floor ledge of a building, going down takes on an entirely more hair-raising meaning.
Metrics
| Opening Weekend: | $8,001,932 (43.0% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 37.5% (domestic box office/worldwide) |
| Production Budget: | $42,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,998 opening theaters/2,998 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,976,784 |
Movie Details
| Domestic Releases: | January 27th, 2012 (Wide) by Lionsgate |
| International Releases: | February 3rd, 2012 (Wide) (Brazil)
March 16th, 2012 (Wide) (Uruguay) March 22nd, 2012 (Wide) (Serbia and Montenegro) April 5th, 2012 (Wide) (Hong Kong) April 6th, 2012 (Wide) (Kenya) ... Show all releases |
| Video Release: | May 29th, 2012 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for violence and brief strong language. (Rating bulletin 2168, 4/20/2011) |
| Running Time: | 102 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Corrupt Cops, False Identity, Framed, Heist, News, NYPD, Police Detective, Revenge, Suicide, Wrongfully Convicted |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Summit Entertainment, di Bonaventura Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2012 | 5 | $8,001,932 | 2,998 | $2,669 | $8,001,932 | 1 | |
| Feb 3, 2012 | 9 | $4,351,036 | -46% | 2,998 | $1,451 | $14,615,810 | 2 |
| Feb 10, 2012 | 16 | $1,301,222 | -70% | 1,423 | $914 | $17,471,432 | 3 |
| Feb 17, 2012 | 28 | $331,508 | -75% | 401 | $827 | $18,377,456 | 4 |
| Feb 24, 2012 | 52 | $54,636 | -84% | 76 | $719 | $18,600,911 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 27, 2012 | 5 | $2,491,173 | 2,998 | $831 | $2,491,173 | 1 | ||
| Jan 28, 2012 | 5 | $3,550,157 | +43% | 2,998 | $1,184 | $6,041,330 | 2 | |
| Jan 29, 2012 | 5 | $1,960,602 | -45% | 2,998 | $654 | $8,001,932 | 3 | |
| Jan 30, 2012 | 5 | $535,074 | -73% | 2,998 | $178 | $8,537,006 | 4 | |
| Jan 31, 2012 | 5 | $681,977 | +27% | 2,998 | $227 | $9,218,983 | 5 | |
| Feb 1, 2012 | 6 | $514,539 | -25% | 2,998 | $172 | $9,733,522 | 6 | |
| Feb 2, 2012 | 6 | $531,252 | +3% | 2,998 | $177 | $10,264,774 | 7 | |
| Feb 3, 2012 | 7 | $1,501,597 | +183% | -40% | 2,998 | $501 | $11,766,371 | 8 |
| Feb 4, 2012 | 9 | $2,227,974 | +48% | -37% | 2,998 | $743 | $13,994,345 | 9 |
| Feb 5, 2012 | 9 | $621,465 | -72% | -68% | 2,998 | $207 | $14,615,810 | 10 |
| Feb 6, 2012 | 9 | $356,295 | -43% | -33% | 2,998 | $119 | $14,972,105 | 11 |
| Feb 7, 2012 | 8 | $496,013 | +39% | -27% | 2,998 | $165 | $15,468,118 | 12 |
| Feb 8, 2012 | 9 | $350,905 | -29% | -32% | 2,998 | $117 | $15,819,023 | 13 |
| Feb 9, 2012 | 8 | $351,187 | n/c | -34% | 2,998 | $117 | $16,170,210 | 14 |
| Feb 10, 2012 | - | $398,699 | +14% | -73% | 1,423 | $280 | $16,568,909 | 15 |
| Feb 11, 2012 | - | $591,800 | +48% | -73% | 1,423 | $416 | $17,160,709 | 16 |
| Feb 12, 2012 | - | $310,723 | -47% | -50% | 1,423 | $218 | $17,471,432 | 17 |
| Feb 13, 2012 | - | $100,107 | -68% | -72% | 1,423 | $70 | $17,571,539 | 18 |
| Feb 14, 2012 | - | $245,952 | +146% | -50% | 1,423 | $173 | $17,817,491 | 19 |
| Feb 15, 2012 | - | $108,435 | -56% | -69% | 1,423 | $76 | $17,925,926 | 20 |
| Feb 16, 2012 | - | $120,022 | +11% | -66% | 1,423 | $84 | $18,045,948 | 21 |
| Feb 17, 2012 | - | $90,968 | -24% | -77% | 401 | $227 | $18,136,916 | 22 |
| Feb 18, 2012 | - | $137,469 | +51% | -77% | 401 | $343 | $18,274,385 | 23 |
| Feb 19, 2012 | - | $103,071 | -25% | -67% | 401 | $257 | $18,377,456 | 24 |
| Feb 20, 2012 | - | $73,699 | -28% | -26% | 401 | $184 | $18,451,155 | 25 |
| Feb 21, 2012 | - | $38,342 | -48% | -84% | 401 | $96 | $18,489,497 | 26 |
| Feb 22, 2012 | - | $28,565 | -25% | -74% | 401 | $71 | $18,518,062 | 27 |
| Feb 23, 2012 | - | $28,213 | -1% | -76% | 401 | $70 | $18,546,275 | 28 |
| Feb 24, 2012 | - | $20,675 | -27% | -77% | 76 | $272 | $18,566,950 | 29 |
| Feb 25, 2012 | - | $21,475 | +4% | -84% | 76 | $283 | $18,588,425 | 30 |
| Feb 26, 2012 | - | $12,486 | -42% | -88% | 76 | $164 | $18,600,911 | 31 |
| Feb 27, 2012 | - | $3,961 | -68% | -95% | 76 | $52 | $18,604,872 | 32 |
| Feb 28, 2012 | - | $4,670 | +18% | -88% | 76 | $61 | $18,609,542 | 33 |
| Feb 29, 2012 | - | $4,876 | +4% | -83% | 76 | $64 | $18,614,418 | 34 |
| Mar 1, 2012 | - | $5,582 | +14% | -80% | 76 | $73 | $18,620,000 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2012 | 5 | $10,264,774 | 2,998 | $3,424 | $10,264,774 | 1 | |
| Feb 3, 2012 | 9 | $5,905,436 | -42% | 2,998 | $1,970 | $16,170,210 | 2 |
| Feb 10, 2012 | 16 | $1,875,738 | -68% | 1,423 | $1,318 | $18,045,948 | 3 |
| Feb 17, 2012 | 28 | $500,327 | -73% | 401 | $1,248 | $18,546,275 | 4 |
| Feb 24, 2012 | 51 | $73,725 | -85% | 76 | $970 | $18,620,000 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 2/3/2012 | $0 | 0 | 2 | 4 | $1,463,377 | 12/11/2015 | |||
| Hong Kong | 4/5/2012 | $0 | 0 | 4 | 4 | $294,084 | 12/6/2015 | |||
| Japan | 7/7/2012 | $556,799 | 305 | 305 | 898 | $3,758,102 | 12/11/2015 | |||
| Kenya | 4/6/2012 | $0 | 0 | 4 | 8 | $25,546 | 12/29/2018 | |||
| New Zealand | 5/17/2012 | $0 | 0 | 4 | 4 | $37,691 | 12/10/2015 | |||
| Serbia and Montenegro | 3/22/2012 | $0 | 0 | 3 | 12 | $11,858 | 12/29/2018 | |||
| Uruguay | 3/16/2012 | $0 | 0 | 2 | 4 | $63,110 | 12/29/2018 | |||
| Venezuela | 9/7/2012 | $3,966 | 33,047 | 33,047 | 65,152 | $130,780 | 12/12/2015 | |||
| Rest of World | $25,216,892 | |||||||||
| International Total | $31,001,440 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Sam Worthington | Nick Cassidy | |
| Elizabeth Banks | Lydia Mercer | |
| Jamie Bell | Joey Cassidy | |
| Anthony Mackie | Mike Ackerman | |
| Edward Burns | Jack Dougherty | |
| Kyra Sedgwick | Suzie Morales | |
| Ed Harris | David Englander |
Supporting
| Mandy Gonzalez | Manager | |
| Bill Sadler | Valet | |
| Barbara Marineau | Screaming Woman | |
| J. Smith-Cameron | Psychiatrist | |
| Patrick Collins | Father Leo | |
| Genesis Rodriguez | Angie | |
| Afton Williamson | Janice Ackeman | |
| Robert Clohessy | Prison Guard | |
| Joe Lisi | Desk Sergeant | |
| Candice McKoy | Cop-Bullhorn | |
| John Solo | Cop-Room | |
| Titus Welliver | Dante Marcus | |
| James Yaegashi | Police Technician | |
| Daniel Sauli | Police Technician | |
| Frank Pando | Cameraman | |
| Jason Kolotouros | ESU | |
| Michael Lee Laurence | Bearded Guy | |
| Don Castro | CSI Tech | |
| Pooja Kumar | Englander's Assistant | |
| John Dossett | Ted Henry | |
| Sylvia Kauders | Angry Traffic Woman | |
| Felix Solis | Nestor | |
| Jabari Gray | Brooklyn Cop | |
| James Andrew O Conner | Brooklyn Cop | |
| Ann Arvia | Investor | |
| Jonathan Walker | Investor | |
| Liz Holtan | Cop | |
| Terry Serpico | Lutz | |
| Erin Quill | Cop - File | |
| Arthur Nascarella | Construction Worker | |
| Jimmy Palumbo | Detective | |
| Bernard J. Calloway | Detective | |
| Gerry Vichi | Older Orthodox Man | |
| Geoffrey Cantor | Gordon Evans | |
| Brett Smith | Tactical Leader | |
| John Comer | Correction Officer |
Production and Technical Credits
| Asger Leth | Director | |
| Pablo F. Fenjves | Screenwriter | |
| Lorenzo di Bonaventura | Producer | |
| Mark Vahradian | Producer | |
| Jake Myers | Executive Producer | |
| David Ready | Executive Producer | |
| Paul Cameron | Director of Photography | |
| Alec Hammond | Production Designer | |
| Kevin Stitt | Editor | |
| Richard Kidd | Visual Effects Supervisor | |
| Susan Lyall | Costume Designer | |
| Henry Jackman | Composer | |
| David Swayze | Art Director | |
| Chryss Hionis | Set Decorator | |
| Michael Barosky | Sound Mixer | |
| Jon Johnson | Supervising Sound Editor | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Greg P. Russell | Re-recording Mixer | |
| Conrad Brinks, Jr. | Special Effects Coordinator | |
| Stephen Pope | Stunt Coordinator | |
| David Wechsler | Assistant Director | |
| G. A. Aguilar | Second Unit Director | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Julie Tucker | Casting Director | |
| Ross Meyerson | Casting Director | |
| Jojo Villanueva | Music Consultant |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Nick Cassidy makes a desperate and life-threatening move to prove his innocence after he is framed for the theft of a rare, prized diamond. Recently escaped from prison and with nowhere else to go, Nick climbs onto the ledge of a towering skyscraper, inviting the eyes of New York City to anxiously watch as one wrong step could mean plunging to his death. But as one police negotiator soon learns, Nick’s daredevil stunt, captivating the eyes of the public and media, masks a dangerous ploy to reveal the truth about his tarnished name. With the help of his brother and with time running out, Nick’s intricate plan must work perfectly, but when you’re on the 25th floor ledge of a building, going down takes on an entirely more hair-raising meaning.
Metrics
| Opening Weekend: | $8,001,932 (43.0% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 37.5% (domestic box office/worldwide) |
| Production Budget: | $42,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,998 opening theaters/2,998 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $27,976,784 |
Movie Details
| Domestic Releases: | January 27th, 2012 (Wide) by Lionsgate |
| International Releases: | February 3rd, 2012 (Wide) (Brazil)
March 16th, 2012 (Wide) (Uruguay) March 22nd, 2012 (Wide) (Serbia and Montenegro) April 5th, 2012 (Wide) (Hong Kong) April 6th, 2012 (Wide) (Kenya) ... Show all releases |
| Video Release: | May 29th, 2012 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for violence and brief strong language. (Rating bulletin 2168, 4/20/2011) |
| Running Time: | 102 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Corrupt Cops, False Identity, Framed, Heist, News, NYPD, Police Detective, Revenge, Suicide, Wrongfully Convicted |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Summit Entertainment, di Bonaventura Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2012 | 5 | $8,001,932 | 2,998 | $2,669 | $8,001,932 | 1 | |
| Feb 3, 2012 | 9 | $4,351,036 | -46% | 2,998 | $1,451 | $14,615,810 | 2 |
| Feb 10, 2012 | 16 | $1,301,222 | -70% | 1,423 | $914 | $17,471,432 | 3 |
| Feb 17, 2012 | 28 | $331,508 | -75% | 401 | $827 | $18,377,456 | 4 |
| Feb 24, 2012 | 52 | $54,636 | -84% | 76 | $719 | $18,600,911 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 27, 2012 | 5 | $2,491,173 | 2,998 | $831 | $2,491,173 | 1 | ||
| Jan 28, 2012 | 5 | $3,550,157 | +43% | 2,998 | $1,184 | $6,041,330 | 2 | |
| Jan 29, 2012 | 5 | $1,960,602 | -45% | 2,998 | $654 | $8,001,932 | 3 | |
| Jan 30, 2012 | 5 | $535,074 | -73% | 2,998 | $178 | $8,537,006 | 4 | |
| Jan 31, 2012 | 5 | $681,977 | +27% | 2,998 | $227 | $9,218,983 | 5 | |
| Feb 1, 2012 | 6 | $514,539 | -25% | 2,998 | $172 | $9,733,522 | 6 | |
| Feb 2, 2012 | 6 | $531,252 | +3% | 2,998 | $177 | $10,264,774 | 7 | |
| Feb 3, 2012 | 7 | $1,501,597 | +183% | -40% | 2,998 | $501 | $11,766,371 | 8 |
| Feb 4, 2012 | 9 | $2,227,974 | +48% | -37% | 2,998 | $743 | $13,994,345 | 9 |
| Feb 5, 2012 | 9 | $621,465 | -72% | -68% | 2,998 | $207 | $14,615,810 | 10 |
| Feb 6, 2012 | 9 | $356,295 | -43% | -33% | 2,998 | $119 | $14,972,105 | 11 |
| Feb 7, 2012 | 8 | $496,013 | +39% | -27% | 2,998 | $165 | $15,468,118 | 12 |
| Feb 8, 2012 | 9 | $350,905 | -29% | -32% | 2,998 | $117 | $15,819,023 | 13 |
| Feb 9, 2012 | 8 | $351,187 | n/c | -34% | 2,998 | $117 | $16,170,210 | 14 |
| Feb 10, 2012 | - | $398,699 | +14% | -73% | 1,423 | $280 | $16,568,909 | 15 |
| Feb 11, 2012 | - | $591,800 | +48% | -73% | 1,423 | $416 | $17,160,709 | 16 |
| Feb 12, 2012 | - | $310,723 | -47% | -50% | 1,423 | $218 | $17,471,432 | 17 |
| Feb 13, 2012 | - | $100,107 | -68% | -72% | 1,423 | $70 | $17,571,539 | 18 |
| Feb 14, 2012 | - | $245,952 | +146% | -50% | 1,423 | $173 | $17,817,491 | 19 |
| Feb 15, 2012 | - | $108,435 | -56% | -69% | 1,423 | $76 | $17,925,926 | 20 |
| Feb 16, 2012 | - | $120,022 | +11% | -66% | 1,423 | $84 | $18,045,948 | 21 |
| Feb 17, 2012 | - | $90,968 | -24% | -77% | 401 | $227 | $18,136,916 | 22 |
| Feb 18, 2012 | - | $137,469 | +51% | -77% | 401 | $343 | $18,274,385 | 23 |
| Feb 19, 2012 | - | $103,071 | -25% | -67% | 401 | $257 | $18,377,456 | 24 |
| Feb 20, 2012 | - | $73,699 | -28% | -26% | 401 | $184 | $18,451,155 | 25 |
| Feb 21, 2012 | - | $38,342 | -48% | -84% | 401 | $96 | $18,489,497 | 26 |
| Feb 22, 2012 | - | $28,565 | -25% | -74% | 401 | $71 | $18,518,062 | 27 |
| Feb 23, 2012 | - | $28,213 | -1% | -76% | 401 | $70 | $18,546,275 | 28 |
| Feb 24, 2012 | - | $20,675 | -27% | -77% | 76 | $272 | $18,566,950 | 29 |
| Feb 25, 2012 | - | $21,475 | +4% | -84% | 76 | $283 | $18,588,425 | 30 |
| Feb 26, 2012 | - | $12,486 | -42% | -88% | 76 | $164 | $18,600,911 | 31 |
| Feb 27, 2012 | - | $3,961 | -68% | -95% | 76 | $52 | $18,604,872 | 32 |
| Feb 28, 2012 | - | $4,670 | +18% | -88% | 76 | $61 | $18,609,542 | 33 |
| Feb 29, 2012 | - | $4,876 | +4% | -83% | 76 | $64 | $18,614,418 | 34 |
| Mar 1, 2012 | - | $5,582 | +14% | -80% | 76 | $73 | $18,620,000 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2012 | 5 | $10,264,774 | 2,998 | $3,424 | $10,264,774 | 1 | |
| Feb 3, 2012 | 9 | $5,905,436 | -42% | 2,998 | $1,970 | $16,170,210 | 2 |
| Feb 10, 2012 | 16 | $1,875,738 | -68% | 1,423 | $1,318 | $18,045,948 | 3 |
| Feb 17, 2012 | 28 | $500,327 | -73% | 401 | $1,248 | $18,546,275 | 4 |
| Feb 24, 2012 | 51 | $73,725 | -85% | 76 | $970 | $18,620,000 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 2/3/2012 | $0 | 0 | 2 | 4 | $1,463,377 | 12/11/2015 | |||
| Hong Kong | 4/5/2012 | $0 | 0 | 4 | 4 | $294,084 | 12/6/2015 | |||
| Japan | 7/7/2012 | $556,799 | 305 | 305 | 898 | $3,758,102 | 12/11/2015 | |||
| Kenya | 4/6/2012 | $0 | 0 | 4 | 8 | $25,546 | 12/29/2018 | |||
| New Zealand | 5/17/2012 | $0 | 0 | 4 | 4 | $37,691 | 12/10/2015 | |||
| Serbia and Montenegro | 3/22/2012 | $0 | 0 | 3 | 12 | $11,858 | 12/29/2018 | |||
| Uruguay | 3/16/2012 | $0 | 0 | 2 | 4 | $63,110 | 12/29/2018 | |||
| Venezuela | 9/7/2012 | $3,966 | 33,047 | 33,047 | 65,152 | $130,780 | 12/12/2015 | |||
| Rest of World | $25,216,892 | |||||||||
| International Total | $31,001,440 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Sam Worthington | Nick Cassidy | |
| Elizabeth Banks | Lydia Mercer | |
| Jamie Bell | Joey Cassidy | |
| Anthony Mackie | Mike Ackerman | |
| Edward Burns | Jack Dougherty | |
| Kyra Sedgwick | Suzie Morales | |
| Ed Harris | David Englander |
Supporting
| Mandy Gonzalez | Manager | |
| Bill Sadler | Valet | |
| Barbara Marineau | Screaming Woman | |
| J. Smith-Cameron | Psychiatrist | |
| Patrick Collins | Father Leo | |
| Genesis Rodriguez | Angie | |
| Afton Williamson | Janice Ackeman | |
| Robert Clohessy | Prison Guard | |
| Joe Lisi | Desk Sergeant | |
| Candice McKoy | Cop-Bullhorn | |
| John Solo | Cop-Room | |
| Titus Welliver | Dante Marcus | |
| James Yaegashi | Police Technician | |
| Daniel Sauli | Police Technician | |
| Frank Pando | Cameraman | |
| Jason Kolotouros | ESU | |
| Michael Lee Laurence | Bearded Guy | |
| Don Castro | CSI Tech | |
| Pooja Kumar | Englander's Assistant | |
| John Dossett | Ted Henry | |
| Sylvia Kauders | Angry Traffic Woman | |
| Felix Solis | Nestor | |
| Jabari Gray | Brooklyn Cop | |
| James Andrew O Conner | Brooklyn Cop | |
| Ann Arvia | Investor | |
| Jonathan Walker | Investor | |
| Liz Holtan | Cop | |
| Terry Serpico | Lutz | |
| Erin Quill | Cop - File | |
| Arthur Nascarella | Construction Worker | |
| Jimmy Palumbo | Detective | |
| Bernard J. Calloway | Detective | |
| Gerry Vichi | Older Orthodox Man | |
| Geoffrey Cantor | Gordon Evans | |
| Brett Smith | Tactical Leader | |
| John Comer | Correction Officer |
Production and Technical Credits
| Asger Leth | Director | |
| Pablo F. Fenjves | Screenwriter | |
| Lorenzo di Bonaventura | Producer | |
| Mark Vahradian | Producer | |
| Jake Myers | Executive Producer | |
| David Ready | Executive Producer | |
| Paul Cameron | Director of Photography | |
| Alec Hammond | Production Designer | |
| Kevin Stitt | Editor | |
| Richard Kidd | Visual Effects Supervisor | |
| Susan Lyall | Costume Designer | |
| Henry Jackman | Composer | |
| David Swayze | Art Director | |
| Chryss Hionis | Set Decorator | |
| Michael Barosky | Sound Mixer | |
| Jon Johnson | Supervising Sound Editor | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Greg P. Russell | Re-recording Mixer | |
| Conrad Brinks, Jr. | Special Effects Coordinator | |
| Stephen Pope | Stunt Coordinator | |
| David Wechsler | Assistant Director | |
| G. A. Aguilar | Second Unit Director | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Julie Tucker | Casting Director | |
| Ross Meyerson | Casting Director | |
| Jojo Villanueva | Music Consultant |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.